124:(1750–1817), who dedicated two songs to her, published in his 12th song collection. The texts were written by Benedikt Josef M. von Koller: "Mädchen mit der Silberstimme" (Girl with the silvery voice) and "Schön ist einer Rose jugendliche Knospe" (Beautiful is a rose's youthful bud). She toured at age 12 with Regensburg mechanic
165:, was connected to her, living across the street from Mälzel. Steblin thinks that Malfatti could have taught piano to Barensfeld when she was age 13. However, there is no evidence that she belonged to Beethoven's circle.
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to
Barensfeld. The dedication read "FĂĽr Elise am 27. April zur Erinnerung von L. v. Bthvn." ("For Elise on 27 April as a remembrance, from Ludwig van Beethoven."). The later owner of the manuscript,
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of the GroĂźherzogin of Baden. There are no traces of her after 1820.
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Who was
Beethoven’s “Elise”? A new solution to the mystery
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claimed that
Beethoven may have dedicated his piano piece
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argued in 2012 that
Beethoven dedicated his piano piece
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185:, Vol. 155, No. 1927 (Summer 2014), pp. 3–39
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271:War Mälzels Sängerin auch Beethovens „Elise“?
193:"A Letter to the Editor of The Musical Times"
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122:Johann Franz Xaver Sterkel
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126:Johann Nepomuk Mälzel
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134:Ludwig van Beethoven
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303:19th-century deaths
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233:27 August
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