121:. It has not yet been possible to date the compositions, but Williams writes: "Though frequently charming and melodious, they could hardly have been written by J. S. Bach for his pupils since their 'standard of counterpoint and general musicianship' does not fit the period in question, nor does the scarcity of copies suggest they were much used, even as part of a bigger compendium. Nevertheless, the pieces do amount to a fine book for learners, teaching whether or how to add pedal, use a second manual, and register according to so-called key characteristics."
17:
171:
79:
144:, another 19th-century scholar, declared that "on stylistic grounds neither seems likely." Even though in 1952 the Bach scholar Walter Emery wrote about the works that "there seems no reason why they should not have been written about 1730–50 by some minor composer in central Germany, whether or not he was a pupil of Bach's," Williams thinks that the likely composer—the "
161:
Even in the longest Fugue, No. 3, there is little modulation beyond what one finds in
Fischer's succinct little essays, and any 'updating' of his idiom discerned in BWV 553–560 – binary form, post-Vivaldian patterns, post-Bach melodies, further episodes in some fugues, sometimes unclear handling of part-writing – could be that of an admirer of his in 1750 or so.
2160:
622:'s works; the use of pedal points in BWV 559 indicate techniques of organ writing already heard in BWV 543. Like the fugue in BWV 543, the second half of the subject of the fugue in BWV 559 is ornamented; otherwise, however, it is composed on a quite different scale, being more like the "verset-fughettas" of Fischer.
160:
Such modest and single-minded preludes, modest fugues with exposition, episode and final entries, a charming and coherent handling of the keys and cadences: these are closer to
Fischer's idiom than to any northern repertories, and could reflect his wide and lasting influence on organists of the time.
646:
186:, thereby making the stylistic claim of inauthenticity far less tenable. Several elements of the pieces, including the rolling of large chords, octave doublings and repeated notes, and the patterns of movement of the fingers and feet, the rhythm, and overall texture are idiomatic on the
602:
542:
476:
422:
336:
290:
224:
440:, BWV 590 by Bach, the prelude of BWV 556 is vaguely similar to the third movement, but does not match Bach's musicianship. According to Williams, it seems like "an exercise in simple rising sequences, with a basso-continuo pedal part", showing the Italianate influence of
1434:
638:
1427:
594:
534:
468:
414:
328:
282:
216:
181:
These pieces came to be played often on the organ in the 19th and 20th centuries, and were especially useful as teaching pieces for beginners. Subsequent scholarship has suggested that this collection was conceived specifically for the
1420:
1618:
1448:
1366:
658:
According to
Williams, the musical style of the prelude is reflected in contemporary oboe concertos of the 1730s; while the fugue was probably composed after 1740 and shows the influence of
258:, the prelude combines features of an Italian concerto or an organ praeludium. The brief fugue is more substantial than a fughetta; the style of the two musical motifs is similar to that of
562:", but, as Williams points out, that runs counter to the ABAB form and the change of harmony in every bar. The conventional formulaic cadences and simple one-bar sequences over a
1954:
2034:
1444:
647:
1974:
2097:
1631:
1287:"Welche unter J. S. Bachs Namen geführten Orgelwerke sind Johann Tobias bzw. Johann Ludwig Krebs zuzuschreiben? Ein Versuch zur Lösung von Autorschaftsproblemen"
603:
543:
477:
423:
337:
291:
225:
1990:
1560:
1038:
2127:
1546:
2132:
1507:
566:
seem like a composer "consciously creating a series of samples". The subject of the fugue is composed of three separate motifs, all of which can be found in
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2185:
618:. The demisemiquaver passagework of the little prelude is typical of toccata organ writing in Southern Germany, although they can also be found in
578:
praised the fugue, particularly its modulations. Williams has suggested that "perhaps the imaginative penultimate bar was inspired by J. S. Bach".
1929:
1541:
1492:
105:. As Williams explains, whoever the composer was, the works show an ability to compose in diverse ways—the toccata, the Italian concerto, the
2090:
1912:
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1859:
1852:
1819:
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1527:
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1983:
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1219:
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1072:
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1017:
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25:
2190:
1967:
1601:
789:
663:
263:
149:
67:
2027:
2012:
1277:
1120:
1203:
375:
98:
2150:
1934:
1923:
1666:
1565:
614:
The little
Prelude and Fugue in A minor, BWV 559 lies in the shadows of Bach's celebrated Prelude and Fugue in A minor,
448:. The fugue could have been composed anywhere in Germany: its musical figures have a polyphonic style like Pachelbel's
2047:
1324:
1412:
1348:
124:
Various possible composers have been suggested for these little preludes and fugues, including Johann Ludwig Krebs,
2054:
1939:
1468:
1211:
2007:
1570:
21:
1395:
799:
1651:
846:, ca. 1957, Columbia ML 5078. Recorded on 8 different historic organs in Northern Europe (Netherlands, Germany)
1253:
1948:
937:
908:
659:
133:
129:
2164:
2112:
499:
306:
B segment. Both the prelude and fugue are reminiscent of the first and last lines of the
Lutheran chorale
1704:
1656:
1623:
1580:
1453:
1320:
511:
51:
2018:
136:
and Johann Caspar Simon. Prior to DĂĽrr's scientific research on manuscripts, the 19th-century scholar
2074:
1661:
1593:
1477:
1388:
795:
739:
363:
240:
236:
118:
87:
1289:[Which of the organ works for which J. S. Bach has been named as author can be ascribed to
1960:
1294:
1290:
809:
760:
619:
125:
102:
59:
55:
1384:
1271:
1106:
833:
681:
445:
353:
308:
252:
114:
101:
have suggested that the eight preludes and fugues might have been composed by one of his pupils,
1391:
website (facsimile of oldest extant manuscript containing the Eight Short
Preludes and Fugues).
1241:
Bach Werke
Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe
1167:
1375:
1257:
1215:
1190:
1177:
1114:
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891:
385:
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1585:
1328:
887:
837:
774:
503:
395:
232:
183:
174:
1306:
827:
778:
34:
785:
302:
The compact prelude has an ABA structure, where the A section is dominated by the middle
93:
While originally attributed to Bach, scientific examination of the extant manuscripts by
2084:
major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
1302:
1298:
1235:
1173:
1169:
Eight Short
Preludes and Fugues BWV 553–560: formerly ascribed to Johann Sebastian Bach
1163:
843:
733:
575:
563:
555:
137:
94:
16:
2174:
1316:
719:
715:
709:
705:
699:
685:
495:
441:
494:" with freely-composed improvisatory passages. It reflects the musical influence of
1405:
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1102:
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912:
895:
856:
725:
391:
195:
141:
645:
601:
541:
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421:
335:
289:
223:
50:
553–560, are a collection of works for keyboard and pedal formerly attributed to
1239:
753:
749:
691:
507:
371:
303:
54:. They are now believed to have been composed by one of Bach's pupils, possibly
944:
programmed organ recitals there to raise funds for his hospital work in Africa.
170:
449:
436:
191:
187:
1246:
Bach Works
Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition
803:
695:
259:
255:
78:
940:
played on the organ during his journey to Paris in 1777–1778. The polymath
156:. As justification Williams describes the form of the preludes and fugues:
819:
768:
571:
559:
358:
1379:
1332:
860:
823:
764:
615:
567:
490:
380:
153:
63:
1619:
Canonic
Variations on "Vom Himmel hoch da komm' ich her", BWV 769
378:
considers that the fugue is probably the best in the collection "with
140:
had judged that the works bore the "stamp of commanding mastery"; and
729:
367:
1249:
813:
169:
82:
Mid-eighteenth century manuscript copy of Prelude, BWV 555 in the
77:
38:
15:
874:
743:
1416:
784:
Gerhard Weinberger, Carl Christian Hoffmann Organ, St. Marien,
558:
that the prelude could technically be regarded as an "Italian
47:
777:, Organ Works on Silbermann Organs, Vol. 7, 1998 (reissue),
97:
in 1987 and subsequent stylistic analysis of the score by
1248:] (in German). Kirsten BeiĂźwenger (collaborator). (
2148:
366:; the model is adapted from the traditions of organ
2064:
2000:
1644:
1461:
1349:"Who really wrote the 8 short preludes and fugues?"
1297:? An attempt to resolve authorship issues]. In
1187:Bach and the Pedal Clavichord: an Organist's Guide
1533:Eight Short Preludes and Fugues, BWV 553–560
1109:. Seattle: Loft Recordings: Liner notes, OC-29701
2091:Concerto transcriptions, BWV 592–596 and 972–987
1508:Fantasia and Fugue in G minor ("Great"), BWV 542
1498:Toccata and Fugue in D minor ("Dorian"), BWV 538
506:, Bach and Fischer. The subject of the fugue is
394:typical of earlier treatments of the descending
1991:Capriccio on the departure of a beloved brother
1561:Prelude (Toccata) and Fugue in E major, BWV 566
1528:Prelude and Fugue in E minor ("Wedge"), BWV 548
1144:
1142:
1140:
1138:
1136:
1134:
1132:
1130:
1039:The New Grove Dictionary of Music and Musicians
198:recorded the collection on a pedal clavichord.
158:
1566:Fantasia ("Pièce d'Orgue") in G major, BWV 572
1396:"D-B Mus.ms. Bach P 281, Fascicle 5"
999:
997:
995:
993:
980:
978:
976:
974:
972:
759:Hans Helmut Tillmanns, on the Weimbs organ in
554:In 1931, it was suggested by the musicologist
148:" as he puts it—is most probably the composer
2128:List of compositions by Johann Sebastian Bach
1547:Toccata, Adagio and Fugue in C major, BWV 564
1428:
8:
2133:List of fugal works by Johann Sebastian Bach
1367:Eight Short Preludes and Fugues, BWV 553–560
1086:
1084:
718:, recording on period German organs, 1995,
2138:List of concertos by Johann Sebastian Bach
1435:
1421:
1413:
1107:"The Bach Circle, Vol 1, Pedal Clavichord"
1576:Passacaglia and Fugue in C minor, BWV 582
1469:Fugue in G minor, BWV 131a
1371:International Music Score Library Project
1090:
177:, engraving, P. Verscheure Reynvaan, 1795
1148:
984:
370:in Southern Germany, rather than string
2155:
1006:The Organ Music of J. S. Bach: Volume 1
956:
930:
1930:Fantasia and Fugue in C minor, BWV 906
1542:Fantasia and Fugue in C minor, BWV 562
1493:Fantasia and Fugue in C minor, BWV 537
1269:
1112:
1042:. Vol. 10. Macmillan Publishers.
1008:. Cambridge University Press. p.
1696:Overture in the French style, BWV 831
1657:English Suites, BWV 806–811
1652:Inventions and Sinfonias, BWV 772–801
1552:Toccata and Fugue in D minor, BWV 565
1523:Prelude and Fugue in C minor, BWV 546
1518:Prelude and Fugue in B minor, BWV 544
1513:Prelude and Fugue in A minor, BWV 543
1503:Toccata and Fugue in F major, BWV 540
1488:Prelude and Fugue in D major, BWV 532
1483:Prelude and Fugue in C major, BWV 531
1238:; Kobayashi, Yoshitake, eds. (1998).
7:
1662:French Suites, BWV 812–817
1571:Fugue in G minor ("Little"), BWV 578
963:
1634:Wo Gott der Herr nicht bei uns hält
1347:Hammer, Michael (21 October 2013).
1065:Organ Literature: Historical Survey
201:The eight preludes and fugues are:
1984:Aria variata alla maniera italiana
1705:Well-Tempered Clavier, BWV 846–893
1180: 9790006480098. BA 6497.
14:
2196:Bach: spurious and doubtful works
2181:Preludes by Johann Sebastian Bach
1189:, University of Rochester Press,
1172:(in German and English). Kassel:
628:Prelude and Fugue in B-flat major
348:The prelude of BWV 555 is in the
2158:
1266:. Preface in English and German.
1067:. Scarecrow Press. p. 101.
1063:Arnold, Corliss Richard (2003).
643:
599:
574:. The 19th-century Bach scholar
539:
518:entries are easily accomplished.
473:
419:
333:
287:
221:
44:Eight Little Preludes and Fugues
2186:Fugues by Johann Sebastian Bach
2035:Prelude, Fugue and Allegro in E
1935:Toccatas, BWV 910–916
1667:Partitas, BWV 825–830
1603:Great Eighteen Chorale Preludes
150:Johann Caspar Ferdinand Fischer
68:Johann Caspar Ferdinand Fischer
1105:(2000). Joel Speerstra (ed.).
694:, Garrels organ, Groote Kerk,
514:, modulations before or after
251:Discounted as being a form of
1:
1208:The Organ Music of J. S. Bach
190:but make little sense on the
26:St Thomas' Church, Strasbourg
1924:Chromatic Fantasia and Fugue
812:, Kirche Maria Himmelfahrt,
584:Prelude and Fugue in A minor
524:Prelude and Fugue in G minor
488:The prelude is a "miniature
458:Prelude and Fugue in G major
404:Prelude and Fugue in F major
318:Prelude and Fugue in E minor
272:Prelude and Fugue in D minor
206:Prelude and Fugue in C major
109:style, the fughetta and the
2048:Prelude in C minor, BWV 999
1581:Concertos, BWV 592–597
1325:Evangelische Verlagsanstalt
1319:(in German). Vol. 52.
239:, in the village church of
2212:
2098:KlavierbĂĽchlein W. F. Bach
2055:Fugue in G minor, BWV 1000
1955:Harpsichord solo concertos
1276:: CS1 maint: postscript (
1212:Cambridge University Press
1119:: CS1 maint: postscript (
2123:
2028:Suite in C minor, BWV 997
2013:Suite in E minor, BWV 996
2008:Suite in G minor, BWV 995
816:, reissue, 2007, Membran.
22:Johann Andreas Silbermann
2078:: Prelude and Fugue in E
1612:Sei gegrĂĽĂźet, Jesu gĂĽtig
1185:Speerstra, Joel (2004),
1004:Williams, Peter (1980).
863:, 2000, Loft Recordings.
1943:, BWV 933–938
1252: ed.). Wiesbaden:
938:Wolfgang Amadeus Mozart
134:Franz Anton Maichelbeck
130:Wilhelm Friedemann Bach
74:History and attribution
2191:Compositions for organ
2113:Twelve Little Preludes
1254:Breitkopf & Härtel
822:, organ of St Bavo in
798:, Reformierte Kirche,
500:Friedrich Erhard Niedt
178:
163:
90:
28:
1454:Johann Sebastian Bach
1321:Neue Bachgesellschaft
1285:Tittel, Karl (1966).
512:Well-Tempered Clavier
434:In the four-movement
354:suspended dissonances
173:
81:
52:Johann Sebastian Bach
19:
1627:, BWV 1090–1120
1478:Sonatas, BWV 525–530
1408:; et al. 2020-01-13.
1389:Berlin State Library
1327:. pp. 102–137.
1214:, pp. 141–144,
920:Notes and references
873:Mark Delisle, 2018,
119:Girolamo Frescobaldi
88:Girolamo Frescobaldi
2105:Notebook A. M. Bach
1961:Goldberg Variations
1941:Six Little Preludes
1625:Neumeister chorales
1295:Johann Ludwig Krebs
810:Wolfgang Stockmeier
800:Schönenberg, Zürich
728:, Skt. Hans Kirke,
671:Selected recordings
620:Dieterich Buxtehude
166:Preludes and fugues
126:Johann Tobias Krebs
103:Johann Ludwig Krebs
60:Johann Ludwig Krebs
56:Johann Tobias Krebs
1605:, BWV 651–668
1597:, BWV 645–650
1589:, BWV 599–644
1443:Compositions for
1385:Mus.ms. Bach P 281
1333:10.13141/bjb.v1966
1313:Bach Yearbook 1966
1308:Bach-Jahrbuch 1966
834:Bernard Foccroulle
682:Marie-Claire Alain
446:Domenico Scarlatti
356:, typified by the
309:Jesu, meine Freude
179:
91:
29:
20:The 1741 organ of
2146:
2145:
2076:Clavier-Ăśbung III
2021:
1977:
1970:
1915:
1913:No. 24 in B minor
1908:
1895:
1882:
1869:
1867:No. 12 in F minor
1862:
1855:
1848:
1835:
1822:
1815:
1803:
1790:
1777:
1775:No. 16 in G minor
1770:
1768:No. 10 in E minor
1763:
1750:
1737:
1724:
1717:
1689:
1682:
1675:
1632:Chorale fantasia
1595:SchĂĽbler Chorales
1557:
1538:
1474:
1449:keyboard and lute
1034:Sir Grove, George
987:, p. 141–142
942:Albert Schweitzer
911:, BWV 554, 2011,
892:Dmitry Kabalevsky
796:Hans Vollenweider
684:, reissue, 2011,
648:
604:
544:
478:
424:
338:
292:
241:GroĂźhartmannsdorf
231:All performed by
226:
2203:
2163:
2162:
2161:
2154:
2116:
2107:
2100:
2093:
2086:
2083:
2082:
2057:
2050:
2043:
2040:
2039:
2030:
2017:
1973:
1966:
1949:Italian Concerto
1911:
1905:
1904:
1898:
1892:
1891:
1885:
1879:
1878:
1872:
1865:
1860:No. 6 in D minor
1858:
1853:No. 5 in D major
1851:
1845:
1844:
1838:
1832:
1831:
1825:
1820:No. 2 in C minor
1818:
1813:No. 1 in C major
1811:
1800:
1799:
1793:
1787:
1786:
1780:
1773:
1766:
1760:
1759:
1753:
1747:
1746:
1740:
1734:
1733:
1727:
1722:No. 2 in C minor
1720:
1715:No. 1 in C major
1713:
1685:
1678:
1671:
1610:Chorale partita
1555:
1536:
1472:
1456:
1437:
1430:
1423:
1414:
1409:
1369:: Scores at the
1363:
1361:
1359:
1336:
1281:
1275:
1267:
1224:
1210:(2nd ed.),
1199:
1181:
1151:
1146:
1125:
1124:
1118:
1110:
1099:
1093:
1088:
1079:
1078:
1060:
1054:
1053:
1030:
1024:
1023:
1001:
988:
982:
967:
961:
945:
935:
888:Martin Stadtfeld
851:Pedal clavichord
838:Ricercar Records
650:
649:
606:
605:
546:
545:
510:, so, as in the
504:Johann Mattheson
480:
479:
426:
425:
396:chromatic fourth
340:
339:
294:
293:
237:Silbermann organ
228:
227:
184:pedal clavichord
175:Pedal clavichord
142:Sir George Grove
113:style with slow
2211:
2210:
2206:
2205:
2204:
2202:
2201:
2200:
2171:
2170:
2169:
2165:Classical music
2159:
2157:
2149:
2147:
2142:
2119:
2110:
2103:
2096:
2089:
2080:
2079:
2073:
2066:
2060:
2053:
2046:
2037:
2036:
2033:
2026:
1996:
1975:Gould recording
1902:
1901:
1889:
1888:
1876:
1875:
1842:
1841:
1829:
1828:
1797:
1796:
1784:
1783:
1757:
1756:
1744:
1743:
1731:
1730:
1640:
1457:
1452:
1441:
1394:
1357:
1355:
1346:
1343:
1303:Neumann, Werner
1284:
1268:
1264:
1234:
1231:
1229:Further reading
1222:
1204:Williams, Peter
1202:
1197:
1184:
1162:
1154:
1147:
1128:
1111:
1101:
1100:
1096:
1089:
1082:
1075:
1062:
1061:
1057:
1050:
1032:
1031:
1027:
1020:
1003:
1002:
991:
983:
970:
962:
958:
949:
948:
936:
932:
922:
779:Berlin Classics
673:
664:Concerti grossi
655:
654:
653:
652:
651:
644:
641:
611:
610:
609:
608:
607:
600:
597:
551:
550:
549:
548:
547:
540:
537:
485:
484:
483:
482:
481:
474:
471:
431:
430:
429:
428:
427:
420:
417:
345:
344:
343:
342:
341:
334:
331:
299:
298:
297:
296:
295:
288:
285:
248:
247:
246:
245:
244:
229:
222:
219:
168:
76:
12:
11:
5:
2209:
2207:
2199:
2198:
2193:
2188:
2183:
2173:
2172:
2168:
2167:
2144:
2143:
2141:
2140:
2135:
2130:
2124:
2121:
2120:
2118:
2117:
2108:
2101:
2094:
2087:
2070:
2068:
2062:
2061:
2059:
2058:
2051:
2044:
2041:major, BWV 998
2031:
2024:
2023:
2022:
2010:
2004:
2002:
1998:
1997:
1995:
1994:
1987:
1980:
1979:
1978:
1971:
1957:
1952:
1945:
1937:
1932:
1927:
1919:
1918:
1917:
1916:
1909:
1896:
1883:
1870:
1863:
1856:
1849:
1836:
1823:
1816:
1806:
1805:
1804:
1791:
1778:
1771:
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1399:
1356:. Retrieved
1352:
1312:
1307:
1299:DĂĽrr, Alfred
1245:
1240:
1236:DĂĽrr, Alfred
1207:
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909:James Barnes
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850:
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786:Mechterstädt
726:Kevin Bowyer
675:
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444:rather than
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392:counterpoint
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180:
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83:
62:, or by the
43:
33:Eight Short
32:
30:
2067:collections
1968:discography
1900:No. 22 in B
1887:No. 18 in G
1874:No. 13 in F
1795:No. 22 in B
1782:No. 21 in B
1404:. Leipzig:
1174:Bärenreiter
830:, CHAN0527.
761:Widdersdorf
754:BIS Records
750:Hans Fagius
692:Ton Koopman
450:Magnificats
364:Frescobaldi
304:concertante
115:suspensions
95:Alfred DĂĽrr
58:or his son
2175:Categories
1840:No. 4 in C
1827:No. 3 in C
1755:No. 7 in E
1742:No. 4 in C
1729:No. 3 in C
1636:, BWV 1128
1556:(doubtful)
1537:(doubtful)
1473:(doubtful)
1358:29 January
1353:Pianonoise
1323:. Berlin:
952:References
898:, 9761754.
792:777 363-2.
508:syncopated
437:Pastorella
194:. In 1998
188:clavichord
1614:, BWV 768
1380:467300786
1272:cite book
964:DĂĽrr 1987
740:John Keys
696:Maassluis
630:(BWV 560)
586:(BWV 559)
572:ricercars
526:(BWV 558)
460:(BWV 557)
406:(BWV 556)
359:ricercars
352:style of
320:(BWV 555)
274:(BWV 554)
260:Pachelbel
256:allemande
208:(BWV 553)
86:style of
66:composer
2081:♭
2038:♭
1903:♭
1890:♯
1877:♯
1843:♯
1830:♯
1798:♭
1785:♭
1758:♭
1745:♯
1732:♯
1645:Keyboard
1305:(eds.).
1206:(2003),
1115:cite web
1036:(1980).
894:, 2010,
868:Mandolin
836:, 2007,
826:, 1992,
820:Piet Kee
802:, 1997,
788:, 2008,
769:Danacord
767:, 2003,
752:, 2007,
742:, 2012,
732:, 1991,
708:, 1996,
698:, 1990,
568:canzonas
560:courante
390:, and a
387:inversus
243:, Saxony
64:Bohemian
35:Preludes
2019:Bourrée
1808:Book 2
1710:Book 1
1315:].
1157:Sources
861:Seattle
828:Chandos
824:Haarlem
765:Cologne
700:Novalis
639:BWV 560
616:BWV 543
595:BWV 559
535:BWV 558
516:stretto
491:toccata
469:BWV 557
415:BWV 556
381:stretto
368:versets
350:durezza
329:BWV 555
283:BWV 554
264:Fischer
253:Corelli
217:BWV 553
154:Bohemia
111:durezze
84:durezza
2151:Portal
1554:
1535:
1471:
1378:
1260:
1218:
1193:
1071:
1046:
1016:
730:Odense
660:Handel
107:galant
42:(also
39:Fugues
2065:Mixed
1906:minor
1893:minor
1880:major
1846:minor
1833:major
1801:minor
1788:major
1761:major
1748:minor
1735:major
1687:No. 6
1680:No. 4
1673:No. 2
1462:Organ
1445:organ
1311:[
1244:[
925:Notes
882:Piano
814:Lorup
804:Tudor
676:Organ
235:on a
192:organ
152:from
2001:Lute
1376:RISM
1360:2021
1278:link
1258:ISBN
1216:ISBN
1191:ISBN
1178:ISMN
1121:link
1069:ISBN
1044:ISBN
1014:ISBN
875:ASIN
744:ASIN
570:and
262:and
37:and
31:The
1451:by
1387:at
1329:doi
1293:or
1250:BWV
1010:192
790:CPO
662:'s
362:of
48:BWV
46:),
24:in
2177::
1447:,
1398:.
1351:.
1301:;
1274:}}
1270:{{
1256:.
1176:.
1129:^
1117:}}
1113:{{
1083:^
1012:.
992:^
971:^
859:,
763:,
502:,
498:,
398:."
384:,
374:.
132:,
128:,
70:.
2153::
1436:e
1429:t
1422:v
1362:.
1335:.
1331::
1280:)
1123:)
1077:.
1052:.
1022:.
966:.
915:.
840:.
806:.
781:.
756:.
736:.
722:.
712:.
702:.
688:.
666:.
452:.
312:.
266:.
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