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and literary and philosophical societies that existed in most large towns. One of his most popular lectures was a series of three illustrated talks that described
English vocal music, which he delivered at (amongst many other places) Bristol in January 1837. It was Taylor's lectures in Bristol that
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For the first anniversary
Norwich musical festival of 1824, he had trained the chorus, the band, and singers, and made out the programme. His early successes were as singer. He sang at the festival of 1827, and conducted those of 1839 and 1842. For the festival of 1830 he translated
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January 1838, Taylor gave his first three Gresham lectures, which were published that same year. For at least seven years before his professorship, Taylor had toured Britain, lecturing on musical subjects at the
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on 22 January 1784. From 1808 to 1815 Edward Taylor was in business at the corner of
Rampant Horse Street, Norwich. He was
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274:. 'The Cathedral Service, its Glory, its Decline, and its Designed Extinction', appeared as two anonymous articles in the
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which was then performed for the first time in
England. He was on good terms with Spohr, who was his guest at 3
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278:(nos. 33 and 35) in 1844, and were republished together as a single tract, also anonymously, in 1845.
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253:(1839), comprises a selection of madrigals and anthems by Italian masters, adapted to English words.
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Taylor's works include songs, song texts, and textual adaptations. He translated
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who was present at the occasion which occurred on 27 January 1834 at
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345: This article incorporates text from a publication now in the
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29:(1784–1863) was an English singer, writer on music, and
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He died at his house, Gresham
Cottage, Cornlands Road,
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In 1825, he moved to London, and joined his brother
295:Gooch (Of St John's College Cambridge), R. (1836).
251:The Vocal School of Italy in the Sixteenth Century
135:all of which were produced at Norwich Festivals.
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194:gave the idea for the formation of the Bristol
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361:. London: Smith, Elder & Co. 1885–1900.
330:. London: Smith, Elder & Co. 1885–1900.
19:For other people named Edward Taylor, see
168:Prince Augustus Frederick, Duke of Sussex
111:, in 1839 and 1847. He visited Spohr at
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177:On 24 October 1837, on the death of
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415:19th-century British male singers
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358:Dictionary of National Biography
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327:Dictionary of National Biography
301:. W. Holcroft. pp. 65, 66
270:(1844), in collaboration with
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410:People from Brentwood, Essex
164:Here's To Sussex, Our Master
144:Here's To Sussex, Our Master
115:in 1840. In addition to the
16:British musician (1784–1863)
390:English classical composers
264:Musical Antiquarian Society
179:Richard John Samuel Stevens
142:Taylor performed his song
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276:British and Foreign Review
227:and Eberhard von Groote's
183:Gresham Professor of Music
146:to The Duke of Sussex (in
31:Gresham Professor of Music
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158:, Taylor wrote a Masonic
298:The New Masonic Melodist
256:Taylor edited Purcell's
172:Freemasons' Hall, London
154:As a member of London's
119:, he translated Spohr's
268:The People's Music Book
181:, Taylor was appointed
81:John Christmas Beckwith
395:Musicians from Norwich
321:"Taylor, Edward"
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191:Mechanics' Institutes
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405:Writers from Norwich
243:(1845), and Haydn's
400:Writers about music
239:under the title of
225:Friedrich Schneider
133:Christian's Prayer,
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380:1863 deaths
375:1784 births
336:Attribution
272:James Turle
259:King Arthur
246:The Seasons
121:Crucifixion
97:Louis Spohr
48:The son of
33:from 1837.
369:Categories
282:References
241:Redemption
233:The Deluge
209:Brentwood
77:City Road
64:in 1819.
262:for the
127:(1836),
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305:21 June
125:Calvary
58:Norwich
235:, the
113:Cassel
219:Works
213:Essex
123:, or
307:2023
160:glee
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37:Life
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
