144:), 2006, appears more focused on social realism and on the specific theme of human greed for money, love, success or simply social status. The four stories of the collection, moving from the ‘50s to the ruinous financial frauds at the turn of the century draw a vivid portrayal of Italian history since the immediate postwar period. Aloia's stories are populated by both the mediocre and the truly vile - those ready to do anything in order to satisfy their "sacred hunger for gold". These are former Army officers as well as bank executives, aristocratic tycoons as well as urban proletarians. The disenchanted mood of some descriptions and the widespread sense of disillusion could evoke the name of the French
133:), 2003, moves freely from hallucinated realism to a more intimate regard to the feelings of common people in apparently common situations hiding a sort of anxiety and perpetual bad omen. In "Pavel" for example, a young couple travel on the eve of a total sun eclipse to reach two friends who have just adopted a Russian child from Chernobyl and left the city to choose a harsh, premodern way of life.
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90:(Turin). He was educated at
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