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anyone responsible for exposing impressionable teenagers to his "gyrating figure and suggestive gestures". The
Louisville chief of police, for instance, called for a no-wiggle rule, so as to halt "any lewd, lascivious contortions that would excite the crowd". Even Priscilla Presley confirms that "his performances were labeled obscene. My mother stated emphatically that he was 'a bad influence for teenage girls. He arouses things in them that shouldn't be aroused.'" However, the economic power of Presley's fans became evident when they tuned in to alternative radio stations playing his records. In an era when radio stations were shifting to an all-music format, in reaction to competition from
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599:, in an interview with the Associated Press in connection with the 25th Anniversary of Presley's death, explained how his feelings for Elvis's legacy were no longer those as originally suggested by the lyrics in "Fight The Power", a song which he had written 12 years earlier. When broadcast as a part of the NBC-produced documentary "Elvis Lives", Chuck D had the following to say about Presley: "Elvis was a brilliant artist. As a musicologistâand I consider myself oneâthere was always a great deal of respect for Elvis, especially during his Sun sessions. As a black person, we all knew that. (In fact),
526:, one of Presley's heroes, was one of the singer's fiercest critics. Phillips felt Dewey Phillipsâa white DJ who did play 'black' musicâwould promote the new material, but many of the hundreds of listeners who contacted the station when "That's All Right" was played were sure Presley must be black. The singer was interviewed several times on air by the DJ and was pointedly asked which school he had attended, to convince listeners that he was white.
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692:" and threatened to arrest him if he shook his body while performing at Jacksonville's Florida Theatre, justifying the restrictions by saying his music was undermining the youth of America. Throughout the performance, Presley stood still as ordered but poked fun at the judge by wiggling a finger. Similar attempts to stop his "sinful gyrations" continued for more than a year and included his often-noted January 6, 1957, appearance on
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638:"the first rock symbol of teenage rebellion... they did not like him, and condemned him as depraved. Anti-Negro prejudice doubtless figured in adult antagonism. Regardless of whether parents were aware of the Negro sexual origins of the phrase 'rock 'n' roll,' Presley impressed them as the visual and aural embodiment of sex." In 1956, a critic for the
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570:." The U.S. government report stated: "Presley has been accused of "stealing" black rhythm and blues, but such accusations indicate little knowledge of his many musical influences ... However much Elvis may have 'borrowed' from black blues performers (e.g., 'Big Boy' Crudup, 'Big Mama' Thornton), he borrowed no less from white country stars (e.g.,
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him. Presley was a big fan of Karate, and an Elvis
Presley Memorial Karate Tournament was organized many years ago to let others enjoy something he used to love so much. The tournament has a large turnout, with around 500 competitors each year. Last, a Sock Hop is held, playing his songs and portraying some of his artwork.
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during the 1950s, but during the early 1960s, this became less common; his final chart appearance on
Billboard's R&B chart was in 1963. According to George Plasketes, several songs by other performers came out after the singer's death, which are part of a "demystification process as they portray
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attacked rock and roll because of the mingling of black and white people it implied and achieved, and because of what they saw as black music's power to corrupt through vulgar and animalistic rhythms. ... The popularity of Elvis
Presley was similarly founded on his transgressive position with respect
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See: "Dispelling The Myths An analysis of
American Attitudes and Prejudices", Todd Rheingold, Believe In The Dream Publications, USA, 1992, LOCC:93-090296, and on Elvis websites and popular music messageboards. Several arguments are presented on the Elvis Information Network website in its Spotlight
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Presley seemed bemused by all the criticism. On another of the many occasions he was challenged to justify the furor surrounding him, he said, "I don't see how they think can contribute to juvenile delinquency. If there's anything I've tried to do, I've tried to live a straight, clean life and not
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Presley was considered by some to be a threat to the moral well-being of young women, because "Elvis
Presley didn't just represent a new type of music; he represented sexual liberation." Presley generated an "anti-parent outlook" and was the "personification of evil". To many adults, the singer was
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Presley remains an immediately recognizable face even amongst groups not normally recognized as his fans. In 2008, a 1,800-year-old Roman bust described as bearing a "striking" resemblance to Elvis was displayed ahead of an intended auction. A spokesman for the auctioneers said that fans could "be
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Elvis's musical capital never expanded enough for him to transcend the stigma of his background as a truck driver from the rural South. "No matter how successful Elvis became... he remained fundamentally disreputable in the minds of many
Americans... He was the sharecropper's son in the big house,
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professor
Michael T. Bertrand examined the relationship between popular culture and social change in America and these allegations against Presley. Professor Bertrand postulated that Presley's rock and roll music brought an unprecedented access to African American culture that challenged the 1950s
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Certain elements in
American society have dismissed Presley as no more than a racist Southerner who stole black music. The "Elvis stole black music" theme is an enduring one with arguments for and against published in books. A southern background combined with a performing style largely associated
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Presley made a large enough impact on society that traditions are carried on to remember him to this day. A candle lighting is held in
Memphis, Tennessee, at his Graceland Estate each year on August 15 in his honor. Also, singers that worked with Presley hold a "nostalgia concert" as a tribute to
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By the spring of 1956, Presley was fast becoming a national phenomenon and teenagers came to his concerts in unprecedented numbers. There were many riots at his early concerts. Scotty Moore recalled: "He'd start out, 'You ain't nothin' but a Hound Dog', and they'd just go to pieces. They'd always
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says Elvis was the first who gave the people "a music that hit them where they lived, deep in their emotions, yes, even below their belts. Other singers had been doing this for generations, but they were black." Therefore, his performance style was frequently criticized. Social guardians blasted
460:, Presley was quoted as saying: "The colored folks been singing it and playing it just like I'm doin' now, man, for more years than I know. They played it like that in their shanties and in their juke joints and nobody paid it no mind 'til I goosed it up. I got it from them. Down in
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Presley's car. Some performers became resentful (or resigned to the fact) that Presley going on stage before them would "kill" their own act; he thus rose quickly to top billing. At the two concerts he performed at the 1956 Mississippi-Alabama Fair and Dairy Show, one hundred
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and listening to rock and roll on them, helping to propel that fledgling industry from an estimated 100,000 units sold in 1955 to 5,000,000 units by the end of 1958. Teens were asserting more independence and Presley became a national symbol of their parents' consternation.
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As one writer stated on the controversy, "Music is a universal language, like mathematics and money. It knows few borders. Jazz began in the return of black bands from graveyard interments in New Orleans. But the bands played white hymns out to the above-ground graves."
375:" haircut, the demand for black slacks and loose, open-necked shirts resulted in new lines of clothing for teenage boys, whereas a girl might get a pink portable 45 rpm record player for her bedroom. Meanwhile, American teenagers began buying newly available portable
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In 1957, Presley had to defend himself from claims of being a racist; he was alleged to have said, "The only thing Negro people can do for me is to buy my records and shine my shoes." The singer always denied saying, or ever wanting to say, such a racist remark.
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describes Presley as "an American music giant of the 20th century who single-handedly changed the course of music and culture in the mid-1950s". His recordings, dance moves, attitude, and clothing came to be seen as embodiments of rock and roll. His
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of hits by black musicians ... often outsold the originals; it seems that many Americans wanted black music without the black people in it," and Elvis had undoubtedly "derived his style from the Negro rhythm-and-blues performers of the late 1940s."
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Up to the mid-1950s, black artists had sold minuscule amounts of their recorded music relative to the national market potential. Black songwriters had mostly limited horizons and could only eke out a living. But after Presley purchased the music of
267:. Some people claim that Presley created a whole new style of music: "It wasn't black, wasn't white, wasn't pop or wasn't countryâit was different." As most singers in his time created music geared for adults, he gave teens music to grow up with.
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Sam Phillips had anticipated problems promoting Presley's Sun singles. He recalled, "The white disc-jockeys wouldn't touch... Negroes' music and the Negro disc-jockeys didn't want anything to do with a record made by a white man."
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Whether or not it was justified, the fact remains that distrust of Presley was common amongst the general African-American population after the accusations of racism were made public. Presley's singles had consistently charted on
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said he began to respect Presley after he did Arthur "Big Boy" Crudup material and that after he met him, he thought the singer really was something else and was someone whose music was growing all the time right up to his death.
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said, "all the citizens' councils in the South called Elvis 'nigger music' and were terribly afraid that Elvis, white as he was, being ambiguously raced just by being working-class, was going to corrupt the youth of America."
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in 1956 noted that he named blues singers who "obviously meant a lot to him. was very surprised to hear him talk about the black performers down there and about how he tried to carry on their music." Later that year in
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for December 31, 1956, when business journalist Louis M. Kohlmeier wrote, "Elvis Presley today is a business", and reported on the singer's record and merchandise sales. Half a century later, historian Ian Brailsford
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or riding a microphone". Some saw the singer as a sexual pervert, and psychologists feared that teenage girls and boys could easily be "aroused to sexual indulgence and perversion by certain types of motions and
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react the same way. There'd be a riot every time." Bob Neal wrote: "It was almost frightening, the reaction... from teenage boys. So many of them, through some sort of jealousy, would practically hate him." In
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economic boom of the 1950s, many parents were able to give their teenage children much higher weekly allowances, signaling a shift in the buying power and purchasing habits of American teens. During the 1940s,
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wrote that the author "convincingly argues that the black-and-white character of the sound, as well as Presley's own persona, helped to relax the rigid color line and thereby fed the fires of the
371:, but the buyers of his records were mostly between the ages of eighteen and twenty-two. Presley triggered a lot of demand for his records from young people aged ten and up. Along with Presley's "
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and the two spent the day together, singing "I Almost Lost My Mind" and other songs. Of Presley, Hunter commented, "He showed me every courtesy, and I think he's one of the greatest."
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opined: "His kind of music is deplorable, a rancid smelling aphrodisiac. It fosters almost totally negative and destructive reactions in young people."
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578:) and white pop singers, and most of his borrowings came from the church; its gospel music was his primary musical influence and foundation."
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bang his box the way I do now and I said if I ever got to a place I could feel all old Arthur felt, I'd be a music man like nobody ever saw."
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said of Presley: "He was an integrator. Elvis was a blessing. They wouldn't let black music through. He opened the door for black music."
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magazine surmised. No wonder that Elvis became "a symbol of all that was oppressive to the black experience in the Western Hemisphere".
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If the information is appropriate for the lead of the article, this information should also be included in the body of the article.
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591:, David Roediger considers contemporary "wiggers" in light of the tensions in racial impersonation embodied by Elvis Presley.
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magazine, run by and for African-Americans, subsequently investigated the story and found no basis to the claim. However, the
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Presley was even seen as a "definite danger to the security of the United States." His actions and motions were called "a
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wrote that popular music "has reached its lowest depths in the 'grunt and groin' antics of one Elvis Presley" and the
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and others have at one point or another publicly condemned Presley for "stealing" black music. However, in 2002,
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magazine of June 11, 1956, mockingly referred to the singer as "dreamboat Groaner Elvis ('Presley')." Even
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journalist did find plenty of testimony that Presley judged people "regardless of race, color or creed".
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magazine, Presley was ranked first, and second in the list of greatest singers of the 20th century by
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with African Americans had led to "bitter criticism by those who feel he stole a good thing", as
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is the new Elvis because, number one, he had the respect for black music that Elvis had."
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Presley's impact on the American youth consumer market was noted on the front page of
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forgiven for thinking that their idol may well have lived a previous life in Rome."
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with clothes on" or "sexual self-gratification on stage". They were compared with "
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came to national prominence after Presley's acceptance among mass audiences of
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838:": a page at pbs.org with a single paragraph, attributed to palmpictures.com.
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Modern American Lives: Individuals and Issues in American History Since 1945
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segregated generation to reassess ingrained segregationist stereotypes. The
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Images of Elvis Presley in American Culture, 1977â1997: The Mystery Terrain
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History repeating itself: Were postwar American teenagers ripe for harvest?
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Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music
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musicians would build their careers. African-American performers such as
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has had an extensive cultural impact. According to the monthly magazine,
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How Transistor Radios and Web (and Newspapers and Hi-Fi radio) are Alike
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Down at the End of Lonely Street: The Life and Death of Elvis Presley
914:", "Reprinted, with permission, from The Cole Papers, June 22, 2005."
680:âthe type that was exhibited at the Presley show." In August 1956 in
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257:. In a list of the greatest English language singers, as compiled by
1744:, edited by Helene Henderson, Omnigraphics, Inc., 5th edition, 2015.
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934:" (NB Microsoft Word format): transcript of a paper delivered at "
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contains information that is not included elsewhere in the article
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literature professor who has recorded songs of Elvis Presley in
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1108:(2nd ed.). University Press of Mississippi. p. 288.
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Holidays, Festivals, and Celebrations of the World Dictionary
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set any kind of a bad example. You cannot please everyone."
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1599:
Elvis After Elvis, The Posthumous Career of a Living Legend
1333:
Culture Shock: Flashpoints: Music and Dance: Elvis Presley
451:. The reporter who conducted Presley's first interview in
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No Rhythm, No Blues: Must White Guys Always Finish Last?
501:
Distrust of Elvis, transgression of societal boundaries
407:
Debt to African American music, impact on Black artists
4142:
1522:"Stephen Foster | American Experience | PBS"
415:
had the #7 song in 1959, and the #1 song in 1961, and
2704:
From Nashville to Memphis: The Essential '60s Masters
1251:
The Billboard Book of Top 40 R&B and Hip-Hop Hits
2697:
The King of Rock 'n' Roll: The Complete 50's Masters
355:
later commented: "Before Elvis, there was nothing."
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3332:
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Peace in the Valley: The Complete Gospel Recordings
2711:
Walk a Mile in My Shoes: The Essential '70s Masters
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2411:
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2058:
1884:
1658:"Crooner 'with a calling' sings Elvis ... in Latin"
212:Since the beginning of his career, American singer
2539:Command Performances: The Essential 60s Masters II
1555:
299:, laying a commercial foundation upon which other
1046:Robert Walser (1998) "The rock and roll era", in
232:The Rolling Stone Encyclopedia of Rock & Roll
2904:The Frank Sinatra Timex Show: Welcome Home Elvis
2042:From Elvis Presley Boulevard, Memphis, Tennessee
1027:Last Train to Memphis: The Rise of Elvis Presley
956:Last Train to Memphis: The Rise of Elvis Presley
2532:Amazing Grace: His Greatest Sacred Performances
1794:Complete Elvis Bio and Discography at Music.com
994:Graceland National Historic Landmark Nomination
351:, and others immediately followed in his wake.
1724:Elvis Presley: The Complete Illustrated Record
1392:(August 10, 2007). Retrieved October 14, 2007.
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2293:From Memphis to Vegas / From Vegas to Memphis
1957:From Memphis to Vegas / From Vegas to Memphis
1819:
868:, April 18, 2001, retrieved October 22, 2006.
778:List of halls of fame inducting Elvis Presley
423:" in 1955, in the United States in the 1950s
8:
2574:Suspicious Minds: The Memphis 1969 Anthology
1985:Elvis Sings The Wonderful World of Christmas
1402:Brown, Peter Harry; Broeske, Pat H. (1997).
1300:Colored White: Transcending the Racial Past
589:Colored White: Transcending the Racial Past
510:to racial and sexual boundaries. ... White
63:Learn how and when to remove these messages
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3317:
3303:
3295:
1826:
1812:
1804:
739:Recognizability amongst the general public
1747:"The Transformation of Popular Culture."
1302:, University of California Press, p. 26,
291:Presley sang hard-driving rock and roll,
181:Learn how and when to remove this message
163:Learn how and when to remove this message
108:Learn how and when to remove this message
1632:"Elvis lives: in 2,000-year-old carving"
1625:
1623:
1345:Moore, Scotty; Dickerson, James (1997).
1186:Welcome to the Elvis Information Network
998:United States Department of the Interior
975:Christopher John Farley (July 6, 2004).
648:denounced him in their weekly magazine,
2321:Elvis Recorded Live on Stage in Memphis
1537:
1535:
1430:Solid Gold: The Popular Record Industry
1426:Billboard writer Arnold Shaw, cited in
1048:The Cambridge History of American Music
827:
773:List of songs referencing Elvis Presley
629:were on hand to prevent crowd trouble.
1071:, University of Chicago Press, p. 22,
1050:, Cambridge University Press, p. 358,
2511:Elvis: A Legendary Performer Volume 3
2476:Elvis: A Legendary Performer Volume 2
2469:Elvis: A Legendary Performer Volume 1
1500:. New Century Books. pp. 15â17.
977:"Elvis Rocks. But He's Not the First"
7:
4243:Cultural depictions of Elvis Presley
3168:Cultural depictions of Elvis Presley
2441:50,000,000 Elvis Fans Can't Be Wrong
2307:As Recorded at Madison Square Garden
1971:Elvis Country (I'm 10,000 Years Old)
1740:"Elvis International Tribute Week."
758:Cultural depictions of Elvis Presley
425:legal segregation and discrimination
2690:Worldwide 50 Gold Award Hits Vol. 1
2014:Raised on Rock / For Ol' Times Sake
881:. September 2, 2015. Archived from
2753:The Complete Elvis Presley Masters
2560:Memories: The '68 Comeback Special
1140:Natalie Davis (August 17, 2003). "
763:List of best selling music artists
135:tone or style may not reflect the
25:
2746:The Complete '68 Comeback Special
1685:Independent Online (South Africa)
1432:. Transaction Books. p. 22.
862:"Sinatra is voice of the century"
849:"The Greatest Voices Of All Time"
633:Perceived moral and sexual impact
587:Elvis as a racist." In his book,
584:Billboard's R&B Singles Chart
44:This article has multiple issues.
3279:
3278:
1777:Elvis Video and Audio Interviews
1722:Carr, Roy; Farren, Mick (1989).
1707:. University of Illinois Press.
1486:. Retrieved on October 14, 2007.
1462:. Retrieved on October 14, 2007.
1155:. Retrieved on October 14, 2007.
1142:The 'King' Has Left the Building
879:"Before Elvis There Was Nothing"
768:List of most expensive paintings
402:African American music influence
145:guide to writing better articles
124:
74:
33:
2919:Aloha from Hawaii via Satellite
2314:Aloha from Hawaii via Satellite
2102:It Happened at the World's Fair
1349:. Schirmer Books. p. 175.
52:or discuss these issues on the
2448:Elvis' Golden Records Volume 3
2328:Having Fun with Elvis on Stage
1630:Clout, Laura (July 23, 2008).
1562:. G.P. Putnam's Sons. p.
1498:The FBI Files on Elvis Presley
431:was common, especially in the
226:the international language of
1:
3224:Elvis Presley's Pink Cadillac
1541:
1233:
1209:
1197:
1164:
936:Youth Marketing Reaches Forty
705:television, social historian
3447:Contemporary Christian music
2732:Today, Tomorrow, and Forever
2525:Elvis' Gold Records Volume 5
2462:Elvis' Gold Records Volume 4
983:, retrieved October 22, 2006
4253:Cultural impact by musician
4143:
3239:Elvis Presley Forever stamp
3189:Elvis has left the building
2886:Elvis Presley: The Searcher
2858:Elvis: That's the Way It Is
2851:The Pied Piper of Cleveland
2658:Way Down in the Jungle Room
2637:The Essential Elvis Presley
2193:Elvis Presley: The Searcher
1764:(Elvis Presley Enterprises)
1596:Rodman, Gilbert B. (1996).
1554:Presley, Priscilla (1985).
1386:Elvis Rock 'n' Roll History
1147:September 27, 2007, at the
1067:Martha Bayles (ed.) (1996)
411:In spite of the facts that
4274:
3200:FBI files on Elvis Presley
2342:An Afternoon in the Garden
1473:Quotes About Elvis Presley
1428:R. Serge Denisoff (1975).
910:November 21, 2008, at the
611:Danger to American culture
563:American Historical Review
557:Tennessee State University
239:was heavily influenced by
3274:
3178:Elvis Presley Enterprises
2672:Where No One Stands Alone
1841:
1726:. Plexus Publishing Ltd.
1680:"Elvis lives... in Latin"
1372:
1224:. University of Illinois.
1128:
1088:
458:Charlotte, North Carolina
222:, "It was Elvis who made
2360:Elvis Sings Flaming Star
1703:Bertrand, M. T. (2009).
1281:, Haworth Press, p. 53,
1277:George Plasketes (1997)
688:judge called Presley a "
284:Elvis Presley Avenue in
18:Elvis Presley phenomenon
3229:Elvis Presley's guitars
2151:Paradise Hawaiian Style
1978:Love Letters from Elvis
1929:Something for Everybody
1496:Fensch, Thomas (2001).
1025:Peter Guralnick (2008)
954:Peter Guralnick (2008)
941:March 10, 2007, at the
930:March 16, 2007, at the
783:24 Hour Church of Elvis
735:and it always showed."
441:Arthur "Big Boy" Crudup
386:The Wall Street Journal
139:used on Knowledge (XXG)
4168:Popular music pedagogy
3163:Million Dollar Quartet
3048:The Sweet Inspirations
2914:('68 Comeback Special)
2518:Greatest Hits Volume 1
1908:Elvis' Christmas Album
1866:Personal relationships
1478:March 3, 2016, at the
1406:. Signet. p. 55.
1298:David Roediger (2003)
1029:, Paw Prints, p. 426,
958:, Paw Prints, p. 248,
551:In his scholarly work
419:had a major hit with "
392:University of Auckland
288:
277:
209:
143:See Knowledge (XXG)'s
4173:Rockism and poptimism
3147:Elvis: What Happened?
3081:George C. Nichopoulos
2420:Elvis' Golden Records
1950:From Elvis in Memphis
1705:Race, Rock, and Elvis
1602:. Routledge. p.
1347:That's Alright, Elvis
1222:Race, Rock, and Elvis
1016:television interview.
701:In an interview with
682:Jacksonville, Florida
568:civil rights movement
553:Race, Rock, and Elvis
464:, I used to hear old
319:adults. Singers like
286:Shreveport, Louisiana
283:
273:
196:
4163:Pop music automation
3260:Elvis' Greatest Shit
3234:Elvis Presley single
3122:Audubon Street House
2581:The 50 Greatest Hits
2095:Girls! Girls! Girls!
1964:That's the Way It Is
1861:Films and television
1799:Elvis Gospel Service
1454:Elvis Presley â 1956
1390:showbuzz.CBSnews.com
1176:On The King section.
695:The Ed Sullivan Show
4153:Honorific nicknames
3400:Paisley Underground
3153:Elvis-A-Rama Museum
2616:Elvis Inspirational
2490:Welcome to My World
2455:Elvis for Everyone!
2218:Peace in the Valley
1871:Cultural depictions
1779:Elvis Presley Music
1636:The Daily Telegraph
816:Pop-culture tourism
641:New York Daily News
462:Tupelo, Mississippi
325:the Everly Brothers
275:Elvis impersonators
208:in December of 1970
3368:Adult contemporary
3183:Elvis Presley Lake
3076:Colonel Tom Parker
3033:The Blue Moon Boys
2996:Lisa Marie Presley
2965:Elvis: The Concert
2958:Elvis. The Musical
2944:Cooking with Elvis
2879:The New Gladiators
2763:Biographical media
2497:He Walks Beside Me
2412:Compilation albums
2395:Elvis' 40 Greatest
2267:Easy Come, Easy Go
2144:Frankie and Johnny
1943:How Great Thou Art
1785:â Elvis's own wiki
1688:. August 15, 2007.
1668:on April 23, 2007.
1188:. elvisinfonet.com
992:Jody Cook (2004).
885:on October 6, 2017
627:National Guardsmen
289:
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4212:Verseâchorus form
4158:Music and fashion
4110:
4109:
3817:Hong Kong English
3663:Regional variants
3333:Stylistic origins
3292:
3291:
3266:List of memorials
3173:Songs about Elvis
3063:Stephen H. Sholes
3024:
3016:
3012:Priscilla Presley
3008:
3000:
2810:Elvis & Nixon
2805:(2005 miniseries)
2795:Elvis Meets Nixon
2725:Live in Las Vegas
2665:The Wonder of You
2588:ELV1S: 30 #1 Hits
2504:Mahalo from Elvis
2434:A Date with Elvis
2239:Follow That Dream
2059:Soundtrack albums
1471:Simran Khurana. "
1264:978-0-8230-8283-4
1153:GratefulDread.net
923:Ian Brailsford, "
620:, a teenage gang
522:Hillbilly singer
429:African Americans
377:transistor radios
295:dance songs, and
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3254:Fool's Gold Loaf
3205:Military service
3133:Elvis and Gladys
3110:Related articles
3022:
3014:
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2998:
2926:Elvis in Concert
2483:The Sun Sessions
2427:For LP Fans Only
2367:Let's Be Friends
2335:Elvis in Concert
1922:His Hand in Mine
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3805:Zhongguo feng
3803:
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3526:Dunedin sound
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3361:
3357:
3351:
3350:Rock and roll
3348:
3346:
3343:
3341:
3340:Tin Pan Alley
3338:
3337:
3335:
3331:
3327:
3320:
3315:
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3308:
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3212:
3211:Eight Elvises
3208:
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3198:
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3190:
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3141:
3137:
3135:
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3128:
3127:Impersonators
3125:
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3120:
3118:
3115:
3114:
3112:
3108:
3102:
3099:
3097:
3094:
3092:
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3079:
3077:
3074:
3072:
3071:Memphis Mafia
3069:
3066:
3064:
3061:
3059:
3056:
3054:
3051:
3049:
3046:
3044:
3043:The Imperials
3041:
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3010:
3005:
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2900:
2898:
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2883:
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2876:
2874:
2873:
2872:This Is Elvis
2869:
2867:
2866:
2865:Elvis on Tour
2862:
2860:
2859:
2855:
2853:
2852:
2848:
2847:
2845:
2843:Documentaries
2841:
2835:
2834:
2830:
2828:(2023 series)
2827:
2826:
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2819:
2818:
2814:
2812:
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2807:
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2790:(1990 series)
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2354:
2352:Budget albums
2350:
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2036:
2032:
2030:
2029:
2028:Promised Land
2025:
2023:
2022:
2018:
2016:
2015:
2011:
2008:
2007:
2003:
2001:
2000:
1999:He Touched Me
1996:
1994:
1993:
1989:
1987:
1986:
1982:
1980:
1979:
1975:
1973:
1972:
1968:
1966:
1965:
1961:
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1930:
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1919:
1917:
1916:
1912:
1910:
1909:
1905:
1902:
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1897:
1895:
1894:
1893:Elvis Presley
1890:
1889:
1887:
1885:Studio albums
1883:
1877:
1874:
1872:
1869:
1867:
1864:
1862:
1859:
1857:
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1835:Elvis Presley
1829:
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1768:Elvis Presley
1766:
1763:
1762:Official site
1760:
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1615:
1613:0-415-11002-5
1609:
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1600:
1592:
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1583:
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1573:0-399-12984-7
1569:
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1507:0-930751-03-5
1503:
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1439:0-87855-586-2
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1356:0-02-864599-5
1352:
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1326:
1322:
1319:Gary North.
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1125:
1122:
1117:
1115:1-57806-634-4
1111:
1107:
1103:
1102:Dundy, Elaine
1097:
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841:
837:
836:Elvis Presley
831:
828:
821:
817:
814:
811:
807:
803:
799:
798:Jukka Ammondt
796:
794:
791:
789:
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784:
781:
779:
776:
774:
771:
769:
766:
764:
761:
759:
756:
755:
751:
749:
745:
738:
736:
732:
728:
726:
723:signals from
722:
721:clear channel
718:
713:
712:Robert Kaiser
708:
704:
699:
697:
696:
691:
687:
683:
679:
674:
670:
665:
663:
662:Frank Sinatra
659:
658:
653:
652:
647:
643:
642:
632:
630:
628:
623:
619:
610:
608:
604:
602:
598:
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579:
577:
573:
569:
565:
564:
558:
554:
549:
547:
541:
539:
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534:
527:
525:
520:
516:
513:
508:
500:
498:
496:
492:
488:
484:
478:
475:
471:
467:
466:Arthur Crudup
463:
459:
454:
453:New York City
450:
446:
442:
438:
434:
430:
426:
422:
418:
414:
413:Nat King Cole
406:
401:
399:
397:
393:
388:
387:
381:
378:
374:
370:
369:Frank Sinatra
367:had idolized
366:
361:
356:
354:
350:
346:
342:
338:
334:
330:
326:
322:
318:
314:
310:
306:
302:
298:
294:
287:
282:
276:
272:
268:
266:
262:
261:
256:
252:
249:
245:
242:
238:
233:
229:
225:
224:rock 'n' roll
221:
220:
219:Rolling Stone
215:
214:Elvis Presley
207:
203:
202:Richard Nixon
199:
198:Elvis Presley
195:
185:
182:
167:
164:
156:
146:
140:
138:
131:
122:
121:
112:
109:
101:
89:
87:
81:
72:
71:
66:
64:
57:
56:
51:
50:
45:
40:
31:
30:
27:
19:
4248:Music fandom
4217:Virtual band
4188:Talent agent
3698:The Americas
3607:Sophisti-pop
3501:Experimental
3258:
3218:Triple Elvis
3216:
3209:
3145:
3140:Elvis and Me
3138:
3131:
3101:Larry Geller
3096:Ginger Alden
3067:June Juanico
3058:J. D. Sumner
3028:Sam Phillips
3004:Riley Keough
2977:
2970:
2963:
2956:
2951:All Shook Up
2949:
2942:
2924:
2917:
2909:
2902:
2884:
2877:
2870:
2863:
2856:
2849:
2831:
2823:
2815:
2808:
2800:
2793:
2785:
2782:(miniseries)
2779:Elvis and Me
2778:
2769:
2751:
2744:
2737:
2730:
2723:
2716:
2709:
2702:
2695:
2688:
2670:
2663:
2656:
2649:
2642:
2635:
2628:
2621:
2614:
2607:
2602:Elvis at Sun
2600:
2593:
2586:
2579:
2572:
2565:
2558:
2551:
2544:
2537:
2530:
2523:
2516:
2509:
2502:
2495:
2488:
2481:
2474:
2467:
2460:
2453:
2446:
2439:
2432:
2425:
2418:
2400:
2393:
2386:
2379:
2372:
2365:
2358:
2340:
2333:
2326:
2319:
2312:
2305:
2298:
2291:
2288:(1968 album)
2283:
2265:
2258:
2251:
2244:
2237:
2232:Flaming Star
2230:
2223:
2216:
2209:
2191:
2184:
2177:
2170:
2163:
2156:
2149:
2142:
2137:Harum Scarum
2135:
2128:
2121:
2114:
2107:
2100:
2093:
2086:
2079:
2072:
2065:
2047:
2040:
2033:
2026:
2019:
2012:
2009:(1973 album)
2004:
1997:
1990:
1983:
1976:
1969:
1962:
1955:
1948:
1941:
1934:
1927:
1920:
1913:
1906:
1903:(1956 album)
1898:
1891:
1875:
1748:
1741:
1723:
1704:
1697:Bibliography
1683:
1674:
1666:the original
1662:sawfnews.com
1661:
1652:
1640:. Retrieved
1635:
1598:
1591:
1582:
1558:Elvis and Me
1557:
1549:
1525:
1516:
1497:
1491:
1483:
1467:
1457:
1448:
1429:
1422:
1403:
1397:
1389:
1380:
1346:
1340:
1328:
1315:
1299:
1294:
1278:
1273:
1250:
1241:
1229:
1217:
1205:
1193:
1181:
1171:
1160:
1152:
1136:
1131:, pp. 11, 16
1124:
1105:
1096:
1084:
1068:
1063:
1047:
1042:
1026:
1021:
1005:
988:
980:
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887:. Retrieved
883:the original
873:
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673:masturbation
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365:bobby soxers
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153:January 2020
150:
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98:January 2020
95:
86:lead section
84:
60:
53:
47:
46:Please help
43:
26:
4137:Teenybopper
4132:Sasaeng fan
4127:Bobby soxer
3881:Kazakhstani
3874:Shibuya-kei
3810:Chinoiserie
3763:Azerbaijani
3649:Traditional
3597:Psychedelic
3592:Progressive
3457:Bro-country
3395:Alternative
3378:Quiet storm
3195:Elvis Radio
2936:Stage shows
2896:TV specials
2825:Agent Elvis
2820:(2022 film)
2774:(1979 film)
2595:2nd to None
2388:I Got Lucky
2277:Live albums
2246:Kid Galahad
2088:Blue Hawaii
2074:King Creole
1526:www.pbs.org
669:strip-tease
622:fire-bombed
576:Bill Monroe
572:Ernest Tubb
449:Fats Domino
417:Chuck Berry
396:New Zealand
353:John Lennon
349:Roy Orbison
345:Johnny Cash
341:Buddy Holly
329:Chuck Berry
313:Fats Domino
206:White House
4237:Categories
4205:Girl group
4178:Songwriter
4036:Macedonian
4009:French pop
3970:Turbo-folk
3926:Vietnamese
3916:Philippine
3844:Indonesian
3632:Electropop
3543:Orchestral
3516:Hypnagogic
3491:Disco polo
2999:(daughter)
2972:Viva Elvis
2623:Elvis Rock
2186:Viva Elvis
2130:Girl Happy
2123:Roustabout
2081:G.I. Blues
2067:Loving You
2049:Moody Blue
2021:Good Times
1783:ElvisPedia
1733:0906008549
1308:0520233417
1287:1560249102
1077:0226039595
1056:0521454298
1035:1439508623
964:1439508623
889:October 5,
822:References
717:television
684:, a local
474:B. B. King
437:B. B. King
433:Deep South
421:Maybellene
333:Bo Diddley
293:rockabilly
49:improve it
4222:Worldbeat
4195:Teen idol
4122:Celebrity
4102:Ukrainian
4095:VIA music
4026:Hungarian
3999:Eurodance
3987:Nederbeat
3942:Austropop
3911:Pakistani
3906:Malaysian
3864:KayĆkyoku
3737:Nueva ola
3710:Argentine
3682:Afrobeats
3637:Futurepop
3627:Synth-pop
3612:Space age
3575:Pop metal
3484:Freestyle
3474:Dancehall
3437:Bubblegum
3373:Christian
3326:Pop music
3117:Graceland
3015:(ex-wife)
2833:Priscilla
2553:Tiger Man
2402:Pure Gold
2260:Tickle Me
1992:Elvis Now
1544:, p. 223.
1484:about.com
1335:. pbs.org
1200:, p. 222.
707:Eric Lott
495:Graceland
493:to visit
265:BBC Radio
248:Christian
55:talk page
4200:Boy band
4065:Schlager
4048:Romanian
3854:Japanese
3837:Hindutva
3788:Mandopop
3773:Cantopop
3758:Assyrian
3725:Tropipop
3705:American
3687:Moroccan
3617:Sunshine
3580:Pop-punk
3560:Pop rock
3538:Operatic
3511:Hyperpop
3383:Rhythmic
3284:Category
3053:TCB Band
2682:Box sets
2609:Hitstory
2546:Elvis 56
2300:On Stage
2179:Speedway
2172:Clambake
1936:Pot Luck
1789:Rockhall
1642:March 8,
1638:. London
1542:Bertrand
1476:Archived
1249:(2006).
1234:Bertrand
1212:, p. 27.
1210:Bertrand
1198:Bertrand
1165:Bertrand
1145:Archived
1104:(2004).
1000:, p. 35.
939:Archived
928:Archived
908:Archived
866:BBC News
810:Sumerian
752:See also
678:hysteria
427:against
373:ducktail
4080:Turkish
4075:Swedish
4070:Serbian
4060:Russian
4041:Äalgija
4031:Italian
4004:Europop
3992:New pop
3977:British
3965:Tallava
3885:Korean
3869:RyĆ«kĆka
3849:Iranian
3827:Bhangra
3783:Hokkien
3768:Chinese
3730:Mexican
3555:Pop rap
3548:Baroque
3452:Country
3442:Chamber
3407:Ambient
2567:Sunrise
2158:Spinout
1851:Singles
1375:, p. 12
1091:, p. 16
802:Finnish
651:America
646:Jesuits
597:Chuck D
593:Chuck D
507:Racists
297:ballads
255:country
204:at the
4090:Soviet
4053:Manele
3960:Manele
3950:Chalga
3935:Europe
3822:Indian
3800:Xinyao
3793:French
3753:Arabic
3677:Africa
3670:Africa
3570:Jangle
3469:Cringe
3462:Cowboy
3360:Styles
1846:Albums
1730:
1711:
1610:
1570:
1504:
1436:
1410:
1353:
1306:
1285:
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1075:
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1033:
962:
690:savage
601:Eminem
447:, and
251:gospel
4019:Yé-yé
3982:Dutch
3955:LaĂŻko
3894:South
3889:North
3832:Filmi
3778:Hakka
3720:Latin
3654:Wonky
3622:Swamp
3585:Power
3521:Indie
3496:Dream
3479:Dance
3422:Beach
3417:Avant
3388:Urban
2911:Elvis
2817:Elvis
2802:Elvis
2787:Elvis
2771:Elvis
2285:Elvis
2035:Today
2006:Elvis
1900:Elvis
1856:Songs
806:Latin
244:blues
237:music
4144:Wota
3921:Thai
3859:City
3746:Asia
3644:Teen
3531:Twee
3506:Folk
3427:Beat
1772:IMDb
1728:ISBN
1709:ISBN
1644:2014
1608:ISBN
1568:ISBN
1502:ISBN
1434:ISBN
1408:ISBN
1351:ISBN
1304:ISBN
1283:ISBN
1259:ISBN
1110:ISBN
1073:ISBN
1052:ISBN
1031:ISBN
981:TIME
960:ISBN
891:2017
808:and
800:, a
657:Time
360:WWII
311:and
301:rock
3901:Lao
3565:Emo
3412:Art
2203:EPs
1770:at
1482:".
1459:PBS
1456:".
1388:".
1151:".
1014:PBS
703:PBS
546:Tan
538:Jet
533:Jet
230:."
228:pop
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1634:.
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