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from other films into his own films, making the new productions appear more costly than they actually were. This became a drawback by the 1950s, when Finney's stock shots looked noticeably older than the new footage. Finney retired from production in 1952, but in 1957 he partially financed the
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now working as a hostess in a restaurant favored by movie people. Finney, a Gloria Jean fan of long standing, decided to make his own Gloria Jean movie and reactivated Boots and
Saddles Pictures. He wrote, produced, and edited the new film, the lightweight comedy
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Edward Finney found a new outlet for his large library of old films in the 1950s: the lucrative home-movie field. He reprinted dozens of features and shorts, and offered them to collectors in the 16mm and 8mm formats.
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Grand
National gave Finney his first chance at producing films, in 1936. He established Boots and Saddles Pictures and made a successful series of
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as press sheet editor. He advanced to managerial posts in studio advertising departments, with gradually increasing responsibilities, at
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224:(1966), added footage from antique comedies and was aimed at the kiddie-matinée market; Finney played the title role.
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Finney's wide knowledge of film properties was helpful to him as a producer. He often incorporated elaborately staged
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163:(PRC); some of these were good enough to be distributed by the more prosperous Monogram studio. Finney co-produced
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Finney became an independent producer in 1941. Occasionally Finney would be hired to make low-budget features for
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to form Screen Guild
Productions. Finney's later films were distributed by Screen Guild and by United Artists.
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was Edward Finney's last theatrical production. He serviced the home-movie community into the late 1970s.
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and became a surprise hit. In 1946 Finney joined forces with
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121:. Finney was a born salesman and his persuasive ideas landed him a job with
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and took screen credit as producer, under the pseudonym "Edward Frank."
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220:. This version was released to theaters in 1964. A third version,
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In 1959 Edward Finney read newspaper accounts of singing star
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505:, iUniverse, Bloomington, IN, 2005, p. 261-271.
173:(1943), which was released by major distributor
535:Western Movies: A Guide to 5,105 Feature Films
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526:MacGillivray, Scott and MacGillivray, Jan.
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72:Producer, director, writer, film editor
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582:20th-century American businesspeople
528:Gloria Jean: A Little Bit of Heaven.
503:Gloria Jean: A Little Bit of Heaven
407:Buffalo Bill in Tomahawk Territory
263:The Mystery of the Hooded Horsemen
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577:Film producers from New York City
418:(1957, credited as Edward Frank)
152:westerns starring his discovery
161:Producers Releasing Corporation
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271:Tex Rides with the Boy Scouts
113:, and became an engineer at
89:(1903–1983) was an American
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101:to the moviegoing public.
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111:City College of New York
19:Not to be confused with
143:Grand National Pictures
61:Los Angeles, California
501:and Jan MacGillivray,
327:Riders of the Frontier
311:Down the Wyoming Trail
279:Where the Buffalo Roam
16:American film producer
461:King of the Stallions
87:Edward Francis Finney
469:Queen of the Amazons
430:Tobo the Happy Clown
428:(1964) and again as
391:Queen of the Amazons
351:Gentleman from Dixie
234:Selected filmography
228:Tobo the Happy Clown
222:Tobo the Happy Clown
424:(1959), revised as
123:Metro-Goldwyn-Mayer
537:. McFarland, 2012.
533:Pitts, Michael R.
499:Scott MacGillivray
399:Call of the Forest
247:Song of the Gringo
80:1936 - 1966 (film)
43:New York, New York
511:978-0-595-67454-1
191:exploitation film
179:Robert L. Lippert
139:Republic Pictures
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77:Years active
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375:Hi Diddle Diddle
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335:Roll Wagons Roll
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489:Pitts p.174
438:As director
426:The Madcaps
239:As producer
218:The Madcaps
205:Gloria Jean
561:Categories
477:References
453:Riot Squad
367:Corregidor
214:El Brendel
154:Tex Ritter
99:Tex Ritter
415:Gun Girls
194:Gun Girls
119:C.C. Burr
105:Biography
21:Ed Finney
189:quickie
95:director
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472:(1947)
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