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Arolas is regarded as one of the early masters that helped to define the future of tango music in
Argentina. He was avant-garde in his composition and often utilised unconventional instruments such as the
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Arolas composed his first tango in 1909 before he could even read or write music. He went on to play with such early masters as
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Arolas first learned to play the guitar before learning the bandoneon which became his instrument of choice. His nickname was
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His most famous works include Lágrimas, La cachila, El Marne and
Viborita.
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where he settled, he played a number of times at the
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69:(February 24, 1892 – September 29, 1924) was an
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116:where he died alone and alcoholic in 1924.
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176:"Work - Argentine Tango - tango.info"
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211:. You can help Knowledge (XXG) by
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112:. From 1920 he resided mainly in
288:Burials at La Chacarita Cemetery
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273:Argentine emigrants to Uruguay
90:(the tiger of the bandoneon).
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268:Musicians from Buenos Aires
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278:Argentine tango musicians
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293:Argentine musician stubs
104:In 1917 Arolas moved to
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79:player, leader and
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16:Argentine musician
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155:Eduardo Arolas
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143:External links
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67:Eduardo Arolas
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60:(aged 32)
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162:References
106:Montevideo
44:1892-02-24
127:saxophone
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71:Argentine
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120:Legacy
134:banjo
114:Paris
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