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49:, 'Christ weeping over Jerusalem,' after Ary Schefier, the 'Portrait of Frederick William TV. after Otto; 'Two Children,' after Magnus, and his famous 'Portrait of Charles I,' after Vandyke; and was rewarded with a medal of the first class. He was appointed professor of engraving in 1842. Mandel was born in Berlin. He studied from 1824 with the map engraver
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after a painting by
Pollack. After his return he produced a series of engravings considered among the finest in 19th-century German engraving. He was head of the engraving studio at the Akademie der Künste from 1856. His most important work, done shortly before his death, was an engraving after the
45:. Inconsequence of the success of his first work,' The Warrior and his Daughter,' after Hildebrand, in 1830, he was appointed by the academy to engrave the 'Loreley' after Regass. In the same year he obtained a third class medal at Paris, and in 1844 a second class. In 1855 he sent to the
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A biographical and critical dictionary of recent and living painters and engravers: forming a supplement to Bryan's dictionary of painters and engravers, as edited by George
Stanley
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A Biographical and
Critical Dictionary of Recent and Living Painters and Engravers
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He was born at Berlin in 1810, and early received encouragement from King
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after his own design (1830). He completed his first larger work in 1835,
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Carlyle, Thomas; Sanders, Charles
Richard; Ryals, Clyde de L. (1970).
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This article incorporates text from this source, which is in the
41:. He entered the academy in 1826, and worked under Professor
252:(in German). Vol. 11 (4th ed.). 1890. p. 180.
81:(completed 1839). In 1837, he was appointed a member of the
93:, among others. While there, he produced the engraving
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The collected letters of Thomas and Jane Welsh
Carlyle
85:. In 1840 he traveled to Paris, to study further with
69:; it was so well received that he was assigned by the
394:Recipients of the Pour le Mérite (civil class)
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53:, and from 1826 to 1830 in the studio of
115:Portrait of Friedrich Wilhelm III (1830)
57:. His first engraving was a portrait of
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191:Portrait of a young Raphael (1860)
121:, after Theodor Hildebrandt (1835)
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127:, after Carl Joseph Begas (1839)
91:Auguste Gaspard Louis Desnoyers
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156:Elisabeth Ludovika of Bavaria
87:Louis Pierre Henriquel-Dupont
357:Meyers Konversations-Lexikon
249:Meyers Konversations-Lexikon
226:, after Bernhard Plockhorst
73:to make an engraving after
28:Johann August Eduard Mandel
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131:Italienischen Hirtenknaben
95:Italienischen Hirtenknaben
47:Paris Universal Exhibition
292:. Duke University Press.
119:Der Krieger und sein Kind
63:Der Krieger und sein Kind
30:(1810-1882) was a German
71:Prussian Art Association
323:Bryan, Michael (1866).
329:. H. G. Bohn. p.
211:, after Raphael (1872)
199:, after Raphael (1865)
178:, after Raphael (1855)
133:, after Pollack (1840)
65:, after a painting by
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205:, after Titian (1868)
167:Several portraits of
143:Self-portrait, after
136:Self-portrait, after
59:Friedrich Wilhelm III
39:Frederick William III
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162:Charles I of England
152:Friedrich Wilhelm IV
389:Artists from Berlin
219:Bernhard Plockhorst
196:Madonna della Sedia
169:Frederick the Great
83:Akademie der Künste
67:Theodor Hildebrandt
215:Maria und Johannes
209:Panshanger Madonna
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79:Carl Joseph Begas
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384:German engravers
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303:. Retrieved
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379:1882 deaths
374:1810 births
368:Categories
237:References
186:Guido Reni
110:Engravings
182:Ecce homo
336:24 April
305:24 April
244:"Mandel"
217:, after
203:La Bella
184:, after
43:Buchhorn
32:engraver
104:Raphael
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273:(1866)
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188:(1858)
164:(1850)
147:(1843)
145:Titian
140:(1841)
125:Lurlei
75:Lurlei
349:Note
338:2012
307:2012
294:ISBN
154:and
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