146:, typically eulogistic or nuptial verse, have them bound up in notably ostentatious armorial bindings, which he would send to the wealthy person whose arms he used. The economics of the practice are unclear; he may have had them commissioned, or been offering them for sale, or (a subtle distinction) have offered to present them in return for literary patronage in cash or some other form. If the book was returned he would try another patron with a new set of arms, altering personal references as required; where the subject matter was shared (as in a wedding) much of the verse could be recycled from one poem to another, and the scholar F. C. Brown has noticed that as many as two-thirds of the lines in Settle's wedding poems are "common to all." The books were bound for Settle by an unknown binder, whose work is remarkable for being "the only instance in which a particular binder has consistently ornamented a large series of bindings with heraldic designs" outside of Royal binders. The bindings are sufficiently distinctive to be known as
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to have been "the first play that was ever sold in
England for two shillings, and the first play that was ever printed with cuts." These illustrations represent scenes in the theatre, and make the book very valuable.
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The play was printed with a preface to the Earl of
Norwich, in which Settle described with scorn the effusive dedications of other dramatic poets. Dryden was obviously aimed at, and he co-operated with
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entitled "Notes and
Observations on the Empress of Morocco" (1674), to which Settle replied in "Some Notes and Observations on the Empress of Morocco revised" (1674). In the second part of
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party. Having lost the confidence of both sides, "recanting Settle" abandoned politics for the appointment (1691) of city poet.
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Neglected by the court party, he took an active share in the anti-popish agitation. When this subsided he helped expose
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in 1667. The success of this play led the Earl of
Rochester to encourage the new writer as a rival to
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150:. More than 100 examples survive, from between 1700 and 1723. In his old age he kept a booth at
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530:– Search on "Elkanah Settle" for images and catalogue entries on over 20 bindings by Settle.
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From 1700, he initiated what has been called a "successful racket" where he would write
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Settle's numerous works include, beside numerous political pamphlets and
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Three-hundred year-old poem in support of
British union goes on sale
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This article incorporates text from a publication now in the
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Carmen
Irenicum: The Union of the Imperial Crowns of Great Britain
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Poole, William (2009), "Introduction", in Poole, William (ed.),
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also had a connection with the town (he attended the local
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The Gary Cooper pub was nearly named the
Elkanah Settle
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392:(11th ed.). Cambridge University Press.
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33:(1 February 1648 – 12 February 1724) was an
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304:The Virgin Prophetess, or The Fate of Troy
268:(1693), a satirical comedy written about
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27:English poet and playwright (1648–1724)
639:People associated with the Popish Plot
328:in September 2014, a copy of Settle's
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499:Buckledee, John (19 February 2015).
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409:Elkanah Settle: His Life and Works
320:Elkanah Settle in the 21st century
74:. Through his influence, Settle's
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654:Alumni of Trinity College, Oxford
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80:(1673) was twice performed at
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232:(1676), a tragedy taken from
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189:life of Dr Johnson
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279:(1694), a tragedy
260:(1690), a tragedy
252:(1680), a tragedy
244:(1680), a tragedy
216:(1674), a tragedy
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172:The Dunciad
133:Titus Oates
110:John Crowne
86:John Dennis
72:John Dryden
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360:References
334:Queen Anne
249:Fatal Love
236:'s romance
42:playwright
356:instead.
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48:Biography
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