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On 23 June 1935, Gentner-Fischer gave her final opera performance in the role of Isolde in
Frankfurt. Her career was cut short due to prejudice against her husband who was of Jewish descent. In 1939, Ziegler fled Germany for England, leaving Gentner-Fischer behind. She suffered under the political
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heroines. She was also an exponent of the works of contemporary composers. Her career was cut short in 1935 due to political pressures and prejudice exerted against her for being married to a Jewish man. She made recordings with
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83:. She made her first appearance at that house in early 1907, and remained committed to that opera house until her retirement from the stage in 1935. Outside of Frankfurt, she appeared as a guest artist at the
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In addition to performing works from the standard soprano repertoire, Gentner-Fischer also appeared in many productions by modern composers. In
Frankfurt she notably created roles in the world premieres of
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99:. She toured the United States in 1923-1924 with the German Opera Company and also toured with the Oper Frankfurt to the Netherlands in 1934.
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168:. As her career progressed, Wagnerian heroines increasingly became a more important part of her repertoire; including BrĂĽnnhilde in
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conditions in her country during World War II and lived the remaining years of her life in seclusion in Upper
Bavaria. She died in
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79:. In 1906, she and her first husband both joined the roster of singers at the Oper Frankfurt through the invitation of
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In her early career, Gentner-Fischer sang only smaller parts, but by 1910 she was performing leading roles in the
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226:(1930, the Wife). In 1923 she performed the role of Myrtocle in the United States premiere of
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26:. Although she appeared in operas internationally, her career was mainly centered at the
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122:. She soon moved into heavier repertoire, excelling in parts like Countess Almaviva in
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repertoire. She notably portrayed the role of Sophie in the
Frankfurt premiere of
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in 1911. In 1914, she was one of the flower maidens in the
Frankfurt premiere of
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in
Chicago. In 1929 she sang the role of Emilia Marty in the German premiere of
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Born Else
Fischer in Frankfurt am Main, Gentner-Fischer was the daughter of a
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75:, to whom she was later widowed in 1922. She later married baritone
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where she was a resident artist from 1907-1935. She excelled in the
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repertoire, drawing particular acclaim for her portrayal of
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before making her professional opera debut in 1905 at the
22:(5 September 1883 – 26 April 1943) was a German operatic
258:in 1943 at the age of 59. She is buried in the
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289:"Gentner-Fischer, Else at operissimo.com"
350:20th-century German women opera singers
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71:. That same year she married tenor
345:Burials at Frankfurt Main Cemetery
192:Hermann Wolfgang von Waltershausen
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41:Gramophone & Typewriter Ltd.
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63:. She studied singing at the
214:Der Sprung ĂĽber den Schatten
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150:, and the title roles in
69:National Theatre Mannheim
340:Musicians from Frankfurt
335:Hoch Conservatory alumni
330:German operatic sopranos
208:(1918, Carlotta Nardi),
260:Frankfurt Main Cemetery
16:German operatic soprano
198:(1912, the Countess),
137:Die Frau ohne Schatten
125:The Marriage of Figaro
140:, the Marschallin in
223:Von heute auf morgen
147:Cavalleria rusticana
20:Else Gentner-Fischer
247:The Makropulos Case
238:Auditorium Theatre
183:Tristan und Isolde
85:Berlin State Opera
45:His Master's Voice
256:Prien am Chiemsee
218:Arnold Schoenberg
142:Der Rosenkavalier
134:, the Empress in
113:Der Rosenkavalier
65:Hoch Conservatory
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291:. Archived from
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205:Die Gezeichneten
180:, and Isolde in
128:, Donna Anna in
32:dramatic soprano
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233:Die toten Augen
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55:Life and career
49:Polydor Records
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228:Eugen d'Albert
200:Franz Schreker
196:Oberst Chabert
171:The Ring Cycle
144:, Santuzza in
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28:Oper Frankfurt
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297:. Retrieved
293:the original
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242:Leoš Janáček
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216:(1924), and
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210:Ernst Krenek
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131:Don Giovanni
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93:Teatro ColĂłn
73:Karl Gentner
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325:1943 deaths
320:1883 births
97:Teatro Real
314:Categories
299:2010-08-09
266:References
174:, Elsa in
95:, and the
81:Emil Claar
177:Lohengrin
104:soubrette
36:Wagnerian
119:Parsifal
236:at the
24:soprano
162:, and
159:Carmen
91:, the
87:, the
61:barber
47:, and
165:Tosca
89:Liceu
153:Aida
106:and
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274:^
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