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van travelling around Europe. So all the songs came from that more confined world. There are a lot of songs which are less sociable than our previous records." He said moving to the UK was an entirely new experience for the band. "Being away from home and writing material in a foreign place allowed me to write about the memories of our homeland." Tracks such as "Envy of Angels" deals with McGlashan's homesickness. He said, "That song is dedicated to my dad, it's about driving around the suburb I grew up as a teenager, and hearing him talk about the landscape (he's a civil engineer), and me wanting to be somewhere else that had more of a sense of history at the time. It's a song about coming back and driving those same roads now and being able to see things through his eyes. I guess the phrasing of the album is about the way people in love with progress see the physical world as something the angels would love to be a part of."
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McGlashan said that much of the material on the album had been inspired by the move to
Britain. "With this record, we'd just left home and your world shrinks a bit as you travel. Instead of being individuals each with a big network of friends back home in New Zealand, we were like four people in a
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said, "Hugh's first comments to us were that he really liked the way we arranged things and the way we sounded and he wanted to help us focus in on that rather than help us turn into anything else." He said the album's atmospheric minimalist touches had also emerged from their work with Jones. "I
540:, "That was really bizarre. This week we're just learning to play it again so we can do it for Australian audiences who may well know it from Triple M. We've only ever played it twice before, once was in the studio." "Don't Fear the Reaper" peaked at No.48 on the Australian
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think that's partly just having someone give you the permission to not sweeten everything up, to not use lots of layers of instruments and not over-sell the ideas. That was a really valuable lesson to learn."
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30:
500:, who left the band as the Mutton Birds continued working in the UK and Europe. Long was replaced by the London-based New Zealand expatriate
504:. "David was the most homesick of all of us and the least in love with the associated paraphernalia of being in a band," McGlashan said.
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Several tracks from the sessions at
Rockfield Studios in Monmouthwere were included on the 1997 limited release rarities collection,
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The album was released in some territories with a bonus track of the band's version of
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A limited edition bonus disc had acoustic performances of seven Mutton Birds songs.
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908:(PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 198.
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530:. McGlashan said the song had been included after Australia's
520:", which the band had recorded for the soundtrack of the 1996
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radio network placed it on high rotation. He told Sydney's
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468:, during a year-long stay in the UK and produced by
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439:is the third album by the New Zealand rock band
919:"Charts.nz β The Mutton Birds β Envy of Angels"
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715:Ann Wood β violin ("Straight to Your Head")
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496:The album was the last with the guitarist
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921:. Hung Medien. Retrieved 30 August 2022.
65:1996 studio album by The Mutton Birds
46:of all important aspects of the article.
879:Jane Rocca, "Mutton Bird is the word",
789:
866:Dino Scatena, "Mutton's Finn review",
862:
860:
858:
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681:β guitars, vocals, euphonium, melodica
472:, whose previous credits had included
42:Please consider expanding the lead to
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969:Albums recorded at Rockfield Studios
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906:Australia's Music Charts 1988β2010
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693:β bass guitar, vocals, keyboards
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931:"Official Albums Chart Top 100"
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610:"Inside My Skin" (Long) β 1:42
569:"Straight to Your Head" β 5:52
44:provide an accessible overview
1:
893:Australian-Charts.com website
937:. Retrieved 30 August 2022.
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761:
665:"When the Wind Comes Around"
488:. The songwriter and singer
699:β guitar, vocals, keyboards
604:"Along the Boundary" β 4:28
572:"She's Been Talking" β 3:56
443:. It was released in 1996.
101:November 1996 (New Zealand)
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712:β cello ("Envy of Angels")
460:The album was recorded in
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575:"Trouble with You" β 4:29
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607:"While You Sleep" β 4:34
584:"Another Morning" β 3:22
581:"Like This Train" β 4:31
954:The Mutton Birds albums
935:Official Charts Company
870:, 22 May 1997, page 57.
613:"Envy of Angels" β 5:48
474:Echo & the Bunnymen
725:Chart performance for
587:"Ten Feet Tall" β 3:41
848:Sydney Morning Herald
627:Don't Fear the Reaper
518:Don't Fear the Reaper
397:Sydney Morning Herald
904:Ryan, Gavin (2011).
755:New Zealand Albums (
704:Additional personnel
565:except where noted)
227:Professional ratings
103:May 1997 (Australia)
868:The Daily Telegraph
743:Australian Albums (
729:
542:ARIA singles charts
524:horror comedy film
228:
964:EMI Records albums
733:Chart (1996β1997)
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809:Sunday Herald Sun
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662:"Another Morning"
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283:Sunday Herald Sun
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114:Rockfield Studios
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597:"Crooked Mile" (
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441:The Mutton Birds
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822:The Australian
820:Iain Shedden,
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578:"April" β 2:16
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561:(All songs by
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478:The Undertones
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38:the key points
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563:Don McGlashan
557:Track listing
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522:Peter Jackson
519:
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502:Chris Sheehan
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232:Review scores
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833:Gary Munro,
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656:"In My Room"
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86:Studio album
62:
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33:
31:lead section
959:1996 albums
646:"Anchor Me"
631:Buck Dharma
618:Bonus track
486:Died Pretty
948:Categories
784:References
697:David Long
691:Alan Gregg
685:Ross Burge
651:The Heater
638:Bonus disc
599:David Long
592:Alan Gregg
498:David Long
482:The Damned
470:Hugh Jones
456:Production
183:chronology
174:Hugh Jones
52:April 2024
768:UK Albums
738:position
673:Personnel
36:summarize
633:) β 4:07
601:) β 2:07
594:) β 3:56
532:Triple M
462:Monmouth
246:AllMusic
169:Producer
118:Monmouth
110:Recorded
98:Released
88: by
881:The Age
835:The Age
687:β drums
659:"April"
508:Release
447:Writing
359:The Age
216:(1997)
207:(1996)
198:(1995)
720:Charts
240:Rating
237:Source
194:Nature
162:Virgin
140:Length
466:Wales
157:Label
129:Genre
122:Wales
757:RMNZ
745:ARIA
736:Peak
516:'s "
484:and
134:Rock
777:64
772:OCC
750:59
629:" (
950::
933:.
855:^
774:)
762:4
759:)
747:)
553:.
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476:,
464:,
149:32
145:62
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770:(
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649:"
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54:)
50:(
40:.
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