148:
38:
428:
for about a month, where he learned how to parse manga names (a "name" refers to the rough draft of a manga page, with preliminary panel layout, dialogue and plot, which is commonly checked by an editor before the artist proceeds to the manuscript phase). Later shifting from part-time to full-time
383:
in his first year at high school. The following year, Ōtsuka, with references from
Minamoto, debuted as a gag manga artist. However, he soon ended his career as a manga artist during his college entrance exams after deciding that he lacked talent as a manga artist. Ōtsuka graduated the
455:, was found to have possessed a large collection of manga, which at the time meant that the manga subculture was "repeatedly" linked to Miyazaki in the press and in popular imagination, creating the image that "young people involved with amateur
82:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
459:
are dangerous, psychologically disturbed perverts." Ōtsuka contested this popular perception, later writing that he "became somewhat angry about how judgment of crimes kept shifting onto otaku hobbies or tastes."
435:
on a freelance basis. The comments he published in the magazine under a pseudonym became the basis of Ōtsuka's later career as a commentator. It was also during this time that the first official use of the term
68:
473:), Ōtsuka developed a theory of media consumption based around the consumption of multiple small narratives that fit inside a "worldview" or grand narrative. This was a large influence on
264:
484:, with the doctoral dissertation titled "From Mickey's format to Proposition of Atom: the origin of postwar manga methodology in wartime years and its development".
325:, a leading manga magazine where he pioneered research on otaku subcultures in modern Japan. He has published a host of books and articles about the manga industry.
937:
332:. His doctoral dissertation is "From Mickey's format to Proposition of Atom: the origin of postwar manga methodology in wartime years and its development".
947:
942:
85:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
584:
480:Ōtsuka has gone on to lecture at various Japanese universities and colleges on the topic of manga studies. In 2007, he received his PhD from
285:
214:
365:, suffered poor living conditions in repatriate housing prior to his acceptance into university. Ōtsuka's father was a member of the former
607:
477:
theories of otaku, and Azuma's writing consequently helped give narrative consumption "canonical status within manga and anime criticism".
291:
221:
447:
Late in the 1980s, Ōtsuka was involved in the trial of a serial kidnapper and murderer of young girls, active between 1988 and 1989 in
93:
967:
957:
972:
746:
710:
672:
465:
106:
Content in this edit is translated from the existing
Japanese Knowledge article at ]; see its history for attribution.
275:
with a degree in anthropology, women's folklore, human sacrifice and post-war manga. In addition to his work with
366:
303:
101:
354:
862:""Ōtsuka Eiji and Narrative Consumption: An Introduction to 'World and Variation,'" in Mechademia 5 (2010)"
962:
481:
329:
147:
869:
385:
272:
186:
122:
263:
is a
Japanese social critic, folklorist, media theorist, and novelist. He is currently a professor at
952:
410:
279:
he is a critic, essayist, and author of several successful non-fiction books on
Japanese popular and
917:
822:
Kinsella, Sharon (1998). "Japanese
Subculture in the 1990s: Otaku and the Amateur Manga Movement".
397:
380:
115:
421:
393:
921:
839:
804:
575:
448:
425:
50:
796:
752:
742:
716:
706:
97:
831:
788:
452:
882:
416:
312:
396:. Ōtsuka gave up the notion of attending graduate school after he was told by instructor
566:
346:
258:
931:
808:
431:
389:
321:
777:"An Unholy Alliance of Eisenstein and Disney: The Fascist Origins of Otaku Culture"
676:
474:
376:
197:
663:
307:
800:
756:
720:
362:
17:
792:
408:
After graduation, Ōtsuka worked part-time as the editor of the magazines
373:
896:
300:
104:
to the source of your translation. A model attribution edit summary is
843:
776:
658:
369:, but he left the party due to disagreements regarding party policy.
345:
Eiji Ōtsuka was born on 28 August 1958 in the city formerly known as
659:"World and Variation: The Reproduction and Consumption of Narrative"
400:
that his "ideas are too journalistic and not suited for academics".
861:
835:
429:
editor, Ōtsuka worked as the editor-in-chief of the manga magazine
328:
In July 2007, he received a doctorate in artistic engineering from
437:
358:
350:
280:
276:
268:
174:
379:, which lead to his employment as an assistant for manga artist
79:
31:
444:
in 1983, with Ōtsuka still serving as its editor-in-chief.
295:
manga series. One of his first animation script works was
451:, Tokyo. The suspect (and later convicted perpetrator),
424:. As a part-time editor, he worked with manga artist
71:
a machine-translated version of the
Japanese article.
75:
231:
204:
192:
182:
157:
138:
775:Eiji, Ōtsuka; Lamarre, Thomas (29 December 2013).
542:The Intellectual History of Otaku ―― 1980's Theory
265:International Research Center for Japanese Studies
639:
252:
897:"「ミッキーの書式」から「アトムの命題」へ : 戦後まんがの戦時下起源とその展開"
633:
500:Construction of Manga――Product・Text・Phenomenon
246:
100:accompanying your translation by providing an
62:Click for important translation instructions.
49:expand this article with text translated from
27:Japanese social critic, theorist, and novelist
8:
319:In the 1980s, Otsuka was editor-in-chief of
739:"Otaku" no seishinshi : 1980-nendairon
388:in March 1981. There, he studied Japanese
135:
690:
878:
867:
703:Etō Jun to shōjo feminizumu-teki sengo
770:
768:
766:
651:Critical Works in English Translation
585:Multiple Personality Detective Psycho
286:Multiple Personality Detective Psycho
7:
855:
853:
732:
730:
696:
694:
608:The Kurosagi Corpse Delivery Service
372:In middle school, Ōtsuka joined the
361:). His father, as a repatriate from
292:The Kurosagi Corpse Delivery Service
257:, born 28 August 1958 in the former
222:The Kurosagi Corpse Delivery Service
521:Expression space of post-war manga
25:
507:A Theory of Narrative Consumption
466:A Theory of Narrative Consumption
671:. Translated by Marc Steinberg.
528:How to make The Character Novels
392:under the guidance of professor
306:. Ōtsuka was the editor for the
283:subcultures. He has written the
146:
36:
948:21st-century Japanese novelists
943:20th-century Japanese novelists
196:Critic, folklorist, novelist,
110:You may also add the template
1:
938:People from Nishitōkyō, Tokyo
673:University of Minnesota Press
420:, together with manga artist
646:(1985 OVA), Original creator
824:Journal of Japanese Studies
737:Ōtsuka, Eiji; 大塚英志 (2004).
701:Ōtsuka, Eiji; 大塚英志 (2004).
640:
253:
989:
74:Machine translation, like
641:Mahō no Rūju Rippusutikku
634:
247:
145:
51:the corresponding article
968:Manga artists from Tokyo
705:. Tōkyō: Chikuma Shobō.
367:Japanese Communist Party
200:, editor, media theorist
958:Anime and manga critics
121:For more guidance, see
973:Progressivism in Japan
877:Cite journal requires
629:Mahō no Rouge Lipstick
482:Kobe Design University
330:Kobe Design University
297:Mahō no Rouge Lipstick
112:{{Translated|ja|大塚英志}}
793:10.1353/mec.2013.0002
675:: 99–116 – via
657:Ōtsuka, Eiji (2010).
386:University of Tsukuba
310:lolicon manga series
273:University of Tsukuba
187:University of Tsukuba
123:Knowledge:Translation
94:copyright attribution
537:, Tokumashoten, 2003
516:, Chikumashobō, 1992
271:. He graduated from
741:. Tōkyō: Kōdansha.
540:おたくの精神史 ―― 1980年代論
535:Proposition of Atom
498:まんがの構造――商品・テキスト・現象
471:Monogatari shōhiron
440:" was published in
922:Anime News Network
509:, Shinyousha, 1989
502:, Yudachisha, 1987
426:Shōtarō Ishinomori
102:interlanguage link
860:Steinberg, Marc.
635:魔法のルージュ りっぷ☆すてぃっく
523:, Houzoukan, 1994
514:System and Ritual
463:In his 1989 book
239:
238:
134:
133:
63:
59:
16:(Redirected from
980:
905:
904:
893:
887:
886:
880:
875:
873:
865:
857:
848:
847:
819:
813:
812:
772:
761:
760:
734:
725:
724:
698:
680:
645:
643:
637:
636:
616:Detective Ritual
544:, Kōdansha, 2004
530:, Kōdansha, 2003
453:Tsutomu Miyazaki
262:
256:
250:
249:
207:
171:
167:
165:
150:
136:
113:
107:
80:Google Translate
61:
57:
40:
39:
32:
21:
988:
987:
983:
982:
981:
979:
978:
977:
928:
927:
924:'s encyclopedia
914:
909:
908:
895:
894:
890:
876:
866:
859:
858:
851:
821:
820:
816:
774:
773:
764:
749:
736:
735:
728:
713:
700:
699:
692:
687:
656:
653:
631:
493:Critical essays
490:
417:Petit Apple Pie
406:
343:
338:
313:Petit Apple Pie
244:
227:
205:
183:Alma mater
178:
172:
169:
163:
161:
153:
141:
130:
129:
128:
111:
105:
64:
41:
37:
28:
23:
22:
15:
12:
11:
5:
986:
984:
976:
975:
970:
965:
960:
955:
950:
945:
940:
930:
929:
926:
925:
913:
912:External links
910:
907:
906:
888:
879:|journal=
849:
836:10.2307/133236
830:(2): 289–316.
814:
787:(1): 251–277.
762:
747:
726:
711:
689:
688:
686:
683:
682:
681:
652:
649:
648:
647:
620:
619:
612:
611:(2000–present)
603:
596:
589:
580:
571:
556:
555:
546:
545:
538:
531:
524:
517:
510:
503:
489:
486:
475:Hiroki Azuma's
405:
402:
342:
339:
337:
334:
259:Tanashi, Tokyo
237:
236:
235:Yumi Shirakura
233:
229:
228:
226:
225:
218:
210:
208:
202:
201:
194:
190:
189:
184:
180:
179:
173:
168:28 August 1958
159:
155:
154:
152:Ōtsuka in 2012
151:
143:
142:
139:
132:
131:
127:
126:
119:
108:
86:
83:
72:
65:
58:(October 2017)
46:
45:
44:
42:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
985:
974:
971:
969:
966:
964:
963:Living people
961:
959:
956:
954:
951:
949:
946:
944:
941:
939:
936:
935:
933:
923:
919:
916:
915:
911:
902:
898:
892:
889:
884:
871:
863:
856:
854:
850:
845:
841:
837:
833:
829:
825:
818:
815:
810:
806:
802:
798:
794:
790:
786:
782:
778:
771:
769:
767:
763:
758:
754:
750:
744:
740:
733:
731:
727:
722:
718:
714:
708:
704:
697:
695:
691:
684:
678:
674:
670:
666:
665:
660:
655:
654:
650:
642:
630:
627:
626:
625:
624:
617:
613:
610:
609:
604:
601:
597:
594:
590:
587:
586:
581:
578:
577:
572:
569:
568:
564:魍魎 戦記 MADARA
563:
562:
561:
560:
553:
552:
551:
550:
543:
539:
536:
532:
529:
526:キャラクター小説の作り方
525:
522:
518:
515:
511:
508:
504:
501:
497:
496:
495:
494:
487:
485:
483:
478:
476:
472:
468:
467:
461:
458:
454:
450:
445:
443:
442:Manga Burikko
439:
434:
433:
432:Manga Burikko
427:
423:
419:
418:
413:
412:
403:
401:
399:
398:Noboru Miyata
395:
391:
390:folkloristics
387:
382:
381:Tarō Minamoto
378:
375:
370:
368:
364:
360:
356:
352:
348:
340:
335:
333:
331:
326:
324:
323:
322:Manga Burikko
317:
315:
314:
309:
305:
302:
298:
294:
293:
288:
287:
282:
278:
274:
270:
266:
260:
255:
243:
234:
230:
224:
223:
219:
217:
216:
212:
211:
209:
203:
199:
195:
193:Occupation(s)
191:
188:
185:
181:
176:
170:(age 66)
160:
156:
149:
144:
137:
124:
120:
117:
109:
103:
99:
95:
91:
87:
84:
81:
77:
73:
70:
67:
66:
60:
54:
52:
47:You can help
43:
34:
33:
30:
19:
900:
891:
870:cite journal
827:
823:
817:
784:
780:
738:
702:
677:Project MUSE
668:
662:
628:
622:
621:
615:
606:
599:
593:Kijima Diary
592:
583:
574:
565:
558:
557:
548:
547:
541:
534:
527:
520:
513:
506:
499:
492:
491:
479:
470:
464:
462:
456:
446:
441:
430:
422:Yukio Sawada
415:
409:
407:
394:Tokuji Chiba
377:Sakuga Group
374:dōjin circle
371:
344:
327:
320:
318:
311:
296:
290:
284:
241:
240:
220:
213:
206:Notable work
198:manga artist
98:edit summary
89:
56:
48:
29:
18:Eiji Ohtsuka
953:1958 births
918:Eiji Ōtsuka
618:(2004–2009)
602:(1999–2005)
595:(1999–2003)
588:(1997–2016)
579:(1994–1995)
570:(1987–1994)
519:戦後まんがの表現空間
353:(currently
299:, an adult
254:Ōtsuka Eiji
242:Eiji Ōtsuka
140:Eiji Ōtsuka
53:in Japanese
932:Categories
901:NDL ONLINE
781:Mechademia
748:4061497030
712:4480088768
685:References
664:Mechademia
582:多重人格探偵サイコ
355:Nishitōkyō
341:Early life
215:MPD Psycho
164:1958-08-28
809:120655605
801:2152-6648
600:Leviathan
363:Manchuria
336:Biography
116:talk page
757:57044809
721:60124177
605:黒鷺死体宅急便
598:リヴァイアサン
512:システムと儀式
92:provide
533:アトムの命題
449:Saitama
347:Tanashi
308:bishōjo
301:lolicon
177:, Japan
114:to the
96:in the
55:.
844:133236
842:
807:
799:
755:
745:
719:
709:
623:Anime
573:JAPAN
567:Madara
505:物語消費論
404:Career
232:Spouse
840:JSTOR
805:S2CID
614:探偵儀式
591:木島日記
576:Japan
559:Manga
554:木島日記
549:Novel
488:Works
457:manga
438:otaku
359:Tokyo
351:Tokyo
281:otaku
277:manga
269:Kyoto
248:大塚 英志
175:Tokyo
76:DeepL
883:help
797:ISSN
753:OCLC
743:ISBN
717:OCLC
707:ISBN
414:and
289:and
158:Born
90:must
88:You
69:View
920:at
832:doi
789:doi
411:Ryu
304:OVA
78:or
934::
899:.
874::
872:}}
868:{{
852:^
838:.
828:24
826:.
803:.
795:.
783:.
779:.
765:^
751:.
729:^
715:.
693:^
667:.
661:.
638:,
357:,
349:,
316:.
267:,
251:,
166:)
903:.
885:)
881:(
864:.
846:.
834::
811:.
791::
785:8
759:.
723:.
679:.
669:5
644:)
632:(
469:(
436:"
261:)
245:(
162:(
125:.
118:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
