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125:('Gallery of Poets', c. 1855), depicting a group of 100 Welsh men-of-letters. This carefully rendered work is indicative of Ellis' familiarity with the Welsh cultural elite of his day. Indeed, according to Peter Lord, Ellisā home was a meeting-place for Welsh intellectuals such as Ceiriog, Llyfrbryf, Idris Fychan and Robin Ddu.
58:, Caernarvonshire, to the daughter of John Roberts (Sion Lleyn). When he was a young man, Ellis was apprenticed to a carpenter but showed some promise as an artist, possibly in the capacity of a sign painter or in a coach building business. He came to the attention of the Welsh landowner and politician, Baronet
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were 'exceptionally well received'. There is little concrete evidence determining Ellis's movements after 1834, but it is likely that he spent some time in
Liverpool before moving to his home in Bryncoch near Pwllheli. Certainly, he was still in Liverpool in September 1855 when he was āengaged in
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Such a range of references leads to an unexpected synthesis in Ellis' work between rustic Welsh subject matter and classical erudition, obviously the product of a good arts education despite the artist's humble background. The tone of this work, like many cartoons and drawings by Ellis, is rather
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found success in the first half of the nineteenth century in Wales and
England, at a time before the widespread use of studio portrait photography. This was largely due to the growth of an increasingly prosperous middle-class market who wanted, like the nobility, to own portrait likenesses of
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difficult to pin-point. It is light and satirical rather than serious, and potentially contains layers of in-jokes between the artist and his subject. Ellis also began work on a number of blocks to illustrate a picaresque fiction in pamphlet form about the highway man
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Ellis was deeply interested in the relationship between text and image. He illustrated a number of books and some of his best-known portraits were of Welsh poets, such as the engraved portrait of John Thomas,
66:, who later became President of the Royal Academy and a Fellow of the Royal Society. In 1834 Ellis went to London to study painting, furnished with letters of introduction to other artists given him by Shee.
46:, was a Welsh portrait painter, cartoonist and illustrator. His subject-matter was wholly Welsh and encompassed satires and cartoons printed in Welsh language periodicals as well as book illustrations.
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the ancient artisan tradition of āpreparing
Illustrations and Armorial Flags and Figures for the Liverpool Corporationā. A biography of Ellis Own Ellis' life published in the 9th June 1860 in
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According to T.R. Roberts, Ellis studied in the London
Galleries that year and soon after his paintings were displayed at Exeter Hall and Westminster. According to the author, his
158:), shown in the gallery below. Dic of Aberdaron, like Ellis, was a somewhat mysterious figure; a self-taught polymath and linguist who also lived for a time in Liverpool.
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themselves. Ellis Owen Ellis' portrait of Morris Hughes as well as his pendant portrait image of the young girl beneath it, is a good example of his spare, comic style.
35:, c. 1860, Ellis Owen Ellis, Print, 21.5 x 12 cm. This print was originally published alongside the artist's biography in Y Pwnch Cymraeg, 9th June, 1860.
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Ellis Owen Ellis belonged to the tradition of the Welsh artisan portrait painter. Itinerant, self-taught portrait-painters such as Ellis and his friends,
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146:('The Poet in his Bed', 1861). Two of Ellis's most significant illustration projects include seven drawings of the bawdy Welsh ballad
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Funeral of R.R. Jones at St Asaph, Ellis Owen Ellis, drawing, 34 x 48 cm, from the "Illustrated life of
Richard Robert Jones"
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169:' and points out his use of a classical, 'Flaxmanesque, style of outline drawing'. Arguably, Ellis' style recalls
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The art historian Paul Joyner points out the 'consistent innovations' found in Ellis' drawing. He describes the
342:'The Coronation of Jones by the Geniuses in the Mountains of Wales', 1844, drawing, 34 x 48 cm, from
251:'Homer's ghost appearing to Jones with the genius of the greek', 1844, drawing, 34 x 48 cm, from the
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296:'R.R. Jones in his study at a gazzet in Midghall St, Liverpool', 1844, drawing, 34 x 48 cm, from
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89:), asserts that Ellis was 23 years old when he settled in Liverpool and worked for Alexander Moses.
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311:'R.R. Jones reading Greek before the tutors at Oxford', 1844, drawing, 34 x 48 cm, from
281:'R.R. Jones dream at the Bishop's Palace - Bangor', 1844, drawing, 34 x 48 cm, from the
236:'Genius of the Greek pointing to Dick the standard of the Lexicon', drawing, 1844, from the
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429:. Cardiff and Merthyr Tydfil: The Educational Publishing Company, Ltd. pp.
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491:. Cardiff and Merthyr Tydfil: The Educational Publishing Company. p. 87.
327:'R.R. Jones shipwrecked on the coast', 1844, drawing, 34 x 48 cm, from
266:'R.R. Jones at his fathers house', 1844, drawing, 34 x 48 cm, from the
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One of Ellis' best-known works was his historical group portrait known as
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357:'The Genius Finding him Dead', 1844, drawing, 34 x 48 cm, from
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for three years between 1858 and 1860, before his death in 1861.
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Ellis Owen Ellis, c. 1846, pencil and wash study, 18.0 x 11.0 cm
85:(a Welsh-language equivalent of the English satirical magazine
62:. Vaughan introduced Ellis to the influential portrait painter
529:. The National Library of Wales. pp. See footnotes, p.32.
464:"ELLIS, ELLIS OWEN ('Ellis Bryn-coch '; 1813 - 1861), artist"
426:
Eminent
Welshmen: A Short Biographical Dictionary of Welshmen
372:'The Great Roscoe', 1844, drawing, 34 x 48 cm from the
582:. Aberystwyth: The National Library of Wales. p. 32.
448:. Aberystwyth: The National Library of Wales. p. 32.
412:. Aberystwyth: The National Library of Wales. p. 32.
387:'Ty Main, Birth-place of Jones', 1844, drawing, from the
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Ellis continued to create satirical woodcut cartoons for
567:. Aberystwyth: National Library of Wales. p. 32.
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16:Welsh portrait painter, cartoonist and illustrator
595:Imagine the Nation: The Visual Culture of Wales
548:. Cardiff: University of Wales Press. pp.
544:Imaging the Nation: The Visual Culture of Wales
510:. Cardiff: University of Wales Press. pp.
506:Imaging the Nation: The Visual Culture of Wales
359:The Illustrated Life of Richard Robert Jones.
175:Sandro Botticelli's illustrations of Dante's
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210:The Illustrated Life of Richard Robert Jones
489:A Short Biographical Dictionary of Welshmen
71:Fall of Llewelyn, the last Prince of Wales
597:. University of Wales Press. p. 229.
389:Illustrated Life of Richard Robert Jones
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268:Illustrated life of Richard Robert Jones
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163:Life and Times of Richard Robert Jones
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173:illustrations to Homer as well as
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565:Artists in Wales, c. 1740-c. 1851
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150:and his illustrations for the
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469:Dictionary of Welsh Biography
54:Ellis Owen Ellis was born in
75:The Battle of Morfa Rhuddlan
60:Sir Robert Williames Vaughan
643:19th-century Welsh painters
212:produced by Ellis in 1844.
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462:Davies, William Llewelyn.
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42:(1813-1861) also known as
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474:National Library of Wales
188:published by John Jones.
148:Betty of Llansaintffraid
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487:Roberts, T.R. (1908).
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64:Sir Martin Archer Shee
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578:Joyner, Paul (1997).
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658:People from Abererch
619:at Wikimedia Commons
593:Lord, Peter (2000).
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100:watercolour, c. 1830
653:Welsh male painters
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50:Early life
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204:Gallery
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