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Considered one of the first
Chilean symphonists, he carried out his first studies in ConcepciĆ³n with Clotilde de la Barra (piano) and Domingo Brescia (harmony and counterpoint). With a scholarship from the Chilean Senate, he left, in 1898, to study at the Royal Conservatory of Milan (Italy), one of
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Together with the musician Luigi
Stefano Giarda, he soon became a professor of harmony and counterpoint at the National Conservatory of Music of Chile (Conservatorio Nacional de MĆŗsica de Chile), where he quickly became its deputy director (1907) and then director, composition professor and piano
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From a musical point of view, his work is rooted in the classical-romantic tradition, with a recognized style immersed in classical forms, full of a spontaneous lyrical sense. The researcher Raquel Bustos recognizes two periods in her work: from her beginnings until 1911 (beginning period), and,
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He premiered and presented his works in Europe, the United States and Latin
America; He recorded master rolls for the Aeolian Company, records for Columbia and managed to get a 50-year contract with the Schirmer publishing house.
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the most important in the world at that time. He graduated from this place in 1904, the year in which he began a recognized and extensive career as a pianist of works from the universal repertoire, in addition to his own.
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His honors, positions and awards were multiple, among which stands out having been vice president of the
Society of Chilean Composers (Sociedad de Compositores Chilenos).
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has recorded a disc of his works, comprising the following: Danza FantĆ”stica, 3 Aires chilenos, Andante appassionato (version for orchestra), and SinfonĆa romĆ”ntica.
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subsequently, from 1911 until her death (maturity period). He wrote few works with vernacular material in its natural state, the most performed being
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Recognized as a great improviser on the piano, his life was linked with great personalities of the time, such as
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teacher (1919), remaining linked to this institution for almost two decades. He was a teacher of:
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In 1904 he won the Grand Prix for High
Composition from the Royal Conservatory of Milan.
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112:(July 15, 1884 ā December 03, 1954) was a Chilean composer and pianist. He won the
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In 1917 he obtained the Gold Medal for the "Himno a la
Bandera Chilena"
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In 1910 he obtained the Gold Medal for the
Centennial Anthem of Chile.
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In 1922 he was appointed member of the
Society of Composers of Paris.
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In 1948 he obtained the
National Art Prize, Musical mention.
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198:Gran Concierto para Piano y Orquesta en Re Menor
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313:This Chilean biographical article is a
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103:Composer of the first symphony in Chile
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317:. You can help Knowledge (XXG) by
276:"Enrique Soro Barriga (1884ā1954)"
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374:Musicians from ConcepciĆ³n, Chile
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282:. Biblioteca Nacional de Chile
114:National Prize of Art of Chile
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181:SinfonĆa RomĆ”ntica" (1923)
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251:"Enrique Soro Barriga"
205:Awards and nominations
389:Chilean people stubs
255:Universidad de Chile
186:Preludios Sinfonicos
110:Enrique Soro Barriga
95:Composer and pianist
34:Enrique Soro Barriga
384:Classical composers
192:Tres Aires Chilenos
169:Tres aires chilenos
161:Camille Saint-Saƫns
126:Domingo Santa Cruz
379:Chilean composers
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149:Ignacy Paderewski
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73:Santiago de Chile
69:December 03, 1954
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46:Enrique Soro
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369:1954 deaths
364:1884 births
84:Nationality
358:Categories
237:References
137:Pau Casals
116:in 1948.
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260:June 27,
171:(1942).
87:Chilean
200:(1918)
194:(1942)
188:(1936)
231:Naxos
77:Chile
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288:2020
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