Knowledge

Entry of Mary, Queen of Scots, into Edinburgh

Source πŸ“

41: 33: 221: 143:
with gold fringes held up by twelve townsmen dressed in black velvet. At the Butter Tron (where dairy products were weighed for sale) at the head of the West Bow there was a pageant stage. A boy dressed as an angel emerged from a globe and gave her the keys to the town, a bible, and a psalter. At the
130:
thair bodeis and theis coverit with yeallow taffiteis, thair armis and leggs from the knee doun bare, cullorit with blak, in maner of Moris, upon thair heidds blak hattis, and on thair faces blak visouris, in thair mowthis rings, garnessit with intellable precious staneis, about thair nekkis leggs
203:
wrote that Mary seemed dismissive when she was presented with the Bible in vernacular, and this is repeated in a chronicle attributed to the Catholic Lord Herries. It is thought that the presentation of the triumph of the Reformation during the Entry was displeasing to the Catholic queen. A month
211:
This Entry included features differing from other Edinburgh Entries, with no mention of a ceremony at the West Port, an actual entry to the town, and the presentation of the gilt plate within the royal palace. These differences may suggest interventions in the theatrical programme and conflict
148:, on a double stage, four damsels (male actors) represented Fortitude, Justice, Temperance, and Prudence. At the Cross, wine poured from a fountain, and four maidens performed an allegory. At another stop at the Salt Tron a pageant representing the 252:
who spoke on behalf of the town's craftsmen. The treasurer, Luke Wilson, was appointed to organise the banquet and the "triumph". Wilson also supplied the costumes for the men bearing the canopy and town's sergeants. A carpenter
171:, the queen was addressed by a dragon which was then burnt. At Holyrood Palace, a cartload of school children spoke in favour of the Reformation and sang a psalm. A cupboard of gilt plate, bought by the town council from the 810: 110:", a disguise representing imagined African people, with rings in their mouths and gilded chains about their necks and arms. The costumes of some of this "Convoy of Moors" were made of white 191:
A Royal Entry was a negotiation and affirmation of the values and meanings of a city and the royal court. Some aspects of the 1561 Entry were controversial. The English diplomat
261:. The young men (playing the "Moors") were expected to devise their own costumes to wear while they made "convoy before the cart triumphant". The banquet was held in 240:
The town council had met on 26 August and resolved to hold a banquet for the queen and her cousins, and a "triumph" of "her grace's entry within this town". The
901: 449:, 42:2 (Autumn 1991), pp. 101–110: A. R. MacDonald, 'The Triumph of Protestantism: the burgh council of Edinburgh and the entry of Mary Queen of Scots', 273:
The verses spoken when the boy appeared out of a globe to give gifts of books to the queen survive. The English diplomat Thomas Randolph sent a copy to
637:
Theo van Heijnsbergen, 'Advice to a Princess: the literary articulation of a religious, political and cultural programme for Mary Queen of Scots',
408: 257:
made the stages for the "triumphs and farces" at the Over or Butter Tron, Tolbooth, Cross, Salt Tron, and Netherbow. The stages were painted by
871: 426: 876: 183:, was presented to the queen in her outer chamber in Holyrood Palace, by the "honest men" who had carried and walked beside the canopy. 204:
later, after burgh council elections, she required the dismissal of the Provost and four bailies of the town council. The new Provost,
40: 886: 881: 667:
Giovanna Guidicini, 'Municipal Perspective, Royal Expectations, and the Use of Public Space: The Case of the West Port, Edinburgh',
274: 866: 402: 80: 245: 628:(Edinburgh, 1836), pp. 56–57, Herries describes the pageant of a priest and the Mass which Randolph said was not presented. 278: 891: 192: 680:
A. R. MacDonald, 'The Triumph of Protestantism: the burgh council of Edinburgh and the entry of Mary Queen of Scots',
478: 220: 32: 861: 527: 826: 896: 17: 735: 775: 482: 241: 225: 196: 149: 60: 56: 277:. According to John Knox, Mary smiled at verses in her praise but passed the Bible to her attendant 811:'"To thexaltacyon of noblesse": A Herald’s Account of the Marriage of Margaret Tudor to James IV', 693: 420: 462: 390:
The events staged at the Edinburgh Entry were closely paralleled in other festivals, including:
803: 411:. Further detail from this event is available for the performance of the "Convoy of the Moors". 531: 205: 176: 99: 95: 789:
Peter Davidson, 'The entry of Mary Stewart into Edinburgh, 1561, and other ambiguities',
248:, discussed methods of funding the event, countering objections raised by the goldsmith 638: 395: 258: 123: 84: 855: 827:'The Deconstruction of the Virgin in the Sixteenth-Century Royal Entry in Scotland', 172: 516:
Documents relative to the reception at Edinburgh of the Kings and Queens of Scotland
262: 254: 229: 771: 731: 496: 415:
Royal baptisms also included elements of masque, drama, and formal processions:
249: 103: 68: 195:
mentioned the substitution and negotiation of content alluding directly to the
500: 180: 119: 722:
Randolph's letter is in BL Cotton Caligula B.X, the verses TNA SP 52/6 f.146.
762:
A. A. MacDonald, 'Mary Stewart's Entry to Edinburgh: an Ambiguous Triumph',
709:
A. A. MacDonald, 'Mary Stewart's Entry to Edinburgh: an Ambiguous Triumph',
654:
A. A. MacDonald, 'Mary Stewart's Entry to Edinburgh: an Ambiguous Triumph',
445:
A. A. MacDonald, 'Mary Stewart's Entry to Edinburgh: an Ambiguous Triumph',
200: 168: 136: 64: 751:
Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph
737:
Mary Queen of Scots, 1542–1587: Extracts from the English State Papers etc
145: 106:
and joined an escort of 50 young men from Edinburgh who were dressed as "
102:
where she had dinner. After the meal, she went to the Castlehill on the
233: 111: 503:
Keywords of Identity, Race, and Human Mobility in Early Modern England
83:
for Mary, Queen of Scots, and her 15 ladies. Mary wore black Florence
59:, returned to Scotland from France following the death of her husband 766:, 42:2 (Autumn 1991), pp. 109–110: Eleanor Mabel Valentine Brougham, 161: 157: 140: 219: 153: 107: 39: 31: 27:
1561 royal entry celebration for Mary, Queen of Scots in Edinburgh
88: 532:
https://archive.org/details/diurnalofremarka00thom/page/66
167:
At the Netherbow, the boundary between Edinburgh and the
698:
Extracts from the Burgh Records of Edinburgh, 1557–1571
626:
Historical Memoirs of the Reign of Mary Queen of Scots
613:
The Language of Space in Court Performance, 1400–1625
499:, JoΓ£o Vicente Melo, Haig Z. Smith, Lauren Working, 576:, vol. 1 (Edinburgh, 1898), p. 552 nos. 1013, 1017. 36:
Mary in mourning dress in a copy of a 1560 painting
340:quhilk (which) is Gods law his word his testament 805:Joannis Lelandi De rebus Britannicis collectanea 63:the previous winter. On 2 September the town of 285:Welcome our Souveraine Welcome our natyve quene 366:to serve you as thair souveraigne hie misteris 349:the Provost present moste hartelie yow exhorts 329:how them he thretines with his scurge and wand 152:was abandoned in favour of the destruction of 81:black mourning "dule" riding cloaks and skirts 334:Ane gyfte more precious could we none present 323:here shall you find that God hes done command 288:Welcome to us your subjects greate and smalle 8: 314:and how to rewle your subjects and your land 18:Entry of Mary, Queen of Scots into Edinburgh 381:that may done seeing all is yours together. 378:accept their hearts & take it patiently 369:both daye and ever after their bound deutie 360:In sign that they and all that they possess 320:Judgement and wysedome herein shall you see 343:trewlie translated with faithful diligence 308:Wherein your grace may read and understand 303:as gyftes most gainand for a godlie prince 291:Welcome I saye even from the verie spleene 135:Mary made her progress under a "paill" or 375:their shorte tyme & gudwill consither 337:nor yet more nedefull for your excellence 208:, proved to be a supporter of the queen. 438: 409:Entry and coronation of Anne of Denmark 372:beseching your grace in this necessetie 352:with the (w)hole subjects due obedience 228:was a banquet in the former lodging of 87:, the other costumes were made from 50 355:together with the keyse of their ports 346:quhilk to accept with humble reverence 317:and how your kingdom established salbe 114:. A 16th-century chronicle called the 467:Accounts of the Treasurer of Scotland 427:Masque at the baptism of Prince Henry 311:the perfyct waye unto the heavens hie 294:to Edinburghe youre cyttie principall 7: 807:, vol. 4 (London, 1774), pp. 289–290 363:bodie and goods shall ever reddie be 326:and who the contrarie does wilfullie 297:dothe heere offer to your excellence 131:and armes infynit of chenis of gold. 793:, 9:4 (December 1995), pp. 416–429. 469:, vol. 11 (Edinburgh, 1916), p. 66. 212:between civic and royal authority. 55:On 19 August 1561, the 18-year-old 187:Negotiated meaning and controversy 25: 902:Drama at the Scottish royal court 386:Civic and court drama in Scotland 587:Inventaires de la Royne Descosse 561:Inventaires de la Royne Descosse 548:Inventaires de la Royne Descosse 453:, 48:1 (Spring 1997), pp. 73–82. 403:Entry of James VI into Edinburgh 739:(London: Nutt, 1900), pp. 21–22 700:(Edinburgh, 1875), pp. 119–122. 300:two proper volumes in memoriall 246:Archibald Douglas of Kilspindie 845:(Manchester, 2002), pp. 76–78. 843:Women on the Renaissance Stage 574:Calendar State Papers Scotland 1: 872:Court of Mary, Queen of Scots 713:, 42:2 (Autumn 1991), p. 105. 658:, 42:2 (Autumn 1991), p. 108. 563:(Edinburgh, 1863), p. lxxiii. 486:, 1 (London, 1838), pp. 73–74 484:Queen Elizabeth and her times 279:Arthur Erskine of Blackgrange 45: 684:, 48:1 (Spring 1997), p. 75. 589:(Edinburgh, 1863), p. lxxiv. 550:(Edinburgh, 1863), p. lxxii. 505:(Amsterdam, 2021), pp. 40–50 645:(Brill, 2008), pp. 104–105. 224:The first event put on for 94:On the day, Mary rode from 91:of cheaper black stemming. 67:organised a celebration of 918: 877:European court festivities 643:Sixteenth-century Scotland 887:16th century in Edinburgh 671:, 22:1 (2011), pp. 37–52. 615:(Cambridge, 2010), p. 20. 602:(Edinburgh, 1833), p. 69. 537:(Edinburgh, 1833), p. 67. 118:describes their costume, 61:King Francis II of France 882:Royal entries in Britain 813:Medieval English Theatre 518:(Edinburgh, 1822), p. 7. 79:Tailors and "boys" made 867:Renaissance in Scotland 831:, 9 (2005), pp. 127–152 829:European Medieval Drama 770:(London, 1926), p. 66: 641:& A. A. MacDonald, 753:(Oxford, 1998) p. 129. 669:Architectural Heritage 265:house in the Cowgate. 237: 133: 52: 37: 779:(London, 1899), p. 21 600:Diurnal of Occurrents 535:Diurnal of Occurrents 236:and Blackfriar's Wynd 232:at the corner of the 223: 128: 43: 35: 768:News out of Scotland 242:Provost of Edinburgh 226:Mary, Queen of Scots 197:Scottish Reformation 150:Scottish Reformation 116:Diurnal of Occurents 57:Mary, Queen of Scots 892:Old Town, Edinburgh 809:: Sarah Carpenter, 791:Renaissance Studies 777:Mary Queen of Scots 694:James David Marwick 421:Baptism of James VI 585:Joseph Robertson, 559:Joseph Robertson, 546:Joseph Robertson, 463:James Balfour Paul 394:The 1503 Entry of 238: 53: 38: 624:Robert Pitcairn, 501:Blackamoor/Moor, 263:Cardinal Beaton's 44:Map of Edinburgh 16:(Redirected from 909: 862:1561 in Scotland 846: 839: 833: 825:Gordon Kipling, 823: 817: 800: 794: 787: 781: 760: 754: 749:Gordon Kipling, 747: 741: 729: 723: 720: 714: 707: 701: 691: 685: 678: 672: 665: 659: 652: 646: 635: 629: 622: 616: 611:Janette Dillon, 609: 603: 598:Thomas Thomson, 596: 590: 583: 577: 570: 564: 557: 551: 544: 538: 525: 519: 513: 507: 494: 488: 476: 470: 460: 454: 443: 206:Thomas McCalzean 177:Richard Maitland 122:, and chains in 100:Edinburgh Castle 50: 47: 21: 917: 916: 912: 911: 910: 908: 907: 906: 852: 851: 850: 849: 841:Clare McManus, 840: 836: 824: 820: 801: 797: 788: 784: 761: 757: 748: 744: 730: 726: 721: 717: 708: 704: 692: 688: 679: 675: 666: 662: 653: 649: 636: 632: 623: 619: 610: 606: 597: 593: 584: 580: 571: 567: 558: 554: 545: 541: 526: 522: 514: 510: 495: 491: 477: 473: 461: 457: 444: 440: 435: 388: 357: 356: 331: 330: 305: 304: 271: 230:Cardinal Beaton 218: 193:Thomas Randolph 189: 96:Holyrood Palace 77: 48: 28: 23: 22: 15: 12: 11: 5: 915: 913: 905: 904: 899: 897:Scottish plays 894: 889: 884: 879: 874: 869: 864: 854: 853: 848: 847: 834: 818: 802:Thomas Hearn, 795: 782: 755: 742: 732:Robert S. Rait 724: 715: 702: 686: 673: 660: 647: 639:Julian Goodare 630: 617: 604: 591: 578: 565: 552: 539: 528:Thomas Thomson 520: 508: 489: 471: 455: 437: 436: 434: 431: 430: 429: 423: 413: 412: 405: 399: 396:Margaret Tudor 387: 384: 383: 382: 379: 376: 373: 370: 367: 364: 361: 358: 353: 350: 347: 344: 341: 338: 335: 332: 327: 324: 321: 318: 315: 312: 309: 306: 301: 298: 295: 292: 289: 286: 270: 267: 259:Walter Binning 255:Patrick Schang 217: 214: 188: 185: 173:Earl of Morton 124:Scots language 76: 73: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 914: 903: 900: 898: 895: 893: 890: 888: 885: 883: 880: 878: 875: 873: 870: 868: 865: 863: 860: 859: 857: 844: 838: 835: 832: 830: 822: 819: 816: 814: 808: 806: 799: 796: 792: 786: 783: 780: 778: 773: 769: 765: 759: 756: 752: 746: 743: 740: 738: 733: 728: 725: 719: 716: 712: 706: 703: 699: 695: 690: 687: 683: 677: 674: 670: 664: 661: 657: 651: 648: 644: 640: 634: 631: 627: 621: 618: 614: 608: 605: 601: 595: 592: 588: 582: 579: 575: 572:Joseph Bain, 569: 566: 562: 556: 553: 549: 543: 540: 536: 533: 529: 524: 521: 517: 512: 509: 506: 504: 498: 493: 490: 487: 485: 480: 479:Thomas Wright 475: 472: 468: 464: 459: 456: 452: 448: 442: 439: 432: 428: 424: 422: 418: 417: 416: 410: 406: 404: 400: 397: 393: 392: 391: 385: 380: 377: 374: 371: 368: 365: 362: 359: 354: 351: 348: 345: 342: 339: 336: 333: 328: 325: 322: 319: 316: 313: 310: 307: 302: 299: 296: 293: 290: 287: 284: 283: 282: 280: 276: 275:William Cecil 268: 266: 264: 260: 256: 251: 247: 243: 235: 231: 227: 222: 216:Burgh records 215: 213: 209: 207: 202: 198: 194: 186: 184: 182: 178: 174: 170: 165: 163: 159: 155: 151: 147: 142: 138: 132: 127: 125: 121: 117: 113: 109: 105: 101: 97: 92: 90: 86: 82: 74: 72: 70: 66: 62: 58: 42: 34: 30: 19: 842: 837: 828: 821: 812: 804: 798: 790: 785: 776: 767: 764:Innes Review 763: 758: 750: 745: 736: 727: 718: 711:Innes Review 710: 705: 697: 689: 682:Innes Review 681: 676: 668: 663: 656:Innes Review 655: 650: 642: 633: 625: 620: 612: 607: 599: 594: 586: 581: 573: 568: 560: 555: 547: 542: 534: 523: 515: 511: 502: 492: 483: 474: 466: 458: 451:Innes Review 450: 447:Innes Review 446: 441: 414: 389: 272: 239: 210: 190: 166: 134: 129: 115: 93: 78: 54: 29: 815:, 29 (2007) 772:Robert Rait 497:Nandini Das 250:Thomas Ewyn 104:High Street 69:royal entry 49: 1581 856:Categories 433:References 181:Lethington 139:of purple 120:black face 425:The 1594 419:The 1566 407:The 1590 401:The 1579 201:John Knox 169:Canongate 71:for her. 65:Edinburgh 146:Tolbooth 234:Cowgate 112:taffeta 269:Verses 162:Abiram 160:, and 158:Dathan 141:velvet 137:canopy 75:Events 154:Korah 108:Moors 85:serge 175:and 89:ells 530:, [ 179:of 98:to 858:: 774:, 734:, 696:, 481:, 465:, 281:. 244:, 199:. 164:. 156:, 46:c. 398:. 126:: 51:. 20:)

Index

Entry of Mary, Queen of Scots into Edinburgh


Mary, Queen of Scots
King Francis II of France
Edinburgh
royal entry
black mourning "dule" riding cloaks and skirts
serge
ells
Holyrood Palace
Edinburgh Castle
High Street
Moors
taffeta
black face
Scots language
canopy
velvet
Tolbooth
Scottish Reformation
Korah
Dathan
Abiram
Canongate
Earl of Morton
Richard Maitland
Lethington
Thomas Randolph
Scottish Reformation

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑