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Between 1966 and 1969, Ruckle developed an original flat style influenced by Cubism and
Futurism with an unusual perspective system, perhaps influenced by Persian miniatures. Beginning around 1975 he began to use more than one style in a work and to use variation in style as a structural device.
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After getting his degree, he became a professional artist in 1963. He soon started to produce paintings in formal perspective with huge crowds of people and parodies of complex machinery. His first one-man show was at the Studio
Gallery Workshop in
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143:(1983) is the first of a series of large triptychs. It's a return to conventional perspective.
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151:(1998) gradually changes in style from left to right, mirroring the change in action.
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This article about a painter from the United States born in the 1940s is a
119:(1965) is an early example of Ruckle's work using conventional perspective.
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and specialized in literary criticism. His most influential teachers were
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in 1966. (His tenth New York one-man show was in 2005 at the
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that can be printed and assembled into a large reproduction.
135:(1975) is a triptych using a different style in each panel.
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127:(1966) is an early experiment with a flat style.
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22:(May 1, 1940 - May 2018) was an American
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189:The EuroDisney Triptych website
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285:Rutgers University alumni
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36:Neptune, New Jersey
116:The People Factory
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