106:
237:. On 14 October 1910, this work was performed for the first time, with overwhelming success. Critics claimed Eysler's operetta signalled a change in the genre. The composer's music was praised, especially the solid instrumentation and the simple harmonies. The success ensured that Eysler remained the BĂĽrgertheater's "house composer". On 23 December 1911, his newest operetta,
31:
313:
Eysler died on 4 October 1949, in Vienna as a consequence of a fall from the stage, and was buried in a grave of honour at the central graveyard in Vienna. With a total of 60 operettas, Eysler's influence in shaping the
Austrian music environment of the time was felt very strongly. International
253:) in March 1913. What was especially well received by reviewers were the catchy, unpretentious melodies. This work had been performed 1793 times by 1921. Even during the years of World War I, more and more of Eysler's operettas were staged at the Vienna BĂĽrgertheater every season, such as
310:), which premiered on 22 December 1947 at the BĂĽrgertheater. For his 75th birthday, he was given the Ring of Honour by the city, and the memorial plaque on his birthplace in Thelemanngasse, which had been removed during the time of the Nazis, was reinstated.
154:
In 1898, he married Poldi
Allnoch, with whom he had two daughters, and in 1901, he found a position as a Kapellmeister. After that, he composed chamber music and piano pieces, as well as the opera
136:
650:
640:
605:
675:
660:
655:
645:
131:
Edmund Eysler was born in Vienna to a merchant family. He was supposed to enter the engineering profession, but his acquaintance with
665:
680:
615:
544:
144:
279:
670:
298:, was by a Jew. Instead of fleeing immediately, he found shelter with relatives and friends. The title of
194:
635:
630:
601:
314:
success was less forthcoming because Eysler's music was Vienna-centric and based on local folklore.
302:
gave him a certain protection. After the war, he achieved his last great success with the operetta
223:
140:
596:
586:(Ă–BL). vol. 1, Verlag der Ă–sterreichischen Akademie der Wissenschaften, Vienna 1957, p. 278.
409:
203:
190:
506:
208:
234:
105:
151:. After completing his degree with many plaudits, Eysler made ends meet by teaching piano.
170:
277:). After the end of World War I, Eysler published one further, very successful operetta,
228:
624:
290:
Due to Eysler's Jewish background, his works were banned from being performed by the
148:
193:
upon completion, but it was spurned by the director for having overly simple music.
611:
30:
132:
120:
89:
63:(until 1892 an independent municipality, since then a district of Vienna)
110:
58:
189:) by Schnitzer. Originally, the work was supposed to be staged at the
291:
207:, which was a big success on its premiere on 20 February 1903, with
104:
597:
Encyclopedia of
Persecuted Musicians of the Nazi Era (in German)
338:
Bearer of the Golden Symbol of Honour of the
Republic of Austria
294:, leading Adolf Hitler to discover that his favourite operetta,
245:) was also well received. This was followed by the premiere of
181:). Eysler was given the task of setting this text to the opera
169:
Through a magnanimous relative, Eysler met the librettist
334:
Träger des
Goldenen Ehrenzeichens der Republik Ă–sterreich
119:(12 March 1874 – 4 October 1949), was an Austrian
109:
95:
85:
69:
40:
21:
584:Österreichisches Biographisches Lexikon 1815–1950'
147:, and became educated as a piano teacher and
8:
29:
18:
606:International Music Score Library Project
201:into an operetta. It became the operetta
287:), which was very successful in Vienna.
197:encouraged Eysler to turn the music for
328:Honoured Citizen of the City of Vienna
7:
348:Ring of Honour of the City of Vienna
14:
324:BĂĽrger ehrenhalber der Stadt Wien
173:, who was compiling the text for
35:Edmund Eysler, Vienna, March 1903
651:20th-century classical composers
641:19th-century classical composers
326:(conferred on 7 October 1927) (
461:(1908) adapted on Broadway as
336:(conferred on 27 March 1934) (
135:led him to study music at the
1:
676:Austrian male opera composers
214:Eysler composed the operetta
661:Austrian classical composers
602:Free scores by Edmund Eysler
656:20th-century male musicians
646:19th-century male musicians
697:
616:Internet Broadway Database
427:Pufferl (Amor di Principe)
300:Honoured Citizen of Vienna
504:; adapted on Broadway as
399:Das Gastmahl des Lucullus
28:
666:Austrian opera composers
344:Ehrenring der Stadt Wien
386:Celebration on Solhaug
356:, Wien-Hietzing (1955)
222:), with a libretto by
160:Celebration on Solhaug
113:
545:Die gold'ne Meisterin
468:Der unsterbliche Lump
449:Das GlĂĽcksschweinchen
346:(conferred in 1949) (
296:Die gold'ne Meisterin
280:Die gold’ne Meisterin
216:Der unsterbliche Lump
108:
99:Die gold’ne Meisterin
514:Der lachende Ehemann
267:That One – Or No One
247:Der lachende Ehemann
117:Edmund Samuel Eysler
45:Edmund Samuel Eysler
681:People from Hernals
582:Eysler Edmund. In:
550:The Golden Mistress
528:Hanni Goes Dancing!
502:One Day in Paradise
498:Ein Tag im Paradies
415:Brother Straubinger
376:The Witches' Mirror
285:The Golden Mistress
220:The Immortal Blight
187:The Witches' Mirror
139:, where he studied
137:Vienna Conservatory
524:Hanni geht tanzen!
518:The Laughing Groom
472:The Undying Blight
421:Die SchĂĽtzenliesel
410:Bruder Straubinger
251:The laughing groom
211:in the main role.
204:Bruder Straubinger
191:Vienna Court Opera
162:), and the ballet
114:
560:Danube Sweetheart
534:Die fromme Helene
507:The Blue Paradise
488:Der Frauenfresser
459:Johann der Zweite
403:Lucullus' Banquet
275:The Dark Treasure
271:Der dunkle Schatz
263:Die – oder Keine!
255:FrĂĽhling am Rhein
239:Der Frauenfresser
233:, for the Vienna
209:Alexander Girardi
103:
102:
64:
16:Austrian composer
688:
482:The Circus Child
382:Fest auf Solhaug
372:Der Hexenspiegel
232:
195:Josef Weinberger
183:Der Hexenspiegel
156:Fest auf Solhaug
76:
62:
54:
52:
33:
19:
696:
695:
691:
690:
689:
687:
686:
685:
621:
620:
593:
579:
492:The Woman-Eater
395:
368:
363:
320:
243:The Woman-Eater
226:
171:Ignaz Schnitzer
164:Schlaraffenland
129:
81:
80:Vienna, Austria
78:
74:
65:
56:
50:
48:
47:
46:
36:
24:
17:
12:
11:
5:
694:
692:
684:
683:
678:
673:
668:
663:
658:
653:
648:
643:
638:
633:
623:
622:
619:
618:
609:
599:
592:
591:External links
589:
588:
587:
578:
575:
574:
573:
570:Viennese Music
563:
553:
541:
531:
521:
511:
495:
485:
478:Das Zirkuskind
475:
465:
463:The June Bride
456:
446:
440:
437:Artists' Blood
430:
424:
418:
406:
394:
391:
390:
389:
379:
367:
364:
362:
361:Selected works
359:
358:
357:
351:
341:
331:
319:
316:
308:Viennese Music
128:
125:
101:
100:
97:
96:Known for
93:
92:
87:
83:
82:
79:
77:(aged 75)
73:4 October 1949
71:
67:
66:
57:
44:
42:
38:
37:
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
693:
682:
679:
677:
674:
672:
671:Austrian Jews
669:
667:
664:
662:
659:
657:
654:
652:
649:
647:
644:
642:
639:
637:
634:
632:
629:
628:
626:
617:
613:
612:Edmund Eysler
610:
607:
603:
600:
598:
595:
594:
590:
585:
581:
580:
576:
571:
567:
564:
561:
557:
556:Donauliebchen
554:
551:
547:
546:
542:
539:
535:
532:
529:
525:
522:
519:
515:
512:
509:
508:
503:
499:
496:
493:
489:
486:
483:
479:
476:
473:
469:
466:
464:
460:
457:
454:
453:The Lucky Pig
450:
447:
444:
443:Vera Violetta
441:
438:
434:
431:
428:
425:
422:
419:
416:
412:
411:
407:
404:
400:
397:
396:
392:
387:
383:
380:
377:
373:
370:
369:
365:
360:
355:
352:
349:
345:
342:
339:
335:
332:
329:
325:
322:
321:
317:
315:
311:
309:
305:
301:
297:
293:
288:
286:
282:
281:
276:
272:
268:
264:
260:
256:
252:
248:
244:
240:
236:
235:BĂĽrgertheater
230:
225:
224:Felix Dörmann
221:
217:
212:
210:
206:
205:
200:
196:
192:
188:
184:
180:
176:
175:Zigeunerbaron
172:
167:
165:
161:
157:
152:
150:
149:Kapellmeister
146:
142:
138:
134:
126:
124:
122:
118:
112:
107:
98:
94:
91:
88:
84:
72:
68:
60:
55:12 March 1874
43:
39:
32:
27:
23:Edmund Eysler
20:
583:
569:
566:Wiener Musik
565:
559:
555:
549:
543:
538:Pious Helene
537:
533:
527:
523:
517:
513:
505:
501:
497:
491:
487:
481:
477:
471:
467:
462:
458:
452:
448:
442:
436:
433:KĂĽnstlerblut
432:
426:
420:
414:
408:
402:
398:
385:
381:
375:
371:
353:
347:
343:
337:
333:
327:
323:
312:
307:
304:Wiener Musik
303:
299:
295:
289:
284:
278:
274:
270:
266:
262:
259:Rhine Spring
258:
254:
250:
246:
242:
238:
219:
215:
213:
202:
199:Hexenspiegel
198:
186:
182:
178:
174:
168:
163:
159:
155:
153:
145:Robert Fuchs
130:
116:
115:
75:(1949-10-04)
636:1949 deaths
631:1874 births
354:Eyslergasse
227: [
141:composition
625:Categories
577:References
179:Gypsy King
86:Occupation
61:, Austria
51:1874-03-12
393:Operettas
127:Biography
568:(1947) (
558:(1932) (
548:(1927) (
536:(1921) (
526:(1916) (
516:(1913) (
500:(1913) (
490:(1911) (
480:(1911) (
470:(1910) (
451:(1908) (
435:(1906) (
413:(1903) (
401:(1901) (
374:(1900) (
133:Leo Fall
121:composer
90:composer
614:at the
608:(IMSLP)
604:at the
111:Hernals
59:Hernals
445:(1907)
429:(1905)
423:(1905)
366:Operas
318:Awards
269:) und
143:under
292:Nazis
231:]
70:Died
41:Born
261:),
627::
229:de
166:.
123:.
572:)
562:)
552:)
540:)
530:)
520:)
510:)
494:)
484:)
474:)
455:)
439:)
417:)
405:)
388:)
384:(
378:)
350:)
340:)
330:)
306:(
283:(
273:(
265:(
257:(
249:(
241:(
218:(
185:(
177:(
158:(
53:)
49:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
