36:
17:
112:, both engravers who had apprenticed under Smith, and he had at least two children born out of wedlock with their 18-year-old sister Mary Ward (1764-1832), before finally marrying her in 1788, some six years after the fact. This marriage made Williams a brother-in-law as well to the animal painter
92:
when many apprenticeships began, this means that
Williams may have briefly studied under Hogarth. He eventually became an engraver as well and some of his work was subsequently published by the master of
168:
Mary Ward within a few years left Edward
Williams for another man, leaving behind their son, who was named after his father the engraver. The younger
188:, died that same year, and he is said before his death to have asked Mary Ward's brother James as to the circumstances of Edward Williams' demise.
84:
Williams is said to have been born about 1755, though this is not certain, and he is said to have known the celebrated painter and engraver
176:, but he is best known for raising six sons, all successful landscape painters in their own right, who are collectively known as the
296:
120:(1806) tells us that Williams and Morland were in fact drinking companions. Another member of this notorious group was the
177:
173:
109:
347:
169:
74:
105:
70:
24:
147:
43:
342:
337:
165:. These were all published from 1785 to 1787, some by John Raphael Smith and others by Thomas Prattent.
88:(1697-1764), which would make Williams about 9 years old when Hogarth died. As 9 is the age during the
35:
16:
181:
172:
went on to become a very successful landscape artist, following in the tradition of his artist uncle
98:
47:
292:
124:
66:
158:
155:
85:
127:, who like Morland is remembered as much for his exploits at the taverns as for his art.
185:
162:
139:
113:
331:
78:
218:
73:. Although a competent engraver, he is remembered primarily for being the father of
121:
117:
89:
138:, a copy of which is in the Royal Collection. He also engraved an illustration by
318:
307:
286:
275:
130:
Williams produced several engravings of
Rowlandson's caricatures, most notably
94:
58:
62:
180:. Edward Williams the engraver probably died in 1797 or before, as
34:
15:
288:
James Ward R.A.: Animal
Painter 1769-1859 and his England
312:. Paternoster-Row, London: published by James Cundee.
65:
in the late 1700s, and engraved several prints after
223:Genealogy of the Percy, Williams and Ward families
323:. Woodbridge, Suffolk: Antique Collectors Club.
280:. London: George Bell & Sons. v. II, 778 p.
46:), engraved by Edward Williams, published by
8:
251:Bryan (1889), p. 718; Reynolds (1975), p. 15
104:Williams became friends with the brothers
212:
210:
197:
291:. London: Michael Joseph. p. 42.
309:Memoirs of the life of George Morland
7:
277:Dictionary of Painters and Engavers
154:, the latter in a set of prints of
31:published by Thomas Prattent, 1786
14:
320:The Williams family of painters
1:
144:The Country Vicar's Fireside
29:engraved by Edward Williams,
219:"Edward Williams biography"
178:Williams family of painters
116:, and Morland's biographer
364:
242:Hassell (1808), p. 44-45.
274:Bryan, Michael (1889).
204:Reynolds (1975), p. 15.
317:Reynolds, Jan (1975).
306:Hassell, John (1808).
285:Fussell, G.E. (1974).
260:Fussell (1974), p. 42.
148:John Hamilton Mortimer
57:(c.1755–1797?) was an
51:
44:John Hamilton Mortimer
32:
134:, and another titled
38:
19:
182:Henry Robert Morland
152:The Coke and Perkin
81:landscape painter.
21:The Lovely Brunette
217:Michael S. Clark.
99:John Raphael Smith
52:
48:John Raphael Smith
33:
348:English engravers
146:, and another by
125:Thomas Rowlandson
67:Thomas Rowlandson
355:
324:
313:
302:
281:
261:
258:
252:
249:
243:
240:
234:
233:
231:
229:
214:
205:
202:
184:, the father of
159:Canterbury Tales
363:
362:
358:
357:
356:
354:
353:
352:
328:
327:
316:
305:
299:
284:
273:
270:
265:
264:
259:
255:
250:
246:
241:
237:
227:
225:
216:
215:
208:
203:
199:
194:
170:Edward Williams
132:A College Scene
86:William Hogarth
75:Edward Williams
55:Edward Williams
40:Coke and Perkin
30:
28:
12:
11:
5:
361:
359:
351:
350:
345:
340:
330:
329:
326:
325:
314:
303:
297:
282:
269:
266:
263:
262:
253:
244:
235:
206:
196:
195:
193:
190:
186:George Morland
163:British Museum
140:Henry Wigstead
114:George Morland
13:
10:
9:
6:
4:
3:
2:
360:
349:
346:
344:
341:
339:
336:
335:
333:
322:
321:
315:
311:
310:
304:
300:
298:9780718112424
294:
290:
289:
283:
279:
278:
272:
271:
267:
257:
254:
248:
245:
239:
236:
224:
220:
213:
211:
207:
201:
198:
191:
189:
187:
183:
179:
175:
171:
166:
164:
160:
157:
153:
149:
145:
141:
137:
133:
128:
126:
123:
119:
115:
111:
107:
102:
100:
96:
91:
87:
82:
80:
76:
72:
68:
64:
61:who lived in
60:
56:
49:
45:
41:
37:
26:
22:
18:
343:1790s deaths
338:1750s births
319:
308:
287:
276:
256:
247:
238:
226:. Retrieved
222:
200:
167:
151:
143:
135:
131:
129:
122:caricaturist
118:John Hassell
106:William Ward
103:
90:Georgian era
83:
71:William Ward
54:
53:
39:
25:William Ward
20:
332:Categories
268:References
174:James Ward
110:James Ward
97:engraving
156:Chaucer's
95:mezzotint
79:Victorian
136:Polygamy
59:engraver
161:in the
150:titled
142:titled
42:(after
23:(after
295:
228:18 Oct
63:London
50:, 1787
192:Notes
293:ISBN
230:2012
108:and
77:the
69:and
334::
221:.
209:^
101:.
27:),
301:.
232:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
