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96:, Connecticut in 1824. She was interested in art from an early age but her step-mother forbade her from making her own art, going so far as to destroy all her drawings when she was fifteen. At twenty-seven, Jerome was able to begin painting seriously. Jerome married at age thirty-two and made less art, but still worked. Her husband, Benjamin Jerome, was also an artist. She reportedly gave up painting after the death of a daughter, but took up miniature painting in 1904. Jerome continued to make small scale paintings until her death in 1910.
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After moving to
Hartford, Jerome began studying under Professor Julius T. Busch, who was pleased with her work and insisted she move to New York to further her education and career as an artist. She studied at the Springely Institute. When she was 30, she moved back to Hartford. For one year she
133:, a fellow artist of The Hudson River School, because of the similarities between their South American landscapes. Church lived near Jerome in Hartford, but there was no evidence of whether she personally knew Church or not.
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Jerome's work consisted of portraiture, and views of South
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458:"Lot 385: Elizabeth Gilbert Jerome (American, 1824-1910), Still Life with Fruit en Plein Air"
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Dictionary of Women
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84:. Her work included portraiture, still-lifes, and landscapes of South America.
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Historical Society's Dictionary of Artists in America, 1564-1860
113:. Her education enabled her to be an instructor and one of her pupils was
294:. 218, Spring Street, Catskill, NY 12414: Thomas Cole. p. 30.
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Remember the Ladies: Women of the Hudson River School
241:. Binghamton, N.Y.: Vail-Ballou Press. p. 349.
80:(1824–1910) was an American artist inspired by the
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368:"Elizabeth Gilbert Jerome - Tropical Landscape"
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198:References
175:1860-1880.
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