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His early work was an imitation of what he produced while working for Deck, but by the 1890s, Lachenal's work showed the influences of the trends and fashions of the late nineteenth century: Japanese prints, the shift from faience pottery to grès, and the emergence of
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studio, starting when he was 15. At the 1873 World's Fair in Vienna, Lachenal's work as a decorator for Deck received an
Honorable Mention. Following this award, he became director of Deck's decoration atelier, a significant promotion for one so young.
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figurative sculptures and decorations for the vases. Their collaboration continued until at least 1907. Lachenal also produced faience editions of vases by
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By 1894 Lachenal had begun casting sculptors' work in stoneware with mat glazes. The best known of his collaborations was with the
Swedish-born sculptor,
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In 1889, Lachenal received his first gold medal at the World's Fair in Paris for his work with faience wares in the style of
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who succeeded him as potters. Edmond
Lachenal was one of the pivotal figures in the development and creation of
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Unlike his peers, Lachenal did not produce matte glazed works, instead creating his matte effects with
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by Martin
Eidelberg, Claire Cass, Hudson Hills Press; illustrated edition (February 25, 2007)
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27:(3 June 1855 – 10 June 1948) was a French potter. He was a key figure in the French
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in ceramics, and his works are comparable in influence and importance to those of
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was one who disapproved), but allowed him to produce brightly colored work.
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movement, and his works are held in many international public collections.
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Edmond
Lachenal (center) and sons, Raoul (left) and Jean-Jacques
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164:Charger with flowers and butterflies,
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125:(1869–1937). She produced
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29:art pottery
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288:References
196:Teapot by
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244:Lunéville
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224:Lunéville
202:Lunéville
127:Symbolist
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