E. E. Cummings - Knowledge (XXG)

3873: 658:, one of Cummings' friends from Harvard. During this time, he wrote a large portion of his erotic poetry. The couple had a daughter while Orr was still married to Thayer. After Orr divorced Thayer, Cummings and Orr married on March 19, 1924. Thayer had been registered on the child's birth certificate as the father, but Cummings legally adopted her after his marriage to Orr. Although his relationship with Orr stretched back several years, the marriage was brief. On a trip to Paris, Orr met and fell in love with the Irish nobleman, future politician, author, journalist, and former banker 1384:

such a stupid & childish statement about Cummings & his signature." On February 27, 1951, Cummings wrote to his French translator D. Jon Grossman that he preferred the use of upper case for the particular edition they were working on. One Cummings scholar believes that on the rare occasions that Cummings signed his name in all lower case, he may have intended it as a gesture of humility, not as an indication that it was the preferred orthography for others to use. Additionally,

53: 4271: 1745: 127: 1303:. The play's main characters are Santa Claus, his family (Woman and Child), Death, and Mob. At the outset of the play, Santa Claus's family has disintegrated due to their lust for knowledge (Science). After a series of events, however, Santa Claus's faith in love and his rejection of the materialism and disappointment he associates with Science are reaffirmed, and he is reunited with Woman and Child. 1026:. A number of Cummings' poems feature his typographically exuberant style, with words, parts of words, or punctuation symbols scattered across the page, wherein Essert asserts "feeling is first" and the work begs to "be re-read in order to be understood"; Cummings, also a painter, created his texts not just as literature, but as "visual objects" on the page, and used typography to "paint a picture". 4259: 345: 541: 762: 721: 3892: 269:. His mother, who loved to spend time with her children, played games with Edward and his sister, Elizabeth. From an early age, Cummings' parents supported his creative gifts. Cummings wrote poems and drew as a child, and he often played outdoors with the other children who lived in his neighborhood. He grew up in the company of family friends such as the philosophers 824: 518:

dress, as if trying to discover why it was wet. These men took my sixty-six-year old mother by the arms and tried to lead her toward a nearby farmhouse; but she threw them off, strode straight to my father's body, and directed a group of scared spectators to cover him. When this had been done (and only then) she let them lead her away.

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by Norman Friedman, critic Harry T. Moore notes Cummings "had his name put legally into lower case, and in his later books the titles and his name were always in lower case". According to Cummings' widow, however, this is incorrect. She wrote to Friedman: "You should not have allowed H. Moore to make

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as well as prayers for inspiration in his poetry and artwork (such as "Bon Dieu! may i some day do something truly great. amen."). Cummings "also prayed for strength to be his essential self ('may I be I is the only prayer—not may I be great or good or beautiful or wise or strong'), and for relief of

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he was awarded in 1934, expressed her frustration at his opaque symbolism. "f he prints and offers for sale poetry which he is quite content should be, after hours of sweating concentration, inexplicable from any point of view to a person as intelligent as myself, then he does so with a motive which

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A locomotive cut the car in half, killing my father instantly. When two brakemen jumped from the halted train, they saw a woman standing – dazed but erect – beside a mangled machine; with blood spouting (as the older said to me) out of her head. One of her hands (the younger added) kept feeling her

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in December 1917. Cummings was released on December 19, 1917, returning to his family in the U.S. by New Year's Day, 1918. Cummings, his father, and Brown's family continued to agitate for Brown's release. By mid-February, he, too, was America-bound. Cummings used his prison experience as the basis

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During their service in the ambulance corps, the two young writers sent letters home that drew the attention of the military censors. They were known to prefer the company of French soldiers over fellow ambulance drivers. The two openly expressed anti-war views, Cummings spoke of his lack of hatred

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Friends begged Cummings to reconsider publishing these poems, and the book's editor pleaded with him to withdraw them, but he insisted that they stay. All the fuss perplexed him. The poems were commenting on prejudice, he pointed out, and not condoning it. He intended to show how derogatory words

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They were imprisoned with other detainees in a large room. Cummings' father made strenuous efforts to obtain his son's release through diplomatic channels; although advised his son's release was approved, there were lengthy delays, with little explanation. In frustration, Cummings' father wrote a

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Cummings' works often do not follow the conventional rules that generate typical English sentences, or what Fairley identifies as "ungrammar". In addition, a number of Cummings' poems feature, in part or in whole, intentional misspellings, and several incorporate phonetic spellings intended to

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for the Germans. On September 21, 1917, five months after starting his belated assignment, Cummings and William Slater Brown were arrested by the French military on suspicion of espionage and undesirable activities, they were held for three and a half months in a military detention camp at the

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wrote, "I think that Cummings is a daringly original poet, with more vitality and more sheer, uncompromising talent than any other living American writer." Dickey described himself as "ashamed and even a little guilty in picking out flaws" in Cummings’s poetry, which he compared to noting "the

1144:, Cummings published two poems containing words that caused outrage in some quarters. Friedman considered these two poems to be "condensed" and "cryptic" parables, "sparsely told", in which setting the use of such "inflammatory material" was likely to meet with reader misapprehension. Poet 3150:: "This is a condensed and cryptic tale, and it is likely that Cummings counted too heavily on the reader's ability (1) to think clearly about racial issues and their accompanying languages, and (2) to make inferences about what the poem says on the basis of a sparsely told parable 528:

His father's death had a profound effect on Cummings, who entered a new period in his artistic life. He began to focus on more important aspects of life in his poetry. He started this new period by paying homage to his father in the poem "my father moved through dooms of love".

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deviance". Some poems do not involve any typographical or punctuation innovations at all, but purely syntactic ones; many of the poems he is best known for, however, do possess a stylistic typography he made his own, particularly in his insistent use of the lower case 'i'.

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For Norman Friedman, Cummings's inventions "are best understood as various ways of stripping the film of familiarity from language to strip the film of familiarity from the world. Transform the word, he seems to have felt, and you are on the way to transforming the world."

977: i fear 923:, which was reflected in his writing style. Cummings critic and biographer Norman Friedman remarks that in Cummings' later work the "shift from simile to symbol" created poetry that is "frequently more lucid, more moving, and more profound than his earlier". 1298:

was probably Cummings' most successful play. It is an allegorical Christmas fantasy presented in one act of five scenes. The play was inspired by his daughter Nancy, with whom he was reunited in 1946. It was first published in the Harvard College magazine,

1390:, which prescribes favoring non-standard capitalization of names in accordance with the bearer's strongly stated preference, notes "E. E. Cummings can be safely capitalized; it was one of his publishers, not he himself, who lowercased his name." 639: 1251:

Relax and give the play a chance to strut its stuff—relax, stop wondering what it is all 'about'—like many strange and familiar things, Life included, this play isn't 'about,' it simply is. ... Don't try to enjoy it, let it try to enjoy you.

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In 1917, before his first marriage, Cummings shared several passionate love letters with a Parisian prostitute, Marie Louise Lallemand. Despite Cummings' efforts, he was unable to find Lallemand upon his return to Paris after the front.

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In 1934, Cummings met Marion Morehouse, a fashion model and photographer. It is not clear whether the two were ever formally married. Morehouse lived with Cummings until his death in 1962. She died on May 18, 1969, while living at 4

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degree from the university. During his studies at Harvard, he developed an interest in modern poetry, which ignored conventional grammar and syntax and aimed for a dynamic use of language. His first published poems appeared in

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cause people to see others in terms of stereotypes rather than as individuals. "America (which turns Hungarian into 'hunky' & Irishman into 'mick' and Norwegian into 'square-head') is to blame for 'kike,'" he said.

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While his poetic forms and themes share an affinity with the Romantic tradition, critic Emily Essert asserts that Cummings' work is particularly modernist and frequently employs what linguist Irene Fairley calls

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by E. E. Cummings ... Those few who cause books to live have not been able to endure the thought of its mortality." Later in 1918 he was drafted into the army. He served a training deployment in the

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continuously, relentlessly, from childhood until his death, and left in his estate more than 1600 oils and watercolors (a figure that does not include the works he sold during his career) and over 9,000

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The chief effect of Cummings' jugglery with syntax, grammar, and diction was to blow open otherwise trite and bathetic motifs through a dynamic rediscovery of the energies sealed up in conventional usage

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Cummings was married twice: first to Elaine Orr Thayer in 1924, then to Anne Minnerly Barton in 1929. His longest relationship, with Marion Morehouse, began in 1934, and lasted more than three decades.

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has commented that this use of language is "frequently unintelligible because disregards the historical accumulation of meaning in words in favor of merely private and personal associations".

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The use of lower case for his initials was popularized in part by the title of some books, particularly in the 1960s, printing his name in lower case on the cover and spine. In the preface to

1059:(1923). This early work already displayed Cummings' characteristically eccentric use of grammar and punctuation, although a fair amount of the poems are written in conventional language. 4316: 3928: 695:, Cummings had little interest in politics until his trip to the Soviet Union in 1931. He subsequently shifted rightward on many political and social issues. Despite his radical and 505:

In 1926, Cummings' parents were in a car crash; only his mother survived, although she was severely injured. Cummings later described the crash in the following passage from his

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in his poetry by writing his name in lower case. Cummings himself used both the lowercase and capitalized versions, though he most often signed his name with capitals.

1289:. The ballet is detailed in a "synopsis" as well as descriptions of four "episodes", which were published by Cummings in 1935. It remained unperformed until 2015. 4406: 4371: 371:

and they quickly became friends. Due to an administrative error, Cummings and Brown did not receive an assignment for five weeks, a period they spent exploring

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spirit in times of depression ('almighty God! I thank thee for my soul; & may I never die spiritually into a mere mind through disease of loneliness')".

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in the 1920s, his reputation as a poet eclipsed his success as a visual artist. In 1931, he published a limited edition volume of his artwork entitled

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During the rest of the 1920s and 1930s, Cummings returned to Paris a number of times, and traveled throughout Europe. In 1931 Cummings traveled to the

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Cummings also wrote children's books and novels. A notable example of his versatility is an introduction he wrote for a collection of the comic strip

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Cummings wrote approximately 2,900 poems. He is often regarded as one of the most important American poets of the 20th century. He is associated with

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aesthetics and employ a more subjective and spontaneous style; his work became more representational: landscapes, nudes, still lifes, and portraits.

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Cummings married his second wife Anne Minnerly Barton on May 1, 1929. They separated three years later in 1932. That same year, Minnerly obtained a

364: 3973: 1410:. Erdman also choreographed "Twenty Poems" (1960), a cycle of E. E. Cummings' poems for eight dancers and one actor, with a commissioned score by 4386: 532:

In the 1930s, Samuel Aiwaz Jacobs was Cummings' publisher; he had started the Golden Eagle Press after working as a typographer and publisher.

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in Boston, Massachusetts. At the time of his death, Cummings was recognized as the "second most widely read poet in the United States, after

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aesthetic defects in a rose. It is better to say what must finally be said about Cummings: that he has helped to give life to the language."

3925: 4336: 4311: 2440: 1982: 1124:... there is fine writing and powerful writing (as well as some of the most pompous nonsense I ever let slip to the floor with a wide yawn) 934:, according to a contemporary observation), much of his work draws inspiration from traditional forms. For example, many of his poems are 278: 2192: 845: 834: 4341: 3945: 2674: 4366: 1485:, which consists of five poems by Cummings set to music. He also wrote music for "little tree" and "i carry your heart", among others. 841:

The literary review-style analysis would be better attributed in-text; as it stands, it appears most are in Knowledge (XXG)'s voice.

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The seeds of Cummings' unconventional style appear well established even in his earliest work. At age six, he wrote to his father:

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said of Cummings, "No one else has ever made avant-garde, experimental poems so attractive to the general and the special reader."

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in New York City. The production was directed by James Light. The play's main characters are "Him", a playwright, portrayed by

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Cummings spent the last decade of his life traveling, fulfilling speaking engagements, and spending time at his summer home,

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Impression IV : nach einem Gedicht von E.E. Cummings : four Singstimme und Klavier (1961) / Aribert Reimann. music

3154:... I think the trouble is the same here, that the poem uses inflammatory material in too condensed and cryptic a fashion.". 1128:... What I propose, then, is this: that you give Mr. Cummings enough rope. He may hang himself; or he may lasso a unicorn." 1120:

is frivolous from the point of view of art, and should not be helped or encouraged by any serious person or group of persons

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Cummings wanted to be a poet from childhood and wrote poetry daily from age 8 to 22, exploring assorted forms. He studied

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was published in 1923, and his inventive use of grammar and syntax is evident. The book was heavily cut by his editor.

4111: 1386: 595: 787: 1447:(1926–1987) in 1951 composed "4 Songs to e.e. cummings" for soprano, piano and cello, using material from Cummings' 1338:

Cummings had more than 30 exhibits of his paintings in his lifetime. He received substantial acclaim as an American

150:, he worked as an ambulance driver and was imprisoned in an internment camp, which provided the basis for his novel 4376: 591: 1360:, named for his media of charcoal, ink, oil, pencil, and watercolor. About this same time, he began to break from 783: 1696: 1237: 950:. Many of Cummings' poems are satirical and address social issues but have an equal or even stronger bias toward 3998:

Finding aid to Edward Estlin Cummings correspondence at Columbia University. Rare Book & Manuscript Library.

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Cummings returned to Paris in 1921, and lived there for two years before returning to New York. His collection

247: 77: 3496: 52: 4291: 4193: 4011: 2129: 1918: 1294: 1145: 1112: 285:, where his father had built two houses along the eastern shore. The family ultimately purchased the nearby 170: 4138: 1827: 1778: 1682: 1470:(2004), Björk used his poem "It May Not Always Be So" as the lyrics for the song "Sonnets/Unrealities XI". 1101: 498: 282: 190: 94: 3666: 3645: 3306: 3147: 2171: 3623: 3584: 3561: 3289: 1676: 1116: 599: 3970: 3950: 3709: 2421: 1458:

used lines from Cummings' poem "I Will Wade Out" for the lyrics of "Sun in My Mouth" on her 2001 album

1241: 2323: 2260: 669:; it was not officially recognized in the United States until August 1934. Anne died in 1970 aged 72. 654:

Cummings' relationship with Elaine Orr began as a love affair in 1918, while she was still married to

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and an abstract, avant garde painter between the World Wars, but with the publication of his books

1228: 1055: 740: 618: 466: 405: 350: 164: 158: 3454: 2954:(1972). Edward Estlin Cummings, Frederick Wilcox Dupee, George Stade. University of Michigan p. 3 1140:

Cummings included ethnic slurs in his writing, which proved controversial. In his 1950 collection

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suggestive of 'a child's language'" like "'mud-luscious' and 'puddle-wonderful'". Literary critic

386: 3920: 3897: 3836: 3528: 3104: 3052: 3025: 3017: 2934: 2876: 2568: 2515: 1627: 614: 549: 317: 262: 204:, and much of his work uses idiosyncratic syntax and lower-case spellings for poetic expression. 113: 31: 2834: 2448: 662:. The couple separated after two months of marriage and divorced less than nine months later. 265:

who later became nationally known as the minister of South Congregational Church (Unitarian) in

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During his lifetime, Cummings received numerous awards in recognition of his work, including:

1502: 1344: 1049: 678: 492:, published two years later. During these years Cummings also traveled to Northern Africa and 400: 293: 152: 2535: 1402:

presented "The Transformations of Medusa, Forever and Sunsmell" with a commissioned score by

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Millay to Mr. Moe of the Guggenheim Foundation, March 1934. Quoted in Milford, Nancy (2001)

3009: 2471: 1652: 1622: 1542: 1527: 610: 321: 2540:. With introduction and commentary by Richard S. Kennedy. New York: Liveright. p. 72. 3977: 3932: 3903: 3859: 3816: 1744: 1732: 1722: 1617: 1572: 1562: 1537: 1517: 1507: 1497: 1492: 1438: 704: 666: 659: 655: 325: 225: 205: 4145: 3686: 3482: 3370: 2464: 1647: 1552: 1444: 1274: 1269: 1019: 904: 394: 344: 333: 329: 162:, which showed his early experiments with grammar and typography. He wrote four plays; 3190: 2233: 126: 4285: 4263: 3339: 3029: 1637: 1602: 1522: 1478: 1474: 1426: 1105: 674: 594:. He died of a stroke on September 3, 1962, at the age of 67 at Memorial Hospital in 375:. Cummings fell in love with the city, to which he would return throughout his life. 313: 270: 408:

said, "Of all the work by young men who have sprung up since 1920 one book survives—

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Olsen, Taimi (October 2005). "Krazies...of indescribable beauty: George Herriman's

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innovation", wherein he frequently creates what critic Ian Landles calls: "unusual

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was published in 1925. With these collections, Cummings made his reputation as an

354:; Cummings was an editor and contributor to this literary journal while at Harvard 3855: 3677:. Carbondale: Southern Illinois University Press. May 22, 1964. pp. 174–186. 3660:. Carbondale: Southern Illinois University Press. May 22, 1964. pp. 152–173. 2705: 1770: 1642: 1547: 1399: 1373: 1096:

represent particular dialects. Cummings also employs what Fairley describes as "

951: 931: 696: 691: 488: 476: 418: 176: 147: 3864: 3294:(First British Commonwealth ed.). London: Peter Owen Limited. p. 316. 363:

In 1917, with the First World War going on in Europe, Cummings enlisted in the

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E. E. Cummings and ungrammar : a study of syntactic deviance in his poems

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Despite Cummings' familiarity with avant-garde styles (likely affected by the

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Others who have composed settings for his poems include, among many others:

954:: time and again his poems celebrate love, sex, and the season of rebirth. 216:... He succeeded masterfully in splitting the atom of the cute commonplace. 17: 2869:""Since Feeling Is First": E. E. Cummings and Modernist Poetic Difficulty" 2111:. Boston, Massachusetts: Society of the First Church in Boston, 2005: 104. 1406:

and a spoken text from the title poem by E. E. Cummings, sponsored by the

146:, was an American poet, painter, essayist, author, and playwright. During 4216: 4103: 3886: 3523:"Poetry Award Is Made; E. E. Cummings Wins the 1950 Harriet Monroe Prize" 2632:"Revealed: How a Parisian sex worker stole the heart of poet EE Cummings" 1847: 1670: 1455: 947: 587: 433: ride a watersmooth-silver 286: 156:

in 1922. The following year he published his first collection of poetry,

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In Friedman, Norman (volume author) Moore, Harry T. (1964a). "Preface".

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Cummings was an avid painter, referring to writing and painting as his

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Republic of Dreams: Greenwich Village: The American Bohemia, 1910–1960

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set Cummings to music in "Impression IV" (1961) for soprano and piano.

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Cummings' publishers and others have often echoed the unconventional

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The War That Used Up Words: American Writers and the First World War

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is a short, one-act play that Cummings contributed to the anthology

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relationship with God. His journals are replete with references to

4079: 3423: 2520:. Southern Illinois University Press: Carbondale. pp. v–viii. 2429:. . Cambridge, MA, U. S.: Harvard University Press. pp. 2–20. 1933: 1743: 1356: 1053:, Cummings' first published work was a collection of poems titled 1015: 943: 681:, New York City, where Cummings had resided since September 1924. 637: 539: 523:

E. E. Cummings (1952). "i & my parents: Nonlecture one", p. 12

372: 343: 309: 4003: 2998:"Diction, Voice, and Tone: The Poetic Language of E. E. Cummings" 1265:

Whither, Whither or After Sex, What? A Symposium to End Symposium

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The Influence of French Symbolism on Modern American Poetry 1927

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Poet and Painter: The Aesthetics of E. E. Cummings' Early Work

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Poetandpainter: The aesthetics of E. E. Cummings's early works

2706:"The Enormous Poem: When E.E. Cummings Repunctuated Stalinism" 1150: 817: 755: 714: 552:, awarded Cummings an honorary seat as a guest professor. The 296:

leanings his entire life. As he matured, Cummings moved to an

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upper-class couple in the city. His father was a professor at

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of 1940: "!Blac", "Air", "(Sitting In A Tree-)" and "(Moan)".

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Cummings biographer Catherine Reef notes of the controversy:

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Biography of Cummings and his relationship with Unitarianism

3127:(2006) by Catherine Reef, Houghton Mifflin Harcourt, p. 115 3404:(16 ed.). Chicago University Press. 2010. p. 388. 1330:

Tell me, doesn’t your painting interfere with your writing?

431: who used to 2675:"Marion Morehouse Cummings, Poet's Widow, Top Model, Dies" 2170:, Spotlight on New Hampshire Authors, n.d., archived from 180:(1933), a travelog of the Soviet Union, and delivered the 138:(October 14, 1894 – September 3, 1962), commonly known as 2971:

Cummings, E. E. (1991) . "". In George J. Firmage (ed.).

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DON'T TRY TO UNDERSTAND IT, LET IT TRY TO UNDERSTAND YOU.

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and the sky of the sky of a tree called life;which grows

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Edward Estlin Cummings was born on October 14, 1894, in

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experiments; later, his visits to Paris exposed him to

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The Center for the Book at New Hampshire State Library

1435:('cummings is the Poet') from poems by E. E. Cummings. 1421:

Numerous composers have set Cummings' poems to music:

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From "i carry your heart with me(i carry it in" (1952)

341:(1917). Upon graduating, he worked for a book dealer. 4235: 3827:

Ordeman, John T.; Firmage, George J. (October 2000).

2617:, Chapter 14: "Marriage and UnMarriage". pp. 237–254. 2284:

Friedman, Norman "Cummings, E E". In Steven Serafin,

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and this is the wonder that's keeping the stars apart

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A Concordance to the Complete Poems of E. E.Cummings

3455:"Author: E. E. (Edward Estlin) Cummings (1894–1962)" 2682:. May 19, 1969. p. 47 – via NYT Archives. 1226:

During his lifetime, Cummings published four plays.

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Members of the American Academy of Arts and Letters

4204: 4185: 4122: 4041: 3835:. New Series (9). E. E. Cummings Society: 160–170. 3567:. Vol. 3. New York: Chelsea House Publishers. 3483:"John Simon Guggenheim Foundation | E. E. Cummings" 3443:. Schott – via National Library of Australia. 2835:"Pararhyme in E. E. Cummings' "Sonnets— Realities"" 2813:. (Translated by William Pratt). AMS Inc: New York 1971:"Buffalo Bill's" available at the Poetry Foundation 579:

From "i thank You God for most this amazing" (1950)

332:society in 1915. The following year, he received a 119: 109: 101: 84: 62: 43: 3993:Biography and poems of E. E. Cummings at Poets.org 3708: 3685: 3629:. Carbondale: Southern Illinois University Press. 3622: 3583: 3560: 3521: 3307:"Recent Gift Illustrates Poet's 'Twin Obsessions'" 3083:Savage Beauty: The Life of Edna St. Vincent Millay 2673: 2561: 2534:Cummings, E. E. (1994). Richard S. Kennedy (ed.). 2463: 2420: 1893:, edited by George James Firmage (2008), Liveright 30:For the politician and civil rights advocate, see 3811:Spring: The Journal of the E. E. Cummings Society 3199:Spring: The Journal of the E. E. Cummings Society 2770:. U.S.A.: E.P. Dutton & Co., Inc. p. 38. 2286:The Continuum Encyclopedia of American Literature 2006:For example, "why must itself up every of a park" 983:and it's you are whatever a moon has always meant 556:he gave in 1952 and 1955 were later collected as 437:and break onetwothreefourfive pigeonsjustlikethat 289:where Cummings had his primary summer residence. 2625: 2623: 2324:"How to Waste Material: A Note on My Generation" 1334:Quite the contrary: they love each other dearly. 981:no world(for beautiful you are my world,my true) 573:which is natural which is infinite which is yes 571:and a blue true dream of sky; and for everything 4317:American Field Service personnel of World War I 3946:Poems by E. E. Cummings at PoetryFoundation.org 3590:. Englewood Cliffs, N.J., U.S.: Prentice-Hall. 3586:E. E. Cummings: A collection of critical essays 2692: 2660: 2648: 2614: 2498: 2378: 2366: 2297: 2150: 1899:, edited by George James Firmage (2010), Norton 1249: 1214: 1062: 1031: 966: 564: 563: 515: 424: 210: 1036:HE IS GOOD NOW, IT IS NOT GOOD TO SEE IT RAIN, 4019: 3785:. New Haven, CT: Yale University Press, 2015. 3776:I Am My Writing: The Poetry of E. E. Cummings 3497:"Shelley Winners – Poetry Society of America" 3333: 3331: 3329: 3327: 2923:Spring: Journal of the E. E. Cummings Society 1078:they sowed their isn't they reaped their same 569:day: for the leaping greenly spirits of trees 8: 3616:. Baltimore: Johns Hopkins University Press. 3266:E. E. Cumming's paintings: The hidden career 2919:"An Analysis of Two Poems by E. E. Cummings" 2330:. London: The Bodley Head. pp. 150–155. 2220: 2218: 2216: 2214: 2212: 2210: 2208: 2206: 380: 316:at Cambridge Latin High School. He attended 3989:Authorities – with 202 catalog records 3045:"An Analysis of Two Poems by E.E. Cummings" 1277:word for "man", in the sense of "mankind". 1034:FATHER DEAR. BE, YOUR FATHER-GOOD AND GOOD, 999:i carry your heart(i carry it in my heart) 994:higher than soul can hope or mind can hide) 979:no fate(for you are my fate,my sweet)i want 911:, Cummings was particularly drawn to early 749:Learn how and when to remove these messages 250:, to Edward Cummings and Rebecca Haswell ( 4026: 4012: 4004: 3966::The Journal of the E. E. Cummings Society 3437:Reimann, Aribert; Cummings, E. E. (1990). 3103:(14/15). E. E. Cummings Society: 220–221. 2529: 2527: 2509: 2507: 2025:"i carry your heart with me(i carry it in" 1398:In 1943, modern dancer and choreographer, 985:and whatever a sun will always sing is you 277:. Many of Cummings' summers were spent on 51: 40: 4382:People from Carroll County, New Hampshire 4347:Burials at Forest Hills Cemetery (Boston) 3684:Kennedy, Richard S. (October 17, 1994) . 3639:. With a preface by Harry Thornton Moore: 2255: 2253: 2251: 2065:The Modern Poets: A Critical Introduction 1981:"my father moved through dooms of love", 1240:, and "Me", his girlfriend, portrayed by 1038:FATHER DEAR IS, IT, DEAR, NO FATHER DEAR, 882:Learn how and when to remove this message 864:Learn how and when to remove this message 806:Learn how and when to remove this message 3758:La furiosa ricerca di Edward E. Cummings 3422:(work details) (in French and English). 3069: 2903:. Searington, N.Y.: Watermill Publisher. 973:i go you go,my dear;and whatever is done 969:i carry your heart with me(i carry it in 509:series given at Harvard (as part of the 4242: 3955:, Sunday, October 17, 2004, Page BW02, 3764:, Roma, Aracne, 2013, pp. 441–444 3176: 3120: 3118: 2977:. Trustees for the E. E. Cummings Trust 2474:: University Press of Kansas. pp. 2441:"My father moved through dooms of love" 2340: 2265:Harry Ransom Humanities Research Center 2055: 1963: 1414:. It was performed in the round at the 988:here is the deepest secret nobody knows 971:my heart)i am never without it(anywhere 899:As well as being influenced by notable 3675:E. E. Cummings: The growth of a writer 3658:E. E. Cummings: The growth of a writer 3625:E. E. Cummings: The growth of a writer 2725:Heath Anthology of American Literature 2587: 2585: 2583: 2581: 2579: 2517:E. E. Cummings: The growth of a writer 2466:I Am: A Study of E. E. Cummings' Poems 2080:E. E. Cummings: The Growth of a Writer 1381:E. E. Cummings: The Growth of a Writer 1247:Cummings said of the unorthodox play: 1047:Following his autobiographical novel, 174:(1946) were most successful. He wrote 4407:Writers from Cambridge, Massachusetts 4372:Military personnel from Massachusetts 3856:Works by E. E. Cummings in eBook form 3707:Sawyer-Lauçanno, Christopher (2004). 3692:(2nd ed.). New York: Liveright. 3563:Twentieth-century American Literature 3477: 3475: 3258: 3256: 3254: 3252: 3250: 2894: 2892: 2890: 2862: 2860: 2828: 2826: 2783:E. E. Cummings: The Art of His Poetry 2745:. Simon & Schuster. p. 449. 2309: 1074:Women and men (both little and small) 1067:(with up so floating many bells down) 567:i thank You God for most this amazing 251: 7: 3813:, vol. 4, pp. 71–75, Fall 1995. 3614:E. E. Cummings the Art of His Poetry 3400:"Capitalization of Personal Names". 3305:Hobbs, Patricia (October 18, 2018). 3167:. New York: Oxford University Press. 2422:"i & my parents: Nonlecture one" 1708:Professorship at Harvard (1952–1953) 1071:he sang his didn't he danced his did 975:by only me is your doing,my darling) 1782:(1965), collection of short stories 1186:dead dollars and some twisted laws) 4307:20th-century American male writers 3898:E. E. Cummings, Lifelong Unitarian 2996:Friedman, Norman (December 1957). 2952:Selected letters of E. E. Cummings 2781:Friedman, Norman Friedman (2019). 2193:"E. E. Cummings: Poet And Painter" 1960:Full text of poetry available at: 1328:(1945), the artist asked himself, 833:tone or style may not reflect the 25: 4223:Anyone Lived in a Pretty How Town 4161:pity this busy monster, manunkind 4154:anyone lived in a pretty how town 3269:. University of Texas at Dallas. 3143: 2851: 2406: 2390: 1728:Boston Arts Festival Award (1957) 1188:it comes both prigged and canted 1088:anyone lived in a pretty how town 1065:anyone lived in a pretty how town 730:This section has multiple issues. 703:and later an ardent supporter of 642:Sketched self-portrait circa 1920 609:Cummings' papers are held at the 446:how do you like your blueeyed boy 4269: 4257: 4245: 3890: 3874:Works by or about E. E. Cummings 3742:. Wayne State University Press. 3371:"Not "e. e. cummings" Revisited" 3225:. Wayne State University Press. 3085:, Doubleday: New York, NY. p370. 2722:"E. E. Cummings – Author Page". 2630:Alberge, Dalya (July 19, 2020). 846:guide to writing better articles 822: 760: 719: 486:, recounting his experiences in 367:. On the boat to France, he met 125: 3957:The Washington Post Book Review 3904:E. E. Cummings Personal Library 3821:E. E. Cummings: The Magic-Maker 3778:. Tübingen: Stauffenburg, 1997. 2041:Text from the Poetry Foundation 1885:Etcetera: The Unpublished Poems 1261:Anthropos, or the Future of Art 738:or discuss these issues on the 3790:E. E. Cummings: A Bibliography 3582:Friedman, Norman, ed. (1972). 2985:– via Poetry Foundation. 2787:Johns Hopkins University Press 2322:Fitzgerald, F. Scott (1958) . 689:According to his testimony in 1: 4387:People from Greenwich Village 3941:University of Texas at Austin 3823:, Boston, Little Brown, 1972. 3043:Landles, Ian (October 2001). 2695:, pp. 255, 363, 378–380. 2300:, pp. 120, 127, 133–134. 623:University of Texas at Austin 554:Charles Eliot Norton Lectures 511:Charles Eliot Norton Lectures 365:Norton-Harjes Ambulance Corps 182:Charles Eliot Norton Lectures 3549:General and cited references 3291:E. E. Cummings: A Miscellany 2833:Cureton, Richard D. (2020). 2599:. Academy of American Poets. 2164:"e. e. cummings (1894-1962)" 1702:Guggenheim Fellowship (1951) 1416:Circle in the Square Theatre 1178:a kike is the most dangerous 1010:While some of his poetry is 4337:Analysands of Fritz Wittels 4312:20th-century American poets 3953:E. E. Cummings: A Biography 3889:(public domain audiobooks) 3711:E. E. Cummings: A Biography 2867:Essert, Emily (Fall 2006). 2768:E. E. Cummings, a biography 1387:The Chicago Manual of Style 1167:until you've made me white" 1076:cared for anyone not at all 1069:spring summer autumn winter 786:the claims made and adding 596:North Conway, New Hampshire 348:Masthead from volume 56 of 27:American author (1894–1962) 4428: 4342:Bollingen Prize recipients 3807:The Cummings Line on Race" 2288:, 2003, Continuum, p. 244. 1711:Special citation from the 1688:Harriet Monroe Prize from 1326:Foreword to an Exhibit: II 1148:spoke out in his defense. 592:Silver Lake, New Hampshire 419:Camp Devens, Massachusetts 29: 4367:Massachusetts Republicans 3976:October 28, 2011, at the 3926:E. E. Cummings Collection 3738:Cohen, Milton A. (1987). 3621:Friedman, Norman (1964). 3612:Friedman, Norman (1967). 3369:Friedman, Norman (1995). 3338:Friedman, Norman (1992). 2755:– via Google Books. 1891:Complete Poems, 1904–1962 1774:(1933), Soviet travelogue 1748:"the hours rise up" on a 1697:American Academy of Poets 1324:In a self-interview from 598:. Cummings was buried at 548:In 1952, his alma mater, 124: 50: 4397:Poets from Massachusetts 4327:American modernist poets 3913:Papers of E. E. Cummings 3418:cummings ist der dichter 3288:Cummings, E. E. (1966). 3165:Xaipe: Seventy-one Poems 2974:Complete Poems 1904-1962 2766:Norman, Charles (1967). 2739:Wetzsteon, Ross (2002). 2419:Cummings, E. E. (1954). 2409:, pp. 153–154, 305. 1945:Harvard University Press 1873:Selected Poems 1923-1958 1855:XAIPE: Seventy-One Poems 1735:grant of $ 15,000 (1959) 1432:Cummings ist der Dichter 1154: 1142:Xaipe: Seventy-One Poems 248:Cambridge, Massachusetts 184:in poetry, published as 78:Cambridge, Massachusetts 4362:Lost Generation writers 4357:Harvard Advocate alumni 4194:Santa Claus: A Morality 3883:Works by E. E. Cummings 3865:Works by E. E. Cummings 3402:Chicago Manual of Style 2899:Fairley, Irene (1975). 2226:"Poets: E. E. Cummings" 1919:Santa Claus: A Morality 1368:Name and capitalization 1295:Santa Claus: A Morality 1180:machine as yet invented 1160:a little star no bigger 1146:William Carlos Williams 1113:Edna St. Vincent Millay 837:used on Knowledge (XXG) 699:public image, he was a 544:Grave of E. E. Cummings 454:"Buffalo Bill's" (1920) 421:, until November 1918. 328:and was elected to the 171:Santa Claus: A Morality 4392:Writers from Manhattan 4139:since feeling is first 3971:Modern American Poetry 3340:"Not "e. e. cummings"" 3263:Cohen, Milton (1982). 3219:Cohen, Milton (1987). 2839:University of Michigan 2693:Sawyer-Lauçanno (2004) 2661:Sawyer-Lauçanno (2004) 2649:Sawyer-Lauçanno (2004) 2615:Sawyer-Lauçanno (2004) 2499:Sawyer-Lauçanno (2004) 2379:Sawyer-Lauçanno (2004) 2367:Sawyer-Lauçanno (2004) 2328:Afternoon of an Author 2298:Sawyer-Lauçanno (2004) 2151:Sawyer-Lauçanno (2004) 2122:"E. E. Cummings' Life" 1803:(1925), self-published 1752: 1683:Shelley Memorial Award 1473:The American composer 1418:in Greenwich Village. 1258: 1219: 1184:ity(out of a jew a few 1176: 1171:stars shine at night. 1165:"i'll never let you go 1162:than not to understand 1083: 1045: 1002: 844:See Knowledge (XXG)'s 839:. The reason given is: 643: 583: 582: 545: 526: 502:magazine (1924–1927). 451: 381: 355: 283:Madison, New Hampshire 218: 136:Edward Estlin Cummings 95:Madison, New Hampshire 66:Edward Estlin Cummings 3931:May 16, 2008, at the 3459:The LiederNet Archive 3099:and E. E. Cummings". 2809:Taupin, Rene (1985). 2397:(1933)". pp. 109–124. 2267:, University of Texas 2199:on September 2, 2006. 1747: 1677:Guggenheim Fellowship 1464:. On her next album, 1454:The Icelandic singer 1283:is a ballet based on 1182:by even yankee ingenu 1117:Guggenheim Fellowship 641: 600:Forest Hills Cemetery 543: 442:he was a handsome man 347: 267:Boston, Massachusetts 4212:E. E. Cummings House 3795:McBride, Katharine, 3688:Dreams in the Mirror 2854:, pp. 3–22, 47. 2572:. September 4, 1962. 2501:, pp. 241, 366. 2126:english.illinois.edu 1706:Charles Eliot Norton 1483:The City and the Sea 1479:a cycle of works for 1408:Arts Club of Chicago 1315:and to himself as a 1234:Provincetown Players 1080:sun moon stars rain 513:) in 1952 and 1953: 404:(1922), about which 393:letter to President 369:William Slater Brown 320:, graduating with a 4332:American Unitarians 4322:American male poets 4058:Tulips and Chimneys 3987:Library of Congress 3937:Harry Ransom Center 3781:Hutchinson, Hazel. 2704:Carla Blumenkranz, 2651:, pp. 145–146. 2462:Lane, Gary (1976). 2369:, pp. 256–275. 1794:Tulips and Chimneys 1713:National Book Award 1608:Vincent Persichetti 1583:Salvatore Martirano 1351:Tulips and Chimneys 1056:Tulips and Chimneys 1014:(and not beheld to 619:Harry Ransom Center 467:Tulips and Chimneys 406:F. Scott Fitzgerald 351:The Harvard Monthly 339:Eight Harvard Poets 159:Tulips and Chimneys 3951:Jonathan Yardley, 3921:Harvard University 3829:"Cummings' Titles" 3669:i: six nonlectures 3529:The New York Times 3189:Webster, Michael. 3059:– via JSTOR. 3032:– via JSTOR. 2883:– via JSTOR. 2680:The New York Times 2569:The New York Times 2451:on March 15, 2005. 2427:i: Six Nonlectures 2236:on October 1, 2017 2109:This is Our Church 2095:Babel to Byzantium 2078:Friedman, Norman. 1881:(1963, posthumous) 1753: 1715:Committee for his 1628:Ann Loomis Silsbee 1242:Erin O'Brien-Moore 1169:so she did and now 1158:caught in his hand 771:possibly contains 644: 615:Harvard University 558:i: six nonlectures 550:Harvard University 546: 507:i: six nonlectures 389:, Orne, Normandy. 356: 318:Harvard University 263:Harvard University 114:Harvard University 32:Elijah E. Cummings 4377:Modernist writers 4233: 4232: 4050:The Enormous Room 3869:Project Gutenberg 3803:Mott, Christopher 3774:Heusser, Martin. 3770:978-88-548-6705-5 3756:Galgano, Andrea, 3749:978-0-8143-1845-4 3722:978-1-57071-775-8 3607:978-0-9829733-0-1 3597:978-0-13-195552-3 3574:978-0-87754-802-7 3501:poetrysociety.org 3163:Cummings (1950). 3133:978-0-618-56849-9 3072:, pp. 61–62. 2960:978-0-233-95637-4 2710:Poetry Foundation 2547:978-0-87140-153-3 2230:Poetry Foundation 2132:on March 25, 2019 2063:Rosenthal, M. L. 2029:Poetry Foundation 1941:i—six nonlectures 1937:(1931), art works 1763:The Enormous Room 1685:for Poetry (1945) 1503:Leonard Bernstein 1345:The Enormous Room 1286:Uncle Tom's Cabin 1255: 1238:William Johnstone 1210: 1209: 1050:The Enormous Room 892: 891: 884: 874: 873: 866: 835:encyclopedic tone 816: 815: 808: 773:original research 753: 711:Literary overview 679:Greenwich Village 410:The Enormous Room 401:The Enormous Room 186:i—six nonlectures 153:The Enormous Room 133: 132: 88:September 3, 1962 16:(Redirected from 4419: 4274: 4273: 4272: 4262: 4261: 4250: 4249: 4248: 4241: 4205:Related articles 4028: 4021: 4014: 4005: 3917:Houghton Library 3894: 3893: 3878:Internet Archive 3844: 3753: 3726: 3714: 3703: 3691: 3678: 3661: 3640: 3628: 3617: 3601: 3589: 3578: 3566: 3542: 3541: 3539: 3537: 3525: 3518: 3512: 3511: 3509: 3507: 3493: 3487: 3486: 3479: 3470: 3469: 3468: 3466: 3461:, April 25, 2019 3451: 3445: 3444: 3434: 3428: 3427: 3416:"Pierre Boulez: 3412: 3406: 3405: 3397: 3391: 3390: 3388: 3386: 3366: 3360: 3359: 3357: 3355: 3335: 3322: 3321: 3319: 3317: 3302: 3296: 3295: 3285: 3279: 3278: 3260: 3245: 3244: 3216: 3210: 3209: 3207: 3205: 3186: 3180: 3174: 3168: 3161: 3155: 3153: 3141: 3135: 3122: 3113: 3112: 3092: 3086: 3079: 3073: 3067: 3061: 3060: 3040: 3034: 3033: 3008:(5): 1036–1039. 2993: 2987: 2986: 2984: 2982: 2968: 2962: 2949: 2943: 2942: 2911: 2905: 2904: 2896: 2885: 2884: 2864: 2855: 2849: 2843: 2842: 2830: 2821: 2807: 2801: 2800: 2778: 2772: 2771: 2763: 2757: 2756: 2736: 2730: 2729: 2719: 2713: 2702: 2696: 2690: 2684: 2683: 2677: 2670: 2664: 2658: 2652: 2646: 2640: 2639: 2627: 2618: 2612: 2601: 2600: 2593:"E. E. Cummings" 2589: 2574: 2573: 2565: 2558: 2552: 2551: 2531: 2522: 2521: 2511: 2502: 2496: 2490: 2489: 2472:Lawrence, Kansas 2469: 2459: 2453: 2452: 2447:. Archived from 2445:Poetry: Berkeley 2437: 2431: 2430: 2424: 2416: 2410: 2404: 2398: 2388: 2382: 2376: 2370: 2364: 2358: 2357: 2350: 2344: 2338: 2332: 2331: 2319: 2313: 2307: 2301: 2295: 2289: 2282: 2276: 2275: 2274: 2272: 2257: 2246: 2245: 2243: 2241: 2232:. Archived from 2222: 2201: 2200: 2195:. Archived from 2189: 2183: 2182: 2181: 2179: 2174:on June 16, 2023 2160: 2154: 2148: 2142: 2141: 2139: 2137: 2128:. Archived from 2118: 2112: 2107:Collins, Leo W. 2105: 2099: 2098: 2090: 2084: 2083: 2075: 2069: 2068: 2060: 2044: 2038: 2032: 2022: 2016: 2013: 2007: 2004: 1998: 1991: 1985: 1979: 1973: 1968: 1861:Poems, 1923–1954 1725:in Poetry (1958) 1717:Poems, 1923–1954 1653:Matthew Peterson 1623:Elie Siegmeister 1543:Margaret Garwood 1528:Serge de Gastyne 1253: 1156:one day a nigger 1151: 1127: 1123: 1091: 1006: 941: 887: 880: 869: 862: 858: 855: 849: 848:for suggestions. 826: 825: 818: 811: 804: 800: 797: 791: 788:inline citations 764: 763: 756: 745: 723: 722: 715: 611:Houghton Library 580: 524: 455: 384: 322:Bachelor of Arts 257:), a well-known 256: 215: 202:free-form poetry 129: 91: 75:October 14, 1894 74: 72: 57:Cummings in 1953 55: 41: 21: 4427: 4426: 4422: 4421: 4420: 4418: 4417: 4416: 4352:Formalist poets 4282: 4281: 4280: 4270: 4268: 4256: 4246: 4244: 4236: 4234: 4229: 4200: 4181: 4118: 4037: 4032: 4002: 3978:Wayback Machine 3933:Wayback Machine 3891: 3860:Standard Ebooks 3851: 3826: 3817:Norman, Charles 3788:James, George, 3750: 3737: 3734: 3732:Further reading 3729: 3723: 3715:. Sourcebooks. 3706: 3700: 3683: 3665: 3644: 3637: 3620: 3611: 3598: 3581: 3575: 3555: 3551: 3546: 3545: 3535: 3533: 3532:. June 11, 1950 3520: 3519: 3515: 3505: 3503: 3495: 3494: 3490: 3481: 3480: 3473: 3464: 3462: 3453: 3452: 3448: 3436: 3435: 3431: 3414: 3413: 3409: 3399: 3398: 3394: 3384: 3382: 3368: 3367: 3363: 3353: 3351: 3337: 3336: 3325: 3315: 3313: 3304: 3303: 3299: 3287: 3286: 3282: 3262: 3261: 3248: 3233: 3218: 3217: 3213: 3203: 3201: 3188: 3187: 3183: 3175: 3171: 3162: 3158: 3151: 3144:Friedman (1964) 3142: 3138: 3123: 3116: 3094: 3093: 3089: 3080: 3076: 3070:Friedman (1967) 3068: 3064: 3042: 3041: 3037: 2995: 2994: 2990: 2980: 2978: 2970: 2969: 2965: 2950: 2946: 2913: 2912: 2908: 2898: 2897: 2888: 2866: 2865: 2858: 2852:Friedman (1964) 2850: 2846: 2832: 2831: 2824: 2808: 2804: 2797: 2780: 2779: 2775: 2765: 2764: 2760: 2753: 2738: 2737: 2733: 2721: 2720: 2716: 2703: 2699: 2691: 2687: 2672: 2671: 2667: 2659: 2655: 2647: 2643: 2629: 2628: 2621: 2613: 2604: 2591: 2590: 2577: 2560: 2559: 2555: 2548: 2533: 2532: 2525: 2513: 2512: 2505: 2497: 2493: 2486: 2461: 2460: 2456: 2439: 2438: 2434: 2418: 2417: 2413: 2407:Friedman (1964) 2405: 2401: 2391:Friedman (1964) 2389: 2385: 2377: 2373: 2365: 2361: 2352: 2351: 2347: 2339: 2335: 2321: 2320: 2316: 2312:, p. 1814. 2308: 2304: 2296: 2292: 2283: 2279: 2270: 2268: 2259: 2258: 2249: 2239: 2237: 2224: 2223: 2204: 2191: 2190: 2186: 2177: 2175: 2162: 2161: 2157: 2149: 2145: 2135: 2133: 2120: 2119: 2115: 2106: 2102: 2093:Dickey, James. 2092: 2091: 2087: 2077: 2076: 2072: 2062: 2061: 2057: 2052: 2047: 2039: 2035: 2023: 2019: 2015:For example, "" 2014: 2010: 2005: 2001: 1992: 1988: 1980: 1976: 1969: 1965: 1958: 1953: 1929: 1906: 1835:Collected Poems 1789: 1758: 1742: 1733:Ford Foundation 1723:Bollingen Prize 1692:magazine (1950) 1664: 1657: 1618:Peter Schickele 1573:Leonard Lehrman 1563:Richard Hundley 1558:Timothy Hoekman 1518:Romeo Cascarino 1508:Marc Blitzstein 1498:William Bergsma 1493:Dominic Argento 1439:Aribert Reimann 1396: 1370: 1317:poetandpainter. 1313:twin obsessions 1309: 1292: 1224: 1190: 1187: 1185: 1183: 1181: 1179: 1173: 1170: 1168: 1166: 1164: 1163: 1161: 1159: 1157: 1125: 1121: 1093: 1085: 1082: 1079: 1077: 1075: 1073: 1072: 1070: 1068: 1066: 1044: 1041: 1040:LOVE, YOU DEAR, 1039: 1037: 1035: 1008: 1004: 1001: 998: 997: 995: 993: 991: 989: 987: 986: 984: 982: 980: 978: 976: 974: 972: 970: 939: 930:of French poet 897: 888: 877: 876: 875: 870: 859: 853: 850: 843: 831:This section's 827: 823: 812: 801: 795: 792: 777: 765: 761: 724: 720: 713: 705:Joseph McCarthy 687: 685:Political views 667:Mexican divorce 660:Frank MacDermot 656:Scofield Thayer 636: 631: 584: 581: 578: 575: 572: 570: 568: 538: 525: 522: 462: 457: 453: 450: 447: 445: 443: 441: 440: 438: 436: 434: 432: 430: 428: 398:for his novel, 382:Dépôt de Triage 361: 326:magna cum laude 244: 239: 226:Randall Jarrell 213: 206:M. L. Rosenthal 110:Alma mater 93: 89: 76: 70: 68: 67: 58: 46: 35: 28: 23: 22: 15: 12: 11: 5: 4425: 4423: 4415: 4414: 4409: 4404: 4399: 4394: 4389: 4384: 4379: 4374: 4369: 4364: 4359: 4354: 4349: 4344: 4339: 4334: 4329: 4324: 4319: 4314: 4309: 4304: 4299: 4294: 4292:E. E. Cummings 4284: 4283: 4279: 4278: 4266: 4254: 4231: 4230: 4228: 4227: 4219: 4214: 4208: 4206: 4202: 4201: 4199: 4198: 4189: 4187: 4183: 4182: 4180: 4179: 4171: 4164: 4157: 4150: 4146:i sing of Olaf 4142: 4135: 4126: 4124: 4120: 4119: 4117: 4116: 4108: 4100: 4092: 4084: 4076: 4070: 4062: 4054: 4045: 4043: 4039: 4038: 4035:E. E. Cummings 4033: 4031: 4030: 4023: 4016: 4008: 4001: 4000: 3995: 3990: 3983:E. E. Cummings 3980: 3968: 3960: 3948: 3943: 3923: 3910: 3901: 3895: 3880: 3871: 3862: 3852: 3850: 3849:External links 3847: 3846: 3845: 3824: 3814: 3800: 3793: 3786: 3779: 3772: 3754: 3748: 3733: 3730: 3728: 3727: 3721: 3704: 3698: 3681: 3680: 3679: 3662: 3635: 3618: 3609: 3596: 3579: 3573: 3552: 3550: 3547: 3544: 3543: 3513: 3488: 3471: 3446: 3429: 3407: 3392: 3361: 3323: 3297: 3280: 3246: 3231: 3211: 3181: 3179:, p. 295. 3177:Kennedy (1994) 3169: 3156: 3136: 3125:E. E. Cummings 3114: 3087: 3074: 3062: 3035: 3014:10.2307/460378 2988: 2963: 2944: 2906: 2886: 2875:(14–15): 199. 2856: 2844: 2822: 2802: 2795: 2773: 2758: 2751: 2731: 2714: 2697: 2685: 2665: 2663:, p. 161. 2653: 2641: 2619: 2602: 2575: 2553: 2546: 2537:Selected poems 2523: 2503: 2491: 2484: 2454: 2432: 2411: 2399: 2393:, Chapter 7: " 2383: 2371: 2359: 2345: 2343:, p. 186. 2341:Kennedy (1994) 2333: 2314: 2302: 2290: 2277: 2247: 2202: 2184: 2155: 2143: 2113: 2100: 2085: 2070: 2054: 2053: 2051: 2048: 2046: 2045: 2033: 2017: 2008: 1999: 1995:Selected works 1986: 1974: 1962: 1957: 1954: 1952: 1949: 1948: 1947: 1938: 1928: 1925: 1924: 1923: 1915: 1905: 1902: 1901: 1900: 1894: 1888: 1882: 1876: 1870: 1864: 1858: 1852: 1844: 1838: 1832: 1824: 1818: 1810: 1804: 1798: 1788: 1785: 1784: 1783: 1775: 1767: 1757: 1754: 1750:wall in Leiden 1741: 1738: 1737: 1736: 1729: 1726: 1720: 1709: 1703: 1700: 1695:Fellowship of 1693: 1686: 1680: 1674: 1663: 1660: 1659: 1658: 1656: 1655: 1650: 1648:James Yannatos 1645: 1640: 1635: 1630: 1625: 1620: 1615: 1610: 1605: 1600: 1595: 1590: 1585: 1580: 1575: 1570: 1565: 1560: 1555: 1553:Michael Hedges 1550: 1545: 1540: 1535: 1530: 1525: 1520: 1515: 1510: 1505: 1500: 1495: 1489: 1486: 1471: 1452: 1445:Morton Feldman 1442: 1436: 1395: 1392: 1369: 1366: 1332:and answered, 1308: 1305: 1223: 1220: 1208: 1207: 1202:—no. 46, from 1200: 1195:—no. 24, from 1192: 1191: 1174: 1063: 1061: 1032: 967: 965: 946:form and used 905:Gertrude Stein 896: 893: 890: 889: 872: 871: 830: 828: 821: 814: 813: 768: 766: 759: 754: 728: 727: 725: 718: 712: 709: 686: 683: 635: 632: 630: 627: 576: 565: 562: 537: 534: 520: 461: 460:Post-war years 458: 427:Buffalo Bill's 425: 423: 395:Woodrow Wilson 360: 357: 334:Master of Arts 330:Phi Beta Kappa 302:"le bon Dieu," 294:transcendental 243: 240: 238: 235: 144:E. E. Cummings 131: 130: 122: 121: 117: 116: 111: 107: 106: 103: 99: 98: 92:(aged 67) 86: 82: 81: 64: 60: 59: 56: 48: 47: 45:E. E. Cummings 44: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4424: 4413: 4410: 4408: 4405: 4403: 4400: 4398: 4395: 4393: 4390: 4388: 4385: 4383: 4380: 4378: 4375: 4373: 4370: 4368: 4365: 4363: 4360: 4358: 4355: 4353: 4350: 4348: 4345: 4343: 4340: 4338: 4335: 4333: 4330: 4328: 4325: 4323: 4320: 4318: 4315: 4313: 4310: 4308: 4305: 4303: 4300: 4298: 4295: 4293: 4290: 4289: 4287: 4277: 4276:United States 4267: 4265: 4260: 4255: 4253: 4243: 4239: 4226: 4224: 4220: 4218: 4215: 4213: 4210: 4209: 4207: 4203: 4196: 4195: 4191: 4190: 4188: 4184: 4177: 4176: 4172: 4169: 4165: 4162: 4158: 4155: 4151: 4148: 4147: 4143: 4140: 4136: 4133: 4132: 4128: 4127: 4125: 4121: 4114: 4113: 4109: 4106: 4105: 4101: 4098: 4097: 4093: 4090: 4089: 4085: 4082: 4081: 4077: 4074: 4071: 4068: 4067: 4063: 4060: 4059: 4055: 4052: 4051: 4047: 4046: 4044: 4040: 4036: 4029: 4024: 4022: 4017: 4015: 4010: 4009: 4006: 3999: 3996: 3994: 3991: 3988: 3984: 3981: 3979: 3975: 3972: 3969: 3967: 3965: 3961: 3959: 3958: 3954: 3949: 3947: 3944: 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3257: 3255: 3253: 3251: 3247: 3242: 3238: 3234: 3232:0-8143-1845-2 3228: 3224: 3223: 3215: 3212: 3200: 3196: 3194: 3193:Tom: A Ballet 3185: 3182: 3178: 3173: 3170: 3166: 3160: 3157: 3149: 3145: 3140: 3137: 3134: 3130: 3126: 3121: 3119: 3115: 3110: 3106: 3102: 3098: 3091: 3088: 3084: 3078: 3075: 3071: 3066: 3063: 3058: 3054: 3051:(10): 31–43. 3050: 3046: 3039: 3036: 3031: 3027: 3023: 3019: 3015: 3011: 3007: 3003: 2999: 2992: 2989: 2976: 2975: 2967: 2964: 2961: 2957: 2953: 2948: 2945: 2940: 2936: 2932: 2928: 2925:(10): 31–43. 2924: 2920: 2916: 2915:Landles, Iain 2910: 2907: 2902: 2895: 2893: 2891: 2887: 2882: 2878: 2874: 2870: 2863: 2861: 2857: 2853: 2848: 2845: 2840: 2836: 2829: 2827: 2823: 2820: 2816: 2812: 2806: 2803: 2798: 2796:9780801802072 2792: 2788: 2784: 2777: 2774: 2769: 2762: 2759: 2754: 2752:9780684869964 2748: 2744: 2743: 2735: 2732: 2727: 2726: 2718: 2715: 2711: 2707: 2701: 2698: 2694: 2689: 2686: 2681: 2676: 2669: 2666: 2662: 2657: 2654: 2650: 2645: 2642: 2637: 2633: 2626: 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1936: 1935: 1931: 1930: 1926: 1921: 1920: 1916: 1913: 1912: 1908: 1907: 1903: 1898: 1895: 1892: 1889: 1886: 1883: 1880: 1877: 1874: 1871: 1868: 1865: 1862: 1859: 1856: 1853: 1850: 1849: 1845: 1842: 1839: 1836: 1833: 1830: 1829: 1825: 1822: 1819: 1816: 1815: 1811: 1808: 1805: 1802: 1799: 1796: 1795: 1791: 1790: 1786: 1781: 1780: 1776: 1773: 1772: 1768: 1765: 1764: 1760: 1759: 1755: 1751: 1746: 1739: 1734: 1730: 1727: 1724: 1721: 1718: 1714: 1710: 1707: 1704: 1701: 1698: 1694: 1691: 1687: 1684: 1681: 1678: 1675: 1672: 1669: 1668: 1667: 1661: 1654: 1651: 1649: 1646: 1644: 1641: 1639: 1638:Hugo Weisgall 1636: 1634: 1631: 1629: 1626: 1624: 1621: 1619: 1616: 1614: 1611: 1609: 1606: 1604: 1603:Tobias Picker 1601: 1599: 1596: 1594: 1591: 1589: 1588:William Mayer 1586: 1584: 1581: 1579: 1576: 1574: 1571: 1569: 1566: 1564: 1561: 1559: 1556: 1554: 1551: 1549: 1546: 1544: 1541: 1539: 1536: 1534: 1533:David Diamond 1531: 1529: 1526: 1524: 1523:Aaron Copland 1521: 1519: 1516: 1514: 1511: 1509: 1506: 1504: 1501: 1499: 1496: 1494: 1491: 1490: 1487: 1484: 1481:choir titled 1480: 1476: 1475:Eric Whitacre 1472: 1469: 1468: 1463: 1462: 1457: 1453: 1450: 1446: 1443: 1440: 1437: 1434: 1433: 1428: 1427:Pierre Boulez 1424: 1423: 1422: 1419: 1417: 1413: 1409: 1405: 1401: 1393: 1391: 1389: 1388: 1382: 1377: 1375: 1367: 1365: 1363: 1359: 1358: 1353: 1352: 1347: 1346: 1341: 1336: 1335: 1331: 1327: 1323: 1318: 1314: 1306: 1304: 1302: 1297: 1296: 1290: 1288: 1287: 1282: 1281:Tom, A Ballet 1278: 1276: 1272: 1271: 1266: 1262: 1257: 1248: 1245: 1243: 1239: 1235: 1231: 1230: 1221: 1218: 1213: 1205: 1201: 1198: 1194: 1193: 1189: 1175: 1172: 1153: 1152: 1149: 1147: 1143: 1138: 1136: 1135: 1129: 1118: 1114: 1109: 1107: 1106:R.P. Blackmur 1103: 1099: 1098:morphological 1092: 1089: 1081: 1060: 1058: 1057: 1052: 1051: 1043: 1030: 1027: 1025: 1021: 1017: 1013: 1007: 1000: 964: 961: 955: 953: 949: 945: 937: 933: 929: 924: 922: 918: 914: 910: 906: 902: 894: 886: 883: 868: 865: 857: 847: 842: 838: 836: 829: 820: 819: 810: 807: 799: 789: 785: 781: 775: 774: 769:This section 767: 758: 757: 752: 750: 743: 742: 737: 736: 731: 726: 717: 716: 710: 708: 706: 702: 698: 694: 693: 684: 682: 680: 676: 675:Patchin Place 670: 668: 663: 661: 657: 652: 648: 640: 633: 629:Personal life 628: 626: 624: 620: 616: 612: 607: 605: 601: 597: 593: 589: 574: 561: 559: 555: 551: 542: 535: 533: 530: 519: 514: 512: 508: 503: 501: 500: 495: 491: 490: 485: 480: 478: 474: 470: 468: 459: 456: 449: 448:Mister Death 422: 420: 416: 415:12th Division 411: 407: 403: 402: 396: 390: 388: 387:La Ferté-Macé 383: 376: 374: 370: 366: 358: 353: 352: 346: 342: 340: 335: 331: 327: 323: 319: 315: 311: 306: 303: 299: 295: 292:He expressed 290: 288: 284: 280: 276: 272: 271:William James 268: 264: 260: 254: 249: 241: 236: 234: 231: 227: 222: 217: 209: 207: 203: 200: 195: 193: 192: 187: 183: 179: 178: 173: 172: 167: 166: 161: 160: 155: 154: 149: 145: 141: 137: 128: 123: 118: 115: 112: 108: 104: 100: 96: 87: 83: 79: 65: 61: 54: 49: 42: 39: 37: 33: 19: 4222: 4192: 4173: 4144: 4129: 4110: 4102: 4094: 4086: 4078: 4072: 4064: 4056: 4048: 4034: 3963: 3956: 3952: 3908:LibraryThing 3832: 3820: 3810: 3796: 3789: 3782: 3775: 3761: 3757: 3739: 3710: 3687: 3674: 3668: 3664:Chapter 11. 3657: 3651: 3647: 3643:Chapter 10. 3624: 3613: 3585: 3562: 3534:. Retrieved 3527: 3516: 3504:. Retrieved 3500: 3491: 3463:, retrieved 3458: 3449: 3439: 3432: 3417: 3410: 3401: 3395: 3383:. Retrieved 3378: 3374: 3364: 3354:December 13, 3352:. Retrieved 3347: 3343: 3316:February 21, 3314:. Retrieved 3310: 3300: 3290: 3283: 3265: 3221: 3214: 3204:December 14, 3202:. Retrieved 3198: 3192: 3184: 3172: 3164: 3159: 3139: 3124: 3100: 3096: 3090: 3082: 3077: 3065: 3048: 3038: 3005: 3001: 2991: 2979:. Retrieved 2973: 2966: 2951: 2947: 2922: 2909: 2900: 2872: 2847: 2838: 2810: 2805: 2782: 2776: 2767: 2761: 2741: 2734: 2724: 2717: 2700: 2688: 2679: 2668: 2656: 2644: 2636:The Guardian 2635: 2596: 2567: 2556: 2536: 2516: 2494: 2465: 2457: 2449:the original 2444: 2435: 2426: 2414: 2402: 2394: 2386: 2374: 2362: 2348: 2336: 2327: 2317: 2310:Bloom (1985) 2305: 2293: 2285: 2280: 2269:, retrieved 2264: 2238:. Retrieved 2234:the original 2229: 2197:the original 2187: 2176:, retrieved 2172:the original 2167: 2158: 2146: 2134:. 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4252:Biography 4096:No Thanks 3536:April 20, 3506:April 20, 3350:: 114–121 3097:Krazy Kat 3030:163935794 2931:0735-6889 2597:Poets.org 2240:August 9, 2136:April 27, 2050:Citations 1828:No Thanks 1807:XLI Poems 1731:Two-year 1613:Ned Rorem 1538:John Duke 1513:John Cage 1429:composed 1425:In 1970, 1412:Teiji Ito 1404:John Cage 1362:Modernist 1322:drawings. 1270:anthropos 1134:Krazy Kat 1102:compounds 1024:pararhyme 960:syntactic 948:acrostics 796:July 2023 784:verifying 741:talk page 634:Marriages 473:XLI Poems 359:War years 298:"I, Thou" 259:Unitarian 224:The poet 199:modernist 120:Signature 4217:Joy Farm 4175:95 Poems 4170:" (1958) 4163:" (1944) 4156:" (1940) 4141:" (1926) 3974:Archived 3929:Archived 3887:LibriVox 3841:43915118 3652:95 Poems 3650:(1950), 3559:(1985). 3465:June 10, 3241:59693901 3109:43915279 3057:43898141 2939:43898141 2917:(2001). 2881:43915269 1943:(1953), 1879:73 Poems 1867:95 Poems 1841:50 Poems 1449:50 Poems 1090:" (1940) 1042:ESTLIN. 697:bohemian 617:and the 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1797:(1923) 1787:Poetry 1766:(1922) 1719:(1957) 1699:(1950) 1690:Poetry 1679:(1933) 1673:(1925) 1662:Awards 1477:wrote 1340:cubist 1126: 1122: 1086:From " 940: 895:Poetry 494:Mexico 479:poet. 214: 105:Author 97:, U.S. 80:, U.S. 4186:Plays 4104:1 × 1 4080:CIOPW 4042:Books 3837:JSTOR 3760:, in 3648:Xaipe 3424:IRCAM 3105:JSTOR 3053:JSTOR 3026:S2CID 3018:JSTOR 2935:JSTOR 2877:JSTOR 2476:41–43 1993:See: 1934:CIOPW 1904:Plays 1848:1 × 1 1801:& 1740:Books 1456:Björk 1357:CIOPW 1275:Greek 1222:Plays 1204:Xaipe 1197:Xaipe 1020:meter 1016:rhyme 944:blues 590:, in 385:, in 373:Paris 314:Greek 310:Latin 4088:EIMI 4073:ViVa 4066:is 5 3766:ISBN 3744:ISBN 3717:ISBN 3694:ISBN 3631:ISBN 3603:ISBN 3592:ISBN 3569:ISBN 3538:2018 3508:2018 3467:2019 3387:2007 3356:2005 3318:2023 3271:OCLC 3237:OCLC 3227:ISBN 3206:2023 3129:ISBN 3002:PMLA 2983:2023 2956:ISBN 2927:ISSN 2815:ISBN 2791:ISBN 2747:ISBN 2542:ISBN 2480:ISBN 2395:Eimi 2273:2010 2242:2023 2180:2023 2138:2016 1821:ViVa 1814:is 5 1771:EIMI 1348:and 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