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Emmett Till: How She Sent Him and How She Got Him Back

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The left side of the painting uses bright colors and clean lines to display Emmett Till's face before he was found lynched. The right side of the painting uses dark colors and texture to display Emmett Till's face after he was found lynched. The detail present in the painting on the right side of the
139:, Dr. Whittington says that when she "saw a picture of Mamie Till receiving the body of her son at an Illinois terminal after his murder," she was inspired to create the painting. It took her "over ten years" to complete because of the emotional toll it took on her. She worked back and forth between 185:
Dr. Jared Sexton, author and professor of African American studies, describes Dr. Whittington's painting as such: "Careful and responsible is the leitmotif of Whittington's painting, as it is for most black artists, critics and curators who have weighed in on the matter representing Emmett Till and
384: 160:, and with witness testimonies given in the same report. It is also accordant with photos of Emmett Till's face before and after the lynching, shared throughout the media after his death. 115:, and allowed the media to cover it, as well as the physical appearance of Emmett Till's body. She had said, "I wanted the world to see what they did to my baby." As of February 2019, 281: 583: 408: 331: 260: 603: 588: 423: 306: 484: 91:
is a painting completed by African-American artist Lisa Whittington in 2012. The painting is a portrait of a 14-year-old boy named
204:(1889). In a TED Talk, she says "nobody had ever given color until Vincent Van Gogh did that for me." She is also influenced by 28: 120: 77: 593: 385:"Policing the Boundaries of Whiteness: The Tragedy of Being "Out of Place" from Emmett Till to Trayvon Martin" 355: 578: 380: 598: 209: 124: 112: 127:. The original work is mixed media on canvas, and is 24 inches in length by 36 inches in height. 96: 310: 431: 402: 509: 200: 195: 179: 67: 221: 332:"#MuseumsSoWhite: Emmett Till painting backlash proves gallery representation matters" 572: 217: 213: 182:, and sparked public debate, comparison in the media between the two pieces began. 62: 205: 186:
the whole range of issues that seem to condense around his image and likeness."
174: 169: 92: 55: 534: 282:"Emmett Till's mother opened his casket and sparked the civil rights movement" 108: 435: 459: 424:"White Artist's Painting of Emmett Till at Whitney Biennial Draws Protests" 136: 560: 104: 100: 107:
by two white men for offending a white woman. Emmett Till's mother,
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What Does Art Want With You? | Lisa Whittington | TEDxDeerPark
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face is consistent with reports done in an autopsy by the
307:"Race: The Great American Divide - Brookings Institution" 141:
Emmett Till: How She Sent Him and How She Got Him Back,
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Emmett Till: How She Sent Him and How She Got Him Back,
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Emmett Till: How She Sent Him and How She Got Him Back
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Emmett Till: How She Sent Him and How She Got Him Back
73: 61: 51: 43: 35: 21: 460:"The Rage: Some Closing Comments on "Open Casket"" 485:"Abstracting the savaged body of Emmett Till" 8: 407:: CS1 maint: numeric names: authors list ( 27: 18: 194:Dr. Lisa Whittington's main influence is 584:Civil rights movement in popular culture 261:Civil rights movement in popular culture 272: 508:Abdurahman, J. Khadijah (2018-05-20). 400: 95:. In 1955, he was visiting family in 7: 453: 451: 233:Harlem Baby: My Lord What A Morning 198:. She is fascinated with his work, 14: 280:Brown, Deneen L. (12 July 2018). 16:2012 painting by Lisa Whittington 249:Except As A Punishment For Crime 121:Mississippi Civil Rights Museum 78:Mississippi Civil Rights Museum 604:Paintings of African-Americans 589:Paintings in the United States 178:(2016), was shown at the 2017 1: 422:Kennedy, Randy (2017-03-21). 458:Sexton, Jared (2017-05-21). 309:. 2010-06-06. Archived from 241:Mamie Till: Grace Under Fire 145:Mamie Till: Grace Under Fire 103:, when he was kidnapped and 356:"Emmett Till Part 01 of 02" 168:When a similar painting by 620: 533:TEDx Talks (2017-05-05), 483:Jayawardane, M. Neelika. 26: 143:and a separate painting 381:Angela Onwuachi-Willig 80:, Jackson, Mississippi 594:Paintings about death 135:In an interview with 565:for Lisa Whittington 210:Jean-Michel Basquiat 125:Jackson, Mississippi 119:is displayed at the 286:The Washington Post 113:open casket funeral 428:The New York Times 97:Money, Mississippi 489:www.aljazeera.com 84: 83: 611: 564: 563: 561:Official website 546: 545: 544: 543: 530: 524: 523: 521: 520: 505: 499: 498: 496: 495: 480: 474: 473: 471: 470: 455: 446: 445: 443: 442: 419: 413: 412: 406: 398: 396: 395: 376: 370: 369: 367: 366: 352: 346: 345: 343: 342: 328: 322: 321: 319: 318: 303: 297: 296: 294: 292: 277: 201:The Starry Night 196:Vincent van Gogh 180:Whitney Biennial 68:Contemporary art 39:Lisa Whittington 31: 19: 619: 618: 614: 613: 612: 610: 609: 608: 569: 568: 559: 558: 555: 550: 549: 541: 539: 532: 531: 527: 518: 516: 507: 506: 502: 493: 491: 482: 481: 477: 468: 466: 457: 456: 449: 440: 438: 421: 420: 416: 399: 393: 391: 389:Iowa Law Review 378: 377: 373: 364: 362: 354: 353: 349: 340: 338: 330: 329: 325: 316: 314: 305: 304: 300: 290: 288: 279: 278: 274: 269: 257: 230: 192: 166: 153: 133: 17: 12: 11: 5: 617: 615: 607: 606: 601: 596: 591: 586: 581: 579:2012 paintings 571: 570: 567: 566: 554: 553:External links 551: 548: 547: 525: 500: 475: 447: 414: 383:* 102 Iowa L. 371: 347: 323: 298: 271: 270: 268: 265: 264: 263: 256: 253: 229: 226: 222:Romare Bearden 191: 188: 165: 162: 152: 149: 132: 129: 82: 81: 75: 71: 70: 65: 59: 58: 53: 49: 48: 45: 41: 40: 37: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 616: 605: 602: 600: 597: 595: 592: 590: 587: 585: 582: 580: 577: 576: 574: 562: 557: 556: 552: 538: 537: 529: 526: 515: 511: 504: 501: 490: 486: 479: 476: 465: 464:contemptorary 461: 454: 452: 448: 437: 433: 429: 425: 418: 415: 410: 404: 390: 386: 382: 375: 372: 361: 357: 351: 348: 337: 333: 327: 324: 313:on 2010-06-06 312: 308: 302: 299: 287: 283: 276: 273: 266: 262: 259: 258: 254: 252: 250: 246: 245:Emmett, Until 242: 238: 234: 227: 225: 223: 219: 218:Pablo Picasso 215: 211: 207: 203: 202: 197: 189: 187: 183: 181: 177: 176: 171: 163: 161: 159: 150: 148: 146: 142: 138: 130: 128: 126: 122: 118: 114: 110: 106: 102: 98: 94: 90: 89: 79: 76: 72: 69: 66: 64: 60: 57: 54: 50: 46: 42: 38: 34: 30: 25: 20: 540:, retrieved 535: 528: 517:. Retrieved 513: 503: 492:. Retrieved 488: 478: 467:. Retrieved 463: 439:. Retrieved 427: 417: 392:. Retrieved 388: 374: 363:. Retrieved 359: 350: 339:. Retrieved 335: 326: 315:. Retrieved 311:the original 301: 289:. Retrieved 285: 275: 248: 244: 240: 236: 232: 231: 214:Keith Haring 199: 193: 184: 173: 167: 154: 144: 140: 134: 116: 87: 86: 85: 599:Emmett Till 379:Rev. 1113, 228:Other works 206:Frida Kahlo 175:Open Casket 131:Inspiration 93:Emmett Till 56:Mixed Media 573:Categories 542:2019-05-27 519:2019-06-03 510:"The Hood" 494:2019-06-03 469:2019-06-03 441:2019-06-03 394:2019-06-03 365:2019-05-27 341:2019-05-27 317:2019-05-27 267:References 237:I Am A Man 190:Influences 170:Dana Shutz 111:, held an 109:Mamie Till 436:0362-4331 151:Depiction 403:cite web 336:NBC News 255:See also 247:(2018), 243:(2018), 239:(2016), 235:(2015), 164:Response 147:(2018). 137:NBC News 74:Location 63:Movement 251:(2019) 105:lynched 101:Chicago 99:, from 514:Medium 434:  291:26 May 220:, and 52:Medium 36:Artist 432:ISSN 409:link 293:2019 47:2012 44:Year 360:FBI 158:FBI 123:in 575:: 512:. 487:. 462:. 450:^ 430:. 426:. 405:}} 401:{{ 387:. 358:. 334:. 284:. 224:. 216:, 212:, 208:, 172:, 522:. 497:. 472:. 444:. 411:) 397:. 368:. 344:. 320:. 295:.

Index


Mixed Media
Movement
Contemporary art
Mississippi Civil Rights Museum
Emmett Till
Money, Mississippi
Chicago
lynched
Mamie Till
open casket funeral
Mississippi Civil Rights Museum
Jackson, Mississippi
NBC News
FBI
Dana Shutz
Open Casket
Whitney Biennial
Vincent van Gogh
The Starry Night
Frida Kahlo
Jean-Michel Basquiat
Keith Haring
Pablo Picasso
Romare Bearden
Civil rights movement in popular culture
"Emmett Till's mother opened his casket and sparked the civil rights movement"
"Race: The Great American Divide - Brookings Institution"
the original
"#MuseumsSoWhite: Emmett Till painting backlash proves gallery representation matters"

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