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this subject matter, Tábara said that one day he was drawing a figure but he didn't like it, so he ripped it up and the feet of the figure landed at his feet, thus his fate. It has been suggested by some critics that Tábara's use of feet was possibly a subtle statement in opposition to
Guayasamin's use of hands. In some of Tábara's Patas-Patas works, the legs are bold focal points that stand out clearly. In other works, the legs are more obscure or seem to be hidden within shrubs, bones or abstract forms.
268:. He became interested in art as a child and was drawing regularly by the age of six. In these early years, Tabara was strongly encouraged by both his sister and his mother. Enrique Tábara nevertheless was a creator who investigated and demystified the image in which he took refuge. Tábara's vitality is a constant that reveals the versatile spirit of a teacher and a master of experimentation.
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25:
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After living and painting in Europe for over nine years Tábara felt that there was not enough being done in the name of Latin
American Modern art so in 1964 he returned to Ecuador in search of a new aesthetic. Tábara reconnected to his roots through the Latin American current of "Ancestralism", which
525:
Tábara was an artist who was in a constant, infinite search. He liked to experiment and live "pictorical adventures". He believed that in art one has to pose difficult problems for oneself and solve them on the canvas. Today, Tábara is considered one of the most important artists of the last century
521:
Finally, Tábara started to paint simple shapes inspired in nature, and also other simple structures, such as his famed "Patas-Patas", or Feet-Feet, as well as insects and shrubs. Tábara is most known for his Patas-Patas works which contain legs with feet incorporated into the piece. When asked about
323:
In 1946, Tábara attended the School of Fine Arts in
Guayaquil and was mentored by German artist Hans Michaelson and Guayaquilean artist, Luis Martinez Serrano. In 1951, Tábara finished mastering the fundamentals and left art school. Tábara's early works typically depicted
533:, the country's most prestigious National Award for Art, Literature and Culture presented by the president of Ecuador. Tábara continued to paint with a vigorous spirit in his home town of Guayaquil, Ecuador. Barcelona is considered Tábara's home away from home.
339:(OAS) in Washington, D.C. In 1955, the Ecuadorian government offered Tábara a scholarship to study at the Escuela Official de Bellas Artes de Barcelona. Tábara's work was welcomed with great success in Spain and Tábara befriended surrealist
493:". In other words, the artists were moving on, away from Guayasaminism and Indigenous Art Movement that had been dominating the art scene of Ecuador for decades. VAN consisted of Tábara,
481:
founded the
Informalist art group, VAN (Vanguardia Artística Nacional), that was in opposition to the Indigenous Art Movement. VAN had a double meaning, from the avant-garde term,
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finds inspiration in pre-Hispanic cultures that inhabited the continent (third stage). Tábara is the first artist to use the Pre-Columbian motif as a search for a new aesthetic.
606:
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95:
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1128:
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2006 Guía de El
Grabado Latinoamericano: La Evolución de la Identidad desde lo Mítico hasta lo Personal, Museum of Latin American Art (MoLAA),
261:(21 February 1930 – 25 January 2021) was a master Ecuadorian painter and teacher representing a whole Hispanic pictorial and artistic culture.
382:, Modest Cuixart and many other Spanish Informalist artists. Tàpies and Cuixart were members of the first Post-War Movement in Spain known as
367:. Miró enthusiastically praised Tábara's work and presented Tábara with an original piece of his artwork which Tábara has long treasured.
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347:. By 1959, Tábara's work had gained a great deal of international attention. André Breton asked Tábara to represent Spain in the
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1954 Segunda
Exposición individual (primeras obras, no figurativas) Casa de la Cultura (N. del Guayas), Guayaquil, Ecuador.
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in Paris for the Third
Biennial of Paris. By 1964, Tábara's work was being shown throughout Latin America, as well as
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and was in a constant search for new artistic pathways while never losing a connection to their Pre-Columbian roots.
402:
and its members sought a connection to both the conscious and unconscious in their work. Dau-al-Set opposed both the
280:
186:
1351:
1998 Medal of Honor of the
National Congress by the 50th Anniversary of the Professional Trajectory of the Artist.
78:
168:
1497:
88:
82:
74:
1388:
1135:
1106:
2003 Bocetos de Tábara 1998–2003, La
Galeria Mirador, Universidad Católica de Guayaquil, Guayaquil, Ecuador.
1006:
945:
146:
1163:
2006 Monograph: The Work of
Enrique Tábara, National Museum of the Central Bank of Ecuador, Quito, Ecuador.
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1970 Gold Medal, First Hall Drawing, Watercolor and Tempera, House of the Culture, Quito, Ecuador.
287:. Torres Garcia and Rendón both made an enormous impact on Latin American artists such as Tábara,
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1134:
2005 Ceremony for the Museum of Art and Academic Senate (MuSA) at The University of Puerto Rico,
911:
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498:
300:
193:
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Geografías Plásticas del Arte Ecuatoriano del Siglo XX: Desde la Estética del Objeto al Concepto
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1973 Gold Medal, 25 years of Painting Exhibition, School of Beautiful Arts, Guayaquil, Ecuador.
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1994 Decoration to the Artistic Merit in the Degree of Commander by the Ecuadorian Government
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1989 Second Prize, River Basin Biennial of International Painting – River Basin, Ecuador
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842:
Latin American Paintings and Drawings from the Collection of John and Barbara Duncan
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Movement and the formal art centers. The group was inspired by the early works of
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344:
1424:. Pelaez Editores, Centro de Arte Gala Banco de Guayaquil; Quito, Ecuador, 1990.
1230:
2008 Ministry of Foreign Trade and Integration – Ecuadorian Embassy in Germany,
1086:
865:
1973 Colegio de Bellas Artes (25 años de Pintura) 1948–1973, Guayaquil, Ecuador.
478:
391:
135:
279:, which made its way into Europe and Latin America by way of Uruguayan painter
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383:
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329:
509:, Almeida, and Muriel. VAN strongly opposed the Communist political views of
1320:
1968 Medal of Artistic Merit, Municipality of Guayaquil, Guayaquil, Ecuador.
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1998 Medal to the Cultural Merit (House of the Culture) Guayaquil, Ecuador.
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1989 Centro de Arte de la Sociedad Femenina de Cultura, Guayaquil, Ecuador.
332:, and some portraits. By 1953, Tábara began to paint more abstract images.
1354:
1998 Decoration of the Museum Central Bank of Ecuador, Guayaquil, Ecuador.
883:
1977 Museo del Banco Central "Persistencia de una Imagen", Quito, Ecuador.
627:
Pumapungo Museum of the Central Bank of River Basin, River Basin, Ecuador.
1209:
1057:
791:
1963 Instituto de Cultura Hispánica (tintas y Aguadas), Barcelona, Spain.
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434:
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1972 Second Prize of Contemporary Gallery, "Virgin Santísima M. of God".
394:. Tábara wrote several articles for their publication of the same name,
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1953 Exposición Casa de la Cultura (N. del Guayas), Guayaquil, Ecuador.
399:
1231:
1220:
949:
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Museo Antropológico de Arte Contemporaneo (MAAC), Guayaquil, Ecuador.
454:
446:
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438:
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In 1963, Tábara represented Ecuador together with Humberto Moré and
1389:"Tabara Enrique – Personajes Históricos | Enciclopedia Del Ecuador"
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Prize of Plastic Arts 2007, presented by the crowned King of Spain.
603:
The Museum of American Art of Maldonado (MAAM), Maldonado, Uruguay.
1452:
1258:
Tres Generaciones de Artistas Ecuatorianos: Fibra Obra Sobre Papel
1224:
1174:, In Celebration of Ecuadorian Culture at The World Cup (Futbol),
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922:
797:
1964 Galería René Metrás ( objetos y Pinturas ), Barcelona, Spain.
739:
585:
Museum of Latin American Art (MoLAA), Long Beach, California, U.S.
430:
249:
822:
1967 Casa de la Cultura (obras de 1960–1967), Guayaquil, Ecuador.
560:
Museo de la Universidad de Rio Piedras, Rio Piedras, Puerto Rico.
1114:
1110:
953:
919:
The Martinez-Canas Collection of Contemporary Latin American Art
591:
Jack S. Blanton Museum, University of Texas, Austin, Texas, U.S.
844:, Center for Inter-American Relations, New York, New York, U.S.
1345:
1997 Gold Brush, Association of the Rocks, Guayaquil, Ecuador.
1075:
1999 Casona Universitaria (Retrospectiva), Guayaquil, Ecuador.
877:
1976 Casa de la Cultura Nucleo del Guayas, Guayaquil, Ecuador.
703:
1956 Museo de Granollers (primeras pinturas de Materia) Spain.
129:
59:
18:
880:
1976 Centro Ecuatoriano Norteamericano, Guayaquil, Ecuador.
700:
1956 Museo Municipal de Mataró (first exhibition in Spain).
651:
Collection of Castle Cooke, San Francisco, California, U.S.
545:
Museo de Arte Contemporáneo de Barcelona, Barcelona, Spain.
1308:
1960 Swiss Abstract Painting Prize, Lausanne, Switzerland.
935:
1979 Pasaje Arosemena (obra en papel), Guayaquil, Ecuador.
862:
1973 Casa de la Cultura Nucleo del Azuay, Cuenca, Ecuador.
1005:
1989 Homenaje al Arte Abstracto I, Jacob Karpio Galeria,
551:
Museo de Arte Contemporáneo de Armada, Armanda, Portugal.
709:
1957 Galerias Layetanas (30 pinturas), Barcelona, Spain.
1109:
2003 Museo Pedro de Osma Embajada del Ecuador en Lima,
1092:
1999 Sala Miguel de Santiago, Casa de la Cultura B.C.,
806:
1965 Centro Ecuatoriano Norteamericano, Quito, Ecuador.
526:
and has been lauded as a national treasure in Ecuador.
254:
Tábara in his studio showing some of his Bocetos, 2005.
1275:, Museo Antropológico y de Arte Contemporáneo (MAAC),
1053:
1997 Museo Municipal de Arte Moderno, Cuenca, Ecuador.
977:
1986 Galería Madeleine Hollaender, Guayaquil, Ecuador.
959:
1984 Galería Madeleine Hollaender, Guayaquil, Ecuador.
938:
1980 Galería Madeleine Hollaender, Guayaquil, Ecuador.
633:
Ortiz Leiva Gallery of Art, Glendale, California, U.S.
548:
Museo de Arte Moderno de São Paulo, São Paulo, Brazil.
1402:
El pintor Enrique Tábara Zerna falleció a los 90 años
1311:
1964 Second Prize Hall – October, Guayaquil, Ecuador.
1063:
1998 Centro Cultural Jorge Fernandez, Quito, Ecuador.
974:
1986 Galerias Asociadas Sosa – Nesle, Quito, Ecuador.
370:
While living in Barcelona, Tábara began working with
1361:
Prize (University of Guayaquil), Guayaquil, Ecuador.
1260:, Centro Cultural de la Cooperacion Floreal Gorini,
671:
Coleccion Sr. Georges Kasper, Lausanne, Switzerland.
612:
Museo de Arte del Banco Central, Guayaquil, Ecuador.
1317:
1967 First Prize Hall Vanguard, Guayaquil, Ecuador.
1157:, Museum of the Central Bank, River Basin, Ecuador.
1050:
1997 Museo de Arte Contemporáneo de Panamá, Panamá.
745:
1961 Restaurant Galería "La Perette", Milan, Italy.
735:
1961 Museo de Arte Contemporáneo, Barcelona, Spain.
618:
Museo de la Casa de la Cultura, Guayaquil, Ecuador.
160:. Unsourced material may be challenged and removed.
1442:. University of Texas Press; Austin, Texas, 2001.
648:Collection John and Barbara Duncan, New York, U.S.
554:Museo de Arte Moderno de Bogotá, Bogotá, Colombia.
1314:1967 First Prize Hall – July, Guayaquil, Ecuador.
1188:2006 XII Fair de Libro Pacific, works by Tábara,
1069:1998 Museo del Banco Central, Guayaquil, Ecuador.
859:1973 XI Biennial de São Paulo, São Paulo, Brazil.
755:1962 Nueva Galería Kunstlerhaus, Munich, Germany.
597:Museo de Arte Moderno de Cuenca, Cuenca, Ecuador.
566:Museo de Bellas Artes de Bochum, Bochem, Germany.
542:Museo de Arte de Lausanne, Lausanne, Switzerland.
971:1986 Municipalidad de Machala, Machala, Ecuador.
834:1969 X Biennial de São Paulo, São Paulo, Brazil.
594:Museo Nacional de Bellas Artes, Santiago, Chile.
335:Tábara held his first US exhibit in 1954 at the
87:but its sources remain unclear because it lacks
1160:2005 Teatro Centro de Arte, Guayaquil, Ecuador.
1014:1989 Galería Manzana Verde, Guayaquil, Ecuador.
800:1964 Pan American Union, Washington, D.C., U.S.
668:Coleccion Sr. Jorge Eljuri, Guayaquil, Ecuador.
615:Museo de la Casa de la Cultura, Quito, Ecuador.
588:Bronx Museum of the Arts, Bronx, New York, U.S.
477:Shortly after returning to Ecuador, Tábara and
398:. Dau-al-Set was connected with Surrealism and
328:characters, marginalized peoples of Guayaquil,
968:1985 Galería Perspectiv, a Guayaquil, Ecuador.
706:1956 Ayuntamiento de Sarria, Barcelona, Spain.
563:Museo de Arte Contemporáneo de Panamá, Panamá.
1023:1991 Municipalidad de Miraflores, Lima, Perú.
1017:1990 Galería Expresiones, Guayaquil, Ecuador.
719:1958 Sala Gaspar (Club 49), Barcelona, Spain.
8:
1245:, Moderno del Museo Municipal de Guayaquil,
1029:1992 Galeria Cucalón Feria Iberoamenricana,
831:1969 Galería Contempora, Guayaquil, Ecuador.
825:1968 Galería Contémpora, Guayaquil, Ecuador.
803:1965 Museo de Arte Moderno, Bogotá, Colombia
674:Coleccion Sr, René Metrás, Barcelona, Spain.
636:Galeria Elite Fine Art, Miami, Florida, U.S.
1430:Latin American Art in the Twentieth Century
1129:Museo Antropologico y de Arte Contemporaneo
1047:1994 Galería Todo Arte, Guayaquil, Ecuador.
965:1985 Museo Omar Rayo, Roldanillo, Colombia.
828:1968 Galería Marta Traba, Bogotá, Colombia.
778:1963 Galería René Metrás, Barcelona, Spain.
725:1959 Galería Kasper, Lausanne, Switzerland.
645:Collection of Carrie Adrian, New York, U.S.
569:Museo Juan Abello Mollet, Barcelona, Spain.
557:Museo de Arte de Ponce, Ponce, Puerto Rico.
53:Learn how and when to remove these messages
1072:1999 Museo del Niño, San José, Costa Rica.
1026:1991 Seguros La Unión, Guayaquil, Ecuador.
853:1972 Alianza Francesa, Guayaquil, Ecuador.
775:1963 Diario de Noticias, Lisbon, Portugal.
716:(dibujos obra en papel), Barcelona, Spain.
1103:2000 Sala Marta Traba, São Paulo, Brazil.
1020:1990 Fundación Hallo "Homenaje a Tábara".
962:1985 Galería Sosa Larrea, Quito, Ecuador.
932:1979 Museo Municipal, Guayaquil, Ecuador.
847:1971 Museo Municipal, Guayaquil, Ecuador.
819:1967 Universidad de Mayagues, Puerto Rico
238:Learn how and when to remove this message
220:Learn how and when to remove this message
118:Learn how and when to remove this message
1336:– presented by the President of Ecuador.
874:1976 Galería Buchholz, Bogotá, Colombia.
794:1963 Galería Malelline, Vienna, Austria.
600:Museo del Banco Central, Quito, Ecuador.
275:, founded around 1913 by Russian artist
1380:
1127:2004–2005 Sala Autoral-Enrique Tábara,
910:. Center for Inter-American Relations,
639:Eugenia Cucalón Gallery, New York, U.S.
1439:Twentieth-Century Art of Latin America
1433:. Phaidon Press Limited; London, 1996.
871:1975 Galería Siglo XX, Quito, Ecuador.
868:1974 Galelía Altamira, Quito, Ecuador.
856:1973 Alianza Francesa, Quito, Ecuador.
850:1972 Galería Altamira, Quito, Ecuador.
837:1970 Galería Altamira, Quito, Ecuador.
809:1965 Galería Siglo XX, Quito, Ecuador.
630:Misrashi Gallery, Mexico City, Mexico.
572:Museo Omar Rayo, Roldanillo, Colombia.
1451:. Salvat Editores Ecuatoriana, S.A.,
1056:1997 Museo Nacional de Bellas Artes,
781:1963 Ateneo de Madrid, Madrid, Spain.
677:Coleccion Sr. Horst Moeller, Germany.
271:Tábara was greatly influenced by the
7:
1364:1999 Gold Brush, Guayaquil, Ecuador.
772:1963 Galería Naviglio, Milan, Italy.
582:Museum of Modern Art, Paris, France.
158:adding citations to reliable sources
888:Abstract Currents in Ecuadorian Art
485:, as well as, the Spanish phrase "
624:El Museo del Barrio, New York, U.S
14:
1332:1989 National Prize of Culture –
34:This article has multiple issues.
1066:1998 La Galería, Quito, Ecuador.
980:1987 La Galería, Quito, Ecuador.
941:1981 La Galería, Quito, Ecuador.
682:Individual and group exhibitions
642:Museo de América, Madrid, Spain.
529:In 1988, Tábara was awarded the
283:and Parisian/Ecuadorian painter
134:
64:
23:
728:1961 VI Biennial of São Paulo,
722:1959 Sala Neblí, Madrid, Spain.
692:Organization of American States
337:Organization of American States
145:needs additional citations for
42:or discuss these issues on the
1040:1994 Elite Fine Arts Gallery,
16:Ecuadorian painter (1930–2021)
1:
1448:Arte Contemporáneo de Ecuador
1120:2003 Embajada del Ecuador en
694:(OAS), Washington, D.C., U.S.
1204:, University of the Valley,
1078:1999 Museo de Arte Moderno,
1463:House of Ecuadorian Culture
1131:(MAAC), Guayaquil, Ecuador.
812:1966 Museo de Rio Piedras,
1524:
784:1963 Galería Emmy Widman,
658:, Washington, D. C., U.S.
1217:Tábara: La Mirada Atenta
1166:2006 From Port to Port:
1085:1999 Galería Homonimus,
765:1962 Galería Brechbuhi,
73:This article includes a
921:, Metropolitan Museum,
609:, San José, Costa Rica.
537:Museums and collections
273:Constructivist Movement
102:more precise citations.
1488:Artists from Guayaquil
1290:, Casa de la Cultura,
1183:Long Beach, California
758:1962 Galería Rottoff,
748:1962 Galería Falazik,
665:, Mexico City, Mexico.
579:, Mexico City, Mexico.
255:
1436:Barnitz, Jacqueline,
1427:Sullivan, Edward J.,
1367:2007 Nominee for the
1334:Premio Eugenio Espejo
1219:. Museo de América,
1136:Mayagüez, Puerto Rico
814:San Juan, Puerto Rico
531:Premio Eugenio Espejo
355:, among the works of
281:Joaquín Torres García
253:
1007:San José, Costa Rica
946:Casa de las Américas
423:Museum of Modern Art
154:improve this article
1493:Ecuadorian painters
738:1961 Galería Hilt,
264:Tábara was born in
259:Luis Enrique Tábara
1503:Surrealist artists
1418:Arean, Carlos A.,
1288:Retorno del Futuro
1243:Elogio de la Forma
912:New York, New York
661:Colección Galeria
656:Pan American Union
654:Collection of the
511:Oswaldo Guayasamín
319:Years in Barcelona
301:Estuardo Maldonado
256:
75:list of references
1303:Awards and medals
1143:The Ancestralismo
714:Ateneu Barcelonès
469:Return to Ecuador
414:, and Joan Miró.
315:, to name a few.
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890:: Paintings by:
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143:This article
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1262:Buenos Aires
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489:" meaning, "
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210:January 2021
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152:Please help
147:verification
144:
114:
105:
94:Please help
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43:
37:
36:Please help
33:
1483:2021 deaths
1478:1930 births
1202:Villafuerte
1087:Panama City
1000:México D.F.
994:1988 Museo
517:Patas-Patas
465:and Paris.
392:Joan Brossa
330:prostitutes
309:Félix Aráuz
100:introducing
1508:Dau al Set
1472:Categories
1376:References
1215:2007–2008
1190:Guayasamin
1178:, Germany.
1145:, Tábara,
991:, Ecuador.
898:, Tábara,
788:, Germany.
762:, Germany.
752:, Germany.
459:Washington
396:Dau-al-Set
384:Dau-al-Set
353:Exhibition
351:Surrealism
349:Homage to
180:newspapers
39:improve it
1369:Velázquez
1292:Guayaquil
1277:Guayaquil
1266:Argentina
1247:Guayaquil
1155:Maldonado
1089:, Panamá.
1035:Venezuela
908:Maldonado
760:Karlsruhe
732:, Brazil.
730:São Paulo
503:Cifuentes
499:Maldonado
451:Barcelona
412:Paul Klee
408:Max Ernst
404:Formalist
361:Joan Miró
345:Joan Miró
326:grotesque
266:Guayaquil
45:talk page
1445:Salvat,
1210:Colombia
1147:Villacís
1060:, Chile.
1058:Santiago
904:Molinari
900:Villacís
767:Grenchen
507:Molinari
495:Villacís
483:Vanguard
479:Villacís
463:New York
435:Grenchen
427:Lausanne
108:May 2013
1459:, 1977.
1457:Ecuador
1413:Sources
1296:Ecuador
1286:2013 –
1281:Ecuador
1271:2012 –
1251:Ecuador
1236:Germany
1194:Kingman
1176:Hamburg
1172:Gilbert
1122:Bolivia
1098:Ecuador
1031:Caracas
1002:México.
989:Quevedo
927:Florida
892:Gilbert
421:at the
400:Dadaism
388:Catalan
194:scholar
96:improve
1421:Tábara
1232:Berlin
1221:Madrid
1200:&
1185:, U.S.
1168:Rendón
1151:Viteri
1044:, U.S.
950:Havana
929:, U.S.
914:, U.S.
896:Rendon
786:Bremen
750:Bochum
575:Museo
487:se van
455:Madrid
447:Munich
443:Lisbon
439:Vienna
363:, and
196:
189:
182:
175:
167:
1453:Quito
1357:1998
1256:2011
1241:2010
1225:Spain
1198:Aráuz
1141:2005
1094:Quito
944:1982
923:Miami
917:1977
886:1977
840:1970
740:Basel
712:1958
690:1954
431:Milan
390:poet
201:JSTOR
187:books
81:, or
1206:Cali
1153:and
1115:Peru
1111:Lima
954:Cuba
906:and
663:Goya
343:and
311:and
173:news
156:by
1474::
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