208:(Music Composition and Technology at UCA Farnham), an ongoing research led collaboration focusing on a multidisciplinary approach to experimental music and multimodal compositional strategies. Four concerts per year are organized around a guest composer or a theme: research informed curation critically revisiting seminal works and bringing together our PhD students, musicians and composers from the London experimental music scene in contact with our international guests and their work. For the first year in 2019 the series invited Gildas Quartet (UK), Marcus Kaiser (Germany), Stefan Thut (Switzerland), Jessica Aslan and Emma Lloyd (UK), Greg Caffery (Ireland), and Marie Cecile Reber (CH).
31:
117:
have been shown at a number of venues across Europe and
America, including NYCMF AT Cuny centre (2009), Centro de Historia in Zaragoza (Spain, 2008), Theatre museum in London and DRHA conference in Dartington Hall in September 2006, Lagerhaus Neufelden in Austria in May 2006, LSO St Luke's festival
271:
Antoine Beuger & Emmanuelle
Waeckerlé – "Speak // If You Can”: Text, scores, performance, 2 concerts at café Oto, performed by Antoine Beuger, John Eyles, Sarah Hughes, Petri Huurinainen, Charlotte Keefe, Will Montgomery, Artur Vidal and Emmanuelle Waeckerlé, London, 22/23 February
118:
in July 2005, EXPO 966 in
Scarborough and INPORT International Video-Performance Art Festival in Tallinn / Estonia in June 2005. The project was funded by the prestigious 1 to 1 bursary ( 2000, LADA, arts council), and programmed in Max MSP and Jitter by Sebastian Lexer. It appeared in
105:
is an audio-visual work and series of performances of a text score for a conceptual road movie and was an
Artforum "Critics Pick." It was performed in Paris, London and Toronto (reviewed in Time out by Sally O’Reilly – 20-27 March 2002) and was an Artforum "Critics Pick".
42:
is an experimental musician, multidisciplinary artist and composer based in London. Her text scores, publications, and performances explore the materiality and musicality of language while proposing playful encounters with our "interior or exterior landscape and each other."
100:
encourages listeners to explore their own environments as new sonic landscapes. While PRAELUDERE, prompted by the fact that in French a ballad is both a song and a walk, uses writing and walking understood here as simultaneous acts of marking, mapping and reading (space).
164:(an improvising duo with occasional guests) and her text compositions have been performed by a•pe•ri•od•ic ensemble, APTL ensemble and Extradition ensemble. Waeckerle has taken part in Scratch orchestra's concerts and performances as well as performing of
223:. Her research interest lies in socially engaged practices, publishing as a critical and collaborative venture, postdigital interaction. She is one of the mentors of the Wandelweiser Composers Meet Composers summer residencies including Antoine Beuger,
199:
In addition to her work as a performer and composer, Waeckerlé is an active curator of the house concert series Cosy Nook which has featured prominent experimental musicians
Antoine Beuger, Marie-Cécile Reber,
219:
research and publishing platform for which she has edited a few artist books as well as collections of critical texts tracking the impact of the digital revolution on publishing practices, such as
51:
Born in
Morocco to French parents, Waeckerlé later moved to London (October 1984). She studied photography at Sir John Cass (now Metropolitan University), and completed an MA in fine art at the
262:
Clay woman for Armel
Beaufils, le Regard des femmes, exhibition and catalogue curated by Sharon Kivland, FRAC de Bretagne, Saint-Briac-sur-Mer, France, 1 July 2017 to 1 September 2017
602:
1014:
627:
1711:
204:, Stefan Thut, Marcus Kaiser, Nomi Epstein, Seamus Cater and Bin Li. She is the co-curator of here.here concert series in London and Farnham with
848:
1390:
1735:
697:
1890:
1139:
182:
Improvisation Rites: From John Cage's 'song Books' to the
Scratch Orchestra's 'nature Study Notes'. Collective Practices 2011 - 2017
2030:
1432:
212:
479:
146:
126:
987:
1760:
1622:
1608:
1496:"Cafe OTO → LULLABY FOR PAULINE: A CONCERT COMMEMORATING THE LIFE AND WORK OF PAULINE OLIVEROS WITH VOCAL CONSTRUCTIVISTS"
553:
122:
Volume 9, 2004 and was the subject of a case study on in mappings between scientific invention and artistic inspiration.
628:"Conference report: Music and/as Process: Music and Language, 29 Jun-1 July 2018, Edinburgh – Royal Musical Association"
1906:
1808:
503:
603:"The New Concrete: Visual Poetry in the 21st Century edited by Victoria Bean & Chris McCabe (Hayward Publishing)"
96:(Pauline Reage, 1954). Waeckerlé has also presented the work at conferences as a lecture performance. Her novel work
1559:
259:
in Athens, Gestures of
Resistance exhibition curated by Jean Wainwright, Romantso gallery, Athens, 20/30 April 2017
2025:
454:
1857:
1110:
1584:
346:(MA BIBLIOTHÈQUE, 92 pages, 105mm x 170mm x 60 mm, French flaps, Format: Paperback, ISBN 978-1-910055-85-4)
278:, performed by E. Waeckerle and a•pe•ri•od•ic ensemble, Frequency series, Constellation, Chicago, 22 April 2018
52:
1930:
247:, a performance/video work addressing depression, First International Naked Poetry Festival, August 1998, ICA.
82:
records. The latter is based on sonic iterations and conceptual reductions of her critically acclaimed book R
739:
142:
284:: walking, workshop performance, Marres, house for contemporary culture, Maastricht, Holland, 13 June 2018.
2035:
1784:
939:
138:
1201:
1636:
1369:"The Book is Alive! ARTBOOK | D.A.P. 2014 Catalog RGAP Books Exhibition Catalogues 9780956902450"
1155:
79:
188:, an ongoing collaboration with Will Montgomery and invited poets, artists and composers, including
299:
London
Experimental Ensemble & Iain Sinclair: Dark Before Dark, Iklektik, London, 19 July 2019
1989:
1736:"Emmanuelle Waeckerlé, A DIRECTION OUT THERE. READWALKING (WITH) THOREAU, 2021 — MA BIBLIOTHÈQUE"
1495:
921:
790:
253:, homage concert to Pauline Oliveros, with Vocal constructivists, 15 March 2017, Café Oto, London
149:
in Saint Yrieix la Perche in France, one of the 3 largest collection of artist books in France.
818:
1981:
1886:
1673:
1135:
913:
157:
1520:
1408:
766:
430:
1973:
1663:
905:
228:
201:
193:
165:
153:
160:
fame) weekly London workshop and MOWO (MOPOMOSO workshop group), she is founder member of
125:
Waeckerlé's poetic text scores and artists publications are held in various collections -
1691:
672:
1456:
1176:
1086:
528:
189:
113:, a unique vocal instrument, part human part virtual, and the accompanying performance
56:
30:
1225:
2019:
1993:
1274:
1087:"Cafe OTO → The Scratch Orchestra's Nature Study Notes, Sunday 22 February 2015, 8pm"
925:
648:
205:
1202:"University for the Creative Arts - Music Composition & Technology BA/BSc - UCA"
1062:
578:
17:
1299:
988:"A more immersive presentation of programmed interactive video : A case study"
909:
224:
134:
1977:
1668:
1651:
872:
232:
1958:
963:
1433:"Rethinking Interaction in the Post-Digital: A Roundtable Discussion | bookRoom"
92:
60:
1985:
1931:"Emmanuelle Waeckerlé - Ode (owed) to O (Edition Wandelweiser Records, 2017)"
1809:"a direction out there - readwalking (with) thoreau, by Emmanuelle Waeckerlé"
1677:
1368:
917:
268:
daily performances for Klangraum 2017, Kunstraum, Düsseldorf, 18/23 July 2017
211:
As an educator Waeckerlé is a reader in fine art and relational practices at
1833:
406:
1394:
130:
1480:
Cooper, Tim (1998-08-21). "Nude poets society goes from bawd to verse".
480:"Squidco: Waeckerle, Emmanuelle : Ode (owed) to O [2 CDs]"
388:(Photography and Culture: Vol. 11, No. 2) by Waeckerlé and Manuel Vason
715:
145:
in London. From 2007–2014 she was part of the small team that ran the
296:
Atelier Cardew / Nature Study Notes ENSA, Limoges, 23/26 October 2018
1623:"LONDON EXPERIMENTAL ENSEMBLE & IAIN SINCLAIR: DARK BEFORE DARK"
29:
161:
1560:"Constellation | Emmanuelle Waeckerlé – Tickets – Constellation"
1250:
940:"Articles by Emmanuelle Waeckerle - Performance Research - CPR"
431:"University for the Creative Arts - WAECKERLE Emmanuelle - UCA"
1156:"Walking in Air in St-Yrieix-la-Perche – Emmanuelle Waeckerlé"
324:- Performance Research ‘On Air’, with Will Montgomery, (2022)
216:
152:
Waeckerlé is a keen improviser and long-standing attendee of
2010:
1637:""More than voice.." Performance WZ @ Hundred Years Gallery"
1344:
290:, Mopomoso concert series, The Vortex, London, 17 June 2018
1712:"Gruenrekorder » Sounds of Absence | Various artists"
740:"New York City Electracoustic Music Festival 2009 Program"
1324:
1111:"Scratch Orchestra activation: Nature Study Notes group"
180:
group at MAYDAY rooms and published in Stefan Szczelkun
1692:"Episode One: Emmanuelle Waeckerlé – The Way We Blend"
1650:
Waeckerlé, Emmanuelle; Montgomery, Will (2021-10-03).
1038:
849:"One To One Individual Artists' Bursaries in Live Art"
170:
The complete great learning (union chapel 2015…)
120:
Performance Research: A Journal of the Performing Arts
579:"The New Concrete: Visual Poetry in the 21st Century"
364:- paper, pixel, ink and screen (bookRoom press, 2015)
293:(the) sound (of) images, Tate Modern, 13 October 2018
176:
at Café Oto (2015) This was followed by a post event
791:"Digital Resources for the Humanities and Arts 2006"
1761:"A Direction Out There: Readwalking (With) Thoreau"
1858:"bookRoom | Code X – Paper, Ink, Pixel and Screen"
350:a direction out there, readwalking (with) thoreau
344:a direction out there, readwalking (with) thoreau
311:, Hundred Years Gallery, London, 21 October 2019
178:Scratch Orchestra activation: Nature Study Notes
305:, Milen End Cemetery, London, 8 September 2019
896:Waeckerle, Emmanuelle (2004-01-01). "Vinst".
90:which engages with the infamous erotic novel
8:
1907:"Emmanuelle Waeckerle, Reading (Story of) O"
649:"Jungle Fever : Emmanuelle Waeckerle"
1667:
196:, Stefan Thut, Ryoko Akama, Carol Watts.
819:"Live Electronics in Live Performances"
554:"The End of the Book, 18 November 2016"
407:"statement : EMMANUELLE WAECKERLE"
398:
1959:"Becoming-one; A Duologue in Practice"
1206:University for the Creative Arts - UCA
435:University for the Creative Arts - UCA
1015:"Current Media: Vinst, How 2 Journal"
7:
1881:Waeckerlé, Emmanuelle (2023-12-30).
1409:"Projects from the Press | bookRoom"
504:"Women's Lit from the Small Press 2"
386:Becoming-one; A Duologue in Practice
382:(edition wandelweiser records, 2017)
352:(edition Wandelweiser records, 2021)
338:Sounds of Absence | Various artists.
873:"incalcando : Sebastian Lexer"
334:What is left if we aren't the world
25:
716:""Vinst" by emmanuelle waeckerle"
340:(Gruen 209, Gruenrecorder, 2022).
1275:"here.here : Marcus Kaiser"
853:LADA Live Art Development Agency
368:Rise with your class not from it
213:University for the Creative Arts
109:The interactive installation of
696:Schwabsky, Barry (2002-02-08).
303:Song of an intention, Hard Work
127:Bibliotheque Nationale de Paris
1957:; Vason, Manuel (2018-05-04).
1785:"edition wandelweiser records"
1566:. Chicago, IL, USA. 2018-04-22
910:10.1080/13528165.2004.10872016
455:"Lab 21: Emmanuelle Waeckerlé"
1:
1978:10.1080/17514517.2018.1467634
1669:10.1080/13528165.2021.2059265
1832:Hall, Lareese (2015-11-19).
1759:Sherman, Levi (2022-03-21).
1371:– via www.artbook.com.
508:the contemporary small press
147:Centre des Livres d’Artistes
1548:. Resonance 104.4FM London.
1544:Finer, Carol (2018-02-20).
1226:"here.here: Gildas Quartet"
316:Publications and Recordings
266:(Story of) / O(nly) / O(hh)
215:in Farnham and director of
2052:
1457:"Composers Meet Composers"
1130:Szczelkun, Stefan (2018).
1063:"Category: Workshop Group"
1834:"Bookshelf: Lareese Hall"
1740:mabibliotheque.cargo.site
1564:Constellation-chicago.com
767:"The Singer and the Song"
184:. Other projects include
72:eadwalking (with) thoreau
1935:The Free Jazz Collective
1039:"Centre of Artist Books"
944:Performance-research.org
2031:British women composers
1966:Photography and Culture
1300:"here.here Stefan Thut"
673:"WAECKERLE, Emmanuelle"
143:National Poetry Library
68:A direction out there -
66:Her recordings include
1883:Reading the story of O
1585:"Emmanuelle Waeckerle"
1177:"Emmanuelle Waeckerlé"
798:Projects.oucs.ox.ac.uk
370:(bookRoom press, 2016)
86:(published in 2015 by
34:
1955:Waeckerle, Emmanuelle
1911:Claire de Rouen Books
1765:Artists' Book Reviews
1609:"Writing Photographs"
1383:Waeckerlé, Emmanuelle
583:Southbank Centre Shop
139:Chelsea School of Art
33:
27:Experimental musician
1813:Emmanuelle Waeckerlé
1716:www.gruenrekorder.de
1656:Performance Research
1639:. Art Licks Weekend.
1134:. Stefan Szczelkun.
898:Performance Research
376:(uniformbooks, 2015)
374:Reading (story of) O
80:edition wandelweiser
40:Emmanuelle Waeckerlé
18:Emmanuelle Waeckerle
1789:www.wandelweiser.de
1175:cdla (2021-12-16).
1132:Improvisation Rites
836:Thesis : 2012
826:Research.gold.ac.uk
309:More than a voice..
282:Training the senses
251:Lullaby for Pauline
84:eading (Story of) O
53:Slade School of Art
1387:This Book is Alive
607:Tears in the Fence
356:The Book is A Live
174:Nature Study Notes
115:a duet (virtually)
35:
2026:British composers
1349:emmajanelloyd.com
1345:"emma jane lloyd"
995:Ahrcict.rgd.ac.uk
964:"9.2 On the Page"
877:sebastianlexer.eu
817:Sebastian Lexer.
221:The Book is Alive
158:Scratch Orchestra
16:(Redirected from
2043:
2011:Official website
1998:
1997:
1963:
1951:
1945:
1944:
1942:
1941:
1927:
1921:
1920:
1918:
1917:
1903:
1897:
1896:
1885:. Uniformbooks.
1878:
1872:
1871:
1869:
1868:
1854:
1848:
1847:
1845:
1844:
1829:
1823:
1822:
1820:
1819:
1805:
1799:
1798:
1796:
1795:
1781:
1775:
1774:
1772:
1771:
1756:
1750:
1749:
1747:
1746:
1732:
1726:
1725:
1723:
1722:
1708:
1702:
1701:
1699:
1698:
1688:
1682:
1681:
1671:
1652:"Walking in Air"
1647:
1641:
1640:
1633:
1627:
1626:
1619:
1613:
1612:
1605:
1599:
1598:
1596:
1595:
1581:
1575:
1574:
1572:
1571:
1556:
1550:
1549:
1541:
1535:
1534:
1532:
1531:
1521:"klangraum 2019"
1517:
1511:
1510:
1508:
1507:
1492:
1486:
1485:
1482:Evening Standard
1477:
1471:
1470:
1468:
1467:
1453:
1447:
1446:
1444:
1443:
1429:
1423:
1422:
1420:
1419:
1405:
1399:
1398:
1379:
1373:
1372:
1365:
1359:
1358:
1356:
1355:
1341:
1335:
1334:
1332:
1331:
1321:
1315:
1314:
1312:
1311:
1296:
1290:
1289:
1287:
1286:
1271:
1265:
1264:
1262:
1261:
1251:"Gildas Quartet"
1247:
1241:
1240:
1238:
1237:
1222:
1216:
1215:
1213:
1212:
1198:
1192:
1191:
1189:
1188:
1172:
1166:
1165:
1163:
1162:
1152:
1146:
1145:
1127:
1121:
1120:
1118:
1117:
1107:
1101:
1100:
1098:
1097:
1083:
1077:
1076:
1074:
1073:
1059:
1053:
1052:
1050:
1049:
1035:
1029:
1028:
1026:
1025:
1011:
1005:
1004:
1002:
1001:
992:
984:
978:
977:
975:
974:
960:
954:
953:
951:
950:
936:
930:
929:
893:
887:
886:
884:
883:
869:
863:
862:
860:
859:
845:
839:
838:
833:
832:
823:
814:
808:
807:
805:
804:
795:
787:
781:
780:
778:
777:
763:
757:
756:
754:
753:
744:
736:
730:
729:
727:
726:
712:
706:
705:
693:
687:
686:
684:
683:
669:
663:
662:
660:
659:
645:
639:
638:
636:
635:
624:
618:
617:
615:
614:
599:
593:
592:
590:
589:
575:
569:
568:
566:
565:
558:Books at Bristol
550:
544:
543:
541:
540:
525:
519:
518:
516:
515:
500:
494:
493:
491:
490:
476:
470:
469:
467:
466:
451:
445:
444:
442:
441:
427:
421:
420:
418:
417:
403:
328:The Way We Blend
229:Marianne Schuppe
202:Marianne Schuppe
194:Marianne Schuppe
166:Cornelius Cardew
21:
2051:
2050:
2046:
2045:
2044:
2042:
2041:
2040:
2016:
2015:
2007:
2002:
2001:
1961:
1953:
1952:
1948:
1939:
1937:
1929:
1928:
1924:
1915:
1913:
1905:
1904:
1900:
1893:
1880:
1879:
1875:
1866:
1864:
1862:Thebookroom.net
1856:
1855:
1851:
1842:
1840:
1831:
1830:
1826:
1817:
1815:
1807:
1806:
1802:
1793:
1791:
1783:
1782:
1778:
1769:
1767:
1758:
1757:
1753:
1744:
1742:
1734:
1733:
1729:
1720:
1718:
1710:
1709:
1705:
1696:
1694:
1690:
1689:
1685:
1649:
1648:
1644:
1635:
1634:
1630:
1621:
1620:
1616:
1607:
1606:
1602:
1593:
1591:
1583:
1582:
1578:
1569:
1567:
1558:
1557:
1553:
1543:
1542:
1538:
1529:
1527:
1525:Wandelweiser.de
1519:
1518:
1514:
1505:
1503:
1494:
1493:
1489:
1479:
1478:
1474:
1465:
1463:
1461:Wandelweiser.de
1455:
1454:
1450:
1441:
1439:
1437:Thebookroom.net
1431:
1430:
1426:
1417:
1415:
1413:Thebookroom.net
1407:
1406:
1402:
1381:
1380:
1376:
1367:
1366:
1362:
1353:
1351:
1343:
1342:
1338:
1329:
1327:
1325:"JESSICA ASLAN"
1323:
1322:
1318:
1309:
1307:
1298:
1297:
1293:
1284:
1282:
1273:
1272:
1268:
1259:
1257:
1249:
1248:
1244:
1235:
1233:
1224:
1223:
1219:
1210:
1208:
1200:
1199:
1195:
1186:
1184:
1174:
1173:
1169:
1160:
1158:
1154:
1153:
1149:
1142:
1129:
1128:
1124:
1115:
1113:
1109:
1108:
1104:
1095:
1093:
1085:
1084:
1080:
1071:
1069:
1061:
1060:
1056:
1047:
1045:
1037:
1036:
1032:
1023:
1021:
1013:
1012:
1008:
999:
997:
990:
986:
985:
981:
972:
970:
962:
961:
957:
948:
946:
938:
937:
933:
895:
894:
890:
881:
879:
871:
870:
866:
857:
855:
847:
846:
842:
830:
828:
821:
816:
815:
811:
802:
800:
793:
789:
788:
784:
775:
773:
765:
764:
760:
751:
749:
742:
738:
737:
733:
724:
722:
714:
713:
709:
698:"Critics' Pick"
695:
694:
690:
681:
679:
671:
670:
666:
657:
655:
647:
646:
642:
633:
631:
626:
625:
621:
612:
610:
601:
600:
596:
587:
585:
577:
576:
572:
563:
561:
552:
551:
547:
538:
536:
527:
526:
522:
513:
511:
502:
501:
497:
488:
486:
478:
477:
473:
464:
462:
459:Open Scores Lab
453:
452:
448:
439:
437:
429:
428:
424:
415:
413:
405:
404:
400:
395:
380:Ode (owed) to O
330:Podcast (2022)
318:
276:Ode (owed) to O
241:
156:'s (of AMM and
76:Ode (owed) to O
49:
28:
23:
22:
15:
12:
11:
5:
2049:
2047:
2039:
2038:
2033:
2028:
2018:
2017:
2014:
2013:
2006:
2005:External links
2003:
2000:
1999:
1972:(2): 169–180.
1946:
1922:
1898:
1892:978-1910010075
1891:
1873:
1849:
1824:
1800:
1776:
1751:
1727:
1703:
1683:
1642:
1628:
1625:. The Sampler.
1614:
1611:. Tate Modern.
1600:
1589:Chicago Reader
1576:
1551:
1536:
1512:
1487:
1472:
1448:
1424:
1400:
1374:
1360:
1336:
1316:
1291:
1266:
1255:Gildas Quartet
1242:
1217:
1193:
1167:
1147:
1141:978-1870736961
1140:
1122:
1102:
1078:
1054:
1030:
1006:
979:
955:
931:
888:
864:
840:
809:
782:
758:
731:
707:
688:
664:
653:Ewaeckerle.com
640:
619:
594:
570:
545:
520:
495:
471:
446:
422:
411:ewaeckerle.com
397:
396:
394:
391:
390:
389:
383:
377:
371:
365:
359:
353:
347:
341:
331:
325:
322:Walking in Air
317:
314:
313:
312:
306:
300:
297:
294:
291:
285:
279:
273:
269:
263:
260:
254:
248:
240:
237:
206:Harrey Whalley
190:Antoine Beuger
186:Walking in Air
57:Stuart Brisley
48:
45:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2048:
2037:
2036:Living people
2034:
2032:
2029:
2027:
2024:
2023:
2021:
2012:
2009:
2008:
2004:
1995:
1991:
1987:
1983:
1979:
1975:
1971:
1967:
1960:
1956:
1950:
1947:
1936:
1932:
1926:
1923:
1912:
1908:
1902:
1899:
1894:
1888:
1884:
1877:
1874:
1863:
1859:
1853:
1850:
1839:
1835:
1828:
1825:
1814:
1810:
1804:
1801:
1790:
1786:
1780:
1777:
1766:
1762:
1755:
1752:
1741:
1737:
1731:
1728:
1717:
1713:
1707:
1704:
1693:
1687:
1684:
1679:
1675:
1670:
1665:
1662:(7): 97–103.
1661:
1657:
1653:
1646:
1643:
1638:
1632:
1629:
1624:
1618:
1615:
1610:
1604:
1601:
1590:
1586:
1580:
1577:
1565:
1561:
1555:
1552:
1547:
1540:
1537:
1526:
1522:
1516:
1513:
1501:
1500:Cafeoto.co.uk
1497:
1491:
1488:
1483:
1476:
1473:
1462:
1458:
1452:
1449:
1438:
1434:
1428:
1425:
1414:
1410:
1404:
1401:
1396:
1392:
1388:
1384:
1378:
1375:
1370:
1364:
1361:
1350:
1346:
1340:
1337:
1326:
1320:
1317:
1305:
1301:
1295:
1292:
1280:
1276:
1270:
1267:
1256:
1252:
1246:
1243:
1231:
1227:
1221:
1218:
1207:
1203:
1197:
1194:
1182:
1178:
1171:
1168:
1157:
1151:
1148:
1143:
1137:
1133:
1126:
1123:
1112:
1106:
1103:
1092:
1091:Cafeoto.co.uk
1088:
1082:
1079:
1068:
1064:
1058:
1055:
1044:
1040:
1034:
1031:
1020:
1016:
1010:
1007:
996:
989:
983:
980:
969:
965:
959:
956:
945:
941:
935:
932:
927:
923:
919:
915:
911:
907:
903:
899:
892:
889:
878:
874:
868:
865:
854:
850:
844:
841:
837:
827:
820:
813:
810:
799:
792:
786:
783:
772:
771:Home Live Art
768:
762:
759:
748:
741:
735:
732:
721:
720:Soundtoys.net
717:
711:
708:
703:
699:
692:
689:
678:
674:
668:
665:
654:
650:
644:
641:
629:
623:
620:
608:
604:
598:
595:
584:
580:
574:
571:
559:
555:
549:
546:
534:
530:
524:
521:
509:
505:
499:
496:
485:
481:
475:
472:
460:
456:
450:
447:
436:
432:
426:
423:
412:
408:
402:
399:
392:
387:
384:
381:
378:
375:
372:
369:
366:
363:
360:
357:
354:
351:
348:
345:
342:
339:
335:
332:
329:
326:
323:
320:
319:
315:
310:
307:
304:
301:
298:
295:
292:
289:
286:
283:
280:
277:
274:
270:
267:
264:
261:
258:
255:
252:
249:
246:
243:
242:
238:
236:
234:
230:
226:
222:
218:
214:
209:
207:
203:
197:
195:
191:
187:
183:
179:
175:
171:
167:
163:
159:
155:
154:Eddie Prévost
150:
148:
144:
140:
136:
132:
128:
123:
121:
116:
112:
107:
104:
99:
95:
94:
89:
88:uniformbooks)
85:
81:
77:
73:
69:
64:
62:
58:
54:
46:
44:
41:
37:
32:
19:
1969:
1965:
1954:
1949:
1938:. Retrieved
1934:
1925:
1914:. Retrieved
1910:
1901:
1882:
1876:
1865:. Retrieved
1861:
1852:
1841:. Retrieved
1837:
1827:
1816:. Retrieved
1812:
1803:
1792:. Retrieved
1788:
1779:
1768:. Retrieved
1764:
1754:
1743:. Retrieved
1739:
1730:
1719:. Retrieved
1715:
1706:
1695:. Retrieved
1686:
1659:
1655:
1645:
1631:
1617:
1603:
1592:. Retrieved
1588:
1579:
1568:. Retrieved
1563:
1554:
1545:
1539:
1528:. Retrieved
1524:
1515:
1504:. Retrieved
1502:. 2018-03-14
1499:
1490:
1481:
1475:
1464:. Retrieved
1460:
1451:
1440:. Retrieved
1436:
1427:
1416:. Retrieved
1412:
1403:
1386:
1382:
1377:
1363:
1352:. Retrieved
1348:
1339:
1328:. Retrieved
1319:
1308:. Retrieved
1306:. 2019-01-29
1303:
1294:
1283:. Retrieved
1281:. 2019-01-31
1278:
1269:
1258:. Retrieved
1254:
1245:
1234:. Retrieved
1232:. 2019-08-04
1229:
1220:
1209:. Retrieved
1205:
1196:
1185:. Retrieved
1180:
1170:
1159:. Retrieved
1150:
1131:
1125:
1114:. Retrieved
1105:
1094:. Retrieved
1090:
1081:
1070:. Retrieved
1066:
1057:
1046:. Retrieved
1042:
1033:
1022:. Retrieved
1018:
1009:
998:. Retrieved
994:
982:
971:. Retrieved
967:
958:
947:. Retrieved
943:
934:
904:(2): 88–89.
901:
897:
891:
880:. Retrieved
876:
867:
856:. Retrieved
852:
843:
835:
829:. Retrieved
825:
812:
801:. Retrieved
797:
785:
774:. Retrieved
770:
761:
750:. Retrieved
746:
734:
723:. Retrieved
719:
710:
701:
691:
680:. Retrieved
676:
667:
656:. Retrieved
652:
643:
632:. Retrieved
630:. 2018-10-02
622:
611:. Retrieved
609:. 2015-11-17
606:
597:
586:. Retrieved
582:
573:
562:. Retrieved
560:. 2016-11-07
557:
548:
537:. Retrieved
535:. 2011-04-28
532:
529:"POLYply 10"
523:
512:. Retrieved
510:. 2016-03-09
507:
498:
487:. Retrieved
483:
474:
463:. Retrieved
461:. 2019-02-06
458:
449:
438:. Retrieved
434:
425:
414:. Retrieved
410:
401:
385:
379:
373:
367:
361:
358:(RGAP, 2013)
355:
349:
343:
337:
333:
327:
321:
308:
302:
287:
281:
275:
265:
257:Jungle Fever
256:
250:
244:
239:Performances
225:Joachim Eckl
220:
210:
198:
185:
181:
177:
173:
169:
151:
135:Tate Britain
124:
119:
114:
110:
108:
102:
98:Jungle Fever
97:
91:
87:
83:
78:released by
75:
71:
67:
65:
50:
39:
38:
36:
1838:Art Journal
1183:(in French)
484:Squidco.com
2020:Categories
1940:2019-07-05
1916:2019-07-05
1867:2019-07-05
1843:2019-07-10
1818:2022-12-07
1794:2022-12-07
1770:2022-12-07
1745:2022-12-07
1721:2022-12-07
1697:2022-12-07
1594:2019-07-07
1570:2019-07-05
1530:2019-07-05
1506:2019-07-05
1466:2019-07-05
1442:2020-01-03
1418:2020-01-03
1395:0956902456
1354:2020-01-03
1330:2020-01-03
1310:2020-01-03
1285:2020-01-03
1260:2020-01-03
1236:2020-01-03
1211:2020-01-03
1187:2022-12-07
1161:2022-12-07
1116:2020-01-03
1096:2020-01-03
1072:2020-01-03
1048:2020-01-03
1024:2020-01-03
1000:2020-08-12
973:2020-01-03
949:2020-01-03
882:2020-01-03
858:2020-01-03
831:2020-08-12
803:2020-08-12
776:2020-01-03
752:2020-08-12
747:Nycemf.org
725:2020-01-03
682:2020-01-03
658:2019-07-05
634:2019-11-26
613:2019-11-26
588:2019-11-26
564:2019-11-26
539:2019-11-26
514:2019-11-26
489:2019-11-26
465:2019-11-26
440:2019-07-05
416:2019-11-26
393:References
288:Bouche Bée
162:Bouche Bée
103:Slow March
93:Story of O
61:Liz Rhodes
1994:194962807
1986:1751-4517
1678:1352-8165
1546:Sound Out
1043:cdla.info
926:220340396
918:1352-8165
245:I Confess
233:Jürg Frey
131:V & A
63:in 1996.
47:Biography
1304:IKLECTIK
1279:IKLECTIK
1230:IKLECTIK
1067:Mopomoso
702:Artforum
217:bookRoom
141:and the
1181:le cdla
1019:Asu.edu
968:The CPR
533:POLYply
168:works;
1992:
1984:
1889:
1676:
1393:
1138:
924:
916:
677:7a*11d
362:Code X
231:, and
1990:S2CID
1962:(PDF)
991:(PDF)
922:S2CID
822:(PDF)
794:(PDF)
743:(PDF)
111:VINST
55:with
1982:ISSN
1887:ISBN
1674:ISSN
1391:ASIN
1136:ISBN
914:ISSN
272:2018
172:and
74:and
59:and
1974:doi
1664:doi
906:doi
336:on
2022::
1988:.
1980:.
1970:11
1968:.
1964:.
1933:.
1909:.
1860:.
1836:.
1811:.
1787:.
1763:.
1738:.
1714:.
1672:.
1660:26
1658:.
1654:.
1587:.
1562:.
1523:.
1498:.
1459:.
1435:.
1411:.
1389:.
1385:.
1347:.
1302:.
1277:.
1253:.
1228:.
1204:.
1179:.
1089:.
1065:.
1041:.
1017:.
993:.
966:.
942:.
920:.
912:.
900:.
875:.
851:.
834:.
824:.
796:.
769:.
745:.
718:.
700:.
675:.
651:.
605:.
581:.
556:.
531:.
506:.
482:.
457:.
433:.
409:.
235:.
227:,
192:,
137:,
133:,
129:,
1996:.
1976::
1943:.
1919:.
1895:.
1870:.
1846:.
1821:.
1797:.
1773:.
1748:.
1724:.
1700:.
1680:.
1666::
1597:.
1573:.
1533:.
1509:.
1484:.
1469:.
1445:.
1421:.
1397:.
1357:.
1333:.
1313:.
1288:.
1263:.
1239:.
1214:.
1190:.
1164:.
1144:.
1119:.
1099:.
1075:.
1051:.
1027:.
1003:.
976:.
952:.
928:.
908::
902:9
885:.
861:.
806:.
779:.
755:.
728:.
704:.
685:.
661:.
637:.
616:.
591:.
567:.
542:.
517:.
492:.
468:.
443:.
419:.
70:r
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.