Knowledge (XXG)

Elia Alba

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to document the artists in a straightforward manner or depict their working studios but to tell a story. To make the artists into iconic archetypes that embody their persona and their practice. To not only highlight each unique individual, but also to create a platform that connects them to the world.
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DJs who paved the way for contemporary DJs. Using her own experiences in the 1980s as a club goer in New York City, she created the photo series "Larry Levan Live!" hoping to discover the relationship between DJs, the music and the dancers. These pictures depict partygoers wearing masks with the face
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For these portraits Alba began by choosing an assortment of backdrops, props, and costumes that would accentuate the sitters' personae. These would subtly highlight the artist's contributions to the cultural landscape. In an interview with Jane Ursula Harris, Alba discusses the goal as being not just
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In 1999 she began using photo transfer on fabric, creating body parts and masks that when staged in photography and video, play with notions of fantasy, surrealism, place, identity and gender. As often grotesque yet playful sculptures they present alternative realities and personas whose gestures
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Studio Museum in Harlem (1999), Whitney Museum Van Lier Foundation Fellowship Grant (2001), New York Foundation for the Arts Fellowship Grant – Crafts (2002), Pollock-Krasner Foundation Grant (2003), New York Foundation for the Arts Fellowship Grant – Photography (2008), Joan Mitchell Foundation
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and scholars, for intimate dinners and portraiture. Over 25 dinners, have been attended in New York City, many personally prepared by Alba. She partnered with two different arts organizations in New York City to create the dinners where invited contemporary artists of color could lay down their
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Critic Naomi Lev wrote that Alba's pictures add a theatrical dimension to concepts of identity, blurring the hard boundaries of "difference" into something more slippery and beautiful. Seph Rodney devised different categories for all 60 portraits on view in at 8th Floor Gallery, New York City
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explorations of the relationship between race and photographic depiction of race, he outlines Alba's reimagining of artists of color as A-list celebrities, giving them a place of honor in a mainstream art world that continues to ignore or play down their accomplishments. He quotes Alba's own
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While the portraits created visual meaning – and revised the overwhelming whitewashing of American culture in media – the dinners were where the actual lived experiences of these artists of color could come to the forefront and be transformed into meaningful social and
140:. In the late 1980s Alba began photographing her friend's small dance company which led to photographing other dance and opera companies throughout New York City. A few years after Alba began working on sculpture. She received a Bachelor of Arts degree from 500:(1954–1992) during the period when disco held a strong influence and was nurtured by gay, black and Latino communities. She challenges the straightforward link between how a person looks and who they are regarding race, gender and sexuality. 477:, Cheto Castellano, Christopher Lew, E.Carmen Ramos, Edwin Ramoran, Elisabeth Smolarz, Emily Sufrin, Eva Diaz, Geandy Pavon, John Arthur Peetz, Juan Thompson, Lissette Olivares, Maris Curran, Nicole Caruth, Omar Lopez Chahoud, Sara Reisman, 260:
outside of New York City came to fruition as The University of Texas Department of Art & Art History hosted the entire portrait series and additional dinners were held in Austin. Also in 2019 with publication of the book,
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on Recess Analog, a non-profit New York studio and exhibition organization. As of 2019 the seven-year project has brought together over 60 contemporary artists of color, along with a cross-section of
228:(December 2017) remarking how "One appreciates how Alba tenderly holds each of them up to a light, turning them this way and that to find what kinds of refractions best make them come to life." 1472: 1467: 1128: 1090: 936: 1482: 1153: 1477: 1034: 220:
observation,"These portraits go beyond merely a record of the subject," and convey "a deeper meaning or vision of the sitter, through their art."
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Elia Alba's participation in an art show titled "Do You Think I'm Disco" ignited a new interest in exploring
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Elia Alba's work has been exhibited and screened at national and international institutions, including
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Independent Study Program in 2001. That same year Alba produced works on the theme of identity and
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burdens and engage in meaningful conversation about art, life, pop culture, politics and race.
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Artnoir: Critical Sound Boarding with Elia Alba, Firelei Báez and Saya Woolfalk
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of color in portraits, and presents dinners where a diverse array of artists,
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BA, Hunter College in 1994, Whitney Museum Independent Study Program in 2001
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Scott, Ron (1999). "Studio Museum in Harlem Holds Reception For AIR".
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Elia Alba's artworks have been exhibited internationally at:
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Shelley & Donald Rubin Foundation, New York City, (2017)
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The project began in 2012. On July 2, 2013, Alba launched
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Guests include: Andrew Russeth, Ben Rodriguez-Cubeñas,
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Alba began to do portraiture in 2012. In art historian
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Whitney Museum Van Lier Foundation Fellowship Grant
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Black & White Gallery, New York City, NY (2009)
84: 75: 67: 59: 40: 21: 1183:"Elia Alba: The Supper Club – Visual Arts Center" 759:"ARC Magazine Issue 8 featured artist- Elia Alba" 136:Born in Brooklyn in 1962, her family is from the 1473:Dominican Republic diaspora in the United States 1039:Smithsonian American Art Museum Renwick Gallery 961:"The Supper Club: By Elia Alba | Hirmer Verlag" 1325:"Elia Alba – Lower Manhattan Cultural Council" 787:"The Supper Club: An Interview With Elia Alba" 634:Foundation Painters and Sculptors Grant (2002) 580:Foundation Painters and Sculptors Grant (2002) 1296: 1294: 1105:"CUT N' MIX: Contemporary Collage | El Museo" 16:American multidisciplinary artist (born 1962) 8: 668:"Artists of Color as Avatars of Originality" 256:In January 2019 the first venture in taking 574:Bernice Steinbaum Gallery, Miami, FL (2003) 277:artists as a collective group was created. 273:, Latin American, African, South Asian and 265:(Shelley & Donald Rubin Foundation and 1435: 666:Alba, Elia; Berger, Maurice (2019-04-02). 515:SVA Chelsea Gallery, New York City (2016) 95: 29: 18: 400:, Miguel Luciano, Nicolas Dumit Estevez, 603:Lower Manhattan Cultural Council (LMCC) 524:Visual Art Center, University of Texas, 481:, Rocio Aranda-Alvarado, Yasmin Ramirez. 269:), a unique historical documentation of 71:Culture Critique, Photography, Sculpture 1353:"Meet New NYFA Board Member: Elia Alba" 1346: 1344: 655: 196:, London; and ITAU Cultural Institute, 1248: 1246: 1129:"Harlem Postcards Fall/Winter 2013–14" 1275: 1273: 1177: 1175: 1173: 930: 928: 890:Shelley & Donald Rubin Foundation 661: 659: 616:Fellowship Grant – Photography (2008) 7: 1468:Hispanic and Latino American artists 780: 778: 697: 695: 208:and postures resist classification. 80:Painters and Sculptors Grant (2008), 1483:21st-century American women artists 1351:Messer, Chris (25 September 2015). 935:Faires, Robert (January 25, 2019). 538:The Smithsonian American Art Museum 1379:"New York Foundation for the Arts" 1359:. New York Foundation for the Arts 785:Harris, Jane Ursula (2018-01-04). 14: 1478:Dominican American visual artists 571:, Downtown Jersey City, NJ (2003) 1329:Lower Manhattan Cultural Council 628:Fellowship Grant – Crafts (2001) 626:New York Foundation for the Arts 614:New York Foundation for the Arts 174:Valencia Institute of Modern Art 1158:Smithsonian American Art Museum 280:Participating artists include: 162:Yerba Buena Center for the Arts 152:(e.g. "Doll-head, hand held"). 1: 352:, Janelle and Lisa Iglesias, 861:"Elia Alba: The Supper Club" 811:"Elia Alba at The 8th Floor" 610:Flying Horse Editions (2011) 1458:American multimedia artists 1133:The Studio Museum in Harlem 646:, New York, NY (1989–1999). 300:, Carlos de Leon Sandoval, 48:1962 (age 61–62) 1499: 1258:joanmitchellfoundation.org 620:Pollock-Krasner Foundation 263:Elia Alba: The Supper Club 144:in 1994 and completed the 1231:Black & White Gallery 747:– via Project Muse. 727:Lockward, Alanna (2007). 116:. Alba's ongoing project 28: 1207:universes-in-universe.de 376:, LaTasha Nevada Diggs, 132:Early life and education 941:www.austinchronicle.com 644:Studio Museum in Harlem 591:Studio Museum in Harlem 583:Museo de Arte Moderno, 532:Studio Museum in Harlem 35:Elia Alba June 21, 2019 598:Awards and residencies 540:, Washington DC (2013) 521:, New York City (2015) 1303:New Voice of New York 593:, New York, NY (1999) 534:, New York, NY (2013) 504:Selected exhibitions 438:Iliana Emilia Garcia 284:, Alejandro Guzman, 122:contemporary artists 1035:"Larry Levan Live!" 1014:archive.nytimes.com 986:"About the Project" 965:www.hirmerverlag.de 709:. 18 September 2009 543:Galleria Overfoto, 519:El Museo del Barrio 420:, Dashawn Griffin, 394:Michael Paul Britto 378:LaToya Ruby Frazier 372:, Karina Skvirsky, 350:Jaishri Abichandani 346:Jacolby Satterwhite 184:, Amsterdam; ARCO, 166:El Museo del Barrio 108:(1962) was born in 763:arcthemagazine.com 672:The New York Times 585:Dominican Republic 569:Jersey City Museum 416:, Rafael Sanchez, 380:, Legacy Russell, 334:Hank Willis Thomas 318:David Antonio Cruz 251:cultural criticism 200:, Brazil, and the 190:Jersey City Museum 138:Dominican Republic 110:Brooklyn, New York 1203:"Havana Biennial" 1045:on August 3, 2017 817:. 13 October 2017 483: 470: 434:Scherezade Garcia 410:Paul Mpagi Sepuya 298:Brendan Fernandes 103: 102: 1490: 1439: 1434: 1433: 1431:Official website 1417: 1416: 1414: 1413: 1403:"Names You Know" 1399: 1393: 1392: 1390: 1389: 1375: 1369: 1368: 1366: 1364: 1348: 1339: 1338: 1336: 1335: 1321: 1315: 1314: 1298: 1289: 1288: 1286: 1277: 1268: 1267: 1265: 1264: 1250: 1241: 1240: 1238: 1237: 1223: 1217: 1216: 1214: 1213: 1199: 1193: 1192: 1190: 1189: 1179: 1168: 1167: 1165: 1164: 1150: 1144: 1143: 1141: 1140: 1125: 1119: 1118: 1116: 1115: 1101: 1095: 1094: 1086: 1080: 1079: 1077: 1076: 1061: 1055: 1054: 1052: 1050: 1041:. 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Retrieved 1406: 1397: 1386:. Retrieved 1383:www.nyfa.org 1382: 1373: 1361:. Retrieved 1356: 1332:. Retrieved 1328: 1319: 1302: 1280:Alba, Elia. 1261:. Retrieved 1257: 1234:. Retrieved 1230: 1221: 1210:. Retrieved 1206: 1197: 1186:. Retrieved 1161:. Retrieved 1157: 1148: 1137:. Retrieved 1135:. 2018-02-11 1132: 1123: 1112:. Retrieved 1108: 1099: 1084: 1073:. Retrieved 1071:. 2018-01-10 1068: 1059: 1047:. Retrieved 1043:the original 1038: 1033:Alba, Elia. 1028: 1017:. Retrieved 1013: 1004: 993:. Retrieved 989: 984:Alba, Elia. 979: 968:. Retrieved 964: 955: 944:. Retrieved 940: 917:, retrieved 915:, 2018-11-08 911: 905: 894:. Retrieved 889: 880: 869:. Retrieved 867:. 2014-05-14 864: 855: 844:. Retrieved 842:. 2017-12-15 839: 830: 819:. Retrieved 814: 805: 794:. Retrieved 790: 766:. Retrieved 762: 753: 739:(2): 83–92. 736: 732: 722: 711:. Retrieved 706: 683:. 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