308:, nomination for the Revelación femenina prize of the Asociación de Críticos Mexicanos (1988), the Juan Ruíz de Alarcón Prize, the Salvador Novo Prize and the María Teresa Montoya Prize from La Unión de Críticos y Cronistas de Teatro, A.C.(1994) and the María Douglas Prize (1999). She has adapted various novels and other works for screen including Emily and Primer Amor (with Antonio Algarra), Entre Sombras by Yolanda Vargas Dulché, Variación de “Un cuarto propio” based on a work by
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Other work has included film roles such as Los Justos (1973), Estación
Buenavista (1981), Los Hermanos Queridos (1982), Carnaval de Sodoma (2005), Desátame (2011) and Runaway home (2012) . Since 1986 she has been involved in direction and production activities, which have included coproducing Lejos
195:. Her interest in the theater began when she was a child; however, her formal college degree work focused on philosophy. She graduated from the Universidad Nacional Autónoma de México (UNAM) in 1977 with a degree in philosophy, followed by graduate work in the philosophy of science at the
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and ¿De verdad cree que la muerte es muy dulce, Madame de
Beauvoir? by Simone de Beauvoir as well as several translations of works such as La beldad de Amhurst by William Luce (with Marta Donís), The Lady of Larkspur Lotion by
179:. Other acting related work has been direction and production of plays, along with screenplay adaptation and translations. Her academic work has been focused on philosophy, mostly with the
203:. She received her masters in philosophy at UNAM. Her acting studies began in 1969 at UNAM with various classes and workshops including classes taken in Paris and London up through 1989.
337:. She cofounded the Laboratorio Teatral Paraíso with Antonio Algarra and Exy Gaistardo. She has written two plays Viñetas teatrales (2005) and El Ángel negro (2007, in progress) .
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Most of her acting work has been with the theatre with roles in over forty five plays and other theatrical pieces from 1969 to the present. These include Lejos (Far away) by
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From 1970 to the present she has taught various university level courses in philosophy, logic, history of philosophy at various institutions but primarily at UNAM and the
210:, when the character was accused of racism by some in the United States, Emoé defended her mother and the character, who she says she considered to be an “older brother.”
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She is the daughter of
Mexican writer Yolanda Vargas Dulché whose work she has safeguarded since her mother’s death in 1999. During the 2005 controversy surrounding
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with some appearances in series and documentaries. Her television includes appearances in
Encrucijada (telenovela, 1969), Gabriel y Gabriela (telenovela, 1982),
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301:(Far away) (2009), direction and production of Emily (2009), and production of Primavera salvaje (2011) .
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Quijano, Julio
Alejandro (July 1, 2005). "Defienden a 'Memín Pinguín'" [Defend Memín Pinguín].
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In addition to
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460:[This Sunday, Emoé de la Parra presents "First Love" in Hidalgo].
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Her recognitions include Best amateur actress (1972) from
281:(telenovela, 1993), Cosa Juzgada (video theatre, 1994),
489:"Emoé de la Parra desgarra la imagen del "Primer Amor""
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333:(with Gerardo Moscoso) and Mrs. Klein by
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140:Armando Vargas de la Maza (grandfather)
269:(TV series, 1988, 1991, 1992, 1995),
128:Manelick de la Parra Vargas (brother)
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347:Universidad Autónoma Metropolitana
312:, Variación de “Molly Bloom” from
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464:(in Spanish). Archived from
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230:(2009), Noche de Ánimas by
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445:(in Spanish). Mexico City.
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246:(2012), and Requiem by
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242:(2011), First Love by
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297:(telenovela, 2010) .
169:Yolanda Vargas Dulché
155:on June 16, 1951, in
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173:Encrucijada
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250:(2012) .
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291:Pasión
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