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750:. He added that "It goes without saying that the orchestra, under the direction of the composer, is excellent" and concluded thus: "And now that the Société des grandes auditions musicales de France has given us English music, Italian music, German music, and is about to offer us Russian music, couldn't it give some thought to French music?"
343:
Dieppe became a fashionable seaside resort for
Parisian and London society in the mid-19th century. Since at least the 1860s, many musicians found work there at the theatre or casino (see "Casino de Dieppe" on Knowledge (XXG) in French for details on the history of the orchestra of the casino),
903:
and a Minuet by Handel, before a Louis XV-style fireworks display on the Grand Canal. The evening was reserved for members of the Société des
Grandes Auditions musicales de France, but 200 seats were sold for the benefit of the charity 'Assistance par le travail', whose aim was to provide an
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271:, who wrote about Élisabeth: "The Comtesse Greffulhe is always beautiful and always elsewhere. But it would be a mistake to think that her life was merely the pursuit of pleasure (...) not only is she beautiful, but she is a lady. Preferring the privacy of her own house in the
1255:
852:(Mikhail Glinka and other Russian composers). A journalist noted that "when the dancer , dressed in a novel way, performed his first leap in the air, the audience, amazed by this flying man who seemed not to touch the ground, cheered him. It was a triumphant success..."
1243:
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1709:"L'Écho du Nord : Journal politique, administratif, commercial et littéraire ["puis" journal constitutionnel, politique et littéraire "puis" politique, littéraire, industriel et commercial "puis" le plus fort tirage de la région]"
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765:, and together they organized five concerts of Russian music in Paris from May 16 to 30, 1907, under the patronage of the Société des Grandes auditions musicales de France, with the choirs and orchestra of the Association des
1765:
Diaghilev : les ballets russes : [exposition, Paris], Bibliothèque nationale, [17 mai-29 juillet] 1979 / [catalogue par Nicole Wild et Jean-Michel
Nectoux] ; [préface de Georges Le
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during the summer months when the
Parisian establishments were idle. In 1887, E. Greffulhe acquired a villa there, "La Case": this vast Anglo-Norman-style building is featured in Monet's painting "La Falaise à Dieppe".
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The
Ballets russes returned every year until 1914 (and again after the war, by which time the Société des grandes auditions had disappeared). One of the most memorable performances was the world premiere of
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On 19 November 1916, Countess
Greffuhle, now founding president of the 'Union pour la Belgique et les pays alliés et amis' (Union for Belgium and friendly allied countries), organised a support ceremony in
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And in 1909, the first season of the
Ballets russes took place at the Théâtre du Châtelet, from May 18 to June 18, under the patronage of the Société des grandes auditions. On the programme were
867:
In 1908 there was a grand party in the gardens of the Château de
Versailles with actors from the Comédie-Française performing extracts from plays and reciting poems (including a sonnet by Count
365:. A recent biography demonstrates – relying in particular on research into the author's draft notebooks – that Countess Greffulhe and her family, who inspired several of the characters in
1131:
1595:"Paris musical et dramatique : organe des nouvelles artistiques et de l'enseignement : programmes et comptes rendus des théâtres, concerts, soirées et auditions d'élèves"
652:. The programme included Hector Berlioz's "Les Troyens", which had not been performed since the 1892 revival at the Opéra-Comique and Boito's "Mefistofele", and also Shakespeare's
441:, etc.". It did not disappear until the First World War. Its raison d'être was "the theatrical performance of unknown masterpieces" paid for by generous donors including composer
195:
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came to Paris, he dined informally at her house. After a restricted youth (...) she set herself to attracting musicians, scholars, physicists, chemists, doctors."
1692:
1058:, director of the Paris Opera, in aid of the British Red Cross, with Diaghilev and his Ballets Russes, took place at the Paris Opera. The programme included
1762:
Wild, Nicole (1929-2017) Auteur du texte; Nectoux, Jean-Michel (1946- ) Auteur du texte; texte, Bibliothèque nationale (France) Auteur du (July 5, 1979).
1970:
948:, with Lucie Vauthrin, Rodolphe Plamondon, tenor, Edgard Monys (baritone, from the Schola Cantorum: Anacréon), and the Compagnie des Chanteurs de
425:
The Société des
Grandes Auditions musicales de France was "founded and chaired by Mme la comtesse Greffulhe, under the artistic patronage of MM.
48:
861:
1261:
Henri
Alexandre Gervex. An evening at Pré Catelan, 1909. Countess Greffulhe is seen ready to enter the car after her visit to the restaurant.
623:
912:. The Countess had arranged a special train for the return journey to Paris, and a car park for the cars (the Countess's car was electric).
702:, the oratorio by Newman and Elgar, was first performed in France on May 25, 1906 at the Palais du Trocadéro, Paris, under the direction of
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was unusual; as Mina Curtiss, who visited her, noticed, her eyes were like "the dark purple brown-tinged petals of a rarely seen pansy."
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541:(the one on rue de Malte, directed by Victor Silvestre, not the one on rue du Château-d'Eau), on the initiative of Countess Greffuhle.
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1425:"Le Mémorial diplomatique : journal international, politique, littéraire et financier / rédacteur gérant Jean-Baptiste Desplaces"
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combatants. The patronage committee already includes the following personalities: Countess Greffulhe...". Pierre Carolus-Duran (the
1237:Élisabeth de Caraman-Chimay, Countess Greffulhe (1860-1952) and her daughter Elaine Greffulhe, photograph by Otto Wegener, 1908.
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https://gallica.bnf.fr/ark:/12148/bpt6k405636b/f358.item.r=%22Comtesse%20Greffuhle%22%22Comtesse%20Greffuhle%22?rk=128756;0
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2006:
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Countess Élisabeth Greffulhe in the Bosquet de la Colonnade in Versailles. Painting by Joseph-Raymond Fournier-Sarlovèze.
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1723:"Le Progrès artistique : journal des artistes musiciens instrumentistes et choristes : paraissant le jeudi"
1125:Élisabeth de Caraman-Chimay, Countess Greffulhe (1860-1952) with her daughter Élaine. Photograph by Paul Nadar, 1886.
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in June and September 1892, in its entirety for the first time since its creation, and this time with great success.
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225:, in concert with whom she was in contact with the cream of Parisian society, whom she regularly entertained at her
2001:
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1051:, and 200 performers, conducted by the composer - the show was announced in newspapers in their "Charity" section.
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706:. It was organized by the Société des grandes auditions musicales de France, still chaired by Countess Greffulhe.
622:'s first concerts in Paris, debuting on November 28, 1904 at the Nouveau-Théâtre, notably in Camille Saint-Saëns'
1996:
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1197:Élisabeth de Caraman-Chimay, Countess Greffulhe (1860-1952), double portrait photograph by Otto Wegener, 1899.
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conducted by Cortot and also large excerpts from "Parsifal", at the Nouveau-Théâtre, under Cortot's direction.
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and at Bois-Boudran in the country, the Comtesse Greffulhe never dined out except at the British Embassy. When
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on the great organ, accompanied by ten cellos. This seems to have been the Countess's swan song, so to speak.
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introduced E. Greffuhle, in addition to Marcel Proust, to a composer whose career was struggling to take off:
1905:
942:(then based in Versailles), conducted by Auguste Verbregghe. This was followed by the recreation of Rameau's
937:
746:(Jochanaan), who "displayed excellent diction", and the dancer who performed the "Dance of the Seven Veils",
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Elisabeth Greffuhle put music at the centre of her life. She organized a benefit concert as part of the 1889
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Also in 1905, but in Paris, E. Greffuhle had five Italian operas performed at the Théâtre Sarah-Bernhardt:
164:; 11 July 1860 – 21 August 1952) was a French socialite, known as a renowned beauty and queen of the
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802:
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family of bankers, on 28 September 1881. He was an unfaithful, quick-tempered man. They had one daughter,
210:, one of the leaders of Parisian social life during the Directory, and a great-granddaughter of memoirist
170:
1453:"La Diane : journal hebdomadaire paraissant le dimanche / [Antonin Louis, directeur-gérant]"
369:, played a major role in the genesis of the work and in the discovery of the "magic" name of Guermantes.
308:, which received its first full performance, with the optional chorus, at a garden party she held in the
54:
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1213:Élisabeth de Caraman-Chimay, Countess Greffulhe (1860-1952), portrait photograph by Otto Wegener, 1899.
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1991:
1986:
1025:, with the composer conducting the Orchestre Colonne, at the Théâtre du Châtelet, on April 17, 1910.
1173:Élisabeth de Caraman-Chimay, countess Greffulhe (1860-1952). Photograph by Otto Wegener, circa 1887.
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988:, with Miss Carlyle (Venus) and M. Dubois (tenorino), the chorus, the corps de ballet (conducted by
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in December 1904 : "A major artistic event has been organized for Thursday January 26 at the
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361:. Her husband, Count Greffulhe, is the main and almost unique inspiration for the character of the
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Newton, Joy, 'Whistler's French Connections: Count Robert de Montesquiou and Countess Greffulhe,'
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In April 1903, she gave Beethoven's "Mass in D", "preceded by an almost complete performance of
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Portrait of l'abbé Mugnier. Painted by Élisabeth de Caraman-Chimay, Countess Greffulhe in 1921.
1185:Élisabeth de Caraman-Chimay, Countess Greffulhe (1860-1952). Photograph by Paul Nadar in 1895.
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1137:Élisabeth de Caraman-Chimay, Countess Greffulhe (1860-1952). Photograph by Paul Nadar, 1886.
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https://gallica.bnf.fr/ark:/12148/bpt6k75211084/f1.item.r=%22Comtesse%20Greffuhle%22.zoom#
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https://gallica.bnf.fr/ark:/12148/bpt6k75211084/f1.item.r=%22Comtesse%20Greffuhle%22.zoom#
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On the evening of 18 July 1909, having been unable to organise a Venetian festival on the
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https://gallica.bnf.fr/ark:/12148/bpt6k76465684/f2.item.r=%22Comtesse%20Greffuhle%22.zoom
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Portrait of elegant lady attributed to Comtesse Élisabeth Greffulhe, signed M. Leibovsky.
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723:
637:, which took place on August 5, 6 and 7. She received the help of Antony Réal (the son),
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1161:Élisabeth de Caraman-Chimay, Countess Greffulhe (1860-1952). Photograph by Paul Nadar.
1149:Élisabeth de Caraman-Chimay, Countess Greffulhe (1860-1952). Photograph by Paul Nadar.
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in 1904, at the wedding of the countess's daughter, who was also the dedicator of the
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1386:, Paris: Flammarion, 2014 (Part V, La chambre noire des Guermantes), pp. 345–455.
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548:, probably from January to the end of May, at the Théâtre Sarah-Bernardt, with
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The countess greatly enjoyed the company of her cousin, the exquisite aesthete
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E. Greffuhle also organized the first Parisian performance of Gustav Mahler's
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1553:"La Politique coloniale : Journal quotidien, économique et littéraire"
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Self portrait countess Elisabeth Greffulhe (1899), Carnavalet museum, 2022.
1965:
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E. Greffuhle still continued her fund-raising activities, as announced by
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A vase commissioned by Élisabeth Greffulhe, inscribed with a quatrain by
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immediate salary for workers without a job. The programme was written by
373:
215:
87:
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She also had a romantic (probably platonic) involvement with composer
1072:, which Stravinsky conducted for the first time in Paris; dances from
394:(in French, and in the Mozart arrangement) in the grand hall of the
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69:
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On 18 December 1915, a performance organised by E. Greffuhle and
996:. This was followed by a grand fireworks display by the company
871:, the Countess's uncle) and, for the musical part (and ballet),
731:, was stingy of compliments, sparing only the interpretation of
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In 1905 E. Greffuhle was entrusted with the organisation of the
713:, Richard Strauss conducted the first performance of his opera
1036:, was played at the Palais du Trocadéro, with Félia Litvinne,
233:. He would describe her eyes as "black fireflies". The colour
1539:"La Vie heureuse : Revue féminine universelle illustrée"
347:
She is one of the main inspirations for the character of the
1689:
https://gallica.bnf.fr/ark:/12148/bpt6k405636b/f352.image.r=
962:, followed by early music again, this time by Gluck, with a
206:(1834–1884). Through her father, she was a granddaughter of
805:. In May and June 1908, they performed Modest Mussorgsky's
456:
The first opera given as part of the Grandes Auditions was
1875:"Comoedia / Rédacteur en chef : Gaston de Pawlowski"
1647:"Le Progrès : Journal de Lyon, politique, quotidien"
511:
In June 1902, as part of the Festival lyrique, Wagner's
190:
Portrait of Élisabeth, with her daughter Élaine, 1886.
1494:"L'Art et la mode : journal de la vie mondaine"
1935:
Whistler and Montesquiou. The Butterfly and the Bat
956:. The third part included an excerpt from Gounod's
952:. The Opéra Orchestra and Ballet were conducted by
142:
132:
122:
94:
77:
62:
32:
919:, E. Greffuhle settled for a grand celebration at
1397:"Le Matin : derniers télégrammes de la nuit"
267:, half-brother of the openly bisexual writer the
153:Countess Marie Anatole Louise Élisabeth Greffulhe
1018:. The evening was organised by Raoul Gunsbourg.
626:, in the presence of the enthusiastic composer.
923:, with the first part featuring two overtures (
823:, E. Petrenko), conducted by Felix Blumenfeld.
533:(Tristan, Thursday and Saturday), conducted by
761:company. Countess Greffulhe introduced him to
1952:La comtesse Greffulhe, l'Ombre des Guermantes
1376:La comtesse Greffulhe, l'Ombre des Guermantes
641:(in charge of the artistic organisation) and
489:In 1899 she gave a series of performances of
8:
453:to produce the many concerts she organized.
286:, and she actively promoted such artists as
1786:: CS1 maint: numeric names: authors list (
1326:, Librairie académique Perrin, Paris, 1991
860:a few weeks after the inauguration of the
324:racing. Fascinated by science, she helped
47:
29:
1339:, Boston: Houghton Mifflin Company, 1978.
844:as her slave; The Polovtsian Dances from
282:The countess helped establish the art of
1007:, lighting and effects were provided by
992:) and the Opéra orchestra, conducted by
815:starring Feodor Chaliapin (and Smirnov,
504:and Félia Litvinne (Isolde) directed by
1836:"Auguste Arthur VERBREGGHE — Geneawiki"
1312:
1115:
1090:church, with Gabriel Fauré playing his
1064:(music by Rimsky-Korsakov, new sets by
194:She was born in Paris, the daughter of
115: 1881; died 1932)
1779:
972:, the Musette and the Sicilienne from
544:In 1903 she organized performances of
1888:Excelsior: journal illustré quotidien
1028:On Thursday 27 April and 3 May 1911,
466:, in 1891, given 5 or 6 times at the
35:Élisabeth de Riquet de Caraman-Chimay
7:
1947:, Chatto & Windus, London, 1959.
735:(Salome), "absolutely first-rate",
247:portrait by Georges Chevalier, 1929
202:(1836–1892) and his wife, Marie de
567:(Marguerite) directed by Colonne.
376:, Switzerland, on 21 August 1952.
214:, who claimed to be a daughter of
25:
618:E. Greffuhle organized the young
595:'s son) conducted the orchestra.
1964:
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748:Natalia Vladimirovna Trouhanowa
587:to benefit the families of the
328:to finance the creation of the
112:
982:(Prologue to Richard Wagner's
449:. Greffulhe collaborated with
1:
1971:Élisabeth, comtesse Greffulhe
978:. The concert ended with the
793:, as well as Félia Litvinne,
537:. The show took place at the
418:, all under the direction of
367:À la recherche du temps perdu
358:À la recherche du temps perdu
320:, and launched a fashion for
146:Marie de Montesquiou-Fézensac
18:Elisabeth, comtesse Greffulhe
931:) played by the band of the
671:, by the Colonne orchestra.
340:and telemechanical systems.
269:Duchess of Clermont-Tonnerre
265:Armand, 12th Duke of Gramont
1776:– via gallica.bnf.fr.
660:, with incidental music by
223:Count Robert de Montesquiou
196:Joseph de Riquet de Caraman
162:de Riquet de Caraman-Chimay
137:Joseph de Riquet de Caraman
2023:
1926:Michel-Thiriet, Philippe,
1904:, 11 novembre 1916 :
1199:Metropolitan Museum of Art
885:, an entrée from Rameau's
862:Théâtre des Champs-Élysées
840:in the role of Armida and
336:to pursue his research on
1954:, Paris, Flammarion, 2014
917:Grand Canal of Versailles
821:Natalia Ermolenko-Yuzhina
443:Prince Edmond de Polignac
263:(1882–1958), who married
46:
41:
1800:Same source, pages 15-16
1322:Cossé-Brissac, Anne de,
539:Théâtre du Château-d'Eau
474:, in a French premiere.
398:, on June 10 1889, with
1354:collection.kunsthaus.ch
830:'s most famous ballet,
783:Nicolai Rimsky-Korsakov
709:On May 8, 1907, at the
635:Roman Theatre of Orange
585:Théâtre Sarah-Bernhardt
404:Blanche Deschamps-Jéhin
1337:Other People's Letters
699:The Dream of Gerontius
605:. Fauré premiered his
495:Étienne Gibert (tenor)
380:E. Greffulhe and music
349:duchesse de Guermantes
312:. She was a patron of
253:Henri, Count Greffulhe
248:
191:
171:Faubourg Saint-Germain
1849:de:Rodolphe Plamondon
1621:"The New York herald"
1481:La Revue hebdomadaire
1350:"La Falaise à Dieppe"
1324:La comtesse Greffulhe
1299:Robert de Montesquiou
1032:, an oratorio by Don
1030:Le Jugement universel
933:1er régiment du génie
869:Robert de Montesquiou
717:(in German) with the
599:Robert de Montesquiou
546:La Damnation de Faust
482:was performed at the
302:dedicated to her his
292:Antonio de La Gandara
243:
189:
2007:French salon-holders
1973:at Wikimedia Commons
833:Le Pavillon d'Armide
517:was performed, with
463:Béatrice et Bénédict
255:(1848–1932), of the
204:Montesquiou-Fézensac
1890:, 2 December 1915:
1811:"Dimanche illustré"
1627:. December 10, 1904
1575:. December 28, 1904
969:Iphigénie en Aulide
891:; the Gavotte from
888:Hippolyte et Aricie
819:, Ivan Altchevsky,
791:Sergei Rachmaninoff
711:Théâtre du Châtelet
624:Concerto in G minor
330:Institute of Radium
1928:The Book of Proust
1813:. 20 January 1935.
1601:. December 1, 1904
1381:2014-10-19 at the
897:, Gabriel Fauré's
858:The Rite of Spring
828:Nikolai Tcherepnin
817:Vladimir Kastorsky
799:Elisabeth Petrenko
787:Alexander Glazunov
775:Camille Chevillard
767:Concerts Lamoureux
704:Camille Chevillard
676:Adriana Lecouvreur
631:Chorégies d'Orange
572:Tristan and Isolde
514:Tristan and Isolde
491:Tristan and Isolde
386:Paris World's Fair
338:radio transmission
249:
192:
42:Countess Greffulhe
2002:French socialites
1969:Media related to
1950:Hillerin, Laure,
1433:. January 4, 1890
908:and decorated by
719:Colonne Orchestra
620:Arthur Rubinstein
506:Charles Lamoureux
472:Charles Lamoureux
363:duc de Guermantes
150:
149:
16:(Redirected from
2014:
1997:Counts Greffulhe
1968:
1937:, New York, 1995
1933:Munhall, Edgar,
1923:, vol. 53, no. 1
1907:
1899:
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1878:
1877:. 24 April 1911.
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1541:. 15 April 1903.
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1483:25 November 1899
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941:
910:Gaston La Touche
906:Pierre de Nolhac
795:Feodor Chaliapin
779:Felix Blumenfeld
757:founded his own
755:Sergei Diaghilev
745:
721:. The critic of
670:
651:
558:
531:Charles Dalmorès
503:
414:, with organist
396:Trocadéro Palace
314:Sergei Diaghilev
310:Bois de Boulogne
200:Prince de Chimay
127:Élaine Greffulhe
116:
114:
84:
73:
55:Philip de László
51:
36:
30:
27:French socialite
21:
2022:
2021:
2017:
2016:
2015:
2013:
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2011:
1977:
1976:
1961:
1941:Painter, George
1916:
1911:
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1729:. June 10, 1906
1721:
1720:
1716:
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1702:
1687:
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1678:. 30 June 1905.
1674:
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1555:. 3 April 1903.
1551:
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1546:
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1536:
1532:
1520:Gallica :
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1505:
1503:
1502:. June 14, 1902
1492:
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1462:. June 12, 1892
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1123:
1114:
1101:
1076:(Borodin); and
1044:
1023:Second Symphony
1011:
1000:
964:Suite de ballet
935:
879:; an aria from
877:Danses antiques
864:, in May 1913.
842:Vaslav Nijinsky
739:
664:
645:
639:Raoul Gunsbourg
563:(Méphisto) and
552:
527:Ernest Van Dyck
497:
470:, conducted by
431:Ambroise Thomas
420:Auguste Vianesi
382:
212:Émilie Pellapra
208:Teresa Cabarrús
184:
118:
110:
106:
103:
101:Henry Greffulhe
86:
82:
68:
67:
58:
37:
34:
28:
23:
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11:
5:
2020:
2018:
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1959:External links
1957:
1956:
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1948:
1938:
1931:
1930:, London, 1989
1924:
1915:
1912:
1909:
1908:
1894:
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1852:
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1823:Figaro :
1816:
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1711:. 5 June 1905.
1700:
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1649:. 5 July 1905.
1638:
1612:
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1416:
1405:. May 31, 1890
1388:
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1335:Mina Curtiss,
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1056:Jacques Rouché
1042:Gabriel Paulet
1034:Lorenzo Perosi
954:Charles Bordes
813:Palais Garnier
803:Dmitri Smirnov
771:Arthur Nikisch
763:Gabriel Astruc
759:Ballets Russes
753:Also in 1907,
737:Fritz Feinhals
662:Edmond Membrée
561:Maurice Renaud
550:Albert Alvarez
523:Félia Litvinne
451:Gabriel Astruc
408:Edmond Vergnet
388:with Handel's
381:
378:
334:Édouard Branly
318:Ballets Russes
296:Gustave Moreau
284:James Whistler
183:
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81:21 August 1952
79:
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1945:Marcel Proust
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1301:, her cousin.
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966:, arias from
965:
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950:Saint-Gervais
947:
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528:
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484:Opéra-Comique
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90:, Switzerland
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1951:
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1770:. Retrieved
1764:
1757:
1749:Le Ménestrel
1748:
1743:
1731:. Retrieved
1726:
1717:
1703:
1684:
1670:
1655:
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1624:
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1603:. Retrieved
1598:
1589:
1577:. Retrieved
1570:
1561:
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1497:
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1456:
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1435:. Retrieved
1428:
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1407:. Retrieved
1400:
1391:
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1369:
1357:. Retrieved
1353:
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1331:
1323:
1315:
1096:
1088:La Madeleine
1084:
1077:
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1027:
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371:
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230:
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165:
161:
156:
152:
151:
83:(1952-08-21)
66:11 July 1860
53:Portrait by
1992:1952 deaths
1987:1860 births
1320:(in French)
1201:, New York.
1102: [
1079:Snegurochka
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607:Tantum Ergo
589:Port-Arthur
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498: [
479:Les Troyens
447:Sadi Carnot
412:Numa Auguez
326:Marie Curie
235:of her eyes
1981:Categories
1914:References
1766:Rider]
1676:"Le Temps"
1567:"Le Temps"
1066:Léon Bakst
994:Paul Vidal
990:Léo Staats
985:Tannhaüser
873:Paul Vidal
565:Emma Calvé
400:Rose Caron
277:Edward VII
245:Autochrome
1902:Excelsior
1782:cite book
1695:; ;
1526: ;
1523: ;
980:Venusberg
959:Polyeucte
921:Bagatelle
850:Le Festin
633:, at the
559:(Faust),
519:Ada Adini
433:, Léger,
322:greyhound
1691: ;
1662: ;
1379:Archived
998:Ruggieri
945:Anacréon
580:Le Temps
435:Massenet
374:Lausanne
216:Napoleon
88:Lausanne
72:, France
1921:Laurels
1860:Comœdia
1772:July 5,
1733:July 5,
1727:Gallica
1631:July 5,
1625:Gallica
1605:July 5,
1599:Gallica
1579:July 5,
1572:Gallica
1506:July 5,
1499:Gallica
1466:July 5,
1459:Gallica
1437:July 5,
1430:Gallica
1409:July 5,
1402:Gallica
1359:July 5,
1112:Gallery
882:Alceste
811:at the
781:, with
692:Siberia
593:painter
458:Berlioz
439:Delibes
391:Messiah
257:Belgian
229:in the
198:, 18th
168:of the
117:
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95:Husband
1092:Elégie
975:Armide
900:Pavane
894:Armide
715:Salome
690:, and
688:Fedora
612:Pavane
427:Gounod
332:, and
305:Pavane
261:Élaine
166:salons
143:Mother
133:Father
57:, 1905
1307:Notes
1106:]
1049:]
1016:]
1005:]
940:]
836:with
744:]
669:]
650:]
557:]
502:]
493:with
468:Odéon
227:salon
176:Paris
123:Issue
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1788:link
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500:pcd
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
