52:
17:
42:". He learned the songs of birds around the United States and began to write down their songs, whistle them and produce melodies. He performed for gatherings of the Audubon Societies. A review of a performance in January 1908 "An Evening in Birdland" given to members of the Audubon Society at the George Washington University said:
46:
His whistling is a natural gift, but his bird songs are the result of constant study and close companionship with birds. Mr Avis adopts a standard in his study of bird music. As he hears a bird's song, he writes it down, whistles it repeatedly, perfects it by study and practice, and the results are
47:
his wonderful little melodies. These melodies were a feature of his lecture last night. Stereopticon pictures were thrown on the screen, Mr Avis would whistle bird songs and one could almost imagine it was summer.
59:
Avis was a careful imitator of birds and he often performed before academic audiences. He also included a mix of his mimicry with the violin. He also performed for blind audiences. He was a contemporary of
31:(1872 - 1955?), an American violinist and stage performer known for his imitations of birdsongs. He performed on the stage in New England and was referred to by the press as "The Bird Man".
217:
72:
and
Winthrop Packard. Many recordings were made by Avis for Columbia Records and after the rise in popularity of the radio, he also contributed to radio shows.
117:
192:
75:
He was interested in conservation and sponsored a 100 dollar reward for anyone who could find an undisturbed nest of the
65:
68:
and several others who specialized in the imitation of birds. His promotional brochures included reviews by
61:
131:
152:
35:
212:
76:
79:
in
Connecticut as part of a national campaign to rescue the bird from extinction in 1910.
69:
206:
197:
51:
16:
170:"A last effort to find and save from extinction the Passenger Pigeon".
50:
15:
193:
Bird Calls with Story, Part II; Bird Calls with Story, Part I
120:. Caught by the River. An antidote to indifference. Issue 6.
40:
woods with his violin and strike up a chorus among the birds
153:"Social circle for blind entertained with bird mimicry"
139:Newsletter of the Evanston North Shore Bird Club
44:
38:, and as you child he was said to go into the "
103:. University of California Press. p. 62.
20:Promotional brochure of "Edward Avis" c. 1920
8:
94:
92:
88:
218:American impressionists (entertainers)
159:. Salem, Massachusetts. 12 April 1930.
112:
110:
7:
14:
1:
118:A True Confluence of Currents
130:di Liscia, Eleonora (2009).
234:
132:"Beginnings: The 1920s"
62:Charles Crawford Gorst
56:
49:
27:was the stage name of
21:
99:Smith, Jacob (2015).
54:
34:Sullivan was born in
19:
116:Tipp, Cheryl (2013)
36:Enfield, Connecticut
57:
55:Cover of a 1927 LP
29:Martin E. Sullivan
22:
225:
180:
179:
167:
161:
160:
149:
143:
142:
136:
127:
121:
114:
105:
104:
96:
77:passenger pigeon
233:
232:
228:
227:
226:
224:
223:
222:
203:
202:
189:
184:
183:
169:
168:
164:
151:
150:
146:
134:
129:
128:
124:
115:
108:
101:Eco-Sonic Media
98:
97:
90:
85:
66:Charles Kellogg
12:
11:
5:
231:
229:
221:
220:
215:
205:
204:
201:
200:
198:Presumed grave
195:
188:
187:External links
185:
182:
181:
162:
144:
122:
106:
87:
86:
84:
81:
70:John Burroughs
13:
10:
9:
6:
4:
3:
2:
230:
219:
216:
214:
211:
210:
208:
199:
196:
194:
191:
190:
186:
177:
173:
166:
163:
158:
154:
148:
145:
140:
133:
126:
123:
119:
113:
111:
107:
102:
95:
93:
89:
82:
80:
78:
73:
71:
67:
63:
53:
48:
43:
41:
37:
32:
30:
26:
18:
175:
171:
165:
157:Unidentified
156:
147:
138:
125:
100:
74:
58:
45:
39:
33:
28:
24:
23:
178:: 10. 1910.
25:Edward Avis
207:Categories
83:References
213:Whistlers
172:Bird Lore
141:: 1–2.
135:(PDF)
209::
176:12
174:.
155:.
137:.
109:^
91:^
64:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.