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a one-man show in 1927 and, not being a particularly productive artist, was in a position to sell almost everything he produced. Gruner spent much time in finding a suitable subject, and more still in carefully considering it before a brushstroke was made. Later, Gruner became interested in the study of light again, and some excellent work of his last period combined the qualities of his art and his passion. In 1938 he joined and exhibited with
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had provided constructive comments which altered Gruner's style. He became less interested in the problems of light and occasionally his work took on a slightly cold aspect. The changes were not always welcomed by his admirers, but Gruner was right not to allow himself to fall into a groove. He held
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depicting Jim Innes and his cattle and in the following year the AGNSW trustees commissioned him to paint a large picture for the gallery, "The Valley of the Tweed". Though this was awarded the Wynne Prize in 1921 and is a capable work, it scarcely ranks among his best efforts. He seldom afterwards
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In 1923 Gruner visited Europe and was away from
Australia for around two years. The effect of travel on his work was very noticeable: there was generally a good deal of simplification, more attention to pattern, and a freer and wider sweep of his brush. Sir
354:(CMAG), from a seller in Sydney. The foreground is dominated by a dusty road and fence behind, running from bottom-left to the middle-right of the picture, with a range of tree-covered mountains behind the mainly treeless valley. It is believed to show a
178:, who gave him his first lessons in art. At 14 years of age he obtained a position in a shop where he worked from 7.40 a.m. to 9.30 p.m. to help to maintain the household after his father and older brother died.
210:. In 1911 a small shop was started in Bligh Street, Sydney, to sell works of art produced in Australia, and for a time Gruner took charge of it. He then became an assistant to Julian Ashton at the
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154:(1919), has since become his best known work, and is regarded as perhaps the most loved Australian landscape painting in the
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549:', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp 134–135. Retrieved on 30 December 2008
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before he was a year old and at an early age showed a desire to draw. When about 12 years old his mother took him to
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Gruner managed to do some painting on weekends, and in 1901 began to send work to the exhibitions of the
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landscapes and his ability to capture the ephemeral effects of light. According to
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226:(AGNSW). Gruner was again the winner of the Wynne Prize in 1919 with his painting
122:(16 December 1882 – 17 October 1939) was an Australian artist. A successor of the
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rites. He never married but he left descendants in
Australia and New Zealand.
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for landscape painting seven times, the most of any
Australian artist besides
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In
September 2014, the Gruner painting, untitled but known as
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tradition in
Australian art, Gruner is known for his high-key
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Elioth Gruner landscape painting returns home to
Canberra
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in
Canberra's south. The main mountain is believed to be
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B. Pearce, 'Gruner, Elioth
Lauritz Leganyer (1882–1939)
492:, National Portrait Gallery. Retrieved 26 March 2024.
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231:took anything larger than a 24-inch canvas.
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259:on 17 October 1939. He was cremated with
148:. One of Gruner's winners of the prize,
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618:"Elioth Gruner: The master of light"
530:, AGNSW. Retrieved 18 January 2020.
655:Dictionary of Australian Biography
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730:People from Gisborne, New Zealand
244:' anti-modernist foundation, the
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224:Art Gallery of New South Wales
197:Art Gallery of New South Wales
156:Art Gallery of New South Wales
120:Elioth Lauritz Leganyer Gruner
47:Elioth Lauritz Leganyer Gruner
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740:Australian landscape painters
725:20th-century Belgian painters
320:Murrumbidgee Ranges, Canberra
251:Gruner suffered from chronic
352:Canberra Museum and Gallery
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471:, 1920, private collection
204:Society of Artists, Sydney
246:Australian Academy of Art
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255:and died at his home at
218:with a small landscape,
620:. Retrieved 22 May 2014
592:AGNSW collection record
586:Gruner, Elioth (1919).
565:AGNSW collection record
559:Gruner, Elioth (1916).
326:An Australian Landscape
368:Indigenous Australians
350:, was acquired by the
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614:Sydney Morning Herald
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61:Gisborne, Poverty Bay
276:Weetangera, Canberra
720:Wynne Prize winners
715:Australian painters
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342:Works on exhibition
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507:AGNSW prize record
378:Selected paintings
348:The dry road, 1930
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212:Sydney Art School
127:Heidelberg School
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710:1939 deaths
705:1882 births
665:30 December
454:The Wattles
392:Bondi Beach
360:Naas Valley
356:stock route
216:Wynne Prize
146:Hans Heysen
142:Wynne Prize
86:, Australia
699:Categories
658:. Sydney:
477:References
335:, Canberra
333:Weetangera
162:Early life
100:Occupation
53:1882-12-16
253:nephritis
124:plein air
648:(1949).
261:Anglican
257:Waverley
195:, 1919,
168:Gisborne
112:Painting
688:at the
358:in the
330:1937 –
324:1936 –
318:1934 –
311:On the
309:1929 –
300:1921 –
292:1919 –
284:1916 –
103:Painter
372:Tharwa
172:Sydney
80:Sydney
598:9 May
571:9 May
513:9 May
304:Tweed
667:2008
600:2016
573:2016
515:2016
69:Died
43:Born
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