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He did significant work preparing editions of
Renaissance composers and was a major figure in redefining standards for critical editions of musical manuscripts. Most of his published articles were collected into the massive two-volume
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America. His 1946 work on the "secret chromatic art" of
Renaissance motets was hotly debated in its time, spurring considerable research into the issues of
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Lowinsky studied piano, composition, and conducting in
Stuttgart at the Hochschule für Musik, 1923–28. In 1933, he obtained his Ph.D. from the
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Das
Antwerpener Motettenbuch Orlando di Lasso’s und seine Beziehungen zum Motettenschaffen der niederländischen Zeitgenossen
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Cipriano de Rore's Venus Motet: its Poetic and
Pictorial Sources
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series from 1964 to 1977, and chaired the 1971 conference on
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University of
Chicago Special Collections Research Center
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Music in the
Culture of the Renaissance and other Essays
179:(ed. with Bonnie J. Blackburn and Clement A. Miller)
32:(January 12, 1908 – October 11, 1985) was an American
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213:Guide to the Edward E. Lowinsky Papers 1920-1986
129:(1989), edited by his second wife, musicologist
199:The New Grove Dictionary of Music and Musicians
149:Secret Chromatic Art in the Netherlands Motet
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164:(proceedings of an international symposium)
181:A Correspondence of Renaissance Musicians
176:, ed. Bonnie J. Blackburn (Chicago, 1989)
127:Music in the Culture of the Renaissance
145:(dissertation, U. of Heidelberg, 1933)
109:(1956–61). From 1961 he taught at the
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70:to Leopold L. and Clara Rosenfeld.
107:University of California, Berkeley
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16:American musicologist (1908–1985)
162:Josquin des Prez: New York 1971
115:Monuments of Renaissance Music
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160:(ed. with B.J. Blackburn)
81:. His dissertation was on
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95:United States citizen
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105:(1947-56), and the
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170:(Provo, UT, 1986)
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151:(New York, 1946)
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83:Orlando di Lasso
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101:(1942–47),
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