251:) - kidnapped her baby daughter, and switched records between a stillborn child and healthy child to make it appear as if Jane's baby was stillborn. Rita faked a pregnancy for months to keep her drifting lover Frank (Don Yesso) from leaving her. When Frank- who is married to another woman- shows his disappointment that "their" child is not a boy, Rita responds in anger and immediately sets out to somehow get a baby boy as well. Sometime later, she announces that she is pregnant again, and poses under the assumed name Elaine Crisp to take care of a pregnant woman who will deliver a boy. When Rita finds out that the woman knows about her true identity, she instead induces the labor of a 30-year-old woman named Theresa Richland (
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herself from everyone she knows, Jane continues to find out the truth and slowly recollects all the memories of her labor. In the hospital, she runs into Nurse Ramsey (Karmin
Murcelo), who helped her with her labor before Rita stepped in. Ramsey admits that she remembers that her baby was alive and healthy when she last checked up on her, but she is too afraid to support her theories. Therefore, Jane hires attorney Gail Huddle (
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was not very enthusiastic about the film, it praised the cast: "Jackson, with a bravura role, turns in a multidimensional and textured performance—complete with wiry demeanor, feverish eyes and jolts of scary temper. By contrast, Loughlin lends the show, directed by Paul
Schneider, its requisite
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Meanwhile, Jane becomes convinced that her baby wasn't stillborn, but instead of receiving support, her relatives and best friend Sharon (Michelle Joyner) believe that she is addicted to drugs and suffering from a depression, and suggest her to visit a psychiatrist. Even though she is estranging
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over ten years ago and cannot give birth to children. Afterwards, Rita admits to the murder of
Theresa and having stolen two babies, but refuses to tell who the first baby's mother is. Nonetheless, Knoll locates Jane, and happily reunites her with her daughter.
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soft, matronly balance and all-purpose sympathy factor. Supporting player Jona
Blechman, as Jackson's squirrelly accomplice of a teenage son, embroiders the edges of one of the more dysfunctional families imaginable.
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The true story behind this movie is told in the non-fiction book "Masking Evil" by Carol Anne Davis (Summersdale, 2016).
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383:"A Devilish Jackson in 'Empty Cradle'",
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