522:" ("Lord, teach me"); the choir repeats his words several times, making the personal prayer more general. In the fifth movement, the soprano and chorus sing different text, corresponding to each other. As opposed to Baroque oratorios, the soloists do not sing any arias, but are part of the structure of the movements. Almost all movements, with the exception of IV and VII, connect different Bible verses, which lead from suffering and mourning to consolation. The last word of the work is the same as the first: "
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910:
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725:
517:
in VII. These two slow movements also share musical elements, especially in their ending. Movements II and VI are both dramatic, II dealing with the transient nature of life, VI with the resurrection of the dead, told as a secret about a change. Movements III and V are begun by a solo voice. In the
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accompaniment, making it an acceptable substitute accompaniment for choir and soloists in circumstances where a full orchestra is unavailable. The vocal parts can also be omitted, suggesting that it was also intended as a self-contained version probably for at-home use. The alternative version was
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devices include the first movement's lack of violins, the use of a piccolo, clarinets, one pair of horns, trumpets, a tuba, and timpani throughout the work, as well as the use of harps at the close of both the first and seventh movements, most striking in the latter because at that point they have
257:
His original conception was for a work of six movements; according to their eventual places in the final version, these were movements I–IV and VI–VII. By the end of April 1865, Brahms had completed the first, second, and fourth movements. The second movement used some previously abandoned musical
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and orchestration. The title of each movement is bolded. The choir is in four parts, with the exception of a few chords. The choir is not especially mentioned in the table because it is present throughout the work. The translation is close to the original. Links to the
1588:
399:. This theme—transition from anxiety to comfort—recurs in all the following movements except movements IV and VII, the central one and the final one. Although the idea of the Lord is the source of the comfort, the sympathetic humanism persists through the work.
1742:, wrote that "it could only have come from the establishment of a first-class undertaker." Some commentators have also been puzzled by its lack of overt Christian content, though it seems clear that for Brahms this was a humanist rather than a Christian work.
316:
In May 1868 Brahms composed an additional movement, which became the fifth movement within the final work. The new movement, which was scored for soprano soloist and choir, was first sung in ZĂĽrich on 12 September 1868 by Ida Suter-Weber, with
402:
Brahms purposely omitted
Christian dogma. In his correspondence with Carl Reinthaler, when Reinthaler expressed concern over this, Brahms refused to add references to "the redeeming death of the Lord", as Reinthaler described it, such as
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Most critics have commented on the high level of craftsmanship displayed in the work, and have appreciated its quasi-Classical structures (e.g. the second, third, and sixth movements have
1776:
192:
555:
The following table is organized first by movement, then within a movement by Bible quotation (where appropriate), which generally also causes a change in mood, expressed by
501:
Since Brahms inserted the fifth movement, the work shows symmetry around the fourth movement, which describes the "lovely dwellings" of the Lord. Movements I and VII begin "
301:(very loud), essentially drowning out the rest of the ensemble in the fugal section of the third movement. The first performance of the six movements premiered in the
2265:
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2903:
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In 1866 Brahms made an arrangement for piano solo of the six-movement version of the
Requiem, which he revealed to Clara Schumann at Christmas of that year.
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2323:
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1099:
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372:" (a sort of German Requiem). Brahms was quite moved when he found out years later that Robert Schumann had planned a work of the same name.
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of the Bible are supplied. Brahms marked some sections in German for tempo and character, trying to be more precise than the common
Italian
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1507:
1483:
1442:
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1999:
1889:
1840:
31:
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2707:
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by
Barbara Buehlman, under the title "Blessed Are They", has been a standard part of that ensemble's literature for many years.
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1763:
391:
Although the
Requiem Mass in the Roman Catholic liturgy begins with prayers for the dead ("Grant them eternal rest, O Lord"),
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on 1 December 1867. This partial premiere went poorly due to a misunderstanding in the timpanist's score. Sections marked as
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916:
685:
651:
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1062:
1036:
998:
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2591:
2586:
2581:
2571:
2566:
2526:
2521:
2516:
2427:
2269:
1800:
334:
322:
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2637:
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2491:
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816:
222:, which together last 65 to 80 minutes, making this work both Brahms's longest composition and largest ensemble-work.
254:'s death in July 1856 may also have been a motivation, though his reticence about such matters makes this uncertain.
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focuses on the living, beginning with the text "Blessed are they that mourn, for they shall be comforted." from the
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227:
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material written in 1854, the year of
Schumann's mental collapse and attempted suicide, and of Brahms's move to
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as the baritone soloist. The performance was a great success and marked a turning point in Brahms's career.
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used, sung in
English, for the first complete British performance of the Requiem on 10 July 1871 at 35
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1838:" ("For all flesh, is as grass"), is used in the opening credits of the BBC documentary film series
1712:
in the same direction. The first exposed choral entry presents the motif in the soprano voice (F–A–B
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Brahms's mother died in
February 1865, a loss that caused him much grief and may well have inspired
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1735:
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2511:
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1774:. This piano-duet accompaniment version of the Requiem has become known as the "London Version" (
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514:
310:
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2020:
1995:
1885:
1814:
407:. In the Bremen performance of the piece, Reinthaler took the liberty of inserting the aria "
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Brahms prepared an alternative version of the full seven-movement work to be performed with
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was in an 1865 letter to Clara
Schumann in which he wrote that he intended the piece to be "
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58:
1844:, with various sections of this part of the movement being used for the closing credits.
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Brahms assembled the libretto himself. In contrast to the traditional Roman
Catholic
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refers primarily to the language rather than the intended audience. Brahms told
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2218:
A Practical Guide for Performing, Teaching, and Singing the Brahms Requiem
2068:
McGrade, Michael (2007). "'Blessed Are They That Mourn', Notes on Brahms'
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434:
215:
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1734:
at their climax). But not all critics responded favourably to the work.
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Brahms completed all but what is now the fifth movement by August 1866.
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is sacred but non-liturgical, and unlike a long tradition of the Latin
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207:
2019:. Vol. 2. Cambridge: Cambridge University Press. p. 6.
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magazine, August/September 2002, Theosophical University Press.
218:
soloists, composed between 1865 and 1868. It comprises seven
2017:
Brahms 2: Biographical, Documentary, and Analytical Studies
2041:"Brahms Ein deutsches Requiem, Op. 45 (London version)"
337:
and Chorus, and soloists Emilie Bellingrath-Wagner and
199:
Ein deutsches Requiem, nach Worten der heiligen Schrift
98:
Ein deutsches Requiem, nach Worten der heiligen Schrift
2199:
Performing Brahms: early evidence of performance style
1882:
Brahms Studies: Analytical and Historical Perspectives
1718:). This motif pervades every movement and much of the
2914:
1880:
McCorkle, Margot L (1990). Bozarth, George S (ed.).
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not played since the middle of the second movement.
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544:This section includes inline links to audio files.
329:was premiered in Leipzig on 18 February 1869 with
1105:The souls of the righteous are in the hand of God
449:, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons and
183:A German Requiem, to Words of the Holy Scriptures
88:A German Requiem, to Words of the Holy Scriptures
1934:
1932:
2197:Musgrave, Michael; Bernard D. Sherman (2003).
663:Die mit Tränen säen, werden mit Freuden ernten
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1901:
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384:, that he would have gladly called the work "
8:
309:, 10 April 1868, with Brahms conducting and
2201:. Cambridge University Press. p. 131.
1834:The start of the piece's second movement, "
1700:is unified compositionally by a three-note
894:Die Erlöseten des Herrn werden wiederkommen
546:If you have trouble playing the files, see
2306:
2292:
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2086:, vol. 3, no. 2, Winter/Spring 2007, p. 7.
2049:. Haymarket: 92. June 1997. Archived from
66:
38:
2858:International Johannes Brahms Competition
2664:Variations and Fugue on a Theme by Handel
2270:Choral Public Domain Library (ChoralWiki)
2260:International Music Score Library Project
1974:
1950:
1938:
1920:
1918:
1909:
1867:
1787:An arrangement of the first movement for
690:They that sow in tears shall reap in joy
1383:Denn wir haben hie keine bleibende Statt
1073:Der Gerechten Seelen sind in Gottes Hand
574:
2921:
2100:Choral Masterworks: A Listener's Guide.
1962:
1924:
1884:. Oxford: Clarendon. pp. 306–307.
1853:
859:Aber des Herrn Wort bleibet in Ewigkeit
518:third movement, the baritone requests "
353:, which employs a standardized text in
325:. The final, seven-movement version of
273:conducted the first three movements in
2947:Choral compositions by Johannes Brahms
1657:Yea, the Spirit speaks that they rest
921:The ransomed of the Lord shall return
364:Brahms's first known use of the title
357:, the text is derived from the German
2756:"Wiegenlied (Lullaby)", Op. 49, no. 4
7:
2743:Two Songs for Voice, Viola and Piano
1640:Ja, der Geist spricht, daĂź sie ruhen
1518:Der Tod ist verschlungen in den Sieg
888:But the Lord's word remains forever
713:Blessed are they who bear suffering
656:Blessed are they who bear suffering
2658:Three Intermezzi for piano, Op. 117
1836:Denn alles Fleisch, es ist wie Gras
1770:. The pianists were Kate Loder and
827:Denn alles Fleisch, es ist wie Gras
738:Denn alles Fleisch, es ist wie Gras
250:. Brahms's lingering feelings over
1994:. London: Macmillan. p. 311.
1420:Siehe, ich sage euch ein Geheimnis
1414:For here we have no lasting place
25:
2671:Variations on a Theme of Paganini
1841:The Nazis: A Warning from History
1535:Death is swallowed up in victory
1453:Denn es wird die Posaune schallen
1131:Wie lieblich sind deine Wohnungen
639:(Rather slow and with expression)
635:Ziemlich langsam und mit Ausdruck
285:(loud, then soft) were played as
2924:
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2426:
2241:
2122:: (Mis)conceptions of the Mass."
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952:
908:
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604:
536:
505:" (Blessed are), taken from the
469:, 2 trumpets, 3 trombones, tuba
2618:Four Pieces for Piano, Op. 119
2373:Variations on a Theme by Haydn
2182:. Cambridge University Press.
2124:Website Article. 2 April 1998.
853:For all flesh, it is as grass
784:For all flesh, it is as grass
696:Selig sind, die da Leid tragen
621:Selig sind, die da Leid tragen
485:(one part, preferably doubled)
409:I know that my Redeemer liveth
1:
2648:Six Pieces for Piano, Op. 118
1447:Behold, I tell you a mystery
1177:How lovely are thy dwellings
73:
1992:Johannes Brahms: a Biography
1801:A German Requiem discography
234:, as its title states, is a
206:, is a large-scale work for
2833:Brahms Museum, MĂĽrzzuschlag
2577:Two String Quartets, Op. 51
2220:. Alfred Music Publishing.
1488:For the trumpet will sound
437:soloists and mixed chorus,
380:, director of music at the
2973:
2823:Brahms House (Baden-Baden)
2338:Academic Festival Overture
2216:Van Camp, Leonard (2002).
2178:Musgrave, Michael (1996).
2153:; Irene Geiringer (1947).
2094:(2005). "Johannes Brahms:
2015:Musgrave, Michael (1987).
1798:
1768:Kate Loder (Lady Thompson)
1766:and his wife, the pianist
370:eine Art deutsches Requiem
29:
2884:
2363:Symphony No. 4 in E minor
2358:Symphony No. 3 in F major
2353:Symphony No. 2 in D major
2348:Symphony No. 1 in C minor
2321:
2159:. Da Capo Press. p.
2156:Brahms, his life and work
2129:Zebrowski, Armin (2002).
2104:Oxford University Press.
1746:Versions and arrangements
1593:
1583:
1494:Dann wird erfĂĽllet werden
1375:
1365:
1194:
1184:
1123:
1113:
961:
951:
730:
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603:
323:Tonhalle Orchester ZĂĽrich
65:
52:
2275:Detailed listening guide
2248:Johannes Brahms, Opus 45
2180:Brahms, A German Requiem
2131:"Brahms' German Requiem"
1708:, usually followed by a
1512:Then shall be fulfilled
1320:Ihr habt nun Traurigkeit
1202:Ihr habt nun Traurigkeit
386:Ein menschliches Requiem
266:and her young children.
238:in the German language.
2828:Brahms Museum (Hamburg)
2694:Fest- und GedenksprĂĽche
2688:Eleven Chorale Preludes
2653:Sixteen Waltzes, Op. 39
2277:using the recording by
2116:Thuleen, Nancy (1998).
1813:inspired the titles of
1722:material in the piece.
421:to satisfy the clergy.
27:Work by Johannes Brahms
1781:
1762:, London, the home of
1531:1 Corinthians 15:54–55
1443:1 Corinthians 15:51–52
378:Carl Martin Reinthaler
197:
2255:Ein deutsches Requiem
2120:Ein deutsches Requiem
1678:Blessed are the dead
1634:Blessed are the dead
1576:Lord, you are worthy
1341:Ich will euch trösten
1335:You now have sadness
1300:Ich will euch trösten
1244:Ich will euch trösten
1238:You now have sadness
1100:Wisdom of Solomon 3:1
969:Herr, lehre doch mich
520:Herr, lehre doch mich
388:" (A human Requiem).
366:Ein deutsches Requiem
248:Ein deutsches Requiem
43:Ein deutsches Requiem
18:Ein Deutsches Requiem
2724:Liebeslieder Waltzes
2562:String Quintet No. 2
2557:String Quintet No. 1
2552:String Quartet No. 3
2399:Piano Concerto No. 2
2394:Piano Concerto No. 1
2324:List of compositions
2250:at Wikimedia Commons
1817:' 1949 short story "
1663:Selig sind die Toten
1601:Selig sind die Toten
1541:Herr, du bist wĂĽrdig
927:Freude, ewige Freude
790:So seid nun geduldig
760:(Slow, like a march)
757:Langsam, marschmäßig
548:Knowledge Media help
335:Gewandhaus Orchestra
305:six months later on
30:For other uses, see
2750:Vier ernste Gesänge
2592:Violin Sonata No. 3
2587:Violin Sonata No. 2
2582:Violin Sonata No. 1
2572:String Sextet No. 2
2567:String Sextet No. 1
2527:Piano Quartet No. 3
2522:Piano Quartet No. 2
2517:Piano Quartet No. 1
2279:Carlo Maria Giulini
1736:George Bernard Shaw
1508:1 Corinthians 15:54
1484:1 Corinthians 15:52
1358:I will comfort you
1314:I will comfort you
1261:I will comfort you
1153:(Moderately lively)
1009:Ach, wie gar nichts
811:(A bit more lively)
511:Sermon on the Mount
2863:Musical cryptogram
2853:German Romanticism
2738:Two Motets, Op. 74
2681:Other compositions
2643:Rhapsodies, Op. 79
2638:Piano Sonata No. 3
2633:Piano Sonata No. 2
2628:Piano Sonata No. 1
2613:Fantasies, Op. 116
2492:Cello Sonata No. 2
2487:Cello Sonata No. 1
2092:Steinberg, Michael
1795:Notable recordings
1764:Sir Henry Thompson
1726:Critical reception
1067:My hope is in you
1047:Ich hoffe auf dich
903:Allegro non troppo
566:King James Version
311:Julius Stockhausen
54:Choral composition
2957:1868 compositions
2912:
2911:
2732:Neue Liebeslieder
2442:Gesang der Parzen
2246:Media related to
2227:978-0-7579-9859-1
2208:978-0-521-65273-5
2189:978-0-521-40995-7
2170:978-0-306-80223-2
2110:978-0-19-512644-0
2077:State of the Arts
2053:on 1 August 2012.
1819:Deutsches Requiem
1815:Jorge Luis Borges
1682:
1681:
1589:
1371:
1190:
1119:
957:
944:Joy, eternal joy
877:Un poco sostenuto
726:
609:
210:, orchestra, and
179:
178:
16:(Redirected from
2964:
2929:
2928:
2927:
2920:
2902:
2892:
2891:
2816:Related articles
2790:Named for Brahms
2717:Geistliches Lied
2623:Hungarian Dances
2608:Ballades, Op. 10
2547:Piano Trio No. 3
2542:Piano Trio No. 2
2537:Piano Trio No. 1
2502:Clarinet Sonatas
2497:Clarinet Quintet
2430:
2423:A German Requiem
2331:Orchestral works
2308:
2301:
2294:
2285:
2258:: Scores at the
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2096:A German Requiem
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1828:A German Requiem
1811:A German Requiem
1782:Londoner Fassung
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1698:A German Requiem
1630:Revelation 14:13
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1041:Ah, how in vain
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985:Andante moderato
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439:A German Requiem
393:A German Requiem
382:Bremen Cathedral
327:A German Requiem
303:Bremen Cathedral
300:
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284:
232:A German Requiem
224:A German Requiem
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47:A German Requiem
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32:A German Requiem
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2931:Classical music
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2923:
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2908:
2880:
2843:Brahms-Institut
2811:
2802:Brahms (crater)
2785:
2767:
2676:
2596:
2475:
2414:
2408:
2404:Violin Concerto
2389:Double Concerto
2377:
2368:Tragic Overture
2326:
2317:
2315:Johannes Brahms
2312:
2264:Free scores of
2238:
2228:
2215:
2209:
2196:
2190:
2177:
2171:
2151:Geiringer, Karl
2149:
2146:
2144:Further reading
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1772:Cipriani Potter
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1704:of a leap of a
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1572:Revelation 4:11
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1029:
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1023:
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1021:
1020:
1003:Lord, teach me
989:
953:
907:
868:
867:
836:
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798:
772:
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605:
553:
552:
551:
541:
537:
532:
499:
441:is scored for:
429:In addition to
427:
425:Instrumentation
347:
333:conducting the
321:conducting the
319:Friedrich Hegar
294:
286:
278:
252:Robert Schumann
244:
204:Johannes Brahms
191:
175:
139:
137:
79:
76:
59:Johannes Brahms
57:
45:
35:
28:
23:
22:
15:
12:
11:
5:
2970:
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2910:
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2896:
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2878:
2874:Op. 120, No. 1
2870:
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2855:
2850:
2845:
2840:
2835:
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2799:
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2787:
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2783:
2775:
2773:
2772:Collaborations
2769:
2768:
2766:
2765:
2762:Zigeunerlieder
2758:
2753:
2746:
2740:
2735:
2728:
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2499:
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2477:
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2474:
2473:
2466:
2463:Schicksalslied
2459:
2452:
2445:
2438:
2431:
2418:
2416:
2415:with orchestra
2410:
2409:
2407:
2406:
2401:
2396:
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2237:
2236:External links
2234:
2233:
2232:
2226:
2213:
2207:
2194:
2188:
2175:
2169:
2145:
2142:
2141:
2140:
2126:
2113:
2098:..., Op. 45."
2088:
2070:German Requiem
2063:
2060:
2057:
2056:
2032:
2025:
2007:
2000:
1979:
1975:Steinberg 2005
1967:
1955:
1951:Zebrowski 2002
1943:
1939:Steinberg 2005
1928:
1914:
1910:Steinberg 2005
1897:
1890:
1872:
1868:Steinberg 2005
1852:
1851:
1849:
1846:
1825:'s 1991 novel
1807:
1806:In other works
1804:
1799:Main article:
1796:
1793:
1760:Wimpole Street
1747:
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1173:Psalm 84:1,2,4
1170:
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831:
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823:
822:
821:So be patient
819:
814:
812:
808:Etwas bewegter
805:
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792:
786:
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777:
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754:
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612:
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585:
582:
579:
570:tempo markings
542:
535:
534:
533:
531:
528:
498:
495:
494:
493:
486:
476:
470:
460:
426:
423:
346:
343:
271:Johann Herbeck
264:Clara Schumann
243:
240:
177:
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95:
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63:
62:
50:
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26:
24:
14:
13:
10:
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6:
4:
3:
2:
2969:
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2838:Brahms guitar
2836:
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2826:
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2532:Piano Quintet
2530:
2528:
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2523:
2520:
2518:
2515:
2513:
2510:
2508:
2507:Clarinet Trio
2505:
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2500:
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2480:Chamber music
2478:
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2435:Alto Rhapsody
2432:
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2026:0-521-32606-0
2022:
2018:
2011:
2008:
2003:
2001:0-333-59662-5
1997:
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1988:Swafford, Jan
1983:
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1691:orchestration
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1426:
1423:
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1413:
1411:
1410:Hebrews 13:14
1408:
1404:
1399:
1397:
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1267:Sehet mich an
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1199:
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1128:
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716:
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710:
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697:
694:
693:
689:
687:
686:Psalm 126:5–6
684:
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586:
583:
580:
577:
576:
573:
571:
567:
562:
558:
549:
545:
529:
527:
526:" (blessed).
525:
521:
516:
512:
508:
504:
496:
491:
487:
484:
480:
477:
475:
471:
468:
464:
461:
458:
457:
452:
451:contrabassoon
448:
444:
443:
442:
440:
436:
432:
424:
422:
420:
419:
414:
410:
406:
400:
398:
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389:
387:
383:
379:
375:
371:
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352:
344:
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340:
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332:
331:Carl Reinecke
328:
324:
320:
314:
312:
308:
304:
299:
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291:
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283:
282:
276:
272:
267:
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255:
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249:
241:
239:
237:
233:
229:
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209:
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194:
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185:
184:
171:
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159:
155:
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147:
135:
131:
127:
123:
120:
116:
112:
108:
106:
102:
99:
96:
92:
89:
86:
82:
72:The composer
69:
64:
60:
55:
51:
48:
44:
40:
37:
33:
19:
2873:
2848:Brahms-Preis
2807:Brahms Inlet
2780:F-A-E Sonata
2778:
2760:
2748:
2730:
2723:
2715:
2708:
2701:Fünf Gesänge
2700:
2692:
2669:
2662:
2468:
2461:
2454:
2447:
2440:
2433:
2422:
2421:
2254:
2217:
2198:
2179:
2155:
2133:
2119:
2099:
2095:
2076:
2069:
2051:the original
2044:
2035:
2016:
2010:
1991:
1982:
1970:
1965:, p. 7.
1963:McGrade 2007
1958:
1946:
1925:Thuleen 1998
1881:
1875:
1839:
1835:
1833:
1826:
1810:
1809:
1789:concert band
1786:
1752:
1749:
1738:, an avowed
1729:
1697:
1696:
1688:
1669:F major
1662:
1647:A major
1639:
1613:
1609:F major
1600:
1599:
1561:
1540:
1517:
1493:
1473:
1462:
1452:
1419:
1395:
1382:
1381:
1348:G major
1340:
1319:
1299:
1290:Sirach 51:27
1266:
1257:Isaiah 66:13
1243:
1217:
1213:G major
1201:
1200:
1162:
1150:Mäßig bewegt
1149:
1130:
1129:
1089:
1072:
1054:D major
1046:
1037:Psalm 39:5–6
1026:
1008:
984:
980:D minor
968:
967:
935:
926:
917:Isaiah 35:10
902:
893:
884:1 Peter 1:25
876:
858:
844:
826:
807:
789:
780:1 Peter 1:24
769:
756:
737:
736:
703:F major
695:
662:
634:
629:F major
620:
619:
596:Translation
554:
543:
523:
519:
502:
500:
489:
472:percussion:
454:
438:
428:
417:
401:
392:
390:
385:
373:
369:
365:
363:
359:Luther Bible
351:Requiem Mass
348:
339:Franz KrĂĽckl
326:
315:
296:
295:
288:
287:
280:
279:
268:
256:
247:
245:
235:
231:
223:
198:
182:
181:
180:
119:Luther Bible
97:
87:
46:
42:
36:
2797:1818 Brahms
2709:FĂĽnf Lieder
2601:Piano works
2470:Triumphlied
2413:Vocal works
2382:Concertante
1823:Philip Kerr
1706:major third
1685:Composition
1434: minor
1294:Look at me
1281: major
1145: major
872: major
840: minor
803: major
752: minor
677: major
652:Matthew 5:4
513:in I, from
307:Good Friday
169:mixed choir
77: 1866
2941:Categories
2062:References
2046:Gramophone
1755:piano duet
1234:John 16:22
1063:Psalm 39:7
999:Psalm 39:4
936:Tranquillo
515:Revelation
507:Beatitudes
503:Selig sind
490:ad libitum
456:ad libitum
445:woodwind:
397:Beatitudes
293:(loud) or
262:to assist
260:DĂĽsseldorf
94:Full title
2711:, Op. 105
2703:, Op. 104
2512:Horn Trio
2343:Serenades
2266:this work
1777:‹See Tfd›
1740:Wagnerite
1710:half-step
1614:Feierlich
817:James 5:7
530:Movements
497:Structure
405:John 3:16
220:movements
193:‹See Tfd›
172:orchestra
149:Movements
117:from the
2952:Requiems
2894:Category
2868:Three Bs
2745:, Op. 91
2726:, Op. 52
1990:(1999).
1977:, 71–74.
1780:German:
1720:thematic
1715:♭
1689:Notable
1617:(Solemn)
1498:Baritone
1431:♯
1424:Baritone
1278:♭
1142:♭
1013:Baritone
975:Baritone
869:♭
837:♭
800:♭
749:♭
674:♭
435:baritone
216:baritone
196:German:
166:baritone
133:Composed
125:Language
2876:(Berio)
2456:Rinaldo
2268:in the
2135:Sunrise
1594:
1552:Allegro
1548:C major
1459:C minor
1396:Andante
1391:C minor
1376:
1324:Soprano
1271:Soprano
1218:Langsam
1208:Soprano
1195:
1124:
962:
845:Tempo I
731:
614:
509:of the
488:organ (
479:strings
474:timpani
447:piccolo
431:soprano
418:Messiah
411:" from
242:History
236:Requiem
228:Requiem
212:soprano
163:soprano
157:Scoring
138: (
84:English
2917:Portal
2224:
2205:
2186:
2167:
2108:
2023:
1998:
1888:
1821:" and
1732:fugues
1463:Vivace
1221:(Slow)
593:Source
413:Handel
374:German
275:Vienna
208:chorus
190:. 45 (
128:German
2904:Audio
2449:Nänie
2082:(PDF)
1848:Notes
1702:motif
587:Tempo
578:Title
557:tempo
524:selig
467:horns
463:brass
355:Latin
202:) by
152:seven
144:–1868
2222:ISBN
2203:ISBN
2184:ISBN
2165:ISBN
2106:ISBN
2021:ISBN
1996:ISBN
1941:, 70
1912:, 68
1886:ISBN
1870:, 69
590:Time
581:Solo
483:harp
481:and
465:: 4
433:and
345:Text
214:and
140:1865
136:1865
114:Text
105:Opus
2072:",
1784:).
1581:VII
949:III
584:Key
561:key
415:'s
56:by
2943::
2163:.
2161:92
2043:.
1931:^
1917:^
1900:^
1856:^
1831:.
1363:VI
1111:IV
718:II
572:.
559:,
361:.
341:.
297:ff
281:fp
230:,
188:Op
186:,
109:45
74:c.
2919::
2307:e
2300:t
2293:v
2230:.
2211:.
2192:.
2173:.
2118:"
2084:.
2079:"
2075:"
2029:.
2004:.
1953:.
1894:.
1562:2
1474:4
1428:F
1275:B
1182:V
1163:4
1139:E
1090:2
1027:2
866:B
834:B
797:G
770:4
746:B
671:D
601:I
550:.
492:)
459:)
453:(
289:f
142:)
34:.
20:)
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