381:, Austin Howell stated that Notaker was "Doing his part in bringing a unique sound to the industry", further describing him as similar to other new beat artists such as Rezz and 1788-L as they all "use similar sounds, which are bass-heavy with a sort of darkness and sci-fi sound." He later praised the extended play, writing "Notaker was able to go full force with his latest work, bringing every sound that one must hear to make up a good song."
351:. Notaker wrote that the subgenre had become increasingly popular in recent times, describing it as a "fresh sound that’s been generally unexplored in the mainstream electronic realm. The range of which you can produce in this tempo range can be extremely gritty and heavy to really melodic and beautiful to calm, relaxing and atmospheric."
394:, Grant Gilmore claimed that it was Notakers best work yet, writing that it "offers up that intergalactic, space-fueled sound that will have you travelling the depths of the galaxy while listening, perfect for those dark rooms and late night drives through the night."
31:
331:. The A.I. turns corrupt and becomes hostile towards the crew, forcing many of them to jettison while the remaining crew cut the power supply to the A.I. The crew are then forced to travel back through the wormhole without any guidance or help from the A.I.
334:
Notaker has described his more recent style of music as darker and more abstract compared to his earlier works, experimenting with gritty distorted textures in his sounds and attempting to write his music in a less conventional manner. Ian
Thompson of
427:, Jim Babaoglu wrote that the song begins by "slowly pulling you into a fantasy world", stating that Notaker has "proven his ability to create vast cinematic soundscapes and this intro is a delightful example of his talents."
411:, Robyn Dexter wrote that the song leaned into the "shadowy side of the artists' production", describing the song as "simultaneously crisp and clean, showcasing both artists’ stellar production style." A writer for
389:
described the extended play as tied together by "an assortment of mystic, dark undertones that build into knife cut, hard electro drops that show a side of
Notaker that fans have never seen before." Writing for
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419:' Lily Voss called the song a "twisty, bass heavy trip in a rocket ship", describing the song as "flawless blend of their two divergent sounds while taking your mind throughout a black hole." Brett Zera of
304:(which were all later used to comprise the artwork for the extended play). The extended play's promotional mix features various audio clips from movies that Notaker had drawn inspiration from, including
385:'s Tori Matthews stated that Notaker "definitely takes you for a ride", writing that it was a "totally different experience of listening to music that we haven’t seen in quite a while." Alice Andrei of
271:) and "Machina" (with Eminence) were both produced separately around the same time using the same base song. Notaker met with both artists in person but the collaborations were primarily done through
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816:
398:'s Ryan Middleton described the extended play as a combination of sounds "both gritty and melodic, blending soothing progressive with harder electro". A writer for
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described the song as "glitch-infused", drawing parallels between the song's style with the likes of Rezz and 1788-L, describing it as "dark and other-worldly".
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279:. Notaker stated "It was really interesting to see how each record turned out so differently and how my style complemented my collaborators’ styles".
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wrote that it "delivers a stunningly diverse array of tracks that takes listeners on a rollercoaster of bass-drenched sounds."
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on June 26, 2018. The extended play was released ten days later on 6 July 2018. The extended play is named after the
300:
story about the Vessel using the tracklist order, mood and creating unique artwork for each of the songs featured in
817:"NOTAKER RELEASES DEBUT MAU5TRAP EP, EREBUS I FEATURES COLLABORATIONS WITH BLACKGUMMY AND EMINENCE! | EDM Nations"
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stated that the song "beautifully showcases both
Notaker and Blackgummy’s bass drenched sounds." Writing for
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324:
932:"Notaker teams up with BlackGummy for haunting collaborative single - Corrupted | T.H.E - Music Essentials"
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and
Canadian electronic music duo Eminence. The first single "Corrupted" was released on June 26, 2018.
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on July 6, 2018. It contains five songs, including collaborations with
American DJ and producer
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877:"Premiere: Notaker Unleashes Glitchy, Dark & Melodic New 'EREBUS I' EP On Mau5trap"
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786:"Notaker Debuts Sci-Fi Inspired Epic EP 'Erebus I' on Mau5trap Records | RaverRafting"
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The extended play's single "Corrupted" was well received by most critics. Writing for
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1024:"Notaker Drops First Single Off New EP EREBUS I, A Dark Collab With BlackGummy"
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902:"Notaker releases debut mau5trap EP - EREBUS I | T.H.E - Music Essentials"
632:"[Interview] Notaker Gets Gritty with New EP EREBUS I - EDMTunes"
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noted
Notaker as one of several artists in the forefront of the
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experiences a fatal system error after travelling through a
756:"mau5trap Label Artist 'Notaker' Releases New EP, Erebus I"
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Notaker conceived the extended play as an expansion of his
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The story of the extended play follows The Vessel, as its
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released in 2017. He did this by creating an ambiguous
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847:"Notaker Releases Debut EP on mau5trap, 'EREBUS I'"
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993:"Notaker X Blackgummy - Corrupted | EDM Chicago"
377:was well received by most critics. Writing for
724:"Notaker releases his EREBUS I EP on mau5trap"
698:Corrupted - Single by Notaker & BlackGummy
1090:
962:"Notaker x Blackgummy - Corrupted - EDMTunes"
8:
667:"Premiere: Notaker x BlackGummy - Corrupted"
267:The collaborative tracks "Corrupted" (with
251:. It was released by Canadian record label
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354:The single "Corrupted" was released as a
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1209:Electronic albums by American artists
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1060:from the original on July 16, 2018
1003:from the original on July 16, 2018
972:from the original on July 16, 2018
942:from the original on July 16, 2018
912:from the original on July 16, 2018
857:from the original on July 16, 2018
827:from the original on July 16, 2018
796:from the original on July 16, 2018
766:from the original on July 16, 2018
705:from the original on July 17, 2018
677:from the original on July 16, 2018
642:from the original on July 15, 2018
14:
736:from the original on July 8, 2018
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815:Andrei, Alice (July 9, 2018).
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991:Zera, Brett (July 3, 2018).
290:following his previous work
364:personification of darkness
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520:"Machina" (with Eminence)
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1053:Erebus I - EP by Notaker
936:T.H.E - Music Essentials
906:T.H.E - Music Essentials
220:Released: June 26, 2018
413:T.H.E Music Essentials
400:T.H.E Music Essentials
263:Background and release
1022:GLU (June 26, 2018).
311:2001: A Space Odyssey
461:"Fatal System Error"
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362:who represents the
343:subgenre alongside
141:Mathew Kazmierowski
477:"Corrupted" (with
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370:Critical reception
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1175:
968:. June 27, 2018.
938:. June 26, 2018.
881:Magnetic Magazine
792:. July 12, 2018.
762:. July 12, 2018.
760:Respect My Region
729:Dancing Astronaut
701:, June 26, 2018,
673:. June 25, 2018.
671:Dancing Astronaut
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396:Magnetic Magazine
379:Respect My Region
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638:. July 9, 2018.
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360:primordial deity
356:digital download
245:electronic music
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596:July 6, 2018
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555:Total length:
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431:Track listing
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241:extended play
239:is the third
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16:EP by Notaker
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1062:, retrieved
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1031:. Retrieved
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1005:. Retrieved
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944:. Retrieved
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914:. Retrieved
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884:. Retrieved
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859:. Retrieved
851:EDM Identity
850:
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829:. Retrieved
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798:. Retrieved
790:RaverRafting
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768:. Retrieved
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644:. Retrieved
635:
506:"Hypersleep"
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392:EDM Identity
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383:RaverRafting
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307:Interstellar
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273:file sharing
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243:by American
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54:July 6, 2018
18:
1214:Notaker EPs
1135:Path.Finder
997:EDM Chicago
821:EDM Nations
450:Producer(s)
421:EDM Chicago
387:EDM Nations
217:"Corrupted"
184:Path.Finder
144:Dillon Wong
137:Iman Marouf
1183:Categories
615:References
593:Worldwide
491:BlackGummy
479:BlackGummy
269:Blackgummy
257:BlackGummy
155:chronology
1167:The Storm
1028:EDM Sauce
543:"Believe"
425:EDM Sauce
247:producer
206:Erebus I
1189:2018 EPs
1153:Infinite
1128:Erebus I
1064:July 16,
1058:archived
1033:July 16,
1007:July 16,
1001:Archived
976:July 16,
970:Archived
966:EDMTunes
946:July 16,
940:Archived
916:July 16,
910:Archived
886:July 16,
861:July 16,
855:Archived
831:July 16,
825:Archived
800:July 16,
794:Archived
770:July 16,
764:Archived
740:July 16,
734:Archived
709:July 17,
703:archived
681:July 16,
675:Archived
646:July 16,
640:Archived
636:EDMTunes
605:mau5trap
529:Eminence
417:EDMTunes
375:Erebus I
341:new beat
337:EDMTunes
329:wormhole
302:Erebus I
253:mau5trap
236:Erebus I
175:Erebus I
124:Producer
117:Mau5trap
76:New beat
59:Recorded
51:Released
41: by
24:Erebus I
1160:Shimmer
1145:Singles
1121:Genesis
1106:Notaker
580:Format
574:Region
546:Notaker
526:Notaker
509:Notaker
487:Notaker
465:Notaker
293:Genesis
277:Dropbox
249:Notaker
202:Singles
188:(2019)
179:(2018)
170:(2017)
166:Genesis
153:Notaker
86:ambient
62:2017–18
44:Notaker
583:Label
453:Length
349:1788-L
286:series
284:Vessel
95:Length
577:Date
559:22:17
447:Title
317:Alien
204:from
112:Label
81:wonky
68:Genre
1066:2018
1035:2018
1009:2018
978:2018
948:2018
918:2018
888:2018
863:2018
833:2018
802:2018
772:2018
742:2018
711:2018
683:2018
648:2018
587:Ref.
549:3:42
535:4:33
512:3:39
498:4:30
469:4:53
347:and
345:Rezz
325:A.I.
314:and
443:No.
1185::
1043:^
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100:22
39:EP
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102::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
