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was fascinated by Knepp, and his diary for 1666—68 is full of references to her, including mentions of amorous encounters, and descriptions of how much he enjoyed her flirtatiousness and especially her singing. In the late 1670s she became mistress to the actor
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95:(died 1681) was a British actress, singer, and dancer. The earliest theatrical reference to Knepp is from 1664, as being intended by
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Biographical
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Highfill, Philip Jr, Burnim, Kalman A., and
Langhans, Edward (1973–93).
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Knepp's husband was reputedly "ill-natured" and treated her badly.
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