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1025:, I took every possible opportunity to visit the engine houses of the fire department, watching the actions of the firemen and observing the procedure in answering an alarm. Emory (Johnson) is always with me on these occasions, and we are in consultation daily regarding angles of the story that present themselves as a result of our observations. Together we attend the fire chief's convention in San Francisco."
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1042:, Emory and I have ridden in the engine cab, in the caboose, on the cowcatcher, and almost every place on the train that is an unusual one for a layman to occupy. We have visited the railroad yards, roundhouses, dispatchers' offices and have climbed into switch towers. We feel that this procedure enables us to work out the story's details more intelligently."
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881:"Emory Johnson, engaged by Tiffany to direct "The Third Alarm" on the strength of his silent of the same title for FBO, has been off the picture since the first day's shooting. Martin Cohn, the editorial supervisor at Tiff, is finishing it, although direction credit will go to Johnson, beside a piece of the picture. Johnson objected to the supervision."
269:. Many switched to Liberty Film. Several factors precipitated the talent exit, including Essanay's continued refusal to make more feature-length movies and the fact that Essanay was losing money. Included in the exit was Emilie's son. Emory Johnson's last film for Essanay was released in June 1914. On February 16, 1916, the Niles Essanay studio closed.
551:. This film is the second under the FBO contract. Emory directed this Emilie Johnson story about a firefighter forced into retirement who triumphantly returns to save the day. It had spectacular scenes of burning buildings and courage-fueled firefighters. The film would become the most financially successful movie ever produced in Johnson's career.
3300:
598:. Emilie wrote both the story and screenplay. It is about railroad engineer Bill Buckley, who narrowly avoids injuring the daughter of the company's president by stopping his speeding train just in the nick of time. Various misfortunes ensue, Bill's son saves the daughter, and the film has a positive ending.
855:
This remake is a family drama about a young girl and her younger brother who are orphaned when their father is killed in a fire. A hero emerges who tries to prevent the children from going to an orphan asylum. A fire starts at the orphanage, and the children must be saved. After saving them, the hero
610:
Emilie and Emory signed a new contract with FBO in
September for 2.5 years. Emory agreed to make eight attractions for FBO, including the four he had completed already. FBO agreed to invest upwards of 2.5 million dollars (equivalent to $ 44,707,031 in 2023) in the forthcoming productions. Another
258:
Liberty Film
Company began releasing films early in 1915, using the Kriterion Film Corporation as their releasing agent. By June 1915, Kriterion had cash flow problems, went bankrupt, and left Liberty Film with a $ 40,000 debt. After choosing a new releasing agent—Associated Service, Liberty Film Mfg
236:
That year, Emilie
Johnson began writing scenarios for the silver screen. Later, she would meet and befriend a leading actress of Liberty Film Mfg. Co—Swedish actress Sadie Lindblom. They believed they were looking at an opportunity in the movie business. In addition to writing stories for the screen,
986:
Emilie
Johnson wrote stories about law enforcement officers, firefighters, mail carriers, railroad engineers, patriots, baseball players, and newspaper press operators. Her son brought them to the screen in epic melodramas. The Johnson team felt their human-interest stories would be relatable on the
145:
In the 1920s, Johnson and her son became famous as
Hollywood's only mother-son directing/writing team. She wrote all of the stories and screenplays her son used for his successful career directing melodramas. The Johnson team continued producing melodramas until the late 1920s. By the early 1930s,
254:
to keep up with their new writing and production strategy. The papers were drawn up, and the following individuals declared a capital stock investment of $ 25,000 (over $ 600,000 in today's money): Emilie
Johnson (age 51), Alfred Johnson (age 54), Emory Johnson (age 21), Tillie Hall, and Sadie
166:
Lutheran minister. As part of his tour, he read three stanzas of poetry by young Emilie Jönsdotter. Impressed, he asked her parents if they would consider letting him adopt her. The minister would assume responsibility for her upbringing and education if they consented. The minister was an
467:
This would be a watershed year for 54-year-old Emilie
Johnson. Previously, she had written the story "Blind Hearts," which takes place in 1898. The tale unfolds as two men travel with their wives to Alaska, seeking fame and fortune. Hobart Bosworth Productions purchased the story. The
990:
Emory had also earned the title of "King of
Exploitation". The moniker was good for advertising but not truly earned. The exploitation angle was not the brainchild of the Johnsons. FBO's Nat Rothstein hatched the strategy for all the Johnson movies. An example can be seen at
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up-and-coming member of the
Lutheran Church and a prominent writer in Sweden. Jönsdotter's parents agreed to the arrangement, realizing the minister could provide educational opportunities they could never afford. The minister became a bishop and eventually an adviser to the
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Jönsdotter's education continued until the bishop died. Afterward, she migrated to
America. She arrived in San Francisco on September 24, 1891. She was 25 years old and unmarried. While living in San Francisco, she met Alfred Johnson. The two fell in love and married at the
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part of the signed contract stipulated: "The contract also provides that Emory Johnson's mother, Mrs. Emilie Johnson, shall prepare all of the stories and write all the scripts for the Johnson attractions in addition to assisting her son in filming the productions."
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Emory spent significant portions of 1929 trying to reconcile with Ella Hall and repair their marriage. Because they had lost Alfred Bernard in 1926, Emory and Ella decided to have one last child. Emilie's granddaughter Diana Marie (Dinie) was born in October 1929.
1553:"Future Johnson attractions will be produced on a more lavish scale than anything he has ever attempted in the past. He will, however, continue to produce only pictures which are fashioned for aggressive showmanship. His pictures will be made for exploitation."
284:. After their honeymoon, they both returned to work at Universal. Newlywed Ella then moved into the Franklin Avenue house along with Emory, Emile, and two servants. Grandson Walter Emory was born in January 1919. Alfred Bernard followed in September 1920.
1055:"The greatest appeal in pictures is not in extravagant spectacles, historical pageants, or adaptations of fairy tales. I think the straight-forward, clean, wholesome melodrama will always have the choice corner in the hearts of the American public."
538:. The film was released in August 1922. Emilie Johnson was credited with both the story and screenplay for this melodrama. The story is about a San Francisco policeman trying to keep his family together while facing continuing adversity.
272:
Liberty Films struggled with its new distributor. In December 1915, the courts appointed a new receiver. Liberty's Pennsylvania plant burned to the ground in 1916. At the beginning of 1916, Emory left Liberty and signed a contract with
931:, and all the kids had lived. Emory and his mother moved to a new house on Killion Street sometime after 1930. Emory became a portrait photographer in Los Angeles and eventually relocated to San Mateo, California. He died in 1961.
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After completing three moderately successful movies for Universal, the Johnson team jumped ship, reneged on their eight-picture contract, and signed with another company. Emory and his mother negotiated a new contract with
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In 1900, the Johnson family lived comfortably on Bush Street in San Francisco. Johnson's husband owned a famous Turkish bathhouse. The family lived in a fine house and had live-in servants. In 1906, the catastrophic
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The year started with tragedy. Emilie's grandson was run over by a truck and killed in Los Angeles. Alfred Bernard Johnson was only five years old when he died in March 1926. He was Emilie's second oldest grandson.
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After 1932, Emilie's movie-writing career was over. This last decade of her life was unremarkable. It closed with her death on September 23, 1941, at 74, in Los Angeles, California.
658:, released in October. It tells the story of a family's fortunes, bound up in the dramas of a newspaper pressroom. Emilie wrote the script, their only production of the year.
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In 1930, Emile Johnson turned 63 years old. Two years later, Emory Johnson filed for bankruptcy. Emilie and Emory sold the house on Franklin Avenue where Emory, his mother,
521:. On July 1, 1922, the Robertson-Cole Distribution Company became FBO. All R-C contracts were honored, especially with independent producers like Emory Johnson. In May, the
859:
Emilie's original story is the basis for this film, but the similarity only extends to both stories being about firefighters. The screenwriting duties of this version of
676:. It tells the story of a sea captain who returns home from a long voyage and discovers that his wife and child have been kidnapped. He goes mad and becomes a smuggler.
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This was the final curtain call for Emory's independent directing years and Emile's collaborative writing. Emory was contracted to make one last picture for Majestic,
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changed everything. The quake caused numerous fires throughout the city. One fire destroyed Johnson's bathhouse. The family survived the quake and resettled in nearby
123:(June 3, 1867 – September 23, 1941) was a Swedish-American author, scenarist, and movie producer. She was the mother of American actor, director, producer, and writer
683:. Work had supposedly started in December 1925. Emory, Emilie, and the cast and crew had sailed for Sweden to film the movie. The fate of the movie remains unknown.
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1943:
1008:"Throughout my work, I have followed one rule which I think is successful. It is the combining of emotion with humor – making a laugh follow a scene of pathos."
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By 1910, Johnson's husband supported the family by helping to establish the famous Piedmont baths. Emilie continued to raise their son, and attended
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inspired the movie section regarding throwing a World Series. The rest of the film features crooks, illicit affairs, the spectacular sinking of the
277:. He would make seventeen movies in 1916, including six shorts and eleven feature-length dramas, the second-highest output of his career in a year.
209:. In 1913, to more closely support their son's blossoming movie career, Emilie and her husband moved to one of the newly built Essanay bungalows in
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280:
1917 marked another noteworthy event for the Johnsons. In September, Emory Johnson, still under contract to Universal, married Universal ingenue
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127:. In 1912, Emory Johnson dropped out of college and embarked upon a career in the movie business, starting as an assistant camera operator at
1747:
902:, with Emilie receiving a story credit. Emory tried to recreate the success of his previous railroad film, . Unlike his first railroad film,
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their string of successes had ended. Emilie Johnson died in Los Angeles in 1941. She was living with her son at the time of her death.
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487:. This tale of adventure, romance, and intrigue occurred aboard a whaling vessel. The movie version was released in December 1921.
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737:, written by Emilie. It is the tale of family drama, focusing on the strains and rivalries between wives and mothers-in-law.
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FBO decided to let Emory and Emilie Johnson's contracts expire in April. No reason was published regarding the expirations.
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2321:"The Non-Stop Flight (1926) - Emilie Johnson, Emory Johnson | Synopsis, Characteristics, Moods, Themes and Related"
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was a talkie. It told the story of a train that derails under mysterious circumstances, and the ensuing investigation.
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Emilie was now approaching sixty years of age, while Emory was still in his thirties. In March, Universal released the
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In 1912, Emory Johnson entered the movie business as an assistant cameraman. Later, he signed a movie contract with
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780:, written by Emilie. The film is a police tale with elements of aviation drama, jewel thieves, and a love story.
625:, about World War I, released in May. She wrote the story and the screenplay, saying Woodrow Wilson inspired it.
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2481:"The Shield of Honor (1927) - Emory Johnson | Synopsis, Characteristics, Moods, Themes and Related"
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225:. Five months later, the company reorganized into the Liberty Film Mfg Company, with offices located in
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1926:
2160:"Spirit of the USA (1924) - Emory Johnson | Synopsis, Characteristics, Moods, Themes and Related"
1980:"Westbound Limited (1923) - Emory Johnson | Synopsis, Characteristics, Moods, Themes and Related"
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2247:"The Last Edition (1925) - Emory Johnson | Synopsis, Characteristics, Moods, Themes and Related"
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realizes he is in love with one of the orphans. They get married and live together with her brother.
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2582:"The Third Alarm (1930) - Emory Johnson | Synopsis, Characteristics, Moods, Themes and Related"
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2431:"The Lone Eagle (1927) - Emory Johnson | Synopsis, Characteristics, Moods, Themes and Related"
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1902:"The Sea Lion (1921) - Rowland V. Lee | Synopsis, Characteristics, Moods, Themes and Related"
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1613:"This Writer Has Produced 19 Scenarios Tells How She Began Weaving Plots for the Silver Screen"
852:. Although the name of this film was the same as the 1922 version, the similarity ended there.
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210:
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Provided by State of California Department of Health Services, Center for Health Statistics.
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1979:
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That same year, Hobart Bosworth Productions picked up another Emilie Johnson project,
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634:, released in October. This story is about America's greatest pastime, baseball. The
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A significant news item appeared on Page 4 of the September 4, 1930, edition of
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3284:
Catalogue of Copyright Entries – Motion Pictures 1912 to 1939
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1836:. Chicago, Photoplay Magazine Publishing Company. September 1917. p. 111.
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In June, Emory and his mother signed a new eight-picture deal with Universal.
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2555:. New York, Wid's Films and Film Folks, Inc. February 14, 1928. p. 324.
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2537:. New York, Wid's Films and Film Folks, Inc. January 16, 1928. p. 125.
2105:. New York, Motion Picture News, Inc. September–October 1923. p. 1185.
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1068:"I would much rather write for the screen than the stage or the publisher."
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Provided in association with National Archives and Records Administration
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Provided in association with National Archives and Records Administration
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Provided in association with National Archives and Records Administration
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Provided in association with National Archives and Records Administration
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Emilie Johnson was married to her only husband, Alfred, and had one son,
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to support their son. In 1915, she began writing stories for the screen.
3222:
3173:"The Library of Congress American Silent Feature Film Survival Catalog:
3127:"The Library of Congress American Silent Feature Film Survival Catalog:
3109:"The Library of Congress American Silent Feature Film Survival Catalog:
3057:"The Library of Congress American Silent Feature Film Survival Catalog:
3025:"The Library of Congress American Silent Feature Film Survival Catalog:
3007:"The Library of Congress American Silent Feature Film Survival Catalog:
2973:"The Spirit of the U.S.A. is available for download at Internet Archive"
2955:"The Library of Congress American Silent Feature Film Survival Catalog:
2937:"The Library of Congress American Silent Feature Film Survival Catalog:
2899:"The Library of Congress American Silent Feature Film Survival Catalog:
2861:"The Library of Congress American Silent Feature Film Survival Catalog:
2843:"The Library of Congress American Silent Feature Film Survival Catalog:
2811:"The Library of Congress American Silent Feature Film Survival Catalog:
2793:"The Library of Congress American Silent Feature Film Survival Catalog:
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In March, Emory and Emilie Johnson released their last picture for FBO,
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158:, Sweden on June 3, 1867. When she was eight years old, her school in
1048:
Emilie Johnson, 1923 Visits Railroad Shops in Search of Local Color,
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Emilie started the year by writing the story for her fifth FBO film,
1725:. New York, Chalmers Publishing Company. October 1915. p. 1006.
644:, romance, and a middle-aged father uniting with his long-lost son.
525:
published an article stating Emilie had written nineteen scenarios.
896:. In August 1932, Emory released his last film, Majestic Pictures'
528:
The first Johnson collaboration under the renamed FBO contract was
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1933:. New York, Motion Picture News, Inc. June 24, 1922. p. 3316.
239:
1800:. Publisher Exhibitors' Times, inc. April 22, 1916. p. 2328.
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2987:"The Spirit of the USA available on YouTube (15-minute excerpt)"
237:
they could exercise even more control by producing their films.
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3043:"Informative website dedicated to The Last Edition restoration"
679:
The same year, Emory and Emilie were working on a movie titled
1097:
A compilation of known on-screen and off-screen film credits
255:
Lindblom (both age 25). Lindblom would be the new president.
2352:. Motion Picture News, Inc. December 19, 1925. p. 3013.
1125:
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628:
Emilie finished the year with her sixth film in this series,
1739:
The New Historical Dictionary of the American Film Industry
221:
In 1914, the Liberty Motion Picture Company was founded in
3144:
2076:. Motion Picture News, Inc. December 19, 1925. p. 166
1031:
Emilie Johnson, 1923 "The Third Alarm" newspaper article,
3075:"Complete movie available on DVD from video distributor)"
2829:"The Sea Lion available for download at Internet Archive"
1818:. Electricity Magazine Corp. April 22, 1916. p. 918.
892:
He signed a new contract with another Poverty Row studio—
746:, a World War I aviation film, according to the credits.
607:. Emilie again wrote both the story and the screenplay.
2419:. Universal Pictures. October 30, 1926. pp. 46–89.
2117:"Idealism of Woodrow Wilson Inspired Theme of New Film"
3089:"Excerpt of the Non-Stop Flight available on You Tube"
509:
Emilie and her son had initially been contracted with
16:
Swedish-American author and movie producer (1867–1941)
3288:
1578:"Famed Movie Producer Lives Quietly in S.M. He Loves"
554:
Emilie had four of her stories shown simultaneously:
154:
Emilie Johnson was born Emilie Matilda Jönsdotter in
3252:
Emilie Johnson at the Turner Classic Movies Database
954:
Walter Emory Jr., born in 1919; changed his name to
179:
in San Francisco on May 11, 1893. Their only child,
2656:. Quigley Publishing Co. July 23, 1932. p. 50.
1794:"Liberty Plant, In Philadelphia, Wiped Out by Fire"
946:. She had four grandchildren after her son married
838:In November 1930, Emory Johnson released his first
262:The Liberty Film Company completed several movies.
134:In 1913, Emilie Johnson and her husband moved from
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2413:"Entire Issue dedicated to the Fourth Commandment"
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2099:"F.B.O. Signs Emory Johnson for Eight Productions"
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1847:
1764:"A SHORT HISTORY OF ESSANAY FILM COMPANY IN NILES"
1611:
1576:
740:In September, Emilie "assisted" in the writing of
2917:"The Westbound Limited is available on You Tube"
1927:"R - C Plans Distribution Under New Name July 1"
967:Ellen Joanna, born in 1923; changed her name to
2741:"Visit railroad shops in search of local color"
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1065:
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183:, was born in San Francisco on March 16, 1894.
2549:"Johnsons Join T-S as Writing, Directing Team"
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2091:
3362:
2650:"Majestic has 26 lined up for the new season"
1038:"To secure atmosphere for my railroad story,
977:Diana Marie, born in 1929; became a housewife
265:In late 1914, many actors and actresses left
250:The Liberty Film Company was incorporated in
8:
3145:"Copies of film exist at Eastman Collection"
2725:. Chicago, Exhibitors Herald. July 29, 1922.
1974:
1972:
1856:. September 7, 1917. p. 15 – via
2777:. October 18, 1924. p. 16 – via
2701:"Nat Rothstein Compiles Best Campaign Book"
2038:. December 15, 1923. p. 8 – via
2031:"Originator of "The Mailman" reveals Story"
1557:Discussing Emory Johnson's new FBO contract
1081:"For the author, the world is your oyster."
889:was Emory Johnson's last film for Tiffany.
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3355:
3347:
2879:"The third Alarm is available on You Tube"
2734:
2732:
2280:. March 28, 1926. p. 122 – via
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964:Alfred Bernard, born in 1920; died in 1925
919:, but the project never came to fruition.
31:
20:
2674:. Mar 8, 1932. March 8, 1932. p. 10.
2531:"Johnson and McCarthy Reported with T.-S"
652:The seventh film in the FBO contract was
472:was released in October 1921 and starred
2748:. June 17, 1923. p. 10 – via
1585:. July 25, 1959. p. 21 – via
1119:Movie writing credits for Emilie Johnson
601:The fourth film in the FBO contract was
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2719:"Rothstein Conducts Record Ad Campaign"
2123:. by Moving. March 1, 1924. p. 31.
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1087:Emilie Johnson, 1924 Play and Players,
1074:Emilie Johnson, 1924 Play and Players,
1061:Emilie Johnson, 1924 Play and Players,
592:The third film in the FBO contract was
3544:Swedish emigrants to the United States
3279:, including insights on Emilie Johnson
3159:"Copies of film exist at UCLA Archive"
1620:. May 14, 1922. p. 5 – via
863:were assigned to another T-S writer,
7:
2273:"Truckman is Held in Death of Child"
1699:. San Francisco Silent Film Festival
275:Universal Film Manufacturing Company
3539:20th-century American screenwriters
2567:"California Birth Index, 1905-1995"
1736:Anthony Slide (February 25, 2014).
848:. This film would become his first
2350:Motion Picture News (Nov–Dec 1925)
2005:"The West~Bound Limited @ TCM.com"
14:
2135:"The Spirit of the USA @ TCM.com"
1874:. Ancestry.com. January 16, 1920.
1583:The Times (San Mateo, California)
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2746:The Butte Miner (Butte, Montana)
1618:Riverside Independent Enterprise
1103:
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774:In February, Universal released
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523:Riverside Independent Enterprise
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138:to Essanay company bungalows in
3524:People from Greater Los Angeles
3270:American Film Institute Catalog
2688:. Ancestry.com. April 24, 1940.
2625:"The Phantom Express @ TCM.com"
2613:. September 4, 1930. p. 4.
2506:"The Shield of Honor @ TCM.com"
2346:"F.B.O. Features Are Under Way"
2296:"The Non-Stop Flight @ TCM.com"
1533:WGA screenwriting credit system
1386:Film Booking Offices of America
1366:Film Booking Offices of America
1339:Film Booking Offices of America
1319:Film Booking Offices of America
1292:Film Booking Offices of America
1272:Film Booking Offices of America
1245:Film Booking Offices of America
1221:Film Booking Offices of America
2707:. August 26, 1922. p. 50.
1886:Progressive Silent Film List:
513:to write, produce, and direct
200:California College of the Arts
1:
3519:Screenwriters from California
2364:"Emory Johnson leaves F.B.O."
2686:"United States Census, 1940"
2369:. April 18, 1926. p. 2.
2222:"The Last Edition @ TCM.com"
2192:AFI Catalog of Feature Films
1872:"United States Census, 1920"
1655:"United States Census, 1910"
1636:"United States Census, 1900"
971:and had an acting career in
958:and had an acting career in
583:, released December 31, 1922
517:. R-C was later acquired by
2070:"Johnson to Make 8 for FBO"
1719:"Exposition City Gleanings"
1680:. January 1914. p. 65.
577:), released August 22, 1922
567:, released December 5, 1921
156:Gothenburg, Västra Götaland
3560:
2456:"The Lone Eagle @ TCM.com"
2389:. June 4, 1926. p. 11
1812:"Film Fire cost $ 150,000"
1742:. Routledge. p. 116.
1102:
561:, released October 3, 1921
541:In December, FBO released
3384:
2607:"Objected to Supervision"
2382:"Hollywood Studio Gossip"
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840:Tiffany-Stahl Productions
790:Tiffany-Stahl Productions
136:San Francisco, California
30:
3529:Writers Guild of America
3207:The Third Alarm synopsis
3196:Catalog of Feature Films
2957:The Spirit of the U.S.A.
2121:The Moving Picture World
2059:Catalog of Feature Films
1966:Catalog of Feature Films
1950:Catalog of Feature Films
1723:The Moving Picture World
223:Germantown, Pennsylvania
189:San Francisco earthquake
177:Ebenezer Lutheran Church
3534:American film producers
2775:Stamford Daily Advocate
2387:San Francisco Chronicle
2036:San Francisco Chronicle
3462:The Fourth Commandment
3406:The West~Bound Limited
3390:In the Name of the Law
3175:The Fourth Commandment
2845:In the Name of the Law
1944:In the Name of the Law
1264:The West~Bound Limited
1210:In the Name of the Law
1090:
1077:
1064:
1051:
1034:
1017:
1014:Emilie Johnson, 1922,
994:In the Name of the Law
905:The West~Bound Limited
884:
595:The West~Bound Limited
571:In the Name of the Law
535:In the Name of the Law
247:
3422:The Spirit of the USA
2901:The Westbound Limited
2668:"Emory Johnson Broke"
2654:Motion Picture Herald
2569:. Ancestry.com. 2005.
1311:The Spirit of the USA
842:contract production,
622:The Spirit of the USA
501:, and Emory Johnson.
243:
3430:Life's Greatest Game
3009:Life's Greatest Game
2205:Life's Greatest Game
1678:The New York Clipper
1331:Life's Greatest Game
1191:Associated Producers
1168:Associated Producers
908:, which was silent,
631:Life's Greatest Game
532:, which was renamed
231:Glendale, California
181:Alfred Emory Johnson
3486:The Phantom Express
3470:The Shield of Honor
3446:The Non-Stop Flight
3275:Essay on the movie
3224:The Phantom Express
3129:The Shield Of Honor
3059:The Non-Stop Flight
2770:"Plays and Players"
2103:Motion Picture News
2074:Motion Picture News
1931:Motion Picture News
1830:"Plays and Players"
1798:Motion Picture News
1768:Nilesfilmmuseum.org
1674:"ESSANAY CLOSE-UPS"
1505:The Phantom Express
1486:Tiffany Productions
1482:Tiffany Productions
1429:The Shield of Honor
1378:The Non-Stop Flight
910:The Phantom Express
899:The Phantom Express
777:The Shield of Honor
673:The Non-Stop Flight
252:Oakland, California
193:Alameda, California
3190:Fourth Commandment
1697:"The Last Edition"
1457:Universal Pictures
1454:Universal Pictures
1449:Fourth Commandment
1437:Universal Pictures
1434:Universal Pictures
1415:Universal Pictures
1411:Universal Pictures
1295:Story, Screenplay
1121:
1117:
1109:
734:Fourth Commandment
547:, formerly titled
248:
65:September 23, 1941
3496:
3495:
2779:GenealogyBank.com
2723:Exhibitors Herald
2705:Exhibitors Herald
2399:GenealogyBank.com
2278:Los Angeles Times
2040:GenealogyBank.com
1854:Los Angeles Times
1774:on March 18, 2009
1749:978-1-135-92554-3
1661:. April 16, 1910.
1622:GenealogyBank.com
1587:GenealogyBank.com
1555:— J. I. Schnitzel
1539:
1538:
1515:Majestic Pictures
1511:Majestic Pictures
1389:Story, Screenplay
1369:Story, Screenplay
1322:Story, Screenplay
1275:Story, Screenplay
1040:Westbound Limited
894:Majestic Pictures
636:Black Sox Scandal
575:The Midnight Call
530:The Midnight Call
515:The Midnight Call
211:Niles, California
202:as an art major.
162:was visited by a
140:Niles, California
118:
117:
101:Years active
3551:
3438:The Last Edition
3371:
3364:
3357:
3348:
3339:
3338:
3337:
3327:
3326:
3325:
3315:
3314:
3313:
3303:
3302:
3301:
3294:
3277:The Last Edition
3231:
3220:
3214:
3203:
3197:
3187:
3181:
3180:
3169:
3163:
3162:
3155:
3149:
3148:
3141:
3135:
3134:
3123:
3117:
3116:
3105:
3099:
3098:
3085:
3079:
3078:
3071:
3065:
3064:
3053:
3047:
3046:
3039:
3033:
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3027:The Last Edition
3021:
3015:
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2963:
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2470:
2468:
2466:
2452:
2446:
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2427:
2421:
2420:
2417:Universal Weekly
2409:
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2402:
2396:
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2384:
2377:
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2081:
2066:
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2026:
2020:
2019:
2017:
2015:
2001:
1995:
1994:
1992:
1990:
1976:
1967:
1957:
1951:
1941:
1935:
1934:
1923:
1917:
1916:
1914:
1912:
1898:
1892:
1891:at silentera.com
1883:
1877:
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1861:
1851:
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1837:
1826:
1820:
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1808:
1802:
1801:
1790:
1784:
1783:
1781:
1779:
1770:. Archived from
1760:
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1753:
1733:
1727:
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1709:
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1693:
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1632:
1626:
1625:
1615:
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1558:
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1358:The Last Edition
1127:
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1118:
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1110:
1107:
1100:
1088:
1075:
1062:
1049:
1032:
1015:
873:Variety Magazine
826:
812:
762:
719:
705:
655:The Last Edition
455:
441:
421:
407:
387:
373:
353:
339:
319:
305:
288:Hollywood decade
245:Emilie and Emory
164:Church of Sweden
68:
49:
47:
35:
21:
3559:
3558:
3554:
3553:
3552:
3550:
3549:
3548:
3499:
3498:
3497:
3492:
3478:The Third Alarm
3398:The Third Alarm
3380:
3375:
3345:
3335:
3333:
3323:
3321:
3311:
3309:
3299:
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2872:
2863:The Third Alarm
2859:
2858:
2854:
2841:
2840:
2836:
2831:. January 1921.
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2110:
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2047:
2028:
2027:
2023:
2013:
2011:
2003:
2002:
1998:
1988:
1986:
1978:
1977:
1970:
1960:The Third Alarm
1958:
1954:
1942:
1938:
1925:
1924:
1920:
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1685:
1672:
1671:
1667:
1653:
1652:
1648:
1642:. June 6, 1900.
1634:
1633:
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1610:
1609:
1594:
1575:
1574:
1570:
1566:
1561:
1556:
1554:
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1548:
1544:
1476:The Third Alarm
1419:Film adaptation
1237:The Third Alarm
1188:Hobart Bosworth
1163:Hobart Bosworth
1124:
1120:
1116:
1112:
1111:
1108:
1095:
1089:
1086:
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1073:
1063:
1060:
1050:
1047:
1033:
1030:
1023:The Third Alarm
1021:"When creating
1016:
1013:
1004:
987:silver screen.
984:
940:
925:
887:The Third Alarm
861:The Third Alarm
845:The Third Alarm
836:
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581:The Third Alarm
544:The Third Alarm
507:
495:Hobart Bosworth
474:Hobart Bosworth
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267:Essanay Studios
259:Co floundered.
246:
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207:Essanay Studios
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129:Essanay Studios
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3466:
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3454:The Lone Eagle
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3307:
3287:
3286:
3281:
3272:
3266:Emilie Johnson
3263:
3257:Emilie Johnson
3254:
3249:
3243:Emilie Johnson
3238:
3237:External links
3235:
3233:
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3215:
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3118:
3111:The Long Eagle
3100:
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2750:Newspapers.com
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2553:The Film Daily
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2535:The Film Daily
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2367:The Film Daily
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2282:Newspapers.com
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2196:
2194:
2186:Emilie Johnson
2184:Greatest Game
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1996:
1968:
1952:
1936:
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1858:Newspapers.com
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865:Frances Hyland
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511:Robertson-Cole
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169:King of Sweden
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121:Emilie Johnson
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69:(aged 74)
63:
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25:Emilie Johnson
24:
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3378:Emory Johnson
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3341:United States
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1383:Emory Johnson
1382:
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1371:
1368:
1365:
1363:Emory Johnson
1362:
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1359:
1355:
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1347:
1344:
1341:
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1336:Emory Johnson
1335:
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1318:
1316:Emory Johnson
1315:
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1297:
1294:
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1289:Emory Johnson
1288:
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1274:
1271:
1269:Emory Johnson
1268:
1266:
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1242:Emory Johnson
1241:
1239:
1238:
1234:
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1230:
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1219:
1217:
1216:Emory Johnson
1214:
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1001:
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996:– Advertising
995:
988:
981:
976:
974:
970:
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963:
961:
957:
956:Richard Emory
953:
952:
951:
949:
945:
944:Emory Johnson
937:
935:
932:
930:
923:Final chapter
922:
920:
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232:
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224:
217:First chapter
216:
214:
212:
208:
203:
201:
196:
194:
190:
184:
182:
178:
172:
170:
165:
161:
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149:
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132:
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125:Emory Johnson
122:
114:
113:Emory Johnson
111:
107:
103:
99:
92:
89:
86:
85:
83:
79:
74:
64:
60:
55:
42:
38:
34:
29:
22:
19:
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3103:
3092:
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3001:
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2931:
2920:
2911:
2900:
2893:
2882:
2873:
2862:
2855:
2844:
2837:
2823:
2813:The Sea Lion
2812:
2805:
2795:Blind Hearts
2794:
2787:
2774:
2745:
2722:
2713:
2704:
2695:
2680:
2671:
2662:
2653:
2644:
2632:. Retrieved
2628:
2619:
2610:
2601:
2589:. Retrieved
2585:
2576:
2561:
2552:
2543:
2534:
2525:
2513:. Retrieved
2509:
2500:
2488:. Retrieved
2484:
2475:
2463:. Retrieved
2459:
2450:
2438:. Retrieved
2434:
2425:
2416:
2407:
2397:– via
2391:. Retrieved
2386:
2375:
2366:
2358:
2349:
2340:
2328:. Retrieved
2324:
2315:
2303:. Retrieved
2299:
2290:
2277:
2266:
2254:. Retrieved
2250:
2241:
2229:. Retrieved
2225:
2216:
2204:
2199:
2185:
2179:
2167:. Retrieved
2163:
2154:
2142:. Retrieved
2138:
2129:
2120:
2111:
2102:
2078:. Retrieved
2073:
2064:
2048:
2035:
2024:
2012:. Retrieved
2008:
1999:
1987:. Retrieved
1983:
1955:
1939:
1930:
1921:
1909:. Retrieved
1905:
1896:
1888:Blind Hearts
1887:
1881:
1866:
1853:
1849:"Cupid Note"
1842:
1833:
1824:
1815:
1806:
1797:
1788:
1776:. Retrieved
1772:the original
1767:
1758:
1738:
1731:
1722:
1713:
1703:February 12,
1701:. Retrieved
1677:
1668:
1659:Ancestry.com
1649:
1640:Ancestry.com
1630:
1617:
1582:
1571:
1549:
1530:
1503:
1474:
1447:
1427:
1403:
1376:
1356:
1329:
1309:
1282:
1262:
1235:
1208:
1183:The Sea Lion
1181:
1157:Blind Hearts
1155:
1141:Distributor
1096:
1093:Film credits
1079:
1066:
1053:
1039:
1036:
1022:
1019:
1006:
993:
989:
985:
941:
933:
926:
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914:
909:
903:
897:
891:
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871:
869:
860:
858:
854:
843:
837:
830:Newspaper ad
816:Newspaper ad
794:
782:
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773:
741:
739:
732:
730:
688:
685:
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671:
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629:
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593:
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565:The Sea Lion
564:
559:Blind Hearts
558:
553:
548:
542:
540:
533:
529:
527:
522:
514:
508:
490:The Sea Lion
488:
485:The Sea Lion
484:
482:
478:Wade Boteler
470:film version
466:
425:Newspaper ad
411:Newspaper ad
391:Newspaper ad
343:Newspaper ad
323:Lobby poster
309:Lobby poster
279:
271:
264:
261:
257:
249:
235:
220:
204:
197:
185:
173:
153:
144:
133:
120:
119:
75:, California
67:(1941-09-23)
50:June 3, 1867
18:
3514:1941 deaths
3509:1867 births
3414:The Mailman
2939:The Mailman
1284:The Mailman
786:Poverty Row
604:The Mailman
549:The Discard
499:Bessie Love
459:Magazine ad
377:Magazine ad
357:Magazine ad
81:Occupations
3503:Categories
2053:TheMailman
1816:Motography
1564:References
1227:Screenplay
1144:Credits *
969:Ellen Hall
917:Air Patrol
766:Lobby card
723:Lobby card
709:Lobby card
445:Lobby card
160:Karlskrona
150:Early life
54:Gothenburg
46:1867-06-03
3305:Biography
2634:March 20,
2591:March 20,
2515:March 20,
2490:March 20,
2465:March 20,
2440:March 20,
2393:March 11,
2330:March 20,
2305:March 20,
2256:March 20,
2231:March 20,
2169:March 20,
2144:March 20,
2014:March 20,
1989:March 20,
1911:March 20,
1834:Photoplay
1778:March 12,
1531:Based on
1138:Producer
948:Ella Hall
929:Ella Hall
800:1930–1932
681:Happiness
493:starred
282:Ella Hall
227:San Mateo
104:1914–1930
90:scenarist
73:Hollywood
3261:AllMovie
3229:AllMovie
3212:AllMovie
2586:AllMovie
2485:AllMovie
2435:AllMovie
2325:AllMovie
2251:AllMovie
2210:AllMovie
2164:AllMovie
2080:June 16,
1984:AllMovie
1906:AllMovie
1085:—
1072:—
1059:—
1046:—
1029:—
1012:—
973:B movies
960:B movies
109:Children
93:producer
56:, Sweden
3291:Portals
3268:at the
3192:at the
3179:. 1927.
3133:. 1927.
3115:. 1927.
3094:YouTube
3063:. 1926.
3031:. 1925.
3013:. 1924.
2992:YouTube
2975:. 1924.
2961:. 1924.
2943:. 1923.
2922:YouTube
2905:. 1923.
2884:YouTube
2867:. 1922.
2849:. 1922.
2817:. 1921.
2799:. 1921.
2672:Variety
2629:tcm.com
2611:Variety
2510:tcm.com
2460:tcm.com
2300:tcm.com
2226:tcm.com
2189:at the
2139:tcm.com
2009:tcm.com
1225:Story,
788:studio
641:Titanic
3489:(1932)
3481:(1930)
3473:(1928)
3465:(1927)
3457:(1927)
3449:(1926)
3441:(1925)
3433:(1924)
3425:(1924)
3417:(1923)
3409:(1923)
3401:(1922)
3393:(1922)
1746:
1529:*
1460:Story
1147:Notes
1002:Quotes
982:Themes
938:Family
850:talkie
87:Writer
3329:1920s
1542:Notes
1518:Story
1489:Story
1440:Story
1342:Story
1248:Story
1194:Story
1173:Story
1135:Film
1132:Year
573:(aka
3317:Film
3247:IMDb
2636:2019
2593:2019
2517:2019
2492:2019
2467:2019
2442:2019
2395:2019
2332:2019
2307:2019
2258:2019
2233:2019
2171:2019
2146:2019
2082:2023
2055:The
2016:2019
1991:2019
1962:The
1946:the
1913:2019
1780:2019
1744:ISBN
1705:2018
1500:1932
1471:1930
1400:1927
1353:1925
1306:1924
1259:1923
1205:1922
1152:1921
750:1928
693:1927
662:1926
648:1925
615:1924
588:1923
505:1922
476:and
293:1921
229:and
62:Died
40:Born
3259:at
3245:at
3227:at
3210:at
3194:AFI
2208:at
2057:AFI
1964:AFI
1948:AFI
519:FBO
3505::
3091:.
2989:.
2919:.
2881:.
2773:.
2758:^
2744:.
2731:^
2721:.
2703:.
2670:.
2652:.
2627:.
2609:.
2584:.
2551:.
2533:.
2508:.
2483:.
2458:.
2433:.
2415:.
2385:.
2348:.
2323:.
2298:.
2276:.
2249:.
2224:.
2162:.
2137:.
2119:.
2101:.
2090:^
2072:.
2034:.
2007:.
1982:.
1971:^
1929:.
1904:.
1852:.
1832:.
1814:.
1796:.
1766:.
1721:.
1686:^
1676:.
1657:.
1638:.
1616:.
1595:^
1581:.
998:.
950::
876:.
867:.
792:.
497:,
480:.
233:.
213:.
195:.
171:.
131:.
3370:e
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3356:v
3293::
3177:"
3161:.
3147:.
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3097:.
3077:.
3061:"
3045:.
3029:"
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2995:.
2959:"
2941:"
2925:.
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2887:.
2865:"
2847:"
2815:"
2797:"
2781:.
2752:.
2638:.
2595:.
2519:.
2494:.
2469:.
2444:.
2401:.
2334:.
2309:.
2284:.
2260:.
2235:.
2173:.
2148:.
2084:.
2042:.
2018:.
1993:.
1915:.
1860:.
1782:.
1752:.
1707:.
1624:.
1589:.
1123:â—†
1115:â—†
48:)
44:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
