322:, etc. Defining the arches and architraves by use of frieze of dominoes, scattered buttons instead of oculi the artist showed his lucidity. With his irresistible wish to make the reality more beautiful, to make the grey colourful, he uses warm, sound and fauvist bright tints. The absence of narration, i.e. the abstract forms, coloring, inclination to the geometrical, strong rhythm and stylization in the presentation, flatness and ornamentation point to instinctively conceived modern sensibility of Emerik Feješ. A figure did not interest him much, but the dance of tiles, specific boogie-woogie, by which he made unique, cheerful scenery, rhapsodies of shapes and colours, behind which he used to hide, lonely, ill and fragile like a small, grey screw in the machinery of mainstream which devours everything. He lived in his own world of infantile game of colours and lines in the ambience of everlasting childhood. He was not considerably prominent during his lifetime. His art was recognized by the audience many years later. He is a world classic today.
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region. Despite his great freedom in presentation and stylization, his compositions did not exceed the domain of the explicit and the recognizable, because he took black and white postcards with monumental buildings as models, and copied them by using carbon paper, then magnified them, always adding
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something from his fantasy. Realistic appearance and coloring of buildings were subordinated to the artist's fancy, sometimes not the least like original. He painted the towns at the
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He exhibited his urban legends worldwide and many times received awards and recognition. The greatest and most representative collections of his works are in
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throughout his life, keeping him bed-ridden. In 1949, he discovered painting and handicrafts, and began his first works. In 1969 Feješ died in
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scenes. He had his first exhibition in 1955 and independent show in 1956. He was a protagonist of urban landscape in
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heritage (original surname of his family was
Stefanović / Стефановић). At the age of five he moved to
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and genre scenes from suburban life; from 1954 he exclusively painted
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536:N. Krstić,
326:Exhibitions
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464:References
348:Düsseldorf
271:still life
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50:1904-11-03
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279:naïve art
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184:painter
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275:urban
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