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Method, therefore, becomes natural to the mind which has been accustomed to contemplate not things only, or for their own sake alone, but likewise and chiefly the relations of things, either their relations to each other, or to the observer, or to the state and apprehension of the hearers. To
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in vol. 3), and interspersed with (210) chapters on history (to 1815), as the most philosophical, interesting and natural form (but modern lives were so many that the plan broke down, and a division of biography, to be in 2 vols., was announced but not published);
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The London
Encyclopaedia: Or, Universal Dictionary of Science, Art, Literature, and Practical Mechanics, Comprising a Popular View of the Present State of Knowledge. Illustrated by Numerous Engravings, a General Atlas, and Appropriate
131:. Tegg used Thomas Curtis from the original Coleridge project as editor, and proclaimed the fact on the title page. As he explained in the 1829 preface to his work, Tegg had been obstructed by legal moves from the side of the
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It professed to give sciences and systematic arts entire and in their natural sequence. Coleridge's
Introduction was a treatise on method, with fundamental approach to emphasize the relations of ideas:
85:, working with the Rev. Thomas Curtis. Coleridge was offered the role of editor; he wrote the Introduction, which appeared in January 1818, brought out to compete with the fifth edition of the
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A re-issue in 38 vols. quarto, was announced in 1849. Of a second edition 42 vols. 8vo, 14,744 pages, belonging to divisions i. to iii., were published in 1849–1858.
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Later critics said of the actual plan that, being the proposal of
Coleridge, it had at least enough of a poetical character to be eminently impractical (
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enumerate and analyze these relations, with the conditions under which alone they are discoverable, is to teach the science of method.
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III. History and biography, 5 vols., 4,458 pages, 7 maps, containing biography (135 essays) chronologically arranged (to
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135:, but went ahead anyway, pleading that compilations such as encyclopedias needed different rules of copyright.
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which had appeared in 1817 in 20 volumes. Fenner, however, dropped the publication after five part-volumes.
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The plates were issued in three volumes. An index volume, 364 pages, contained about 9,000 articles.
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I. Pure
Sciences, 2 vols., 1,813 pages, 16 plates, 28 treatises, includes grammar, law and theology;
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It is in four divisions, with only the last division being presented in an alphabetical structure:
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One or more of the preceding sentences incorporates text from a publication now in the
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II. Mixed and
Applied Sciences, 6 vols., 5,391 pages, 437 plates, 42 treatises, including
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IV. Miscellaneous and lexicographical, 13 vols., 10,338 pages, 105 plates, including
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Initially the project was part of transitional arrangements in 1817 under which
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and descriptive natural history. An
English lexicon, in parts, was supplied by
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A title page from division three (history and biography) of the second edition
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338:. Vol. 9 (11th ed.). Cambridge University Press. p. 381.
65:, 30 vols., having been issued in 59 parts (22,426 pages, 565 plates).
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was an encyclopedic work published in London, from 1817 to 1845, by
106:, in this case to counter its secular tendency. Howley brought in
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98:was revived in 1820 by the intervention of Bishop
159:, cxiii, 379); but the treatises by Archbishop
330:Encyclopaedia s.v. Encyclopaedia Metropolitana
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368:(online ed.). Oxford University Press.
114:as editor. Smedley was succeeded in 1836 by
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485:. London: Smith, Elder & Co. 1885–1900.
428:. London: Smith, Elder & Co. 1885–1900.
406:. London: Smith, Elder & Co. 1885–1900.
362:Murphy, G. Martin. "Lyall, William Rowe".
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238:(i.e. History and Biography v.4)
232:(i.e. History and Biography v.3)
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54:The Encyclopædia Metropolitana
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350:Coleridge: Darker Reflections
382:UK public library membership
44:Snow flakes, engraving from
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18:Encyclopedia Metropolitana
273:(i.e. Miscellaneous v.10)
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419:"Rose, Hugh James"
267:(i.e. Miscellaneous v.5)
261:(i.e. Miscellaneous v.3)
397:"Smedley, Edward"
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439:Thomas Curtis (1820).
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