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Eric Von Schmidt

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invited the whole bunch to the club, where he was about to perform the thing live. "C'mon down to the club" he said – "I'm about to perform it live." We accepted the invitation. And that is what his record is. An invitation. An invitation to the glad, mad, sad, biting, exciting, frightening, crabby, happy, enlightening, hugging, chugging world of Eric Von Schmidt. For here is a man who can sing the bird off the wire and the rubber off the tire. He can separate the men from the boys and the note from the noise. The bridle from the saddle and the cow from the cattle. He can play the tune of the moon. The why of the sky and the commotion from the ocean. Yes he can.
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vacationing during a time of labor strife leading indirectly to the deaths of three men. The accuracy of Von Schmidt's characterization of Joshua's involvement in the incident has been disputed. Given that Mr. Joshua died poor and remains a revered figure on the island, his depiction in the song is
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licks, drank red wine and played croquet. Dylan eagerly absorbed von Schmidt's voluminous knowledge of music, including folk, country and the blues. "I sang a bunch of songs, and, with that spongelike mind of his, he remembered almost all of them when he got back to New York," von Schmidt said in
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Of course we had heard about Eric Von Schmidt for many years. The name itself had become a password. Eventually, after standing in line to meet him, there it was – his doorstep, a rainy day, and he greeted his visitors, inviting them in. He was told how much they liked Grizzly Bear and he then
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Von Schmidt was known for an exuberant musical style that he liked to apply to American folk classics. "Eric's got that wild spirit, and he doesn't water the music down for polite society,"
269:(May 28, 1931 – February 2, 2007) was an American folk musician and painter. He was associated with the folk boom of the late 1950s and early 1960s and was a key part of the 1662: 1945: 1612: 1470: 320:
Von Schmidt shared his large repertory of traditional music, passing them along to new performers who were developing a more modern version of folk music. He influenced
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scene. As a singer and guitarist, he was considered to be the leading specialist in country blues in Cambridge at the time, the counterpart of Greenwich Village's
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probably less sympathetic than it should be. Nonetheless, the song remains a powerful evocation of the plight of the poor people of Saint Vincent.
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In May 1964, Dylan visited Von Schmidt at his home in Sarasota, Florida and recorded several songs there, including an early version of "
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compendium of white blues performers (Elektra EKL-264, 1964). Von Schmidt illustrated a 1973 book of twenty-five ghost stories called
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by Jean Anderson. In the final 30 years of his life, Von Schmidt recorded only two records, and instead focused on his art career.
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Four years before his death, von Schmidt painted his last epic of American history. The canvas' subject was of Lewis and Clark's
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as author of "three-quarters" of the song. His 1979 book about the Cambridge scene is titled after the song.
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Among his best known and performed original compositions is the song "Joshua Gone Barbados" which depicts
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honoring its bicentennial. He also continued work on his "Giants of the Blues" series of paintings.
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Von Schmidt also illustrated numerous children's books including a number of collaborations with
490: 422: 359: 296: 281: 1850: 425:". The recordings were released in 2014 as part of Dylan's "50th Anniversary Collection 1964". 1656: 927: 654: 559: 405: 386: 1733: 432:(SRS 67124), notes which also appeared on a cover sticker for Von Schmidt's 1972 Poppy album 1366: 1356: 1336: 1326: 1316: 1276: 1266: 1252: 1112: 899: 768: 718: 698: 623: 363: 343: 228: 220: 1819: 1706: 1286: 1242: 1066: 1050: 1020: 817: 787: 775: 741: 737: 725: 670: 633: 374: 1805: 1407: 1386: 1208: 1192: 1180: 1160: 1128: 979: 883: 749: 548: 497: 1859: 1376: 1306: 1215: 1204: 1184: 1172: 1120: 1058: 1032: 996: 955: 939: 841: 810: 783: 733: 544: 540: 463: 459: 314: 277: 238: 1793: 1164: 1152: 1136: 1082: 1078: 935: 907: 833: 753: 555: 520: 1444: 1825: 1676: 1800: 1140: 1132: 1100: 985: 963: 911: 857: 853: 536: 532: 409: 17: 1432:
Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years
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Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years
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Von Schmidt is widely (and erroneously) credited as the author of the song, "
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Blues in the Sun, Vol. 7 (Blues Blue, Blues White): The Bluesville Years
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Von Schmidt, Eric, with John Kruth: Remembering Reverend Gary Davis,
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Foundation Lifetime Achievement Award at an event fittingly held at
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Recorded at Dobell’s Jazz Record Shop, London, January 14–15, 1963.
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Washington Square Memoirs: The Great Urban Folk Boom (1950–1970)
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in August 2006, and died six months later, at the age of 75.
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The Acoustic Highway Collection: The Road to Country Rock
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In the liner notes for Von Schmidt's 1969 Smash album,
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the head of labor union and head of the government of
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Blues with a Feeling (Newport Folk Festival Classics)
362:." In fact, von Schmidt had adapted the song from 213: 203: 186: 169: 152: 135: 115: 110: 94: 1283:Bleecker & McDougal: The Folk Scene of the 60s 400:store, with Dylan on harmonica. Two years later, 1766:. The Billboard Publishing Company. 3 April 1965 1740:. The Billboard Publishing Company. January 1964 1661:: CS1 maint: bot: original URL status unknown ( 1644:. Archived from the original on October 27, 2009 523:. In 2000, the same year he was diagnosed with 8: 1801:Official Site of Harold and Eric Von Schmidt 478:'s readings. He also created the cover for 564:Anthology of American Folk Music, Vol. 1-3 102: 91: 515:Von Schmidt's music has been recorded by 80:Learn how and when to remove this message 1946:20th-century American singer-songwriters 1831:Illustrated Eric Von Schmidt discography 601: 43:This article includes a list of general 1816:Alan Lewis, New England Music Scrapbook 1399: 1010:Eric Von Schmidt & the Cruel Family 450:Von Schmidt had a parallel career as a 1654: 1408:"Eric Von Schmidt: 2nd Right, 3rd Row" 1273:Take a Trip with Me: Psychedelic Hits" 807:Who Knocked the Brains Out of The Sky? 430:Who Knocked The Brains Out Of The Sky? 1846:Richard & Mimi Fariña's Home Page 7: 1911:Musicians from Westport, Connecticut 1611:Martin, Douglas (February 3, 2007). 1976:Singer-songwriters from Connecticut 1886:American country singer-songwriters 1707:Schwann Long Playing Record Catalog 1333:The Prestige/Folklore Years, Vol. 2 1323:The Prestige/Folklore Years, Vol. 1 1303:Troubadours of the Folk Era, Vol. 1 1981:20th-century American male artists 1971:20th-century American male singers 1941:21st-century American male artists 1916:Artists from Westport, Connecticut 1714:(3). Boston: W. Schwann, Inc. 1965 1430:Von Schmidt, Eric and Jim Rooney. 715:The Folk Blues of Eric Von Schmidt 649:Dick Fariña & Eric Von Schmidt 402:The Folk Blues of Eric von Schmidt 49:it lacks sufficient corresponding 25: 1881:American blues singer-songwriters 1841:Wasn't That A Mighty Storm lyrics 1616:(New York Times obituary article) 1951:20th-century American guitarists 1906:American male singer-songwriters 1822: (archived October 27, 2009) 1562:"Fellow Folks: Eric von Schmidt" 1131:; Jim Colegrove and Billy Rich, 620:Rolf Cahn & Eric Von Schmidt 34: 1836:Interview with Eric Von Schmidt 852:; Steve Lefever and Lyle Ritz, 512:told The Boston Globe in 1996. 454:, and created album covers for 280:. Von Schmidt co-authored with 1936:21st-century American painters 1926:20th-century American painters 1363:Blues with a Feeling, Part Two 632:and Eric Von Schmidt, both on 1: 1961:Transatlantic Records artists 1536:Chris Anderson (1964-10-31). 1471:"Eric von Schmidt - Obituary" 1469:Douglas Martin (2007-02-03). 1383:Evening at Greasy Spoon Diner 1677:"Wasn't That a Mighty Storm" 352:Baby, Let Me Follow You Down 27:American musician and artist 1826:The World's Hippest Geezers 1997: 651:, Folklore Records, 1963. 527:, he was honored with the 1876:American blues guitarists 1235:, Pathways of Sound, 1963 1044:Baby Let Me Lay It On You 472:Jackie Washington Landron 415:Bringing It All Back Home 385:In 1963, von Schmidt and 101: 1956:Prestige Records artists 1901:American male guitarists 1896:American folk guitarists 1501:, 51(4), pp. 67-73, 2008 484:The Haunting of America, 470:, the Blue Velvet Band, 404:appeared atop a pile of 1851:Obituary/New York Times 894:, with Munc Blackburn, 689:; and Blind Boy Grunt ( 129:Bridgeport, Connecticut 64:more precise citations. 1931:American male painters 970:; Harry "Butch" Reed, 875:, Poppy Records, 1972 840:; Mitch Greenhill and 765:Eric Sings Von Schmidt 577:Von Schmidt was twice 443: 379:Saint Vincent (island) 295:Von Schmidt's father, 146:Fairfield, Connecticut 111:Background information 1966:Smash Records artists 1891:American folk singers 1261:Newport Folk Festival 992:and Eric von Schmidt. 510:Ramblin' Jack Elliott 438: 302:Saturday Evening Post 1921:Grammy Award winners 1760:"New Album Releases" 1734:"New Album Releases" 1516:Svgblog.blogspot.com 1099:* Eric Von Schmidt, 1049:* Eric Von Schmidt, 1019:* Eric Von Schmidt, 878:* Eric Von Schmidt, 856:; and Abe Mills and 816:* Eric Von Schmidt, 774:* Eric Von Schmidt, 724:* Eric Von Schmidt, 669:; Eric Von Schmidt, 398:Dobell's Jazz Record 1702:"Von Schmidt, Eric" 1293:Blues in the Bottle 1094:Living on the Trail 1031:band that included 1027:, with a 10-member 740:; Robert L. Jones, 572:Battle of the Alamo 539:Jug Band including 468:Reverend Gary Davis 368:Reverend Gary Davis 1797:, 5 February 2007. 1621:The New York Times 1476:The New York Times 873:2nd Right, 3rd Row 558:for his work on a 554:In 1997, he won a 491:Corps of Discovery 423:Mr. Tambourine Man 360:Harvard University 297:Harold von Schmidt 1811:bobdylanroots.com 1566:Bobdylanroots.com 1542:Heraldtribune.com 1249:Folklore Jamboree 1239:The Blues Project 1224: 1223: 966:and Greg Thomas, 950:; Campo Malaqua, 928:bottleneck guitar 719:Prestige/Folklore 560:compilation album 504:Awards and legacy 480:The Blues Project 434:2nd Right 3rd Row 412:of Dylan's album 336:, the two traded 261: 260: 90: 89: 82: 16:(Redirected from 1988: 1806:The Band website 1776: 1775: 1773: 1771: 1756: 1750: 1749: 1747: 1745: 1730: 1724: 1723: 1721: 1719: 1698: 1692: 1691: 1689: 1688: 1673: 1667: 1666: 1660: 1652: 1650: 1649: 1638: 1632: 1631: 1629: 1628: 1617: 1608: 1602: 1601: 1599: 1597: 1582: 1576: 1575: 1573: 1572: 1558: 1552: 1551: 1549: 1548: 1533: 1527: 1526: 1524: 1523: 1508: 1502: 1493: 1487: 1486: 1484: 1483: 1466: 1460: 1459: 1457: 1456: 1441: 1435: 1428: 1422: 1421: 1419: 1418: 1404: 1367:Vanguard Records 1357:Prestige Records 1337:Prestige Records 1327:Prestige Records 1297:Big Beat Records 1277:Prestige Records 1267:Vanguard Records 1253:Prestige Records 1233:Come for to Sing 1113:Paul Butterfield 900:Paul Butterfield 769:Prestige Records 677:; Ethan Signer, 624:Folkways Records 602: 585:. He suffered a 436:, Dylan wrote: 364:Blind Boy Fuller 344:The Boston Globe 267:Eric Von Schmidt 206: 142: 139:February 2, 2007 125: 123: 106: 96:Eric Von Schmidt 92: 85: 78: 74: 71: 65: 60:this article by 51:inline citations 38: 37: 30: 21: 18:Eric von Schmidt 1996: 1995: 1991: 1990: 1989: 1987: 1986: 1985: 1856: 1855: 1820:Wayback Machine 1785: 1780: 1779: 1769: 1767: 1758: 1757: 1753: 1743: 1741: 1732: 1731: 1727: 1717: 1715: 1700: 1699: 1695: 1686: 1684: 1681:Chrisyeager.com 1675: 1674: 1670: 1653: 1647: 1645: 1642:"Geocities.com" 1640: 1639: 1635: 1626: 1624: 1615: 1610: 1609: 1605: 1595: 1593: 1584: 1583: 1579: 1570: 1568: 1560: 1559: 1555: 1546: 1544: 1535: 1534: 1530: 1521: 1519: 1510: 1509: 1505: 1494: 1490: 1481: 1479: 1468: 1467: 1463: 1454: 1452: 1443: 1442: 1438: 1429: 1425: 1416: 1414: 1412:Theband.hiof.no 1406: 1405: 1401: 1396: 1229: 1067:Samuel Charters 1046:, Gazell, 1995 600: 595: 506: 448: 375:Ebenezer Joshua 293: 264: 257: 204: 199: 182: 165: 144: 140: 127: 121: 119: 97: 86: 75: 69: 66: 56:Please help to 55: 39: 35: 28: 23: 22: 15: 12: 11: 5: 1994: 1992: 1984: 1983: 1978: 1973: 1968: 1963: 1958: 1953: 1948: 1943: 1938: 1933: 1928: 1923: 1918: 1913: 1908: 1903: 1898: 1893: 1888: 1883: 1878: 1873: 1868: 1858: 1857: 1854: 1853: 1848: 1843: 1838: 1833: 1828: 1823: 1813: 1808: 1803: 1798: 1784: 1783:External links 1781: 1778: 1777: 1751: 1725: 1693: 1668: 1633: 1603: 1577: 1553: 1528: 1503: 1488: 1461: 1436: 1423: 1398: 1397: 1395: 1392: 1391: 1390: 1387:P-Vine Records 1380: 1370: 1360: 1350: 1340: 1330: 1320: 1310: 1300: 1290: 1280: 1270: 1256: 1246: 1236: 1228: 1225: 1222: 1221: 1220: 1219: 1195:Chris Parker, 1097: 1091: 1087: 1086: 1047: 1041: 1037: 1036: 1017: 1007: 1003: 1002: 1001: 1000: 993: 884:electric piano 876: 870: 866: 865: 814: 804: 800: 799: 772: 762: 758: 757: 750:Fritz Richmond 722: 712: 708: 707: 706: 705: 655:Richard Fariña 652: 646: 642: 641: 627: 617: 613: 612: 611:Album details 609: 606: 599: 596: 594: 591: 549:Fritz Richmond 505: 502: 498:Sid Fleischman 447: 444: 387:Richard Fariña 332:. When he met 309:. 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Index

Eric von Schmidt
references
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Bridgeport, Connecticut
Fairfield, Connecticut
Folkways
Prestige
Transatlantic
Smash
Philo
Cambridge
folk music
Dave Van Ronk
Jim Rooney
Harold von Schmidt
Saturday Evening Post
Florence
Cambridge
Massachusetts
Tom Rush
Galveston
Texas
Bob Dylan
harmonica
The Boston Globe
Baby, Let Me Follow You Down

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