75:
63:
199:
She then started to hold drawing evenings at home in her father's library where she and other women artists could draw from "undraped" (i.e. nude) models. After a few years she began instruction with the purpose of educating women to the point that they would qualify for admittance to the
153:, who told her she was too small, and so she took up art at the age of twenty. While her father believed in the value of an education for women, he felt that the art of drawing was unnecessary, leading Eliza initially to study by herself. Eliza became a copyist by first studying
129:, became William Johnson Fox's wards. Mr and Mrs Fox separated in the 1830s, and, causing much scandal, her father apparently took her and her siblings to set up home with Eliza Flower. This unconventional family unit lived first in
227:
the next year. She remained in Italy, painting alongside her husband and accompanying him on trips until he died in 1862. In this period she is known for portraits of visiting friends and their company. She then took a long trip to
443:
208:, succeeded on the basis of a drawing that only included her first initials. Herford was admitted to the Antique School as the first woman to do so.
433:
145:
Eliza Fox was known as 'Tottie', and had initially wanted to go on the stage, though her father (despite his habit of lying on a sofa, giving
297:
277:
448:
74:
384:
438:
428:
154:
79:
126:
106:
37:
350:
94:
169:. Receiving encouragement from artists, she finally convinced her father to let her study for three years at
354:
224:
201:
372:
211:
In 1849, she first met
Elizabeth Gaskell, who had recently gained much notice through her first novel
423:
418:
174:
191:
146:
110:
67:
114:
269:
293:
273:
182:
389:
178:
162:
150:
181:, who had a career as a painter and writer, and whose parents were friends of the novelist
233:
185:. In 1847 Eliza graduated and her pastel portrait of her father was shown in 1847 at the
118:
262:
232:
where she continued to make portraits of visitors. In 1871 she remarried a second time
166:
412:
205:
186:
130:
122:
62:
401:
313:
237:
393:
170:
134:
161:, which her father bought for her, and later, by copying paintings in the
229:
376:
73:
61:
117:, and Eliza nee Florance. He was a friend of radical journalist
149:
readings), was nervous about this. He consulted his friend
113:, preacher and politician, Unitarian minister of the
189:. The next year she showed a historical portrait of
52:
44:
30:
23:
292:Frederick Lee Bridell 1830-63, C Aitchison Hull -
261:
382:Colloms, Brenda (2009) . "Fox, Eliza Florance".
121:. On Flower's death in 1829, his two daughters,
215:, and they subsequently became close friends.
8:
388:(online ed.). Oxford University Press.
260:Kennedy, Richard S.; Donald S. Hair (2007).
223:In 1858 Fox went to Rome, where she married
264:The Dramatic Imagination of Robert Browning
346:
20:
344:
342:
340:
338:
336:
334:
332:
330:
328:
326:
268:. University of Missouri Press. pp.
359:(Tinsley Brothers, 1876) pp. 80-87.
385:Oxford Dictionary of National Biography
309:
307:
305:
249:
255:
253:
7:
236:George Edward Fox, and resumed her
444:19th-century British women artists
14:
194:when a boy sketching from Nature
1:
434:19th-century British painters
177:. Here she studied alongside
402:UK public library membership
449:19th-century women painters
204:, and one of her students,
465:
219:Marriages and later career
173:under the directorship of
155:Bernhard Siegfried Albinus
141:Education and early career
80:Elizabeth Barrett Browning
320:(Faber & Faber, 1993)
127:Sarah Fuller Flower Adams
38:London Borough of Hackney
66:Portrait of her father,
82:, drawn in 1859 in Rome
439:British women painters
394:10.1093/ref:odnb/48583
355:English Female Artists
83:
71:
225:Frederick Lee Bridell
202:Royal Academy schools
77:
65:
429:Painters from London
175:Francis Stephen Cary
111:William Johnson Fox
109:as the daughter of
93:(1824–1903), was a
68:William Johnson Fox
115:South Place Chapel
91:Eliza Florance Fox
84:
72:
400:(Subscription or
373:Eliza Bridell Fox
351:Clayton, Ellen C.
318:Elizabeth Gaskell
298:978-1-906221-09-6
279:978-0-8262-1691-5
183:Elizabeth Gaskell
101:Family background
87:Eliza Bridell Fox
60:
59:
25:Eliza Bridell Fox
456:
405:
397:
360:
348:
321:
311:
300:
290:
284:
283:
267:
257:
179:Anna Mary Howitt
163:National Gallery
151:William Macready
105:She was born in
21:
464:
463:
459:
458:
457:
455:
454:
453:
409:
408:
399:
381:
369:
364:
363:
349:
324:
312:
303:
291:
287:
280:
259:
258:
251:
246:
221:
143:
119:Benjamin Flower
103:
95:British painter
40:
35:
26:
17:
16:British painter
12:
11:
5:
462:
460:
452:
451:
446:
441:
436:
431:
426:
421:
411:
410:
407:
406:
379:
368:
367:External links
365:
362:
361:
322:
301:
285:
278:
248:
247:
245:
242:
220:
217:
171:Sass's Academy
167:British Museum
142:
139:
102:
99:
58:
57:
54:
50:
49:
46:
42:
41:
36:
32:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
461:
450:
447:
445:
442:
440:
437:
435:
432:
430:
427:
425:
422:
420:
417:
416:
414:
403:
395:
391:
387:
386:
380:
378:
374:
371:
370:
366:
358:
356:
352:
347:
345:
343:
341:
339:
337:
335:
333:
331:
329:
327:
323:
319:
315:
310:
308:
306:
302:
299:
295:
289:
286:
281:
275:
271:
266:
265:
256:
254:
250:
243:
241:
239:
235:
234:to her cousin
231:
226:
218:
216:
214:
209:
207:
206:Laura Herford
203:
197:
195:
193:
188:
187:Royal Academy
184:
180:
176:
172:
168:
164:
160:
156:
152:
148:
147:Shakespearean
140:
138:
136:
132:
131:Stamford Hill
128:
124:
120:
116:
112:
108:
100:
98:
97:and teacher.
96:
92:
88:
81:
76:
69:
64:
55:
51:
47:
43:
39:
33:
29:
22:
19:
383:
353:
317:
288:
263:
222:
212:
210:
198:
192:Gainsborough
190:
158:
144:
123:Eliza Flower
104:
90:
86:
85:
78:Portrait of
18:
424:1903 deaths
419:1824 births
314:Jenny Uglow
238:maiden name
213:Mary Barton
53:Nationality
413:Categories
404:required.)
357:, Volume 2
244:References
133:and later
135:Bayswater
165:and the
230:Algiers
159:Anatomy
107:Hackney
70:in 1862
56:British
398:
377:artnet
296:
276:
89:, née
294:ISBN
274:ISBN
125:and
48:1903
45:Died
34:1824
31:Born
390:doi
375:on
415::
325:^
316:,
304:^
272:.
270:18
252:^
240:.
196:.
157:'
137:.
396:.
392::
282:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
