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220:. It was screened in 20 theaters and was declared the year's best motion picture. Like "Santa" before it, the film fostered an iconic genre, the rural melodrama, which typically featured poor, indigenous rural suffering. It would be her last role, as her father ordered her to end her career, which she had undertaken without his authorization as a minor. In 1922, she began writing a column in
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and was praised for its artistic and historic worth, depicting rural life in the western state. The film was feature-length and its contract stated that it could not be shown commercially. Throughout the 1930s she visited the film library of the Cine Club in Mexico City and lobbied for the creation
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Sánchez began traveling the country in 1944 in an attempt to collect films, as only a few governmental agencies had sent in films. She visited with public agencies as well as private individuals and companies trying to convince them to archive copies of their films for preservation. By 1947, the
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168:, after a young peasant girl named Santa is seduced and abandoned by a soldier, the affair is discovered by her family and she is banished. She relocates to Mexico City and turns to prostitution to support herself. The film premiered on 13 July 1918 and was a sensational hit.
260:, Guatemala where the women were discussing enfranchisement, employment protections, as well as world affairs. In 1948, she was traveling through Argentina and Uruguay giving lectures on the Mexican film industry and her preservation work at the National Film Archive.
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It would establish a formula that prevailed in Mexico until the 1940s, the theme of the "noble prostitute", a girl typically living in urban slums, caught in the trap of the onset of modernity and industrialization. In
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of a functional and archival
Cinematography Department of the Ministry of Education. Finally in 1942, she was successful and the Filmoteca Nacional (Mexican National Film Library) became a reality, when President
123:(2 March 1900 – 30 September 1950) was a Mexican actress, journalist and creator of the Mexican film archive. One of her country’s first silent film stars, she was also a feminist and suffragette.
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called “El cine y sus artistas" (Cinema and Its
Artists) and in 1929, she moved to Paris as a news correspondent for the next four years, returning to Mexico in the 1930s to work at
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187:. At the same time she was making films, Sánchez was mirroring her father's career as a journalist and had become a correspondent for
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and Sánchez began traveling throughout Latin
America to urge film preservation. On one trip, she represented the Film Archive at the
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not only authorized its creation but gave her the responsibility for promotion of archival preservation.
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In 1936 Sánchez began working on a project called "Brigadas
Cinematográficas" requested by President
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135:, Mexico to journalist Abraham Sánchez Arce and Juana Valenzuela. She was still a student at the
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534:(in Spanish). Mexico City, Mexico: Consejo Nacional Para la Cultura y las Arte. Archived from
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235:. The film which she photographed and directed was a sound documentary about the state of
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145:(1917). The following year, she was chosen to star in the first film adaptation of
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440:(in Spanish). Veracruz, México: Cambio Digital. 30 September 2014. Archived from
191:. In August 1920, she was sent to Los Angeles, California as a correspondent for
602:(in Spanish). Mexico City, Mexico: Secretaría de Educación Pública. 27 July 2010
504:. Eagle Pass, Texas: National Archives and Records Administration. 8 August 1920
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654:"Las Mujeres no Votan Porque Sí: Congreso Interamericano de Mujeres, 1947"
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566:"Elena Sánchez Valenzuela, pionera de los archivos fílmicos en México"
203:, but the film project was abandoned and Sánchez returned to Mexico.
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Mexican silent film actress, journalist, feminist and suffragette
660:(in Spanish). Guatemala City, Guatemala: Ricardo Flores Asturias
434:"Efemérides del Periodismo Mexicano: Elena Sánchez Valenzuela"
379:. New York, NY: Columbia University Libraries. Archived from
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In 1919 she starred in another film directed by Peredo,
407:"Pugnan porque se le dé su lugar a la primera ?Santa?"
525:"Miradas feministas sobre las mexicanas del siglo xx"
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572:(in Spanish). Mexico City, Mexico. Archived from
466:Reclaiming the archive: feminism and film history
371:Torres San Martín, Patricia (27 September 2013).
629:. Los Angeles, California: UCLA. Archived from
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409:(in Spanish). Mexico City, Mexico: El Universal
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33: and the second or maternal family name is
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623:"Algunos Aspectos del Filmoteca de la UNAM"
498:"Immigration Arrival Manifests and Indexes"
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405:Morales Valentine, Emilio (6 March 2000).
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469:. Detroit: Wayne State University Press.
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254:Primer Congreso Interamericano de Mujeres
206:1921 brought her most acclaimed role, in
652:Flores Asturias, Ricardo (6 June 2011).
250:National Autonomous University of Mexico
155:(1918). The silent film was produced by
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131:Valenzuela was born on 2 March 1900 in
56:Elena Sánchez Valenzuela, before 1920
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333:(in Spanish). Mexico. Archived from
106:actress, journalist, film archivist
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600:Sistema de Información CONACULTA
139:when she made her film debut in
717:20th-century Mexican actresses
137:National Conservatory of Music
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732:Mexican silent film actresses
248:archive had been assigned to
199:. She was offered a role in
25:, the first or paternal
377:Women Film Pioneers Project
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737:Actresses from Mexico City
596:"Elena Sánchez Valenzuela"
373:"Elena Sánchez Valenzuela"
327:"Elena Sánchez Valenzuela"
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621:Zweig, Noah (Fall 2009).
197:Grauman's Chinese Theatre
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682:Elena Sánchez Valenzuela
658:Politica y Sentido Comun
463:Callahan, Vicki (2010).
121:Elena Sánchez Valenzuela
44:Elena Sánchez Valenzuela
183:under the direction of
727:Mexican film actresses
212:, which premiered at
523:Lamas, Marta (2007).
242:Manuel Ávila Camacho
222:El Universal Gráfico
747:Women film pioneers
742:Mexican suffragists
214:Chapultepec Castle
185:Alfredo B. Cuellar
722:Mexican feminists
476:978-0-814-33300-6
177:and in 1920 made
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87:30 September 1950
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218:Álvaro Obregón
216:for President
209:En la hacienda
161:Luis G. Peredo
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298:El escándalo
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89:(1950-09-30)
72:2 March 1900
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712:1950 deaths
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267:Filmography
133:Mexico City
95:Mexico City
76:Mexico City
701:Categories
627:Mediascape
314:References
68:1900-03-02
35:Valenzuela
532:Conaculta
237:Michoacán
127:Biography
114:1918–1950
290:La llaga
256:held in
174:La llaga
97:, Mexico
78:, Mexico
21:In this
664:19 June
637:24 July
606:24 July
580:24 July
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508:24 July
482:24 July
448:24 July
438:Imgayuq
413:24 July
387:24 July
341:24 July
31:Sánchez
27:surname
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309:(1921)
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226:El Día
539:(PDF)
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282:Santa
166:Santa
152:Santa
686:IMDb
666:2015
639:2015
608:2015
582:2015
547:2015
510:2015
484:2015
471:ISBN
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84:Died
62:Born
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