Filmed Before a Live Studio Audience

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this context, but their fears were alleviated after seeing the first shots that MARZ completed for the episode. Freer said animating Vision's face to match Bettany's performance was "tedious", and involved a lot of manual work to make the character's neck match with the collar of Bettany's clothing as well as to clean up the background around Vision's head. For most of the episode's scenes, MARZ completely recreated the on-set lighting to be able to light the character's face correctly. Sometimes they would add back specific highlights from Bettany's face to give Vision's face "more character", and other times they would reduce the amount of reflecting light to make the effect more convincing. The tracking markers on Bettany's face needed to be removed before the final visual effects could be applied to him, and MARZ created an artificial intelligence program that could automatically remove the markers from 50 shots within three hours, which otherwise would have required more manual labor to remove from each frame. To give Vision a more "wholesome" look, the digital contact lenses used in the films and later episodes were not added to Bettany's eyes in the first three episodes, and his eyelashes were not digitally removed as they usually are.

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that it would not involve a supervillain appearing since that would not fit the nature of the series. Schaeffer consulted with the writers room for their ideas, and they discussed what could happen that the audience would find upsetting. They looked at episodes of past sitcoms that dealt with special topics, such as drug use, since Schaeffer felt those created an uncomfortable feeling for the audience that broke away from the appeal of sitcoms. She decided that Mr. Hart would choke on his food during the dinner scene and almost die, which she felt was a simple solution but something that would stand out as an uncomfortable and confusing moment within the sitcom experience. She hoped that the sight of Mr. Hart choking would have a similar emotional impact on the audience as seeing a fight scene in an MCU film would. Schaeffer wrote into the script that the filming style for this sequence would change from a sitcom-style

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practical ones and look "janky and off-time". Shots of Vision changing between his human and synthezoid forms and using his abilities were also designed to mimic period-appropriate effects, with "puffs of smoke and starry glitter" added by MARZ. The scene where Maximoff makes wedding rings appear on her and Vision's fingers was initially created by cutting from a shot of them without rings to a shot of them with the rings on. Marvel felt the result was too seamless for a 1950s sitcom, so MARZ digitally adjusted the actors' hands in the shots to make the jump cut more obvious. DeMarco listed the episode's final shot, which slowly transitions from black-and-white in a 4:3 aspect ratio to a 2:40:1 aspect ratio in full color, as one of the most challenging visual effects of the series.

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format. Schaeffer hoped to do this with an entertaining start for the episode, and an early discovery for her in writing the scene was a "cutesy back and forth" between Maximoff and Vision that was inspired by the relationships between couples in 1950s and 1960s sitcoms. Schaeffer felt the whole series depended on the appeal of Maximoff and Vision's relationship, which for this episode she specifically based on the "adorable, relatable and aspirational" relationship between Rob and Laura Petrie (Van Dyke and

815: 599: 894:. Bettany wore a bald cap and face makeup on set to match Vision's color, as well as tracking markers for the visual effects teams to reference. Complex 3D and digital makeup techniques were then used to create the character, with sections of Bettany's face replaced with CGI on a shot-by-shot basis; the actor's eyes, nose, and mouth were usually the only elements retained. MARZ was first asked to remake a shot of Vision from 720:(1957). Rubeo felt that dress was the most beautiful wedding dress of the period, and sourced the same fabric that was used on the film from a factory in France. Rubeo had to coordinate with Worthington to make sure the colors of the costumes did not blend with the sets when filmed in black-and-white, as her initial costume for Maximoff did not stand out from the color of the kitchen set and had to be adjusted. Makeup head 4706: 932: 733:, a pinky-red nail color, and a darker pink shade for her lips, to help create a natural look for filming in black-and-white. Camera tests were required to find the correct colors for Olsen, Rupp, and Bettany's makeup. Wigs were used for the hair styles in the episode to allow it to be filmed at the same time as other episodes without the actors' hair having to be re-styled to change between eras. 835:. Jump cuts were used to depict Maximoff magically changing clothes, with a shot of Olsen freezing in one position cut with a shot of her in the same position in a different costume. Her stand-in copied the position while Olsen got changed in between the shots. Vision's accelerated actions were achieved by undercranking the camera and adjusting its shutter speed to create in-camera motion blur. 1399:, or if it's just going to be an empty jumble of well-executed tropes and portents." He did wish more of the show's premise had been kept a secret from the marketing campaign since "the abrupt depositing of the audience into a genre and format completely antithetical to those they had known before would have been a much-needed shock to the system for a viewer used to the MCU's tropes". 845:, and felt the transition from the multi-camera sitcom scenes was "very dramatic". In the dinner scene, Mrs. Hart repeatedly says "stop it", for which Shakman instructed Rupp to act as if she had one emotion on the inside and another on her face. Rupp said balancing the levity and horror of the scene was one of the most interesting things she did on the series, and described the 388:

chokes on his food, at which point the episode's sitcom format subsides. Vision uses his powers to remove the food from Mr. Hart's throat at Maximoff's request. The sitcom format returns and the Harts thank Maximoff and Vision for dinner before leaving. As Maximoff and Vision reaffirm their love for one another, these events are revealed to be occurring on the fictional sitcom

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color" of the episode. Hall worked with production designer Mark Worthington and costume designer Mayes C. Rubeo to ensure that the sets and costumes for the episode matched with his color palette. Hall attempted to create an authentic black-and-white, 1950s look for the episode, but had to balance this with the series' 4K HDR platform. He used

533:—the star of the eponymous 1960s sitcom—to learn how that series could be "very broad with silly physical-comedy gags, and yet it never feels false". Van Dyke told them his show was guided by what could and could not happen in real life. The first episode's title was revealed to be "Filmed Before a Live Studio Audience" in January 2021. 858:

available camera coverage. The one thing that was not as easy for Roche was finding the pacing of the episode, as he found that series from the 1950s had a faster pace than he had initially assumed, but this came from the performance of the actors more so than the editing style. Roche used rewind effects and

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s Gregory Lawrence said the poster asks fans to "peel away anything" that feels familiar, and the peeling wallpaper reveals "a glimpse of... something. Something wild, something celestial, something implying a destiny that isn't 'entertaining each other on TV'." He added that the poster "so cleverly,

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composed "classic, jazz-style" music for the episode which was recorded with a small orchestra that is typical of the ones used for 1950s television series. He also introduced several themes in the episode that he went on to reprise later in the series, including Maximoff and Vision's love theme when

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The dinner scene with the Harts at the end of the episode was one of the most difficult for Schaeffer to write. She wanted the episode to "lull the audience into the sitcom mode ... and then shatter that" with a key moment during the dinner, but initially did not know what this could be. She did know

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s Matt Purslow rated the first two episodes 7 out of 10, and felt it was "quite a feat of writing" that there were many elements in the first episode that worked on both the "in-show universe and meta levels" despite needing to do a lot of heavy lifting for the series. Purslow also enjoyed the theme

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Editor Tim Roche said the episode was easier to edit than some of the later ones due to the way it was filmed in front of a live audience, since the actors and Shakman had rehearsed the episode enough that there was a clear roadmap for what the editing should be, based on the onscreen action and the

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and hair stylist Karen Bartek aimed to portray Maximoff as the ideal 1950s housewife in the episode, with "perfectly curled locks and flawless makeup." They considered details such as the shapes of her eyebrows and nails, as well as how certain colors translated into black-and-white. To shoot scenes

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Two scenes that were conceived early in development are the opening with Maximoff and Vision in the kitchen, and the scene with Vision at his job. The kitchen scene had to establish the tone and premise of the series, and convince the audience to continue watching despite the unexpected 1950s sitcom

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move into the town of Westview, New Jersey, during what appears to be the 1950s. They attempt to blend in, despite Vision being an android and Maximoff having telekinetic abilities. One day they notice a heart drawn on a calendar but cannot remember what it signifies. Vision amazes his co-workers at

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DeMarco said contemporary visual effects were used to remove wires and smooth cuts, and to add wire gags that were not filmed. For example, the kitchen features a blend of practical wire gags and CGI to help "fill out the scene". Freer noted that the CG objects added to the kitchen had to match the

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noted that "toaster" is a common insult for robots in science fiction, and highlighted the blinking light for its introduction of color and for blinking long enough to make Riesman uncomfortable. His colleague Savannah Salazar saw the commercial's slogan as a reference to Maximoff letting go of her

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s Sam Barsanti called the first two episodes of the series "an absolute delight, with hoary old sitcom gags that somehow kill" and a "nicely weird, novel way to have fun with these characters", while his colleague Stephen Robinson gave the episodes an "A−", feeling Schaeffer delivered a "damn good

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That night, Maximoff and Vision struggle to hide their abilities while making a last-minute dinner for the Harts, with help from Agnes. As they sit down to eat, the Harts ask Maximoff and Vision about themselves, but the couple are unable to explain where they came from. Mr. Hart grows furious and

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comedy. They did additional tests on early footage from the series to ensure that they could preserve Bettany's performance, which involved a lot of "these incredible '50s sitcom expressions with cheek puffs and all". Shakman and Bettany were initially concerned with how the effects would look in

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Hall used tungsten lights that were common for the era, with a lighting set-up involving many overhead vintage lights to create an "even, soft lighting" that accommodated for the actors moving into different rooms of the set while filming live. During filming, the special effects team moved props

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since she does not appear in the episode. Co-executive producer Mary Livanos felt the audience produced a "really great, genuine" reaction to the episode, exceeding the expectations of the producers. Olsen and Bettany were initially hesitant about the live audience, but by the end of filming they

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ranked in the top 15 shows worldwide for each of its first four days of release, as well as the top 45 shows in the U.S. during that same period. Mexico, France, Brazil, Chile, and Germany were some of its top international markets during those first four days. On January 15, the series was 24.5

960:, was meant to evoke the "dawn of television". They included "an optimistic group of voices singing jazzily" about the love between Maximoff and Vision, and were thrilled to use words like "gal" and "hubby" as well as a "big musical pratfall" in the middle of the song. "Gal" is used along with a 383:

introduces herself to Maximoff, and the pair conclude that the heart represents Maximoff and Vision's anniversary. Agnes helps Maximoff prepare for the occasion. Vision's boss Mr. Hart reminds him that Maximoff and Vision are hosting Mr. Hart and his wife for dinner that night, which is what the

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As with past multi-camera sitcoms, the episode was rehearsed for a week before filming. Many revisions for the episode happened during this week rather than during the writing of the script, including "punching up jokes and enhancing physical comedy bits". The crew dressed in period appropriate

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put together a collection of images from existing series that influenced the framing, composition, and color of the episode's sitcom setting, and Hall created a specific color palette of 20 to 30 colors for the episode based on those reference images so he could control the "visual integrity in

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Of all the sitcom styles that the series pays homage to, Schaeffer found the 1950s era to be one of the most challenging to write because of the "patter-patter" dialogue of the time, which she attempted to replicate in this episode. She noted that this is the "most wholly sitcom" episode of the

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as the sixth-most-watched original series across streaming services for the week of January 11–17, with 434 million minutes viewed. This is around 6.48 million complete views of the series' first two episodes, which were both released on January 15, and more complete views than the series on

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reported a 100% approval rating with an average score of 7.40/10 based on 18 reviews. The site's critical consensus reads, "'Filmed Before a Live Studio Audience' taps into the strange side of the MCU and gives Elizabeth Olsen and Paul Bettany plenty of room to flex their comedic muscles."

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outfits during production. Sawyer and Bartek were on set during filming to do touch-ups for the actors between takes, which involved "running in really fast when we had a minute ... just like a sitcom". A 4:3 aspect ratio is used for the black-and-white scenes, shifting to a modern

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subtly get at the inherent pull of the unusual premise" of the series. After the episode's release, Marvel announced merchandise inspired by the episode as part of its weekly "Marvel Must Haves" promotion for each episode of the series, including shirts, accessories, housewear,

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said the light had a "particular air of menace" which gave the commercial an "unsettling feeling of a bomb about to go off". Stewart also pointed out the period-accurate sexist nature of the commercial and how the slogan seemed to be alluding to Maximoff's current situation.

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had a 9.3 percent share of the engagement on Reelgood, an online streaming guide with more than 2 million U.S. users, for its premiere weekend of January 15–17, making it the most-streamed series during that time according to their data. A similar service, Whip Media's

578:. The primary conflict of the sitcom scenes is a misunderstanding between Maximoff and Vision about their dinner plans, which Schaeffer settled on after brainstorming ideas with series writers Laura Donney and Mackenzie Dohr, as well as writers assistant Clay Lapari. 707:(for translating colors into the final look during the DI process) that controlled the HDR factor and the expanded dynamic range. Worthington's team had to learn how different colors work when filmed in black-and-white, and did three days-worth of color tests. 805:

program. Hall enjoyed shooting in 4:3 because he was able to use it as a "dramatic tool". He tested using camera lenses from the 1950s, but there were not many of them available for the series and he found them to be fragile. Instead, Hall worked with

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also starring. Development began by October 2018, and Schaeffer was hired to write the episode and serve as head writer for the series in January 2019. Shakman joined that August. The episode pays homage to sitcoms from the 1950s and 1960s, including

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to modify modern lenses to match the characteristics from the old lenses that he liked. The resulting lenses created "this sort of even falloff around the edges", which worked well in the square 4:3 aspect ratio and was a period-appropriate effect.

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series, with later episodes introducing more elements from outside the sitcom format. This meant the episode had the least amount of mythology to establish, leading to the smallest number of changes for the series with only eight script revisions.

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as Agnes. Also appearing as residents of Westview are Asif Ali as Norm, David Lengel as Phil Jones, and Amos Glick as Dennis the mailman. Ithamar Enriquez and Victoria Blade portray the man and woman in the ToastMate 2000 toaster oven commercial.

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praised Hahn's performance, with his colleague Chancellor Agard also praising Olsen and Bettany, saying he forgot at times that the series' sitcom world was fake due to how "locked in" their performances are. Reviewing the first two episodes for

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on January 15, 2021. Critics praised the faithful recreation of sitcom elements from the era and the performances of Olsen, Bettany, and Hahn. The episode had Disney+'s most-watched series premiere opening weekend until it was surpassed by the

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Additional shooting took place without the studio audience for when something goes wrong with Maximoff's illusion in the dinner scene with the Harts. Shakman used lenses, lighting, and sound design to change the mood for this, inspired by

793:"wanted to keep on running the show" that way. Because of the audience, scenes from this episode could not be adjusted later in production. Schaeffer found this aspect exciting, and described the episode as a "very bizarre one-act play". 4121: 972:

Maximoff creates rings for them, and Beck's "definitive" theme for Maximoff that can be heard during the end credits. Beck's score for the choking scene transitions from the period style to a "tension piece" inspired by the music that

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originally assumed that all of the episodes for the series would be untitled, and wondered if the titles were being withheld upon release to avoid spoilers despite not finding the first episode's title to be particularly revealing.

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noted that the 1950s poster was "modest enough at first glance", depicting an "unassuming living room" from the decade, but the "wallpaper peeling to reveal a static-y reality lurking just beneath the surface was conveying that as

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ToastMate 2000 toaster oven with the slogan "Forget the past, this is your future!". The toaster oven has a blinking red light which is the first time color is introduced to the series, and it has a sound effect reminiscent of

3225: 756:, who created the end credits sequence for the series, also created a new Marvel Studios logo and opening title sequence for this episode. The logo transitions from the normal Marvel Studios logo into black-and-white and a 1369:, Don Kaye gave them 4 out of 5 stars and said everything in the first episode is a "loving tribute to the kinds of 'wholesome,' squarely middle class, conservative family comedies" that existed in the mid-1950s. 619:

The series features fake commercials that Feige said would indicate "part of the truths of the show beginning to leak out", with "Filmed Before a Live Studio Audience" including a commercial that is advertising a

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MARZ effects supervisor Ryan Freer said the episode provided additional challenges compared to their first test shot since it was the first time that Vision had been seen in black-and-white and doing

1964: 784:, with Shakman directing, and Hall serving as cinematographer. "Filmed Before a Live Studio Audience" utilized a multi-camera setup and was shot in black-and-white over two days in front of a live 1467: 1445: 359: 4111: 2726: 1286:

to be the most anticipated series among U.S. users of their platform and listed it as the second-most-viewed series globally during its debut weekend. Tracking on certain opted-in smart TVs,

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on January 15, 2021. The episode was originally listed as "Episode 1" on the service, but the title was updated by January 20 to be "Filmed Before a Live Studio Audience". Hoai-Tran Bui at

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in black-and-white, Bettany was painted blue, rather than Vision's maroon color, since the blue appeared better in the grayscale image. Additionally, Olsen used a pinker shade of

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influences as "genius". The choking scene includes shots looking back where the sitcom audience should be to show that there is a wall there when Maximoff's illusion breaks.

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Parrot Analytics used social media, fan ratings, and piracy data to evaluate audience demand for the series, and found it to be in the top 0.2 percent of series worldwide.

3690: 3125: 262:. It follows the newlywed couple as they try to conceal their powers while living an idyllic suburban life in the town of Westview, New Jersey. The episode is set in the 4088: 3726: 3627: 3161: 3789: 3423: 2442: 2371: 1865: 1290:

found that 1.1 million U.S. households watched both of the first two episodes from January 15 to 18, with 1.5 million watching "Filmed Before a Live Studio Audience".

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when Marvel liked the results. The vendor was responsible for creating Vision in the series' first three episodes, including 50–60 shots in the first episode.

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In early December 2020, six posters for the series were released daily, each depicting a decade from the 1950s through the 2000s. Charles Pulliam-Moore from

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repulsors. Including a Stark Industries product points to Tony, who manufactured the weapons used to bomb Sokovia and kill Maximoff's parents as revealed in

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said Olsen and Bettany had excellent chemistry in the episode, and felt their work elevated the "fairly recognizable plot about a dinner party gone wrong".

4683: 2656: 559: 380: 1954: 4737: 4661: 3530: 2511: 760:. The logo's fanfare also changes to sound like it is coming from old television speakers. The graphics for the opening titles were inspired by those in 464: 435: 371: 292: 4564: 2475: 818:

The episode employed a variety of live special effects that were used by series in the 1950s and 1960s, such as props being controlled with wire rigs.

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to mimic classic sitcom filming. A group of Marvel Studios friends and family served as the live studio audience members, including series co-star

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The suit and wedding dress worn by Vision and Maximoff in the opening titles were both made for the series, with the dress created as an homage to

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Christophe Beck ('WandaVision' composer) discusses giving the Scarlet Witch her first musical theme in his 'most deeply developed dramatic score'

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anger towards Stark when she joined the Avengers, and agreed with Riseman about the toaster being a metaphor for Vision. Brenton Stewart at

434:. "Filmed Before a Live Studio Audience" pays homage to that series, with the relationship between Rob and Laura inspiring the portrayal of 4406: 2158: 64: 3085: 2752: 1992: 1727: 3258: 2568: 2184: 1793: 1558: 768:-style frame. Additionally, Perception provided graphics for the episode's fake commercial based on similar commercials from the 1950s. 753: 682:

at the end of the episode, with only her hand being visible; the series reveals that this hand belongs to Lewis in its fourth episode, "

4373: 3052: 2649: 4666: 4340: 4284: 3855: 3009: 841: 472: 439: 375: 296: 3812: 3216:"How 'WandaVision' Director Matt Shakman Went From Starring in Sitcoms to Helming a Superhero Sitcom Love Letter [Interview]" 2855: 1929: 1316: 350: 4011: 4045: 416: 3680: 517:, part "Marvel epic", paying tribute to many eras of American sitcoms. Olsen described the first episode as a "big love song to 4614: 3115: 3076:"Kevin Feige on How 'WandaVision' and Other Marvel Disney+ Shows Will Expand the Marvel Cinematic Universe [Interview]" 2120: 4078: 3716: 3617: 2898: 2688:

Mark Worthington ('WandaVision' production designer) on the ever-evolving sets: 'Challenge of something I haven't done before'

3151: 1553: 3779: 3499: 3413: 2432: 2361: 1855: 4241: 3586: 2321: 4762: 4690: 3944: 2954: 4208: 3911: 2037: 1637: 1391:, Abraham Riesman gave the episode 3 out of 5 stars, saying it was "nice to see an MCU thing where people are allowed to 4607: 2394: 229: 2822: 989: 943: 3878: 3184: 3349: 1492: 1307: 4112:"'The Falcon And The Winter Soldier': Disney+ Reports That Marvel Series Premiere Is Streamer's Most Watched Ever" 4600: 4537: 4307: 1609: 1432: 683: 476: 263: 964:

to pull the "lyric and musical choice together" and make the theme sound like it was written in the late 1950s.

777: 329: 4586: 3522: 2501: 217: 1784:"Falcon/Winter Soldier TV Series Planned for Disney Streaming Service, Scarlet Witch Show May Co-Star Vision" 501:

was hired to direct the miniseries, with Schaeffer and Shakman executive producing alongside Marvel Studios'

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on January 22, 2021, featuring Beck's score. The first track is the theme song by Anderson-Lopez and Lopez.

814: 635: 3554:"WandaVision's best VFX were invisible (except for when they were supposed to look like Tron or Bewitched)" 2465: 1680:"It Starts On The Page: Read 'WandaVision's Three Emmy-Nominated Scripts & Q&As With Their Writers" 823:

with wire rigs and used camera tricks to create the effect of Maximoff's magic, as was done in series like

736: 336:. It was shot in black-and-white and used many period-appropriate practical special effects and wire gags. 4444: 4345: 4050: 3949: 3449: 3375: 3156: 3116:"Here's How (and Why) the 'WandaVision' Team Changed the Show's Cinematography and Aspect Ratio Each Week" 2926: 2721: 2227: 1959: 1824: 1297: 1247: 1025: 953: 746: 726: 519: 430: 314: 259: 4012:"Disney+ Series 'The Mandalorian,' 'WandaVision' and 'Loki' Coming to Blu-ray and 4K UHD Later This Year" 379:

Computational Services Inc. with his speed, but is unsure what the company actually does. Their neighbor

4083: 2541: 2291: 2069: 1487: 583: 1751:"Loki, Scarlet Witch, Other Marvel Heroes to Get Own TV Series on Disney Streaming Service (Exclusive)" 3553: 4710: 4530: 4516: 4279: 3622: 3494: 2470: 2153: 2115: 2064: 1993:"Paul Bettany & Alan Ball on 'Uncle Frank,' 'WandaVision,' & Having Similar Directing Styles" 1358: 1250:, which measures the number of minutes watched by United States audiences on television sets, listed 700: 648: 610: 355: 3010:"WandaVision: How a Nonsensical Audition Led Teyonah Parris to 'Geraldine'... and Captain Marvel 2" 1255:

Nielsen's top 10 original series list which had more minutes viewed but longer runtimes available.

1179: 574: 506: 3977: 529:. As research for replicating the style of those series, Schaeffer, Shakman, and Feige spoke with 4497: 4411: 4116: 3850: 3685: 3283: 3120: 3047: 3043:"'WandaVision': Sitcom Legend Debra Jo Rupp Says Playing Mrs. Hart "Was the Most Fun Thing Ever"" 2757: 2322:"WandaVision Recap: Marvel Phase 4 Gets a Retro Kickoff With Disney+ Series Premiere — Grade It!" 2189: 1997: 1755: 1684: 1522: 1166: 890:(2015) as the definitive version of the character when approaching the visual effects for him in 831: 2148: 568: 3075: 1717: 4644: 4478: 4378: 3248: 1329: 1187: 993: 988:

is also featured in the episode. A soundtrack album for the episode was released digitally by

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Mayes C. Rubeo ('WandaVision' costume designer): Inspired by her favorite sitcoms of all time

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Giardina, Carolyn; Chuba, Kirsten; Beresford, Trilby; Drury, Sharareh (September 12, 2021).

4209:"Disney+'s WandaVision unleashes the weird, untapped power of the Marvel Cinematic Universe" 4010: 3042: 1783: 1227: 977: 973: 781: 757: 547: 425: 333: 4274: 4242:"WandaVision's premiere is a bewitching journey into sitcom history—and Marvel's TV future" 3845: 562:

inspired by "sex-starved but forever rebuffed middle-aged neighbor" women such as Ethel on

4148: 2827: 2466:"WandaVision's In-World Commercials Aren't Just MCU Nods - They MAY Be Something Sinister" 2262: 1934: 1722: 1333: 1265: 1029: 968: 961: 938:

presents the full theme song from the episode by Robert Lopez and Kristen Anderson-Lopez,

785: 764:, and Perception also made the episode's closing card featuring Maximoff and Vision in an 704: 510: 460: 325: 284: 28: 2185:"How 'WandaVision' Was Made: Cast and Crew on Iconic TV Influences, Big Swings, and More" 1894:"Matt Shakman In Talks To Direct 6-Episode Marvel Studios Series For Disney+ (Exclusive)" 1182:

based on those worn by Maximoff and Vision. In February 2021, Marvel partnered with chef

4143: 2922:"Marvel's Kevin Feige Breaks Silence on Scorsese Attack: "It's Unfortunate" (Exclusive)" 4180: 4153: 2437: 2366: 1387: 1342: 789: 711: 641: 456: 17: 3618:"WandaVision theme songwriters break down their decade-hopping tributes to classic TV" 1820:"Marvel's 'Vision and Scarlet Witch' Series Lands 'Captain Marvel' Writer (Exclusive)" 874:, with the episode's visual effects created by Monsters Aliens Robots Zombies (MARZ), 4726: 4637: 4246: 4213: 2959: 2573: 2536: 1642: 1538: 1507: 1348: 1183: 883: 721: 662: 530: 484: 421: 300: 274: 255: 251: 103: 2110: 4593: 2993: 2890: 1033: 985: 957: 675: 670: 666: 498: 468: 308: 304: 288: 278: 120: 93: 4440:"'Cruella,' 'Emily in Paris,' 'Dune' Among Costume Designers Guild Awards Winners" 3450:"'WandaVision': How Marvel Went Retro for Recreating the TV Sitcom World with VFX" 2065:"How a Lunch With Dick Van Dyke Helped Inspire Marvel's 'WandaVision' (Exclusive)" 3489: 4554: 4312: 3813:"WandaVision's Teaser Posters Have Been Telling a Warped Story - '50s Newlyweds" 3253: 2546: 2506: 1605: 1365: 679: 525: 502: 493: 488: 444: 320: 271: 246: 54: 2753:"'WandaVision' Costume Designer on Creating a 'More Mature' Scarlet Witch Look" 4508: 4488: 3916: 3883: 3657: 3287: 2792: 2693: 2399: 2031: 1860: 981: 935: 875: 807: 730: 716: 602: 555: 242: 114: 3289:

How the 'WandaVision' Choking Scene Helped Establish Marvel's First TV Series

1203:"Filmed Before a Live Studio Audience" was released on the streaming service 661:

The episode stars Elizabeth Olsen as Wanda Maximoff, Paul Bettany as Vision,

339:"Filmed Before a Live Studio Audience" was released on the streaming service 3558: 3454: 3414:"WandaVision's VFX Team on How Working From Home Brought Unexpected Balance" 2860: 1356:

sitcom". In his recap for the first and second episodes, Christian Holub of

1175: 906: 825: 695: 130: 2433:"WandaVision Series-Premiere Recap: Guess Who's Reality-Warping to Dinner?" 1955:"Marvel Unveils 3 New Disney+ Shows Including 'She-Hulk' and 'Moon Knight'" 1638:"WandaVision returns with a wallop to the Marvel Cinematic Universe proper" 4079:"Is Marvel's 'WandaVision' a 'Mandalorian'-Sized Ratings Hit for Disney+?" 3314: 2552: 1395:. But ultimately, what remains to be seen is whether there's any thematic 1204: 340: 3749:"Details for 'WandaVision' Episodes 1 & 2 Soundtrack Albums Revealed" 1856:"What's Next For The Marvel Cinematic Universe After 'Avengers: Endgame'" 1296:

had Disney+'s most-watched series premiere opening weekend, ahead of the

1287: 4474: 4176:"The TV Homages of WandaVision are an Amusing, Unfulfilling Distraction" 3341: 3315:"WandaVision | Editors – Tim Roche ACE, Zene Baker ACE, Nona Khodai ACE" 2856:"'WandaVision': Yes, Pietro's Halloween Hair Was a Tribute to Wolverine" 2717:"How 'WandaVision' Director Matt Shakman Went from Westeros to Westview" 1385:

appeared to be making its proper introduction into the MCU. Writing for

4502: 4017: 3846:"New 'WandaVision' Poster Asks You to Pull Back the Retro TV Wallpaper" 3380: 3300: 2267: 2049: 1381:

song for the episode, the self-aware title sequence, and the fact that

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for the last shot of the episode which is set outside of the fictional

606: 4519:

on YouTube – includes behind-the-scenes footage of filming the episode

3681:"WandaVision Composer Christophe Beck Teases the Secrets in His Score" 3490:"WandaVision: Ryan Freer Spills the VFX Secrets Behind the MCU Series" 3587:"WandaVision: Tara DeMarco – Overall VFX Supervisor – Marvel Studios" 3014: 2326: 2111:"Honey, I'm Chrome: Marvel prepares to take over TV with WandaVision" 514: 3978:"The First Two 'WandaVision' Episodes Finally Have Official Titles" 2502:"WandaVision Episodes 1 & 2 Cast Guide: Every Marvel Character" 497:, and was set to write the first episode of the series. In August, 2223:"'WandaVision' Boss on Her "Dark, Bleak Moment" Writing the Pilot" 813: 735: 415: 1036:, Eric Bradley, Greg Whipple, Jasper Randall & Gerald White) 4526: 3780:"WandaVision's Teaser Posters Have Been Telling a Warped Story" 2823:"How 'WandaVision' Travels the Decades Through Hair and Makeup" 2395:"The secret message behind WandaVision's commercials explained" 73:

highlighting elements of the 1950s setting seen in this episode

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Outstanding Writing for a Limited or Anthology Series or Movie

1373: 1190:

based on the one that Agnes gives to Maximoff in the episode.

1155: 605:

presents the full ToastMate 2000 commercial from the episode,

354:

in March 2021. It received several accolades, including three

4407:"'The Lost Daughter' and 'Dopesick' Win USC Scripter Awards" 1923: 1921: 1919: 1310:, until Disney+ announced that it had been surpassed by the 936:

A Newlywed Couple (From "WandaVision: Episode 1"/Audio Only)

2495: 2493: 2149:"WandaVision Debuts Official Titles for First Two Episodes" 1468:

Outstanding Period and/or Character Makeup (Non-Prosthetic)

1028:, Sara Mann, Jessica Rotter, Cindy Bourquin, Elyse Willis, 3152:"How 'WandaVision' Re-created Classic Sitcom Camera Magic" 952:"A Newlywed Couple", the episode's theme song composed by 2955:"WandaVision Reportedly Beginning Production in November" 1986: 1984: 1982: 870:

Tara DeMarco served as the visual effects supervisor for

4273:

Holub, Christian; Agard, Chancellor (January 15, 2021).

3912:"'WandaVision': Make Agnes' Lobster Thermidor-in-a-Snap" 392:

that someone is watching using 21st-century technology.

4493:

Choking Scene Helped Establish Marvel's First TV Series

1711: 1709: 1707: 3278: 3276: 3185:"WandaVision Director Matt Shakman Talks Post and VFX" 2216: 2214: 2212: 2104: 2102: 2100: 2098: 2096: 2094: 2092: 2022: 2020: 603:

ToastMate 2000 | Marvel Studios' WandaVision | Disney+

523:", though it also pays homage to other series such as 2362:"What Are the Commercials in WandaVision Telling Us?" 2355: 2353: 2351: 2349: 4308:"WandaVision Episodes 1 and 2 Review (Spoiler Free)" 4675: 4654: 4571: 2263:"Wandavision Q&A–S1 eps 1-3 with Jac Schaeffer" 2256: 2254: 2252: 2250: 2178: 2176: 1849: 1847: 1457:, Joseph Feltus, Daniel Selon, and Virginia Burton 1424: 1164:progresses, things are going to get even weirder". 1015: 1007: 924: 703:(DI) techniques to do this, with a black-and-white 591: 193: 167: 159: 144: 136: 126: 109: 99: 89: 78: 41: 2540: 241:" is the first episode of the American television 4275:"WandaVision premiere recap: Welcome to Westview" 3879:"Shop Marvel Must Haves: 'WandaVision' Episode 1" 2816: 2814: 2812: 2810: 1273:was behind that series' current audience demand. 2991:Bennett, Tara (January 2021). "The Odd Couple". 2986: 2984: 2982: 2426: 2424: 2422: 1479:, Vasilios Tanis, Jonah Levy, and Regina Little 4046:"'WandaVision' Premiere Makes Streaming Top 10" 3717:"WandaVision: Season 1, Episode 1 and 2 Review" 3109: 3107: 3105: 3103: 2746: 2744: 1938:. Vol. XLII, no. 12. pp. 42–50. 1631: 1629: 4505:– behind-the-scenes featurette for the episode 3945:"Marvel's 'WandaVision' Moves to January 2021" 2315: 2313: 2142: 2140: 2138: 4538: 2885: 2883: 2531: 2529: 1673: 1671: 1669: 1667: 1665: 8: 4758:Television episodes written by Jac Schaeffer 4341:"Creative Arts Emmys: Complete Winners List" 3710: 3708: 3443: 3441: 2292:"BGN Podcast Extra: WandaVision Visionaries" 1269:was when it premiered in November 2019, but 1002:WandaVision: Episode 1 (Original Soundtrack) 4684:Doctor Strange in the Multiverse of Madness 4374:"Here's the full list of 2021 Emmy winners" 3811:Pulliam-Moore, Charles (December 9, 2020). 3778:Pulliam-Moore, Charles (December 9, 2020). 2657:Disney Media and Entertainment Distribution 2644: 2642: 2640: 2638: 2636: 2634: 2602: 2600: 2598: 2596: 1813: 1811: 384:heart on the calendar actually represents. 4733:2020s American television series premieres 4545: 4531: 4523: 3483: 3481: 3479: 3477: 3369: 3367: 3145: 3143: 2609:"The Future Of Film In The Post-COVID Era" 1406: 442:in the episode. Van Dyke was consulted by 63: 38: 3412:Pulliam-Moore, Charles (March 24, 2021). 3114:Shannon Miller, Liz (February 23, 2021). 3008:Mitovitch, Matt Webb (January 20, 2021). 1887: 1885: 1883: 776:Filming began in early November 2019, at 459:was developing a limited series starring 328:over two days in early November 2019, at 4110:D'Alessandro, Anthony (March 22, 2021). 3982: 3220: 3080: 3041:Miller, Liz Shannon (January 19, 2021). 2891:"WandaVision | Main on End Title Design" 1788: 1209: 999: 886:. DeMarco used Vision's introduction in 744:program's opening sequence, inspired by 4386:from the original on September 20, 2021 4353:from the original on September 11, 2021 3407: 3405: 3403: 2967:from the original on September 20, 2019 1991:Radish, Christina (November 25, 2020). 1942:from the original on December 20, 2020. 1763:from the original on September 20, 2018 1625: 1593: 1134: 554:. She also described Maximoff as "full 4484:Jac Schaeffer's script for the episode 4475:"Filmed Before a Live Studio Audience" 4419:from the original on February 27, 2022 4372:Phillips, Jevon (September 19, 2021). 4240:Robinson, Stephen (January 15, 2021). 4144:"Filmed Before a Live Studio Audience" 4058:from the original on February 12, 2021 3957:from the original on November 12, 2020 3924:from the original on February 27, 2021 3858:from the original on December 12, 2020 3844:Lawrence, Gregory (December 4, 2020). 3825:from the original on December 23, 2020 3792:from the original on December 10, 2020 3249:"Debra Jo Rupp Interview: WandaVision" 3128:from the original on February 23, 2021 2934:from the original on November 11, 2019 2868:from the original on February 23, 2021 2835:from the original on February 26, 2021 2542:"Filmed Before a Live Studio Audience" 2360:Salazar, Savannah (January 22, 2021). 2320:Iannucci, Rebecca (January 15, 2021). 2183:Radish, Christina (January 11, 2021). 2123:from the original on November 10, 2020 2040:from the original on December 22, 2020 1868:from the original on November 14, 2019 1730:from the original on December 20, 2020 1636:Robinson, Stephen (January 29, 2021). 1263:percent more in-demand than Disney+'s 921: 588: 324:. Filming occurred in front of a live 4405:Drury, Sharareh (February 26, 2022). 4320:from the original on January 15, 2021 4287:from the original on January 15, 2021 4254:from the original on January 15, 2021 4221:from the original on January 14, 2021 4188:from the original on January 14, 2021 4091:from the original on January 22, 2021 3990:from the original on January 21, 2021 3891:from the original on January 18, 2021 3759:from the original on January 22, 2021 3729:from the original on January 15, 2021 3693:from the original on February 4, 2021 3630:from the original on January 22, 2021 3523:"What it takes to make Vision's face" 3376:"Vision getting ahead in WandaVision" 3352:from the original on January 13, 2021 3261:from the original on January 23, 2021 3247:Deckelmeier, Joe (January 22, 2021). 3228:from the original on January 12, 2021 3088:from the original on January 11, 2021 3055:from the original on January 20, 2021 3022:from the original on January 21, 2021 2953:Barnhardt, Adam (September 9, 2019). 2751:Turchiano, Danielle (June 14, 2021). 2729:from the original on January 15, 2021 2514:from the original on January 15, 2021 2478:from the original on January 16, 2021 2464:Stewart, Brenton (January 16, 2021). 2445:from the original on January 15, 2021 2431:Riesman, Abraham (January 15, 2021). 2407:from the original on January 23, 2021 2374:from the original on January 23, 2021 2334:from the original on January 15, 2021 2235:from the original on January 23, 2021 2197:from the original on January 12, 2021 2161:from the original on January 21, 2021 2077:from the original on January 16, 2021 2005:from the original on December 7, 2020 1854:Dinh, Christine (November 13, 2019). 1832:from the original on January 10, 2019 1796:from the original on November 1, 2018 1716:Reinstein, Mara (December 16, 2020). 1650:from the original on January 29, 2021 1431: 1135: 586:and become close-ups inside the set. 513:. Feige described the series as part 7: 4753:Television episodes set in the 2020s 4748:Television episodes set in the 1950s 4580:Filmed Before a Live Studio Audience 4025:from the original on August 21, 2023 3910:Warner, Justin (February 26, 2021). 2854:Lopez, Kristen (February 23, 2021). 2666:from the original on January 8, 2021 2261:Goldsmith, Jeff (January 29, 2021). 1967:from the original on August 23, 2019 1904:from the original on August 24, 2019 1782:Sciretta, Peter (October 30, 2018). 1749:Kroll, Justin (September 18, 2018). 1692:from the original on August 23, 2021 1425: 1222:The episode, along with the rest of 898:as a test, and was hired to work on 239:Filmed Before a Live Studio Audience 4743:Black-and-white television episodes 4509:Story Featurette | Marvel Studios' 4452:from the original on March 10, 2022 4174:Hadadi, Roxana (January 14, 2021). 4124:from the original on March 22, 2021 3976:Bui, Hoai-Tran (January 21, 2021). 3597:from the original on March 23, 2021 3566:from the original on March 25, 2021 3533:from the original on March 25, 2021 3502:from the original on March 26, 2021 3426:from the original on March 26, 2021 3388:from the original on March 23, 2021 3214:Bui, Hoai-Tran (January 11, 2021). 3195:from the original on April 30, 2021 3074:Bui, Hoai-Tran (January 11, 2021). 2569:"The Oral History of 'WandaVision'" 2393:Edwards, Molly (January 22, 2021). 2109:Coggan, Devan (November 10, 2020). 1446:Outstanding Fantasy/Sci-Fi Costumes 1433:Primetime Creative Arts Emmy Awards 360:Outstanding Fantasy/Sci-Fi Costumes 197: 4207:Barsanti, Sam (January 14, 2021). 4077:Katz, Brandon (January 22, 2021). 4044:Porter, Rick (February 12, 2021). 3943:Couch, Aaron (November 12, 2020). 3877:Paige, Rachel (January 18, 2021). 3715:Purslow, Matt (January 15, 2021). 3679:Knight, Rosie (February 4, 2021). 3616:Coggan, Devan (January 22, 2021). 3462:from the original on June 10, 2021 3150:Giardina, Carolyn (June 6, 2021). 2920:Couch, Aaron (November 10, 2019). 2901:from the original on April 8, 2021 2821:Fraser, Emma (February 26, 2021). 2765:from the original on June 14, 2021 2715:Davids, Brian (January 15, 2021). 2619:from the original on June 13, 2021 1892:Fischer, Jacob (August 21, 2019). 678:makes an uncredited appearance as 291:reprise their respective roles as 184:Victoria Blade as commercial woman 181:Ithamar Enriquez as commercial man 25: 4738:2021 American television episodes 4438:Schmidt, Ingrid (March 9, 2022). 3340:Frei, Vincent (January 5, 2021). 3164:from the original on June 6, 2021 2607:McGowan, Chris (April 12, 2021). 2581:from the original on June 2, 2021 2500:Hood, Cooper (January 15, 2021). 2221:Couch, Aaron (January 22, 2021). 1678:Fleming, Ryan (August 23, 2021). 1317:The Falcon and the Winter Soldier 1124:"Wanda's Theme (End Credits from 351:The Falcon and the Winter Soldier 4705: 4704: 4009:Taylor, Drew (August 21, 2023). 3585:Frei, Vincent (March 23, 2021). 3552:Grebey, James (March 25, 2021). 3374:Seymour, Mike (March 22, 2021). 3183:Altman, Randi (April 29, 2021). 2063:Boone, John (January 14, 2021). 2033:Under the Cover with WandaVision 1953:Couch, Aaron (August 23, 2019). 1608:in the series' fourth episode, " 930: 597: 187:Amos Glick as Dennis the mailman 4615:All-New Halloween Spooktacular! 3448:Desowitz, Bill (June 9, 2021). 2147:Erao, Math (January 20, 2021). 1566:Excellence in Period Television 1024:"A Newlywed Couple" (featuring 266:(MCU), sharing continuity with 4306:Kaye, Don (January 15, 2021). 3521:Failes, Ian (March 25, 2021). 2784:Licuria, Rob (June 10, 2021). 2650:"WandaVision Production Brief" 1818:Kit, Borys (January 9, 2019). 1554:Costume Designers Guild Awards 1008: 256:Wanda Maximoff / Scarlet Witch 80: 1: 3649:Eckmann, Sam (June 6, 2021). 3488:Stone, Sam (March 26, 2021). 2685:Eckmann, Sam (May 30, 2021). 2567:Hiatt, Brian (June 1, 2021). 729:, a "robin's egg blue-green" 403:ToastMate 2000 toaster oven. 358:nominations, winning one for 4608:On a Very Special Episode... 694:Shakman and cinematographer 2997:. No. 335. p. 34. 2557:End credits begin at 22:18. 1930:"Not Your Mother's Suburbs" 1718:"Not Your Mother's Suburbs" 1532:Best Adapted TV Screenplay 639:(2015). Abraham Riesman of 299:from the film series, with 4779: 1178:, and a set of rings from 268:the films of the franchise 178:David Lengel as Phil Jones 148:January 15, 2021 36:1st episode of WandaVision 26: 4700: 4601:We Interrupt This Program 4562: 4489:Making a Scene | How the 3321:(Podcast). March 15, 2021 1610:We Interrupt This Program 1552: 1521: 1486: 1462: 1436: 1421: 1418: 1415: 1412: 1409: 1120: 1109: 1098: 1087: 1076: 1065: 1054: 1043: 1020: 1012: 929: 684:We Interrupt This Program 596: 477:Marvel Cinematic Universe 264:Marvel Cinematic Universe 254:featuring the characters 228: 198: 172: 62: 52: 4622:Breaking the Fourth Wall 1928:Reinstein, Mara (2020). 1186:to release a recipe for 778:Pinewood Atlanta Studios 395:A commercial during the 330:Pinewood Atlanta Studios 2551:. Season 1. Episode 1. 1600:The character watching 888:Avengers: Age of Ultron 799:2.40:1 widescreen ratio 636:Avengers: Age of Ultron 558:" in the episode, with 69:Promotional poster for 18:Episode 1 (WandaVision) 4445:The Hollywood Reporter 4346:The Hollywood Reporter 4051:The Hollywood Reporter 3950:The Hollywood Reporter 3157:The Hollywood Reporter 2927:The Hollywood Reporter 2722:The Hollywood Reporter 2228:The Hollywood Reporter 1960:The Hollywood Reporter 1825:The Hollywood Reporter 1248:Nielsen Media Research 1234:on November 28, 2023. 1091:"Thank You for Coming" 1026:Kristen Anderson-Lopez 954:Kristen Anderson-Lopez 942:audio-only video from 819: 762:The Dick Van Dyke Show 750: 747:The Dick van Dyke Show 740:Typeface used for the 552:The Dick Van Dyke Show 520:The Dick Van Dyke Show 452: 431:The Dick Van Dyke Show 315:The Dick van Dyke Show 4587:Don't Touch That Dial 2070:Entertainment Tonight 2030:(December 18, 2020). 1488:Primetime Emmy Awards 817: 739: 419: 399:program advertises a 218:Don't Touch That Dial 145:Original release date 4763:WandaVision episodes 4517:Marvel Entertainment 4280:Entertainment Weekly 3755:. January 21, 2021. 3623:Entertainment Weekly 3527:befores & afters 3495:Comic Book Resources 2539:(January 15, 2021). 2471:Comic Book Resources 2154:Comic Book Resources 2116:Entertainment Weekly 1441:– September 12, 2021 1359:Entertainment Weekly 1069:"Calendar Confusion" 980:'s films. The song " 882:, The Yard VFX, and 714:'s wedding dress in 701:digital intermediate 649:Comic Book Resources 611:Marvel Entertainment 356:Primetime Emmy Award 270:. It was written by 46:Live Studio Audience 27:For the phrase, see 3753:Film Music Reporter 3286:(August 26, 2021). 1314:of Marvel Studios' 1243:Audience viewership 1180:Entertainment Earth 1080:"Frog in My Throat" 1004: 550:, respectively) in 483:. In January 2019, 420:Publicity photo of 4117:Deadline Hollywood 2613:VFX Voice Magazine 2290:LeBeauf, Jeandra. 2028:Television Academy 1685:Deadline Hollywood 1604:is revealed to be 1523:USC Scripter Award 1494:September 19, 2021 1226:, was released on 1058:"Dinner Is Served" 1000: 832:I Dream of Jeannie 820: 751: 584:multi-camera setup 453: 194:Episode chronology 4720: 4719: 4645:The Series Finale 4565:List of accolades 4379:Los Angeles Times 1585: 1584: 1528:February 26, 2022 1413:Date of ceremony 1340:Roxana Hadadi at 1330:review aggregator 1324:Critical response 1188:Lobster Thermidor 1145: 1144: 1047:"Toast-Mate 2000" 994:Hollywood Records 950: 949: 842:The Twilight Zone 669:as Mr. Hart, and 617: 616: 455:By October 2018, 235: 234: 224: 223: 127:Cinematography by 16:(Redirected from 4770: 4708: 4707: 4691:Agatha All Along 4629:Agatha All Along 4547: 4540: 4533: 4524: 4462: 4461: 4459: 4457: 4435: 4429: 4428: 4426: 4424: 4402: 4396: 4395: 4393: 4391: 4369: 4363: 4362: 4360: 4358: 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1146: 1136: 1030:Laura Dickinson 969:Christophe Beck 944:MarvelMusicVevo 931: 920: 868: 855: 786:studio audience 774: 692: 659: 598: 592:External videos 575:Who's the Boss? 569:Three's Company 539: 511:Victoria Alonso 461:Elizabeth Olsen 448: 414: 409: 368: 346:series premiere 326:studio audience 285:Elizabeth Olsen 215: 207: 151: 149: 118: 74: 45: 44:Filmed Before a 37: 32: 29:Studio audience 23: 22: 15: 12: 11: 5: 4776: 4774: 4766: 4765: 4760: 4755: 4750: 4745: 4740: 4735: 4725: 4724: 4718: 4717: 4715: 4714: 4701: 4698: 4697: 4695: 4694: 4687: 4679: 4677: 4673: 4672: 4670: 4669: 4664: 4662:Wanda Maximoff 4658: 4656: 4652: 4651: 4649: 4648: 4641: 4634: 4633: 4632: 4618: 4611: 4604: 4597: 4590: 4583: 4575: 4573: 4569: 4568: 4563: 4560: 4559: 4552: 4550: 4549: 4542: 4535: 4527: 4521: 4520: 4506: 4486: 4481: 4470: 4469:External links 4467: 4464: 4463: 4430: 4397: 4364: 4331: 4298: 4265: 4232: 4199: 4181:RogerEbert.com 4166: 4154:Fandango Media 4135: 4102: 4069: 4036: 4001: 3968: 3935: 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Rubeo 1448: 1443: 1435: 1429: 1428: 1423: 1420: 1417: 1414: 1411: 1404: 1401: 1398: 1394: 1343:RogerEbert.com 1325: 1322: 1244: 1241: 1239: 1236: 1219: 1216: 1200: 1197: 1195: 1192: 1150: 1147: 1143: 1142: 1139: 1133: 1132: 1129: 1122: 1118: 1117: 1114: 1111: 1107: 1106: 1103: 1100: 1096: 1095: 1092: 1089: 1085: 1084: 1081: 1078: 1074: 1073: 1070: 1067: 1063: 1062: 1059: 1056: 1052: 1051: 1048: 1045: 1041: 1040: 1037: 1022: 1018: 1017: 1014: 1011: 998: 948: 947: 927: 926: 925:External audio 919: 916: 867: 866:Visual effects 864: 854: 851: 790:Teyonah Parris 773: 770: 712:Audrey Hepburn 691: 688: 665:as Mrs. Hart, 658: 655: 615: 614: 594: 593: 572:, and Mona on 538: 535: 465:Wanda Maximoff 457:Marvel Studios 451:creative team. 436:Wanda Maximoff 428:as Laura from 413: 410: 408: 405: 372:Wanda Maximoff 367: 364: 293:Wanda Maximoff 233: 232: 226: 225: 222: 221: 209: 196: 195: 191: 190: 189: 188: 185: 182: 179: 176: 170: 169: 165: 164: 161: 157: 156: 146: 142: 141: 138: 134: 133: 128: 124: 123: 111: 110:Featured music 107: 106: 101: 97: 96: 91: 87: 86: 83: 76: 75: 68: 60: 59: 50: 49: 35: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4775: 4764: 4761: 4759: 4756: 4754: 4751: 4749: 4746: 4744: 4741: 4739: 4736: 4734: 4731: 4730: 4728: 4713: 4712: 4703: 4702: 4699: 4693: 4692: 4688: 4686: 4685: 4681: 4680: 4678: 4674: 4668: 4665: 4663: 4660: 4659: 4657: 4653: 4646: 4642: 4639: 4638:Previously On 4635: 4630: 4626: 4625: 4623: 4619: 4616: 4612: 4609: 4605: 4602: 4598: 4595: 4591: 4588: 4584: 4581: 4577: 4576: 4574: 4570: 4566: 4561: 4557: 4556: 4548: 4543: 4541: 4536: 4534: 4529: 4528: 4525: 4518: 4514: 4512: 4507: 4504: 4500: 4499: 4494: 4492: 4487: 4485: 4482: 4480: 4476: 4473: 4472: 4468: 4451: 4447: 4446: 4441: 4434: 4431: 4418: 4414: 4413: 4408: 4401: 4398: 4390:September 20, 4385: 4381: 4380: 4375: 4368: 4365: 4357:September 12, 4352: 4348: 4347: 4342: 4335: 4332: 4319: 4315: 4314: 4309: 4302: 4299: 4286: 4282: 4281: 4276: 4269: 4266: 4253: 4249: 4248: 4247:The A.V. Club 4243: 4236: 4233: 4220: 4216: 4215: 4214:The A.V. Club 4210: 4203: 4200: 4187: 4183: 4182: 4177: 4170: 4167: 4155: 4151: 4150: 4145: 4139: 4136: 4123: 4119: 4118: 4113: 4106: 4103: 4090: 4086: 4085: 4080: 4073: 4070: 4057: 4053: 4052: 4047: 4040: 4037: 4024: 4020: 4019: 4013: 4005: 4002: 3989: 3985: 3984: 3979: 3972: 3969: 3956: 3952: 3951: 3946: 3939: 3936: 3923: 3919: 3918: 3913: 3906: 3903: 3890: 3886: 3885: 3880: 3873: 3870: 3857: 3853: 3852: 3847: 3840: 3837: 3824: 3820: 3819: 3814: 3807: 3804: 3791: 3787: 3786: 3781: 3774: 3771: 3758: 3754: 3750: 3744: 3741: 3728: 3724: 3723: 3718: 3711: 3709: 3705: 3692: 3688: 3687: 3682: 3675: 3672: 3660: 3659: 3654: 3653: 3645: 3642: 3629: 3625: 3624: 3619: 3612: 3609: 3596: 3592: 3588: 3581: 3578: 3565: 3561: 3560: 3555: 3548: 3545: 3532: 3528: 3524: 3517: 3514: 3501: 3497: 3496: 3491: 3484: 3482: 3480: 3478: 3474: 3461: 3457: 3456: 3451: 3444: 3442: 3438: 3425: 3421: 3420: 3415: 3408: 3406: 3404: 3400: 3387: 3383: 3382: 3377: 3370: 3368: 3364: 3351: 3347: 3343: 3342:"WandaVision" 3336: 3333: 3320: 3319:The Rough Cut 3316: 3310: 3307: 3302: 3291: 3290: 3285: 3279: 3277: 3273: 3260: 3256: 3255: 3250: 3243: 3240: 3227: 3223: 3222: 3217: 3210: 3207: 3194: 3190: 3186: 3179: 3176: 3163: 3159: 3158: 3153: 3146: 3144: 3140: 3127: 3123: 3122: 3117: 3110: 3108: 3106: 3104: 3100: 3087: 3083: 3082: 3077: 3070: 3067: 3054: 3050: 3049: 3044: 3037: 3034: 3021: 3017: 3016: 3011: 3004: 3001: 2996: 2995: 2987: 2985: 2983: 2979: 2966: 2962: 2961: 2960:ComicBook.com 2956: 2949: 2946: 2933: 2929: 2928: 2923: 2916: 2913: 2900: 2896: 2892: 2886: 2884: 2880: 2867: 2863: 2862: 2857: 2850: 2847: 2834: 2830: 2829: 2824: 2817: 2815: 2813: 2811: 2807: 2795: 2794: 2789: 2788: 2780: 2777: 2764: 2760: 2759: 2754: 2747: 2745: 2741: 2728: 2724: 2723: 2718: 2711: 2708: 2696: 2695: 2690: 2689: 2681: 2678: 2662: 2658: 2651: 2645: 2643: 2641: 2639: 2637: 2635: 2631: 2618: 2614: 2610: 2603: 2601: 2599: 2597: 2593: 2580: 2576: 2575: 2574:Rolling Stone 2570: 2563: 2560: 2554: 2550: 2549: 2543: 2538: 2532: 2530: 2526: 2513: 2509: 2508: 2503: 2496: 2494: 2490: 2477: 2473: 2472: 2467: 2460: 2457: 2444: 2440: 2439: 2434: 2427: 2425: 2423: 2419: 2406: 2402: 2401: 2396: 2389: 2386: 2373: 2369: 2368: 2363: 2356: 2354: 2352: 2350: 2346: 2333: 2329: 2328: 2323: 2316: 2314: 2310: 2297: 2293: 2286: 2283: 2270: 2269: 2264: 2257: 2255: 2253: 2251: 2247: 2234: 2230: 2229: 2224: 2217: 2215: 2213: 2209: 2196: 2192: 2191: 2186: 2179: 2177: 2173: 2160: 2156: 2155: 2150: 2143: 2141: 2139: 2135: 2122: 2118: 2117: 2112: 2105: 2103: 2101: 2099: 2097: 2095: 2093: 2089: 2076: 2072: 2071: 2066: 2059: 2056: 2051: 2039: 2035: 2034: 2029: 2023: 2021: 2017: 2004: 2000: 1999: 1994: 1987: 1985: 1983: 1979: 1966: 1962: 1961: 1956: 1949: 1946: 1941: 1937: 1936: 1931: 1924: 1922: 1920: 1916: 1903: 1899: 1895: 1888: 1886: 1884: 1880: 1867: 1863: 1862: 1857: 1850: 1848: 1844: 1831: 1827: 1826: 1821: 1814: 1812: 1808: 1795: 1791: 1790: 1785: 1778: 1775: 1767:September 18, 1762: 1758: 1757: 1752: 1745: 1742: 1729: 1725: 1724: 1719: 1712: 1710: 1708: 1704: 1691: 1687: 1686: 1681: 1674: 1672: 1670: 1668: 1666: 1662: 1649: 1645: 1644: 1643:The A.V. Club 1639: 1632: 1630: 1626: 1619: 1611: 1607: 1603: 1597: 1594: 1587: 1581: 1578: 1569: 1567: 1564: 1562: 1560:March 9, 2022 1557: 1555: 1551: 1548: 1545: 1540: 1539:Jac Schaeffer 1534: 1531: 1526: 1524: 1520: 1517: 1514: 1509: 1508:Jac Schaeffer 1503: 1501: 1498: 1496: 1491: 1489: 1485: 1481: 1475:Tricia Sawyer 1471: 1469: 1466: 1465: 1459: 1449: 1447: 1444: 1442: 1434: 1430: 1419:Recipient(s) 1408: 1402: 1400: 1396: 1392: 1390: 1389: 1384: 1376: 1375: 1370: 1368: 1367: 1361: 1360: 1351: 1350: 1349:The A.V. Club 1345: 1344: 1338: 1335: 1331: 1323: 1321: 1319: 1318: 1313: 1309: 1308:second season 1303: 1299: 1295: 1291: 1289: 1285: 1281: 1276: 1272: 1268: 1267: 1261: 1256: 1253: 1249: 1242: 1237: 1235: 1233: 1229: 1225: 1217: 1215: 1212: 1211: 1206: 1198: 1193: 1191: 1189: 1185: 1184:Justin Warner 1181: 1177: 1169: 1168: 1163: 1158: 1157: 1148: 1140: 1137:Total length: 1130: 1127: 1123: 1119: 1115: 1112: 1108: 1104: 1101: 1097: 1093: 1090: 1086: 1082: 1079: 1075: 1071: 1068: 1064: 1060: 1057: 1053: 1049: 1046: 1042: 1038: 1035: 1031: 1027: 1023: 1019: 1006: 1003: 997: 995: 991: 987: 983: 979: 976:composed for 975: 970: 965: 963: 959: 955: 945: 941: 937: 928: 923: 917: 915: 911: 908: 903: 901: 897: 896:Age of Ultron 893: 889: 885: 881: 877: 873: 865: 863: 861: 852: 850: 848: 847:Twilight Zone 844: 843: 836: 834: 833: 828: 827: 816: 812: 809: 804: 800: 794: 791: 787: 783: 779: 771: 769: 767: 763: 759: 755: 749: 748: 743: 738: 734: 732: 728: 723: 722:Tricia Sawyer 719: 718: 713: 708: 706: 702: 697: 689: 687: 685: 681: 677: 672: 668: 664: 663:Debra Jo Rupp 656: 654: 651: 650: 644: 643: 638: 637: 632: 628: 623: 612: 608: 604: 595: 590: 587: 585: 579: 577: 576: 571: 570: 565: 561: 557: 553: 549: 543: 536: 534: 532: 531:Dick Van Dyke 528: 527: 522: 521: 516: 512: 508: 504: 500: 496: 495: 490: 487:was hired as 486: 485:Jac Schaeffer 482: 478: 474: 470: 466: 462: 458: 447: 446: 441: 437: 433: 432: 427: 423: 422:Dick Van Dyke 418: 411: 406: 404: 402: 398: 393: 391: 385: 382: 377: 373: 365: 363: 361: 357: 353: 352: 347: 342: 337: 335: 331: 327: 323: 322: 317: 316: 310: 306: 302: 301:Debra Jo Rupp 298: 294: 290: 286: 282: 280: 276: 275:Jac Schaeffer 273: 269: 265: 261: 257: 253: 252:Marvel Comics 249: 248: 244: 240: 231: 227: 219: 213: 210: 206: 202: 201: 192: 186: 183: 180: 177: 174: 173: 171: 166: 162: 158: 147: 143: 139: 135: 132: 129: 125: 122: 116: 112: 108: 105: 104:Jac Schaeffer 102: 98: 95: 92: 88: 84: 77: 72: 66: 61: 57: 56: 51: 47: 40: 34: 30: 19: 4709: 4689: 4682: 4594:Now in Color 4579: 4553: 4510: 4496: 4490: 4454:. 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