1542:
602:
1950:
67:
1575:, the first cantata written for the occasion, he observed that Bach reflects the "stages in the evolving relationship of God with man", both by scoring and by his choice of keys. In the Weimar first version, the key of the first movements is C major, lowered to A minor (a third lower) in the fourth, lowered further to F major (again a third lower) in the fifth and sixth. The scoring is majestic, with three trumpets and timpani in movement 1 and three trumpets again in movement 3, reduced to strings in movement 4 and to single instruments in movement 5.
749:"das praedicat eines Concert-Meisters mit angezeigtem Rang nach dem Vice-Capellmeister ... dargegen Er Monatlich neüe Stücke ufführen, und zu solchen Proben die Capell Musici uf sein Verlangen zu erscheinen schuldig ... gehalten seyn sollen" (the title of a concert master, next in rank to the vice chapel master ... for which he is to perform new pieces each month, and the chapel musicians shall be under a duty to attend such rehearsals as he may require).
1099:(Bc). It is a festive, rich instrumentation for the holiday, whereas the previous two cantatas in Weimar had not employed brass instruments. Bach used the French string orchestra with two viola parts, as in most cantatas until 1715, when he started to prefer the Italian scoring with one viola. In Weimar, a recorder or flauto traverso doubled the first violin an octave higher; in the first Leipzig performance it was a flauto traverso. A part for
825:
1873:
1468:
1424:
1329:
1286:
1584:
1803:
1569:
the
Resurrection, a watershed marking the completion of Jesus' work on earth and the coming of the Holy Spirit", and commented that Bach "comes up with music of unalloyed optimism and exuberance in celebration of ... the miraculous ignition of the divine Pentecostal spark which allows human beings to communicate across the language barrier". Regarding
7313:
889:: the expression of extreme feelings, for example "O seligste Zeiten!" (O most blessed times) in the opening chorus, and a "mystical demeanour", for example in the duet of the Soul and the Spirit united. In the middle section of the first movement, Franck paraphrases the Gospel text, which says in verse 23 that God wants to dwell with man, to "
511: – director of church music – in Leipzig from 1723, he performed the cantata several times, sometimes in a different key and with changes in the scoring. Musicologists agree that he loved the cantata's Gospel text, "If ye love me ...", and the Pentecost hymn used in the duet, setting both the text and the hymn several times.
1763:" (Holiest Trinity), is accompanied by a choir of three trumpets and basso continuo, a rare combination that expresses the idea of the words. The trumpet is a symbol of a ruler. The three trumpets sometimes play in unison, to further illustrate the Trinity. The theme is composed of the three notes of the
1568:
John Eliot
Gardiner, who conducted all Bach's church cantatas in 2000, placed the Pentecostal cantatas in the middle of the project, which he saw as a "year-long exploration of his cantatas in their seasonal context". He described Pentecost as "the culmination of those 'great fifty days' which follow
881:
is compiled from Bible text, contemporary poetry and chorale. The poetry is attributed to
Salomon Franck, although the verses are not included in his printed editions. Several of Bach's early stylistic mannerisms appear here, such as a biblical quotation in a recitative second movement rather than in
2001:
Gardiner describes the cantata as "evidently ... a work which he particularly valued", adding: "he comes up with music of unalloyed optimism and exuberance in celebration of the first gifts of newly-awakened nature, as well as the miraculous ignition of the divine
Pentecostal spark which allows
1855:" (Come, do not keep me waiting longer), consists of a dialogue between the Soul and the Holy Spirit, and takes a form close to a love lyric. The part of the Spirit is assigned to the alto, while similar duets of the Soul and Jesus in later cantatas are set for soprano and bass – for example in
959:
With Bach's appointment to concert master and his regular monthly cantata compositions, he achieved permission to hold rehearsals in the church, to ensure high performance standards: "the rehearsing of the pieces at the home has been changed, and it is ordered that it must always take place at the
1682:
imitation expands on the idea that God will prepare the souls to be his temples. The first sequence progresses from the lowest to the highest voice, with entrances after two or three measures. The highest voice begins the second sequence, and the other voices enter in closer succession, one or two
1747:
The initial bars of melody are warm and quietly authoritative, but at the mention of dwelling with Him the movement takes on a very different character. The bass line becomes enlivened with little leaps of delight ... The singer's last note is a bottom d (c in the transposed version) several
1656:
choir. They repeat the first measure of the fanfare motif on the word "Erschallet" (resound!), as the trumpets echo the motif. The voices repeat the motif from the second measure of the fanfare on "ihr Lieder", and the trumpets echo it again. The chorus repeats measures 3 and 4 on "erklinget, ihr
1880:
Bach set the text in a complex structure uniting two singers, a solo oboe and a solo cello. The soprano and alto sing of their unity in "neo-erotic" or "overtly erotic/Pietistic" language: "I shall die, if I have to be without you" the one; "I am yours, and you are mine!" the other. The cello
985:
remembered that he often conducted and played first violin: "he played the violin cleanly and penetratingly, and thus kept the orchestra in better order than he could have done with the harpsichord". The parts for the first performance are lost, but the score and performing material for later
1003:
John Eliot
Gardiner remarked that Bach "particularly valued" this cantata, and that it set "a pattern for his later approaches to the Pentecostal theme". Bach set the Gospel text of the recitative in a choral movement in other cantatas for Pentecost –
1917:(Kyrie and Gloria) in B minor for the court in Dresden, which he later integrated into his Mass in B minor. He wrote two duets movements in the style of contemporary operatic love duets and placed two of them in the centre of each part of the Missa:
1632:
form: the first section is repeated after a contrasting middle section. It is scored for three "choirs": one of trumpets, another of strings and bassoon, and a four-part chorus. The number three, symbolizing the
Trinity, appears again in the
1106:(Org) replacing oboe and cello in movement 5 was adopted in an even later performance. The work is about 25 minutes long. In the Weimar version and the 1724 version, Bach requested a repeat of the opening chorus, by adding after the chorale
972:". The orchestra at his disposition consisted of the members of the court cappelle, three leaders, five singers and seven instrumentalists, augmented on demand by military musicians, town musicians and choristers from a gymnasium.
763:, who provided the texts for most of his church cantatas, capturing a "pure, straightforward theological message" in "elegant poetic language". The first two cantatas Bach composed in Weimar based on Franck's texts were
1900:" ("Come, Holy Spirit, Lord God, fill with the goodness of Your grace the hearts, wills, and minds of Your faithful. Ignite Your burning love in them".) Bach set this hymn, which seems close to his heart, twice in his
446:. The orchestra for the holiday occasion is festive compared to the two works previously composed in Weimar. The cantata opens with a chorus, followed by the recitative, in which words spoken by Jesus are sung by the
895:" (God Himself shall prepare our souls for His temple, more literally: "God wants to prepare souls to become his temples"). The words for the recitative are the quotation of verse 23 from the Gospel of John, "
4504:
1556:
The cantata text does not tell a story but reflects different aspects of the Holy Spirit, celebrated on
Pentecost. It begins with general praise, then concentrates on one line from the Gospel, addresses the
6837:
4764:
1743:(voice of Christ). He illustrates the final rest in God by ending the solo line on a whole note low C, the lowest note he demanded of a soloist. The musicologist Julian Mincham describes the vocal line:
5909:
6117:
5444:
2006:
All the various changes he made show how much trouble Bach took over a work which – as the number of documented performances (at least four) suggests – he seems to have particularly loved.
1565:
from
Nicolai's hymn which picks up the topic of unity between God (Spirit) and man, as shown in the dialogue. The text thus proceeds from general to more and more personal and intimate reflection.
6611:
5245:
6984:
6919:
1683:
measures apart. Gardiner interprets the polyphony as "conjuring before us the elegant tracery of those 'temples' which God promises to make of our souls". The first part is repeated as da capo.
7276:
5314:
7156:
6204:
5947:
4838:
4624:
687:
6112:
4759:
7004:
7161:
7136:
5601:
7191:
7186:
7098:
6444:
6424:
6219:
5748:
5653:
4804:
4754:
4555:
6812:
5558:
1748:
notes lower than a bass's accepted range. ... when achieved it is an arresting sound, confirming the rock-like certainty of the promise that we shall eventually reside with God.
7126:
6747:
6334:
5593:
5202:
4684:
4497:
502:
provides the bass line. The theme of intimacy between God and Man is developed further in the following chorale, after which Bach specified an unusual repeat of the opening chorus.
5931:
7206:
6999:
6964:
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6949:
7049:
6655:
6606:
6122:
5553:
4799:
4749:
1687:
7196:
7151:
7131:
6792:
6720:
5681:
5613:
5597:
5538:
4694:
6736:
6549:
6454:
5164:
5144:
7054:
6591:
6264:
6179:
5217:
4938:
4903:
1018:
1007:
7338:
7290:
7014:
6409:
5419:
4490:
6364:
4999:
7348:
7009:
668:
6319:
5487:
3712:
7181:
7116:
7044:
6832:
5880:
5758:
5177:
5009:
625:
6690:
5354:
1693:(Resound, ye drums! Ring out, ye trumpets!) composed in 1733 on another text calling instruments to sound, which Bach later used with a different text to open his
7201:
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6569:
6529:
6349:
6339:
6304:
6274:
6259:
6107:
5982:
5414:
5404:
5399:
5129:
4868:
4863:
4819:
4779:
4724:
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842:
569:
7286:
7238:
7141:
6757:
6730:
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6017:
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5605:
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5331:
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4599:
7176:
6772:
6616:
6464:
6159:
5619:
5469:
5024:
4784:
4734:
2043:
The entries are taken from the listing on the Bach
Cantatas Website. Ensembles playing period instruments in historically informed practise are marked green.
7121:
6924:
6867:
6822:
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6514:
6509:
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5019:
7211:
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5997:
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5359:
5227:
5159:
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6148:
6067:
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6899:
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6650:
6379:
6329:
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5270:
5182:
5059:
4923:
4878:
4858:
4604:
3716:
1885:
describes as "a motif of purified happiness". The voices and the cello form a trio, another symbol of the
Trinity. The musicologist Anne Leahy of the
901:" (Whoever loves Me will keep My Word, and My Father will love him, and We will come to him and make Our dwelling with him). Movement 3 addresses the
7166:
7070:
7034:
6894:
6888:
6857:
6852:
6842:
6710:
6680:
6665:
6626:
6559:
6519:
6459:
6399:
6142:
6072:
5967:
5738:
5733:
5523:
5474:
5298:
5265:
5260:
5250:
5212:
5109:
5074:
5069:
4888:
4843:
4739:
4639:
4619:
1863:
766:
6742:
4679:
4042:
Die erhaltenen Kirchenkantaten Johann Sebastian Bachs (Mühlhausen, Weimar, Leipzig I): Besprechungen in Form von Analysen – Erklärungen – Deutungen
726:. Bach was successful in his application for the position, but declined after Duke Wilhelm Ernst increased his salary and offered him a promotion.
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6959:
6762:
6685:
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6554:
6493:
6474:
6394:
6389:
6359:
6209:
6174:
6127:
6102:
6027:
5885:
5860:
5824:
5609:
5584:
5464:
5459:
5255:
5207:
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5079:
5049:
5039:
5029:
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4933:
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4659:
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6601:
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6097:
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6847:
6534:
6229:
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5920:
5865:
5717:
5533:
5424:
5374:
5222:
5139:
5134:
4893:
4883:
4744:
4594:
2425:
6989:
6802:
6499:
6414:
6354:
6294:
6199:
6137:
6077:
6022:
5962:
5915:
5895:
5707:
5627:
5497:
5394:
5369:
5275:
5240:
5192:
5104:
4664:
4649:
4609:
4029:
4003:
3979:
3954:
3845:
1964:
1856:
940:
802:
785:
621:
406:
131:
7064:
7059:
7111:
7091:
6994:
6954:
6645:
6449:
6374:
6314:
6299:
6254:
6244:
6239:
6194:
6189:
6062:
5905:
5900:
5753:
5743:
5379:
5344:
5099:
4994:
4873:
4824:
4789:
4769:
4674:
4634:
4589:
4584:
4575:
2035:
edited both the reconstructed Weimar version (1959) and the first Leipzig version (1960) in volume 13, adding the critical report in 1960.
1541:
6862:
6154:
6007:
5574:
4943:
4629:
4260:
1788:, two bassoons and basso continuo. When he assembled the complete mass, he used an aria with only woodwinds to reflect the Holy Spirit in
6979:
6695:
6234:
6052:
6047:
5647:
5569:
4614:
4281:
673:
7039:
6939:
6882:
6369:
5675:
5528:
5014:
3766:
759:(Heaven's Castle), and a professional group of musicians in the court capelle. He was inspired by a collaboration with the court poet
557:
5977:
4729:
1975:" (A joyful radiance reaches me from God) is illustrated by a violin part added to the four-part choir. The text ends with the words:
6877:
6807:
6777:
6639:
6524:
6184:
5957:
5937:
5870:
5728:
5409:
5364:
5326:
5119:
4974:
4814:
4540:
4050:
3920:
3894:
3866:
579:
7077:
6419:
4913:
6284:
6269:
6214:
5952:
5434:
5034:
4898:
4719:
1895:
916:
493:
121:
4448:
1561:, refers to the Spirit that was present at the Creation, shows a dialogue between the Soul and the Spirit, and concludes with a
568:
from 1706 to 1708. Most were written for special occasions and were based mainly on biblical texts and hymns. Examples include:
515:
writes that Bach "particularly valued" this cantata. It contains features that he used again in later compositions of cantatas,
6934:
6904:
6725:
6087:
5712:
5579:
5124:
4565:
4129:
1905:
1901:
705:
7105:
7019:
6586:
6324:
6057:
5875:
5187:
5114:
5064:
4219:
2657:
1886:
986:
performances have survived. Bach performed the cantata again, possibly in Köthen between 1717 and 1722, and several times as
7281:
6249:
5518:
4550:
586:
4091:
601:
7266:
7171:
7029:
6909:
6384:
5303:
5293:
4705:
4418:
1068:
1000:. He reverted to C major for a performance on 13 May 1731. An organ part for a later performance of movement 5 is extant.
561:
7303:
6752:
6632:
6012:
4689:
1889:
notes that Bach had possibly stanza 3 in mind, which speaks of love, and used the instrument which is named after love.
363:
in Weimar in the spring of 1714, a position that called for the performance of a church cantata each month. He composed
4371:
5817:
1929:
in the centre of the symmetrical structure of the Gloria. When he compiled the Mass in B minor, he chose another duet
1648:
time signature and in the use of three trumpets. The first part opens with trumpet fanfares, alternating with flowing
1998:
Until 1724 the opening chorus was repeated after the chorale, marked "chorus repetatur ab initio" in the manuscript.
992:
in Leipzig. For the performance on 28 May 1724, he changed the instrumentation slightly and transposed the work from
6767:
4918:
7333:
6575:
6169:
5349:
2558:
906:
854:
849:
being a high holiday along with Christmas and Easter. The prescribed readings for the feast day are taken from the
471:
376:
1994:(Take me like a friend / in your arms, so that I may become warm / with your grace / To your word I come invited.)
6914:
5632:
3837:
2438:
1932:
1924:
1918:
1790:
1780:
1775:
1710:
1706:
982:
1949:
6974:
4354:
2626:
2223:
715:
658:
in the period from 1711 to 1713. In early 1713 Bach composed his first cantatas in the new style that included
7256:
4536:
3965:
2116:
2016:
882:
a first choral movement, arias following each other without a recitative in between, and dialogue in a duet.
870:
106:
5787:
4452:
4070:
4065:
The complete recordings of Bach's cantatas are accompanied by liner notes from musicians and musicologists;
3946:
3886:
3742:
3722:
2443:
1771:
1549:
3882:
Studien über die frühen Kantaten Johann Sebastian Bachs: Fassung der im Jahr 1951 erschienenen Dissertation
858:
350:
is an early work in a genre to which he later contributed complete cantata cycles for all occasions of the
7317:
7251:
6309:
5843:
5810:
5791:
5482:
4959:
4321:"Chapter 57 BWV 172 Erschallet, ihr Lieder, erklinget, ihr Saiten! / Resound songs, and ring out strings!"
4240:
2695:
1961:
The text of the concluding chorale is taken from Nicolai's "Geistlich Brautlied" (Spiritual bridal song) "
902:
719:
655:
651:
647:
639:
576:
463:
45:
753:
Circumstances were favourable: Bach enjoyed a "congenial and intimate" space in the court chapel, called
612:
In Weimar, Bach first concentrated on the organ, composing major works for the instrument, including the
7271:
7261:
7247:
7243:
5838:
5777:
4954:
4580:
4518:
4513:
3788:
2358:
2093:
1727:" (Whoever loves Me will keep My Word). Bach reflects Jesus' promise to "make Our dwelling with him" in
1120:
838:
546:
368:
325:
72:
58:
54:
3782:
2498:
4156:
2490:
2279:
2220:
2086:
850:
552:
Bach was appointed organist and chamber musician in Weimar at the court of the co-reigning dukes in
4209:
4066:
3934:
2617:
2373:
2353:
2288:
2252:
2171:
2158:
2149:
1545:
512:
5802:
7343:
5589:
2649:
2589:
2555:
2549:
1695:
866:
696:
643:
4241:"BWV 172: Erschallet, ihr Lieder, erklinget, ihr Saiten! / (Ring out, songs, resound, strings!)"
3833:
Von Gott poetisch-musikalisch reden: Gottes verborgenes und offenbares Handeln in Bachs Kantaten
2244:
1735:
in the cello similar to motifs in movement 5. He assigned the words of Jesus to the bass as the
4264:
3856:
722:, and composed many church cantatas in the new style, adopting recitatives and arias from the
4320:
4046:
4025:
3999:
3993:
3975:
3950:
3938:
3916:
3890:
3862:
3841:
3810:
2576:
2384:
2364:
2028:
2024:
2020:
1882:
1617:
1116:
1052:
924:
447:
228:
209:
4288:
4017:
3831:
5783:
4223:
2623:
2456:
2344:
909:. Movement 5 is a duet of the Soul and the Spirit, underlined by an instrumental quote from
615:
415:
4482:
4372:"Johann Sebastian Bach's Mass in B Minor: The Greatest Artwork of All Times and All People"
1467:
1423:
1328:
1285:
66:
4308:
4193:
4078:
4013:
3989:
3971:
3804:
2639:
2508:
2433:
2214:
2032:
1954:
1785:
1587:
1072:
934:
794:
629:
396:
351:
4173:
2296:
1076:
4460:
4213:
1626:(Sound again, congratulating songs) that may have served as a model. The movement is in
4074:
3930:
3909:
3904:
3876:
3815:
2644:
2503:
2484:
2389:
2306:
2239:
2176:
1838:
1806:
1128:
1115:
In the following table of the movements, the scoring follows the Weimar version of the
1096:
862:
809:
760:
443:
372:
343:
321:
96:
17:
7327:
4189:
2581:
2571:
2448:
2301:
2111:
2101:
1810:
1732:
1664:
1103:
910:
723:
711:
565:
487:
4136:
1670:
In the middle section in A minor the trumpets rest while the other instruments play
735:
on 2 March 1714, an honour that entailed performing a church cantata monthly in the
592:, to celebrate the inauguration of the new city council on 4 February 1708; and the
7222:
5833:
5772:
4215:
Johann Sebastian Bach (1685-1750) / Cantatas Nos 34, 59, 68, 74, 172, 173 & 174
3746:
3726:
2634:
2379:
2285:
2234:
2166:
2155:
2031:, the second complete edition of Bach's works, in the historical-critical edition,
1872:
1841:
wrote that the music "conveys the impression of release from all earthly gravity".
1824:
1721:
The cantata's only recitative quotes one line from the Gospel reading of the day: "
874:
779:
564:
on 25 June 1708. He had composed sacred cantatas before, some during his tenure in
537:
524:
520:
507:
91:
1770:
Bach wrote an aria accompanied by only an obbligato brass instrument again in his
1657:
Saiten", commanding the strings to play. As a culmination, the first syllable of "
535:
Bach is known as a prolific composer of cantatas. When he assumed the position as
3880:
1827:, but in contrast to the previous movement, describes in continuous waves of the
1774:
in B minor, composed for the court in Dresden and much later integrated into his
549: – Sundays and feast days – a project that he pursued for three years.
7217:
4157:"Chorale Melodies used in Bach's Vocal Works / Komm, Heiliger Geist, Herre Gott"
4095:
4082:
3943:
The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
2566:
2521:
2422:
2106:
1764:
1738:
1673:
1124:
951:" (Spiritual bridal song) continues the theme of unity between Soul and Spirit.
775:
638:, ("court capelle" or court orchestra), and that he copied and studied works by
553:
453:
4426:
1837:(O paradise of the soul, fanned by the Spirit of God, which blew at creation).
1699:. Bach used a festive scoring with three trumpets in triple meter in his 1733
4449:
Literature by and about Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172
3723:"Erschallet, ihr Lieder [Weimar version] BWV 172.1; BWV 172; BC A 81a"
2513:
1649:
1616:(congratulatory cantata). A printing of Franck's works contains a cantata for
677:
659:
384:
4476:
4378:
2311:
2181:
1679:
1653:
1100:
846:
333:
83:
3743:"Erschallet, ihr Lieder [2nd version] BWV 172.2; BWV 172; BC A 81b"
1892:
The oboe d'amore plays the richly ornamented melody of the Pentecost hymn "
4419:"The Portrait in Erfurt Alleged to Depict Bach, the Weimar Concertmeister"
4337:
2019:
in 1888 in volume 35 of the first complete edition of Bach's works by the
1834:
O Seelenparadies, das Gottes Geist durchwehet, der bei der Schöpfung blies
816:, the third cantata in this series, is the first cantata for a feast day.
383:
included a quotation from the day's prescribed Gospel reading in the only
4402:
4130:"Bach's Creed / Two Views of the Symbolum Nicenum of the Mass in B-Minor"
2002:
human beings to communicate across the language barrier." Dürr comments:
1601:
878:
702:
In 1713, he was asked to apply for the position of music director of the
516:
380:
4398:
824:
4112:
1953:"Wie schön leuchtet der Morgenstern", first publication of the hymn by
1728:
1667:(first in measure 53), during which the instruments play their motifs.
1628:
1610:
by Bach. Words and music are possibly based on an earlier lost secular
1558:
1416:
1275:
1222:
1088:
1064:
1060:
1040:
997:
993:
930:
886:
542:
479:
431:
423:
419:
388:
178:
4174:"Wie schön leuchtet der Morgenstern / Text and Translation of Chorale"
632:
suggests that Bach may have studied musical material belonging to the
2397:
1828:
1562:
1080:
435:
392:
336:
Sunday in 1714. Bach led the first performance on 20 May 1714 in the
329:
160:
27:
Church cantata by Johann Sebastian Bach composed for Pentecost Sunday
3915:(in German). Vol. 1 (4 ed.). Deutscher Taschenbuchverlag.
3809:
Bach Erschallet, ihr Lieder, Vocal Score based on the Urtext of the
1039:
In the Weimar version, Bach scored the cantata four vocal soloists (
1802:
3763:"Cantata BWV 172 – Erschallet, ihr Lieder (Johann Sebastian Bach)"
3128:
3126:
3124:
3122:
1948:
1871:
1801:
1583:
1582:
1540:
1092:
1084:
1048:
823:
600:
499:
467:
439:
676:, celebrated on 23 February, and possibly the church cantata for
4338:"Cantata BWV 172 Erschallet, ihr Lieder, erklinget, ihr Saiten!"
1056:
1044:
681:
663:
483:
475:
459:
427:
400:
251:
5806:
4486:
1823:" (O paradise of the soul), also contains three sections and a
3967:
J. S. Bach's 'Leipzig' Chorale Preludes: Music, Text, Theology
4309:"Johann Sebastian Bach Orgelbüchlein-gyűjteményének nyomában"
865:, in which Jesus announces the Spirit who will teach, in his
527:
for festive occasions, and duets as a symbol of God and man.
523:, for example movements with three trumpets and timpani in a
418:, and scored for four vocal soloists, four-part choir, three
4194:"BWV 172 – "Erschallet, ihr Lieder, erklinget, ihr Saiten!""
1831:
strings the Spirit that was present at the Creation, worded
3455:
3453:
3160:
3158:
3156:
3010:
3008:
1969:", continuing the theme of unity between Soul and Spirit. "
2716:
2714:
4461:"BWV 172 Erschallet, ihr Lieder, erklinget, ihr Saiten!"
4282:"BWV 172 Erschallet, ihr Lieder, erklinget, ihr Saiten!"
3338:
3336:
3334:
3332:
3230:
3228:
3226:
3224:
547:
church cantatas for the occasions of the liturgical year
4287:. Oregon Bach Festival Discovery Series. Archived from
3556:
3554:
3552:
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3295:
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3291:
3085:
3083:
2881:
2879:
2741:
2739:
2737:
2735:
2733:
2731:
2729:
1119:, and the abbreviations for voices and instruments the
470:
aria then describes the Spirit that was present at the
3404:
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3175:
3173:
3070:
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3066:
3064:
2956:
2954:
7301:
3051:
3049:
3047:
3045:
3043:
3041:
3039:
3037:
3035:
2983:
2981:
2337:
J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 9
1881:
provides an intricate counterpoint throughout, which
252:
4399:"Cantata No. 172, "Erschallet, ihr Lieder," BWV 172"
3680:
2770:
2768:
2766:
1794:, also a movement with many symbols of the Trinity.
1784:, reflecting God's holiness and majesty, is set for
5507:
5313:
4953:
4704:
4526:
3143:
3141:
3132:
1911:Bach used duets again when he composed in 1733 his
486:), to which an oboe plays the ornamented melody of
260:
247:
239:
189:
142:
112:
102:
90:
79:
34:
3908:
1937:for the Credo, scored for soprano and alto, as in
905:and movement 4 the Spirit that was present at the
925:Veni Sancte Spiritus, reple tuorum corda fidelium
4113:"Erschallet, ihr Lieder, erklinget, ihr Saiten!"
2004:
1977:
747:
689:Gleichwie der Regen und Schnee vom Himmel fällt
4355:"Johann Sebastian Bach – Legendary Recordings"
3765:. CPDL Free Choral Sheet Music. Archived from
2049:Erschallet, ihr Lieder, erklinget, ihr Saiten!
1131:is provided using the symbol for common time (
741:: With the appointment, he received the title
304:Erschallet, ihr Lieder, erklinget, ihr Saiten!
37:Erschallet, ihr Lieder, erklinget, ihr Saiten!
5818:
5238:Later additions to the chorale cantata cycle:
4498:
3471:
1921:for two sopranos in the centre of the Kyrie,
1686:The movement is comparable to the opening of
1671:
1623:Erschallet nun wieder, glückwünschende Lieder
1605:
1600:" (literally: sound, you songs) is a festive
892:Gott will sich die Seelen zu Tempeln bereiten
841:. It was the first composed for a feast day,
375:. The text reflects different aspects of the
309:
8:
4972:Chorale cantatas between Trinity and Easter:
1980:
1970:
1962:
1922:
1893:
1850:
1832:
1818:
1758:
1722:
1658:
1652:in the strings. The voices enter as a third
1621:
1611:
1595:
1570:
1437:
1392:
1342:
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1016:
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987:
976:
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703:
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633:
613:
491:
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358:
337:
302:
129:
119:
35:
3995:Johann Sebastian Bach: The Learned Musician
1930:
1912:
1736:
1700:
1482:
1107:
922:
451:
371:, to a text probably written by court poet
5825:
5811:
5803:
4505:
4491:
4483:
4094:. San Francisco Bach Choir. Archived from
3668:
3584:
2045:
1724:Wer mich liebet, der wird mein Wort halten
1253:Wer mich liebet, der wird mein Wort halten
1148:
1020:Wer mich liebet, der wird mein Wort halten
1009:Wer mich liebet, der wird mein Wort halten
898:Wer mich liebet, der wird mein Wort halten
311:Resound, you songs; ring out, you strings!
65:
31:
3717:International Music Score Library Project
3656:
3459:
3246:
3014:
2921:
2720:
1757:The first aria, addressing the Trinity, "
1689:Tönet, ihr Pauken! Erschallet, Trompeten!
966:, and this is also to be observed by the
7339:Church cantatas by Johann Sebastian Bach
3234:
2870:
2745:
2608:
2540:
2475:
2416:
2335:
2270:
2205:
2140:
2079:J.S. Bach: Cantatas BWV 68 & BWV 172
2077:
975:Bach conducted the first performance of
7349:Works based on the Acts of the Apostles
7308:
3420:
3342:
3164:
2999:
2710:
2698:, a thematic catalogue of Bach's works.
2687:
2426:Amsterdam Baroque Orchestra & Choir
545:in 1723, he began the project to write
3911:Die Kantaten von Johann Sebastian Bach
3644:
3632:
3608:
3596:
3560:
3531:
3495:
3483:
3432:
3408:
3393:
3357:
3299:
3282:
3258:
3215:
3203:
3089:
3055:
3026:
2987:
2798:
2786:
2774:
2071:
1849:The last solo movement, a duet aria, "
1127:are given for the Weimar version. The
885:Franck's text shows elements of early
4314:(in Hungarian). Magyar Bach Társaság.
3620:
3572:
3543:
3519:
3507:
3444:
3323:
3311:
3113:
3101:
2945:
2909:
2897:
2885:
2858:
2846:
2834:
2822:
2757:
2542:Bach Edition Vol. 8 – Cantatas Vol. 3
921:", which is based on the Latin hymn "
828:Portrait of the young Bach (disputed)
626:Prelude and Fugue in E major, BWV 566
622:Toccata and Fugue in D minor, BWV 565
571:Aus der Tiefen rufe ich, Herr, zu dir
7:
4155:Braatz, Thomas; Oron, Aryeh (2006).
4135:. ASO Chamber Chorus. Archived from
4045:(in German). BoD – Books on Demand.
3692:
3381:
3369:
3270:
3191:
3179:
3147:
3074:
2972:
2960:
2933:
2810:
2372:Matthias Echternach (soloist of the
1972:Von Gott kömmt mir ein Freudenschein
1663:" (most blessed times) is held on a
1439:Von Gott kömmt mir ein Freudenschein
674:Christian, Duke of Saxe-Weissenfels
672:, BWV 208, as a homage cantata for
4022:Bach: Essays on his Life and Music
2207:Cantatas. Selections (BWV 172–175)
1965:Wie schön leuchtet der Morgenstern
1852:Komm, laß mich nicht länger warten
1394:Komm, laß mich nicht länger warten
941:Wie schön leuchtet der Morgenstern
474:. This is followed by an intimate
407:Wie schön leuchtet der Morgenstern
132:Wie schön leuchtet der Morgenstern
25:
5175:Continuation of the second cycle:
4695:Köthen: BWV Anh. 5
4090:Amati-Camperi, Alexandra (2005).
3939:"Erschallet, ihr Lieder, BWV 172"
3789:Universitätsbibliothek Heidelberg
2418:J. Bach: Complete Cantatas Vol. 2
1933:Et in unum Dominum Jesum Christum
1767:. The aria is in three sections.
1705:for the court in Dresden, in the
7311:
1988:Auf dein Wort komm' ich geladen.
1896:Komm, Heiliger Geist, Herre Gott
1709:, in contrast to the preceding
1590:, copy by Francisco Pérez after
1466:
1422:
1327:
1284:
917:Komm, Heiliger Geist, Herre Gott
494:Komm, Heiliger Geist, Herre Gott
342:, the court chapel in the ducal
122:Komm, Heiliger Geist, Herre Gott
3713:Erschallet, ihr Lieder, BWV 172
1902:Great Eighteen Chorale Preludes
1865:Wachet auf, ruft uns die Stimme
4377:. bach.nau.edu. Archived from
2059:Conductor / Choir / Orchestra
1887:Dublin Institute of Technology
718:. Zachow had taught the young
541:(director of church music) in
434:and a string orchestra of two
1:
2272:Cantatas BWV 172 & BWV 78
2142:Cantatas BWV 172 & BWV 78
2015:The cantata was published by
1817:The second aria, for tenor, "
812:, again on a text by Franck.
787:Weinen, Klagen, Sorgen, Zagen
5286:Other late chorale cantatas:
4357:. musicweb-international.com
4263:. let.rug.nl. Archived from
4073:, Tadashi Isoyama wrote for
4024:. Harvard University Press.
3861:. Indiana University Press.
1984:In dein' Arme, daß ich warme
1059:, and an orchestra of three
808:, on the third Sunday after
768:Himmelskönig, sei willkommen
462:with trumpets addresses the
5625:Council election (Leipzig):
4717:Between Trinity and Advent:
4459:Ambrose, Z. Philip (2012).
4307:Magdolna, Friedler (2008).
3998:. Oxford University Press.
1731:lines in counterpoint with
778:, which coincided with the
7365:
4092:"Notes: Bach B Minor Mass"
3858:A History of Baroque Music
3855:Buelow, George J. (2004).
3838:Vandenhoeck & Ruprecht
2559:Netherlands Bach Collegium
1858:Ich hatte viel Bekümmernis
1490:" (Repeat opening chorus)
1109:Chorus repetatur ab initio
804:Ich hatte viel Bekümmernis
680:(the second Sunday before
581:Christ lag in Todes Banden
458:(voice of Christ). A bass
7233:
5851:
5768:
4239:Isoyama, Tadashi (1998).
3681:Bach Digital Leipzig 1960
2070:
2067:
2064:
2061:
2058:
2055:
1981:
1971:
1923:
1913:
1894:
1851:
1833:
1819:
1759:
1737:
1723:
1701:
1659:
1622:
1612:
1606:
1596:
1483:
1438:
1393:
1343:
1300:
1252:
1197:
1185:
1182:
1179:
1176:
1173:
1170:
1167:
1164:
1161:
1158:
1108:
1017:
1006:
988:
983:Carl Philipp Emanuel Bach
968:
962:
947:
939:
923:
915:
897:
891:
784:
765:
755:
737:
731:
704:
686:
634:
492:
405:
338:
310:
130:
120:
64:
53:
43:
5342:Liturgical year 1725–26:
4417:Towe, Teri Noel (2014).
4319:Mincham, Julian (2010).
4172:Browne, Francis (2005).
4128:Baxter, Geffrey (2013).
4039:Zedler, Günther (2008).
3133:Bach Digital Weimar 1960
2627:English Baroque Soloists
2224:Bach-Collegium Stuttgart
1781:Quoniam tu solus sanctus
981:on 20 May 1714. His son
716:Friedrich Wilhelm Zachow
367:as the third cantata in
4463:. University of Vermont
4453:German National Library
4370:Rathey, Markus (2003).
4340:. Bach Cantatas Website
4246:. Bach Cantatas Website
4176:. Bach Cantatas Website
4159:. Bach Cantatas Website
4071:Bach Cantata Pilgrimage
4018:"Decisive Career Steps"
3947:Oxford University Press
3830:Arnold, Jochen (2009).
1760:Heiligste Dreieinigkeit
1550:Bach Cantata Pilgrimage
1301:Heiligste Dreieinigkeit
73:Schlosskirche in Weimar
4830:From Advent to Trinity
4397:Robins, Brian (2013).
3585:Braatz & Oron 2006
2696:Bach-Werke-Verzeichnis
2017:Breitkopf & Härtel
2008:
1996:
1963:
1958:
1939:Erschallet, ihr Lieder
1931:
1877:
1814:
1791:Et in Spiritum Sanctum
1750:
1672:
1597:Erschallet, ihr Lieder
1591:
1572:Erschallet, ihr Lieder
1571:
1553:
1476:
1432:
1387:
1337:
1294:
1246:
1198:Erschallet, ihr Lieder
1191:
1152:Erschallet, ihr Lieder
978:Erschallet, ihr Lieder
977:
955:Performances and theme
834:Erschallet, ihr Lieder
833:
829:
814:Erschallet, ihr Lieder
799:Erschallet, ihr Lieder
751:
720:George Frideric Handel
656:Johann David Heinichen
652:Marco Giuseppe Peranda
648:Georg Philipp Telemann
640:Johann Philipp Krieger
614:
609:
452:
387:, and for the closing
365:Erschallet, ihr Lieder
359:
348:Erschallet, ihr Lieder
303:
36:
18:Erschallet, ihr Lieder
5839:Johann Sebastian Bach
5778:List of Bach cantatas
4519:Johann Sebastian Bach
4280:Lowen, Marla (1999).
3657:Dürr & Jones 2006
3460:Dürr & Jones 2006
3247:Dürr & Jones 2006
3015:Dürr & Jones 2006
2922:Dürr & Jones 2006
2721:Dürr & Jones 2006
2610:Bach Cantatas Vol. 26
2359:Collegium Vocale Gent
2094:Deutsche Bachsolisten
1952:
1875:
1805:
1745:
1586:
1544:
1121:list of Bach cantatas
1035:Scoring and structure
871:John 14:23–31
827:
729:Bach was promoted to
604:
505:While Bach served as
326:Johann Sebastian Bach
168:28 May 1724
150:20 May 1714
107:John 14:23–31
4353:Quinn, John (2007).
4336:Oron, Aryeh (2012).
4323:. jsbachcantatas.com
4259:Koster, Jan (2011).
4210:Gardiner, John Eliot
4115:(in German). bach.de
4111:Bach, Peter (2012).
3964:Leahy, Anne (2011).
3935:Jones, Richard D. P.
3887:Breitkopf und Härtel
2491:Bach Collegium Japan
2444:Christoph Prégardien
2280:Hans-Joachim Rotzsch
2221:Frankfurter Kantorei
2092:Vokalensemble Kassel
2087:Klaus Martin Ziegler
1982:Nimm mich freundlich
1876:Baroque oboe d'amore
1548:, who conducted the
851:Acts of the Apostles
837:is the third of the
745:and new privileges:
5324:After Trinity 1725:
4067:John Eliot Gardiner
3384:, pp. 115–117.
3249:, pp. 346–347.
3116:, pp. 157–158.
2813:, pp. 209–210.
2618:John Eliot Gardiner
2374:Knabenchor Hannover
2354:Knabenchor Hannover
2289:Gewandhausorchester
2172:Annelies Burmeister
2159:Gewandhausorchester
2150:Erhard Mauersberger
2124:Cantate / Nonesuch
2052:
1546:John Eliot Gardiner
1155:
948:Geistlich Brautlied
929:". Movement 6 is a
913:'s Pentecost hymn "
859:Acts 2:1–13
607:Duke of Saxe-Weimar
588:Gott ist mein König
513:John Eliot Gardiner
414:The work is in six
357:Bach was appointed
4261:"Weimar 1708–1717"
3472:Amati-Camperi 2005
2650:Panajotis Iconomou
2590:Brilliant Classics
2556:Holland Boys Choir
2550:Pieter Jan Leusink
2499:Ingrid Schmithüsen
2046:
1959:
1878:
1815:
1696:Christmas Oratorio
1613:Glückwunschkantate
1592:
1554:
1149:
867:Farewell Discourse
830:
820:Occasion and words
797:. One month after
697:Erdmann Neumeister
644:Christoph Graupner
610:
482:) and the Spirit (
7334:1714 compositions
7299:
7298:
5800:
5799:
5654:1139.1, 1140–1141
4479:bach-chorales.com
4384:on 5 October 2013
4098:on 4 October 2013
4069:commented on his
4031:978-0-674-05926-9
4005:978-0-393-32256-9
3981:978-0-8108-8182-2
3956:978-0-19-929776-4
3847:978-3-647-57124-9
3206:, pp. 68–69.
3167:, pp. 32–33.
2679:
2678:
2577:Nico van der Meel
2385:Marius van Altena
2365:Leonhardt-Consort
2029:Neue Bach-Ausgabe
2021:Bach Gesellschaft
1986:Werd' von Gnaden!
1883:Albert Schweitzer
1678:with the voices.
1534:
1533:
1117:Neue Bach-Ausgabe
801:, Bach performed
299:
298:
210:Bach-Gesellschaft
16:(Redirected from
7356:
7316:
7315:
7314:
7307:
7291:Secular cantatas
7252:Chorale cantatas
7226:
5841:
5827:
5820:
5813:
5804:
5784:Monteverdi Choir
5626:
5568:
5521:
5481:
5343:
5325:
5287:
5239:
5176:
4973:
4831:
4718:
4521:
4507:
4500:
4493:
4484:
4472:
4470:
4468:
4438:
4436:
4434:
4425:. Archived from
4423:The Face Of Bach
4413:
4411:
4409:
4393:
4391:
4389:
4383:
4376:
4366:
4364:
4362:
4349:
4347:
4345:
4332:
4330:
4328:
4315:
4313:
4303:
4301:
4299:
4293:
4286:
4276:
4274:
4272:
4267:on 28 March 2014
4255:
4253:
4251:
4245:
4235:
4233:
4231:
4224:Hyperion Records
4205:
4203:
4201:
4196:. Emmanuel Music
4185:
4183:
4181:
4168:
4166:
4164:
4151:
4149:
4147:
4141:
4134:
4124:
4122:
4120:
4107:
4105:
4103:
4056:
4035:
4014:Wolff, Christoph
4009:
3990:Wolff, Christoph
3985:
3960:
3926:
3914:
3900:
3872:
3851:
3819:
3811:New Bach Edition
3805:Kilian, Dietrich
3800:
3798:
3796:
3778:
3776:
3774:
3758:
3756:
3754:
3738:
3736:
3734:
3715:: Scores at the
3696:
3690:
3684:
3678:
3672:
3666:
3660:
3654:
3648:
3642:
3636:
3630:
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3600:
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3361:
3355:
3346:
3340:
3327:
3321:
3315:
3309:
3303:
3297:
3286:
3280:
3274:
3268:
3262:
3256:
3250:
3244:
3238:
3232:
3219:
3213:
3207:
3201:
3195:
3189:
3183:
3177:
3168:
3162:
3151:
3145:
3136:
3130:
3117:
3111:
3105:
3099:
3093:
3087:
3078:
3072:
3059:
3053:
3030:
3024:
3018:
3012:
3003:
2997:
2991:
2985:
2976:
2970:
2964:
2958:
2949:
2943:
2937:
2931:
2925:
2919:
2913:
2907:
2901:
2895:
2889:
2883:
2874:
2868:
2862:
2856:
2850:
2844:
2838:
2832:
2826:
2820:
2814:
2808:
2802:
2796:
2790:
2784:
2778:
2772:
2761:
2755:
2749:
2743:
2724:
2718:
2699:
2692:
2669:
2667:
2624:Monteverdi Choir
2622:
2621:
2620:
2601:
2599:
2554:
2553:
2552:
2533:
2531:
2489:
2488:
2487:
2468:
2466:
2457:Antoine Marchand
2409:
2407:
2349:
2348:
2347:
2345:Gustav Leonhardt
2329:
2327:
2319:Berlin Classics
2284:
2283:
2282:
2264:
2262:
2219:
2218:
2217:
2199:
2197:
2154:
2153:
2152:
2134:
2132:
2091:
2090:
2089:
2073:
2053:
1990:
1989:
1974:
1973:
1968:
1936:
1928:
1927:
1916:
1915:
1899:
1898:
1854:
1853:
1836:
1835:
1822:
1821:
1820:O Seelenparadies
1778:. The bass aria
1762:
1761:
1742:
1741:
1726:
1725:
1704:
1703:
1677:
1662:
1661:
1647:
1646:
1645:
1644:
1625:
1624:
1615:
1614:
1609:
1608:
1599:
1598:
1574:
1527:
1526:
1525:
1524:
1489:
1488:
1486:
1485:Chorus repetatur
1471:
1470:
1441:
1440:
1427:
1426:
1396:
1395:
1382:
1381:
1380:
1379:
1346:
1345:
1344:O Seelenparadies
1332:
1331:
1303:
1302:
1289:
1288:
1279:
1255:
1254:
1241:
1240:
1239:
1238:
1225:
1200:
1199:
1156:
1145:
1144:
1143:
1142:
1111:
1110:
1025:
1024:
1014:
1013:
991:
990:
980:
971:
970:
965:
964:
950:
949:
944:
943:
933:, verse four of
928:
927:
920:
919:
900:
899:
894:
893:
861:), and from the
843:Pentecost Sunday
836:
792:
791:
773:
772:
758:
757:
740:
739:
734:
733:
709:
708:
694:
693:
666:: the so-called
637:
636:
619:
608:
497:
496:
457:
410:
409:
362:
341:
340:
318:
313:
312:
306:
254:
232:
231:
225:
223:
214:
213:
212:
205:
203:
182:
181:
175:
173:
164:
163:
157:
155:
135:
134:
125:
124:
69:
39:
32:
21:
7364:
7363:
7359:
7358:
7357:
7355:
7354:
7353:
7324:
7323:
7322:
7318:Classical music
7312:
7310:
7302:
7300:
7295:
7248:Church cantatas
7229:
7215:
7214:— discography;
5847:
5837:
5831:
5801:
5796:
5764:
5763:
5624:
5563:
5517:
5509:
5503:
5502:
5479:
5341:
5323:
5309:
5308:
5285:
5237:
5174:
4971:
4961:
4957:
4949:
4948:
4829:
4716:
4707:
4700:
4699:
4556:1138.1 & .2
4528:
4522:
4517:
4514:Church cantatas
4511:
4466:
4464:
4458:
4445:
4432:
4430:
4429:on 16 July 2011
4416:
4407:
4405:
4396:
4387:
4385:
4381:
4374:
4369:
4360:
4358:
4352:
4343:
4341:
4335:
4326:
4324:
4318:
4311:
4306:
4297:
4295:
4294:on 2 March 2014
4291:
4284:
4279:
4270:
4268:
4258:
4249:
4247:
4243:
4238:
4229:
4227:
4220:Soli Deo Gloria
4218:(Media notes).
4208:
4199:
4197:
4188:
4179:
4177:
4171:
4162:
4160:
4154:
4145:
4143:
4142:on 3 March 2016
4139:
4132:
4127:
4118:
4116:
4110:
4101:
4099:
4089:
4079:Christoph Wolff
4053:
4038:
4032:
4012:
4006:
3988:
3982:
3972:Scarecrow Press
3963:
3957:
3929:
3923:
3903:
3897:
3875:
3869:
3854:
3848:
3829:
3803:
3794:
3792:
3781:
3772:
3770:
3761:
3752:
3750:
3741:
3732:
3730:
3721:
3704:
3699:
3691:
3687:
3679:
3675:
3669:Heidelberg 2014
3667:
3663:
3655:
3651:
3643:
3639:
3631:
3627:
3619:
3615:
3607:
3603:
3595:
3591:
3583:
3579:
3571:
3567:
3559:
3550:
3542:
3538:
3530:
3526:
3518:
3514:
3506:
3502:
3494:
3490:
3482:
3478:
3470:
3466:
3458:
3451:
3443:
3439:
3431:
3427:
3419:
3415:
3407:
3400:
3392:
3388:
3380:
3376:
3372:, pp. 665.
3368:
3364:
3356:
3349:
3341:
3330:
3322:
3318:
3310:
3306:
3298:
3289:
3281:
3277:
3269:
3265:
3257:
3253:
3245:
3241:
3233:
3222:
3214:
3210:
3202:
3198:
3190:
3186:
3178:
3171:
3163:
3154:
3146:
3139:
3131:
3120:
3112:
3108:
3100:
3096:
3088:
3081:
3073:
3062:
3054:
3033:
3025:
3021:
3013:
3006:
2998:
2994:
2986:
2979:
2971:
2967:
2959:
2952:
2944:
2940:
2932:
2928:
2920:
2916:
2908:
2904:
2896:
2892:
2884:
2877:
2869:
2865:
2857:
2853:
2845:
2841:
2833:
2829:
2821:
2817:
2809:
2805:
2797:
2793:
2785:
2781:
2773:
2764:
2756:
2752:
2744:
2727:
2719:
2712:
2708:
2703:
2702:
2693:
2689:
2684:
2674:
2665:
2663:
2658:Soli Deo Gloria
2654:
2640:Derek Lee Ragin
2616:
2615:
2614:
2597:
2595:
2586:
2548:
2547:
2546:
2529:
2527:
2518:
2509:Makoto Sakurada
2483:
2482:
2481:
2477:Cantatas Vol. 7
2464:
2462:
2453:
2434:Barbara Schlick
2405:
2403:
2394:
2363:
2343:
2342:
2341:
2325:
2323:
2316:
2278:
2277:
2276:
2260:
2258:
2249:
2245:Wolfgang Schöne
2215:Helmuth Rilling
2213:
2212:
2211:
2195:
2193:
2186:
2148:
2147:
2146:
2130:
2128:
2121:
2085:
2084:
2083:
2041:
2033:Dietrich Kilian
2013:
1992:
1987:
1985:
1983:
1955:Philipp Nicolai
1947:
1919:Christe eleison
1847:
1800:
1786:corno da caccia
1776:Mass in B minor
1755:
1719:
1660:seligste Zeiten
1643:
1638:
1637:
1636:
1635:
1634:
1588:Natural trumpet
1581:
1539:
1529:
1523:
1518:
1517:
1516:
1515:
1514:
1484:
1465:
1421:
1378:
1373:
1372:
1371:
1370:
1369:
1326:
1283:
1274:
1237:
1232:
1231:
1230:
1229:
1228:
1221:
1141:
1136:
1135:
1134:
1133:
1132:
1073:flauto traverso
1057:four-part choir
1037:
1032:
963:Kirchen-Capelle
957:
935:Philipp Nicolai
845:(Whit Sunday),
839:Weimar cantatas
822:
795:Jubilate Sunday
782:that year, and
695:, on a text by
669:Hunting Cantata
630:Christoph Wolff
606:
605:Wilhelm Ernst,
598:for a funeral.
577:chorale cantata
560:and his nephew
533:
397:Philipp Nicolai
352:liturgical year
316:
295:
235:
227:
221:
219:
217:
207:
201:
199:
197:
196:
185:
177:
171:
169:
167:
159:
153:
151:
149:
138:
75:
49:
28:
23:
22:
15:
12:
11:
5:
7362:
7360:
7352:
7351:
7346:
7341:
7336:
7326:
7325:
7321:
7320:
7297:
7296:
7294:
7293:
7284:
7282:Picander cycle
7279:
7274:
7269:
7264:
7259:
7254:
7241:
7234:
7231:
7230:
7228:
7227:
7209:
7204:
7199:
7194:
7189:
7184:
7179:
7174:
7169:
7164:
7159:
7154:
7149:
7144:
7139:
7134:
7129:
7124:
7119:
7114:
7109:
7102:
7095:
7088:
7081:
7074:
7067:
7062:
7057:
7052:
7047:
7042:
7037:
7032:
7027:
7022:
7017:
7012:
7007:
7002:
6997:
6992:
6987:
6982:
6977:
6972:
6967:
6962:
6957:
6952:
6947:
6942:
6937:
6932:
6927:
6922:
6917:
6912:
6907:
6902:
6897:
6892:
6885:
6880:
6875:
6870:
6865:
6860:
6855:
6850:
6845:
6840:
6835:
6830:
6825:
6820:
6815:
6810:
6805:
6800:
6795:
6790:
6785:
6780:
6775:
6770:
6765:
6760:
6755:
6750:
6745:
6740:
6733:
6728:
6723:
6718:
6713:
6708:
6703:
6698:
6693:
6688:
6683:
6678:
6673:
6668:
6663:
6658:
6653:
6648:
6643:
6636:
6629:
6624:
6619:
6614:
6609:
6604:
6599:
6594:
6589:
6584:
6579:
6572:
6567:
6562:
6557:
6552:
6547:
6542:
6537:
6532:
6527:
6522:
6517:
6512:
6507:
6502:
6497:
6487:
6482:
6477:
6472:
6467:
6462:
6457:
6452:
6447:
6442:
6437:
6432:
6427:
6422:
6417:
6412:
6407:
6402:
6397:
6392:
6387:
6382:
6377:
6372:
6367:
6362:
6357:
6352:
6347:
6342:
6337:
6332:
6327:
6322:
6317:
6312:
6307:
6302:
6297:
6292:
6287:
6282:
6277:
6272:
6267:
6262:
6257:
6252:
6247:
6242:
6237:
6232:
6227:
6222:
6217:
6212:
6207:
6202:
6197:
6192:
6187:
6182:
6177:
6172:
6167:
6162:
6157:
6152:
6145:
6140:
6135:
6130:
6125:
6120:
6115:
6110:
6105:
6100:
6095:
6090:
6085:
6080:
6075:
6070:
6065:
6060:
6055:
6050:
6045:
6040:
6035:
6030:
6025:
6020:
6015:
6010:
6005:
6000:
5995:
5990:
5985:
5980:
5975:
5970:
5965:
5960:
5955:
5950:
5945:
5940:
5935:
5928:
5923:
5918:
5913:
5903:
5898:
5893:
5888:
5883:
5878:
5873:
5868:
5863:
5858:
5852:
5849:
5848:
5832:
5830:
5829:
5822:
5815:
5807:
5798:
5797:
5795:
5794:
5780:
5775:
5769:
5766:
5765:
5762:
5761:
5756:
5751:
5746:
5741:
5736:
5731:
5726:
5720:
5715:
5710:
5705:
5700:
5695:
5689:
5684:
5678:
5673:
5668:
5663:
5657:
5650:
5645:
5640:
5635:
5630:
5622:
5617:
5587:
5582:
5577:
5572:
5561:
5556:
5551:
5546:
5541:
5536:
5531:
5526:
5519:Picander cycle
5514:
5513:
5511:
5505:
5504:
5501:
5500:
5495:
5490:
5485:
5477:
5472:
5467:
5462:
5457:
5452:
5447:
5442:
5437:
5432:
5427:
5422:
5417:
5412:
5407:
5402:
5397:
5392:
5387:
5382:
5377:
5372:
5367:
5362:
5357:
5352:
5347:
5339:
5334:
5329:
5320:
5319:
5317:
5311:
5310:
5307:
5306:
5301:
5296:
5291:
5283:
5278:
5273:
5268:
5263:
5258:
5253:
5248:
5243:
5235:
5230:
5225:
5220:
5215:
5210:
5205:
5200:
5195:
5190:
5185:
5180:
5172:
5167:
5162:
5157:
5152:
5147:
5142:
5137:
5132:
5127:
5122:
5117:
5112:
5107:
5102:
5097:
5092:
5087:
5082:
5077:
5072:
5067:
5062:
5057:
5052:
5047:
5042:
5037:
5032:
5027:
5022:
5017:
5012:
5007:
5002:
4997:
4992:
4987:
4982:
4977:
4968:
4967:
4965:
4951:
4950:
4947:
4946:
4941:
4936:
4931:
4926:
4921:
4916:
4911:
4906:
4901:
4896:
4891:
4886:
4881:
4876:
4871:
4866:
4861:
4856:
4851:
4846:
4841:
4836:
4827:
4822:
4817:
4812:
4807:
4802:
4797:
4792:
4787:
4782:
4777:
4772:
4767:
4762:
4757:
4752:
4747:
4742:
4737:
4732:
4727:
4722:
4713:
4712:
4710:
4702:
4701:
4698:
4697:
4692:
4687:
4682:
4677:
4672:
4667:
4662:
4657:
4652:
4647:
4642:
4637:
4632:
4627:
4622:
4617:
4612:
4607:
4602:
4597:
4592:
4587:
4578:
4573:
4568:
4563:
4558:
4553:
4548:
4543:
4533:
4532:
4530:
4524:
4523:
4512:
4510:
4509:
4502:
4495:
4487:
4481:
4480:
4473:
4456:
4444:
4443:External links
4441:
4440:
4439:
4414:
4394:
4367:
4350:
4333:
4316:
4304:
4277:
4256:
4236:
4206:
4190:Dellal, Pamela
4186:
4169:
4152:
4125:
4108:
4075:Masaaki Suzuki
4061:Online sources
4058:
4057:
4051:
4036:
4030:
4010:
4004:
3986:
3980:
3961:
3955:
3927:
3921:
3901:
3895:
3873:
3867:
3852:
3846:
3821:
3820:
3801:
3779:
3769:on 19 May 2009
3759:
3739:
3719:
3703:
3700:
3698:
3697:
3685:
3673:
3661:
3659:, p. 349.
3649:
3637:
3625:
3613:
3601:
3589:
3577:
3565:
3548:
3536:
3524:
3512:
3500:
3488:
3476:
3464:
3462:, p. 348.
3449:
3437:
3425:
3413:
3398:
3386:
3374:
3362:
3347:
3328:
3316:
3304:
3287:
3275:
3263:
3251:
3239:
3220:
3218:, p. 533.
3208:
3196:
3194:, p. 301.
3184:
3182:, p. 298.
3169:
3152:
3137:
3118:
3106:
3104:, p. 148.
3094:
3079:
3077:, p. 297.
3060:
3031:
3019:
3017:, p. 347.
3004:
2992:
2977:
2965:
2963:, p. 296.
2950:
2948:, p. 162.
2938:
2936:, p. 344.
2926:
2914:
2912:, p. 156.
2902:
2900:, p. 165.
2890:
2888:, p. 157.
2875:
2863:
2861:, p. 147.
2851:
2849:, p. 155.
2839:
2837:, p. 151.
2827:
2825:, p. 149.
2815:
2803:
2791:
2779:
2762:
2750:
2725:
2723:, p. 346.
2709:
2707:
2704:
2701:
2700:
2686:
2685:
2683:
2680:
2677:
2676:
2670:
2660:
2655:
2653:
2652:
2647:
2645:Christoph Genz
2642:
2637:
2631:
2629:
2612:
2606:
2605:
2602:
2592:
2587:
2585:
2584:
2579:
2574:
2569:
2563:
2561:
2544:
2538:
2537:
2534:
2524:
2519:
2517:
2516:
2511:
2506:
2504:Yoshikazu Mera
2501:
2495:
2493:
2485:Masaaki Suzuki
2479:
2473:
2472:
2469:
2459:
2454:
2452:
2451:
2446:
2441:
2436:
2430:
2428:
2420:
2414:
2413:
2410:
2400:
2395:
2393:
2392:
2390:Max van Egmond
2387:
2382:
2377:
2369:
2367:
2362:
2361:
2356:
2350:
2339:
2333:
2332:
2330:
2320:
2317:
2315:
2314:
2309:
2307:Peter Schreier
2304:
2299:
2293:
2291:
2274:
2268:
2267:
2265:
2255:
2250:
2248:
2247:
2242:
2240:Adalbert Kraus
2237:
2232:
2228:
2226:
2209:
2203:
2202:
2200:
2190:
2187:
2185:
2184:
2179:
2177:Peter Schreier
2174:
2169:
2163:
2161:
2144:
2138:
2137:
2135:
2125:
2122:
2120:
2119:
2117:Jakob Stämpfli
2114:
2109:
2104:
2098:
2096:
2081:
2075:
2074:
2069:
2066:
2063:
2060:
2057:
2047:Recordings of
2040:
2037:
2025:Alfred Dörffel
2012:
2009:
1978:
1946:
1943:
1846:
1843:
1807:Baroque violin
1799:
1796:
1754:
1751:
1718:
1715:
1639:
1618:New Year's Day
1580:
1577:
1538:
1535:
1532:
1531:
1519:
1512:
1509:
1506:
1503:
1500:
1497:
1494:
1491:
1479:
1473:
1472:
1463:
1460:
1457:
1454:
1451:
1448:
1445:
1442:
1435:
1429:
1428:
1419:
1414:
1412:
1409:
1406:
1403:
1400:
1397:
1390:
1384:
1383:
1374:
1367:
1364:
1361:
1358:
1356:
1353:
1350:
1347:
1340:
1334:
1333:
1324:
1321:
1318:
1316:
1313:
1310:
1307:
1304:
1297:
1291:
1290:
1281:
1272:
1269:
1267:
1265:
1262:
1259:
1256:
1249:
1243:
1242:
1233:
1226:
1219:
1216:
1213:
1210:
1207:
1204:
1201:
1194:
1188:
1187:
1184:
1181:
1178:
1175:
1172:
1169:
1166:
1163:
1160:
1137:
1129:time signature
1097:basso continuo
1036:
1033:
1031:
1028:
956:
953:
945:". Nicolai's "
873:). As in many
863:Gospel of John
821:
818:
761:Salomon Franck
743:Konzertmeister
732:Konzertmeister
595:Actus Tragicus
532:
529:
444:basso continuo
373:Salomon Franck
360:Konzertmeister
328:, composed in
322:church cantata
297:
296:
294:
293:
290:
287:
284:
281:
278:
275:
272:
269:
265:
262:
258:
257:
256:choir and solo
249:
245:
244:
241:
237:
236:
234:
233:
215:
193:
191:
187:
186:
184:
183:
165:
146:
144:
140:
139:
137:
136:
127:
116:
114:
110:
109:
104:
100:
99:
97:Salomon Franck
94:
88:
87:
81:
77:
76:
70:
62:
61:
55:Church cantata
51:
50:
44:
41:
40:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
7361:
7350:
7347:
7345:
7342:
7340:
7337:
7335:
7332:
7331:
7329:
7319:
7309:
7305:
7292:
7288:
7285:
7283:
7280:
7278:
7275:
7273:
7270:
7268:
7265:
7263:
7260:
7258:
7255:
7253:
7249:
7245:
7242:
7240:
7236:
7235:
7232:
7225:
7224:
7219:
7213:
7210:
7208:
7205:
7203:
7200:
7198:
7195:
7193:
7190:
7188:
7187:1138.1–1139.1
7185:
7183:
7180:
7178:
7175:
7173:
7170:
7168:
7165:
7163:
7160:
7158:
7155:
7153:
7150:
7148:
7145:
7143:
7140:
7138:
7135:
7133:
7130:
7128:
7125:
7123:
7120:
7118:
7115:
7113:
7110:
7108:
7107:
7103:
7100:
7096:
7093:
7089:
7087:
7086:
7082:
7080:
7079:
7075:
7072:
7068:
7066:
7063:
7061:
7058:
7056:
7053:
7051:
7048:
7046:
7043:
7041:
7038:
7036:
7033:
7031:
7028:
7026:
7023:
7021:
7018:
7016:
7013:
7011:
7008:
7006:
7003:
7001:
6998:
6996:
6993:
6991:
6988:
6986:
6983:
6981:
6978:
6976:
6973:
6971:
6968:
6966:
6963:
6961:
6958:
6956:
6953:
6951:
6948:
6946:
6943:
6941:
6938:
6936:
6933:
6931:
6928:
6926:
6923:
6921:
6918:
6916:
6913:
6911:
6908:
6906:
6903:
6901:
6898:
6896:
6893:
6890:
6886:
6884:
6881:
6879:
6876:
6874:
6871:
6869:
6866:
6864:
6861:
6859:
6856:
6854:
6851:
6849:
6846:
6844:
6841:
6839:
6836:
6834:
6831:
6829:
6826:
6824:
6821:
6819:
6816:
6814:
6811:
6809:
6806:
6804:
6801:
6799:
6796:
6794:
6791:
6789:
6786:
6784:
6781:
6779:
6776:
6774:
6771:
6769:
6766:
6764:
6761:
6759:
6756:
6754:
6751:
6749:
6746:
6744:
6741:
6739:
6738:
6734:
6732:
6729:
6727:
6724:
6722:
6719:
6717:
6714:
6712:
6709:
6707:
6704:
6702:
6699:
6697:
6694:
6692:
6689:
6687:
6684:
6682:
6679:
6677:
6674:
6672:
6669:
6667:
6664:
6662:
6659:
6657:
6654:
6652:
6649:
6647:
6644:
6641:
6637:
6635:
6634:
6630:
6628:
6625:
6623:
6620:
6618:
6615:
6613:
6610:
6608:
6605:
6603:
6600:
6598:
6595:
6593:
6590:
6588:
6585:
6583:
6580:
6577:
6573:
6571:
6568:
6566:
6563:
6561:
6558:
6556:
6553:
6551:
6548:
6546:
6543:
6541:
6538:
6536:
6533:
6531:
6528:
6526:
6523:
6521:
6518:
6516:
6513:
6511:
6508:
6506:
6503:
6501:
6498:
6495:
6491:
6488:
6486:
6483:
6481:
6478:
6476:
6473:
6471:
6468:
6466:
6463:
6461:
6458:
6456:
6453:
6451:
6448:
6446:
6443:
6441:
6438:
6436:
6433:
6431:
6428:
6426:
6423:
6421:
6418:
6416:
6413:
6411:
6408:
6406:
6403:
6401:
6398:
6396:
6393:
6391:
6388:
6386:
6383:
6381:
6378:
6376:
6373:
6371:
6368:
6366:
6363:
6361:
6358:
6356:
6353:
6351:
6348:
6346:
6343:
6341:
6338:
6336:
6333:
6331:
6328:
6326:
6323:
6321:
6318:
6316:
6313:
6311:
6308:
6306:
6303:
6301:
6298:
6296:
6293:
6291:
6288:
6286:
6283:
6281:
6278:
6276:
6273:
6271:
6268:
6266:
6263:
6261:
6258:
6256:
6253:
6251:
6248:
6246:
6243:
6241:
6238:
6236:
6233:
6231:
6228:
6226:
6223:
6221:
6218:
6216:
6213:
6211:
6208:
6206:
6203:
6201:
6198:
6196:
6193:
6191:
6188:
6186:
6183:
6181:
6178:
6176:
6173:
6171:
6168:
6166:
6163:
6161:
6158:
6156:
6153:
6150:
6146:
6144:
6141:
6139:
6136:
6134:
6131:
6129:
6126:
6124:
6121:
6119:
6116:
6114:
6111:
6109:
6106:
6104:
6101:
6099:
6096:
6094:
6091:
6089:
6086:
6084:
6081:
6079:
6076:
6074:
6071:
6069:
6066:
6064:
6061:
6059:
6056:
6054:
6051:
6049:
6046:
6044:
6041:
6039:
6036:
6034:
6031:
6029:
6026:
6024:
6021:
6019:
6016:
6014:
6011:
6009:
6006:
6004:
6001:
5999:
5996:
5994:
5991:
5989:
5986:
5984:
5981:
5979:
5976:
5974:
5971:
5969:
5966:
5964:
5961:
5959:
5956:
5954:
5951:
5949:
5946:
5944:
5941:
5939:
5936:
5934:
5933:
5929:
5927:
5924:
5922:
5919:
5917:
5914:
5911:
5907:
5904:
5902:
5899:
5897:
5894:
5892:
5889:
5887:
5884:
5882:
5879:
5877:
5874:
5872:
5869:
5867:
5864:
5862:
5859:
5857:
5854:
5853:
5850:
5845:
5840:
5835:
5828:
5823:
5821:
5816:
5814:
5809:
5808:
5805:
5793:
5789:
5785:
5782:Discography:
5781:
5779:
5776:
5774:
5771:
5770:
5767:
5760:
5757:
5755:
5752:
5750:
5747:
5745:
5742:
5740:
5737:
5735:
5732:
5730:
5727:
5725:
5721:
5719:
5716:
5714:
5711:
5709:
5706:
5704:
5701:
5699:
5696:
5694:
5690:
5688:
5685:
5683:
5679:
5677:
5674:
5672:
5669:
5667:
5664:
5662:
5658:
5655:
5651:
5649:
5646:
5644:
5641:
5639:
5636:
5634:
5631:
5629:
5623:
5621:
5618:
5615:
5611:
5607:
5603:
5599:
5595:
5591:
5588:
5586:
5583:
5581:
5578:
5576:
5573:
5571:
5566:
5565:Late parodies
5562:
5560:
5557:
5555:
5552:
5550:
5547:
5545:
5542:
5540:
5537:
5535:
5532:
5530:
5527:
5525:
5520:
5516:
5515:
5512:
5506:
5499:
5496:
5494:
5491:
5489:
5486:
5484:
5478:
5476:
5473:
5471:
5468:
5466:
5463:
5461:
5458:
5456:
5453:
5451:
5448:
5446:
5443:
5441:
5438:
5436:
5433:
5431:
5428:
5426:
5423:
5421:
5418:
5416:
5413:
5411:
5408:
5406:
5403:
5401:
5398:
5396:
5393:
5391:
5388:
5386:
5383:
5381:
5378:
5376:
5373:
5371:
5368:
5366:
5363:
5361:
5358:
5356:
5353:
5351:
5348:
5346:
5340:
5338:
5335:
5333:
5330:
5328:
5322:
5321:
5318:
5316:
5312:
5305:
5302:
5300:
5297:
5295:
5292:
5290:
5284:
5282:
5279:
5277:
5274:
5272:
5269:
5267:
5264:
5262:
5259:
5257:
5254:
5252:
5249:
5247:
5244:
5242:
5236:
5234:
5231:
5229:
5226:
5224:
5221:
5219:
5216:
5214:
5211:
5209:
5206:
5204:
5201:
5199:
5196:
5194:
5191:
5189:
5186:
5184:
5181:
5179:
5173:
5171:
5168:
5166:
5163:
5161:
5158:
5156:
5153:
5151:
5148:
5146:
5143:
5141:
5138:
5136:
5133:
5131:
5128:
5126:
5123:
5121:
5118:
5116:
5113:
5111:
5108:
5106:
5103:
5101:
5098:
5096:
5093:
5091:
5088:
5086:
5083:
5081:
5078:
5076:
5073:
5071:
5068:
5066:
5063:
5061:
5058:
5056:
5053:
5051:
5048:
5046:
5043:
5041:
5038:
5036:
5033:
5031:
5028:
5026:
5023:
5021:
5018:
5016:
5013:
5011:
5008:
5006:
5003:
5001:
4998:
4996:
4993:
4991:
4988:
4986:
4983:
4981:
4978:
4976:
4970:
4969:
4966:
4963:
4956:
4952:
4945:
4942:
4940:
4937:
4935:
4932:
4930:
4927:
4925:
4922:
4920:
4917:
4915:
4912:
4910:
4907:
4905:
4902:
4900:
4897:
4895:
4892:
4890:
4887:
4885:
4882:
4880:
4877:
4875:
4872:
4870:
4867:
4865:
4862:
4860:
4857:
4855:
4852:
4850:
4847:
4845:
4842:
4840:
4837:
4835:
4828:
4826:
4823:
4821:
4818:
4816:
4813:
4811:
4808:
4806:
4803:
4801:
4798:
4796:
4793:
4791:
4788:
4786:
4783:
4781:
4778:
4776:
4773:
4771:
4768:
4766:
4763:
4761:
4758:
4756:
4753:
4751:
4748:
4746:
4743:
4741:
4738:
4736:
4733:
4731:
4728:
4726:
4723:
4721:
4715:
4714:
4711:
4709:
4703:
4696:
4693:
4691:
4688:
4686:
4683:
4681:
4678:
4676:
4673:
4671:
4668:
4666:
4663:
4661:
4658:
4656:
4653:
4651:
4648:
4646:
4643:
4641:
4638:
4636:
4633:
4631:
4628:
4626:
4623:
4621:
4618:
4616:
4613:
4611:
4608:
4606:
4603:
4601:
4598:
4596:
4593:
4591:
4588:
4586:
4582:
4579:
4577:
4574:
4572:
4569:
4567:
4564:
4562:
4559:
4557:
4554:
4552:
4549:
4547:
4544:
4542:
4538:
4535:
4534:
4531:
4525:
4520:
4515:
4508:
4503:
4501:
4496:
4494:
4489:
4488:
4485:
4478:
4474:
4462:
4457:
4454:
4450:
4447:
4446:
4442:
4428:
4424:
4420:
4415:
4404:
4400:
4395:
4380:
4373:
4368:
4356:
4351:
4339:
4334:
4322:
4317:
4310:
4305:
4290:
4283:
4278:
4266:
4262:
4257:
4242:
4237:
4225:
4221:
4217:
4216:
4211:
4207:
4195:
4191:
4187:
4175:
4170:
4158:
4153:
4138:
4131:
4126:
4114:
4109:
4097:
4093:
4088:
4087:
4086:
4084:
4080:
4076:
4072:
4068:
4063:
4062:
4054:
4052:3-8370-4401-7
4048:
4044:
4043:
4037:
4033:
4027:
4023:
4019:
4015:
4011:
4007:
4001:
3997:
3996:
3991:
3987:
3983:
3977:
3973:
3969:
3968:
3962:
3958:
3952:
3948:
3944:
3940:
3936:
3932:
3928:
3924:
3922:3-423-04080-7
3918:
3913:
3912:
3906:
3902:
3898:
3896:3-7651-0130-3
3892:
3888:
3885:(in German).
3884:
3883:
3878:
3874:
3870:
3868:0-253-34365-8
3864:
3860:
3859:
3853:
3849:
3843:
3839:
3836:(in German).
3835:
3834:
3828:
3827:
3826:
3825:
3817:
3813:
3812:
3806:
3802:
3790:
3786:
3785:
3780:
3768:
3764:
3760:
3748:
3744:
3740:
3728:
3724:
3720:
3718:
3714:
3711:
3710:
3709:
3708:
3702:Cited sources
3701:
3694:
3689:
3686:
3682:
3677:
3674:
3670:
3665:
3662:
3658:
3653:
3650:
3646:
3641:
3638:
3634:
3629:
3626:
3623:, p. 16.
3622:
3617:
3614:
3611:, p. 14.
3610:
3605:
3602:
3599:, p. 11.
3598:
3593:
3590:
3586:
3581:
3578:
3575:, p. 30.
3574:
3569:
3566:
3563:, p. 71.
3562:
3557:
3555:
3553:
3549:
3546:, p. 14.
3545:
3540:
3537:
3534:, p. 19.
3533:
3528:
3525:
3521:
3516:
3513:
3510:, p. 13.
3509:
3504:
3501:
3498:, p. 15.
3497:
3492:
3489:
3485:
3480:
3477:
3473:
3468:
3465:
3461:
3456:
3454:
3450:
3447:, p. 11.
3446:
3441:
3438:
3435:, p. 12.
3434:
3429:
3426:
3422:
3417:
3414:
3410:
3405:
3403:
3399:
3395:
3390:
3387:
3383:
3378:
3375:
3371:
3366:
3363:
3360:, p. 70.
3359:
3354:
3352:
3348:
3345:, p. 33.
3344:
3339:
3337:
3335:
3333:
3329:
3325:
3320:
3317:
3313:
3308:
3305:
3302:, p. 69.
3301:
3296:
3294:
3292:
3288:
3284:
3279:
3276:
3272:
3267:
3264:
3260:
3255:
3252:
3248:
3243:
3240:
3236:
3235:Gardiner 2006
3231:
3229:
3227:
3225:
3221:
3217:
3212:
3209:
3205:
3200:
3197:
3193:
3188:
3185:
3181:
3176:
3174:
3170:
3166:
3161:
3159:
3157:
3153:
3149:
3144:
3142:
3138:
3134:
3129:
3127:
3125:
3123:
3119:
3115:
3110:
3107:
3103:
3098:
3095:
3092:, p. 68.
3091:
3086:
3084:
3080:
3076:
3071:
3069:
3067:
3065:
3061:
3057:
3052:
3050:
3048:
3046:
3044:
3042:
3040:
3038:
3036:
3032:
3029:, p. 38.
3028:
3023:
3020:
3016:
3011:
3009:
3005:
3002:, p. 32.
3001:
2996:
2993:
2989:
2984:
2982:
2978:
2974:
2969:
2966:
2962:
2957:
2955:
2951:
2947:
2942:
2939:
2935:
2930:
2927:
2924:, p. 14.
2923:
2918:
2915:
2911:
2906:
2903:
2899:
2894:
2891:
2887:
2882:
2880:
2876:
2872:
2871:Magdolna 2008
2867:
2864:
2860:
2855:
2852:
2848:
2843:
2840:
2836:
2831:
2828:
2824:
2819:
2816:
2812:
2807:
2804:
2801:, p. 40.
2800:
2795:
2792:
2789:, p. 37.
2788:
2783:
2780:
2776:
2771:
2769:
2767:
2763:
2760:, p. 30.
2759:
2754:
2751:
2747:
2746:Gardiner 2006
2742:
2740:
2738:
2736:
2734:
2732:
2730:
2726:
2722:
2717:
2715:
2711:
2705:
2697:
2691:
2688:
2681:
2675:
2671:
2661:
2659:
2656:
2651:
2648:
2646:
2643:
2641:
2638:
2636:
2633:
2632:
2630:
2628:
2625:
2619:
2613:
2611:
2607:
2603:
2593:
2591:
2588:
2583:
2582:Bas Ramselaar
2580:
2578:
2575:
2573:
2572:Sytse Buwalda
2570:
2568:
2565:
2564:
2562:
2560:
2557:
2551:
2545:
2543:
2539:
2535:
2525:
2523:
2520:
2515:
2512:
2510:
2507:
2505:
2502:
2500:
2497:
2496:
2494:
2492:
2486:
2480:
2478:
2474:
2470:
2460:
2458:
2455:
2450:
2449:Klaus Mertens
2447:
2445:
2442:
2440:
2437:
2435:
2432:
2431:
2429:
2427:
2424:
2421:
2419:
2415:
2411:
2401:
2399:
2396:
2391:
2388:
2386:
2383:
2381:
2378:
2375:
2371:
2370:
2368:
2366:
2360:
2357:
2355:
2352:
2351:
2346:
2340:
2338:
2334:
2331:
2321:
2318:
2313:
2310:
2308:
2305:
2303:
2302:Ortrun Wenkel
2300:
2298:
2295:
2294:
2292:
2290:
2287:
2281:
2275:
2273:
2269:
2266:
2256:
2254:
2251:
2246:
2243:
2241:
2238:
2236:
2233:
2230:
2229:
2227:
2225:
2222:
2216:
2210:
2208:
2204:
2201:
2191:
2188:
2183:
2180:
2178:
2175:
2173:
2170:
2168:
2165:
2164:
2162:
2160:
2157:
2151:
2145:
2143:
2139:
2136:
2126:
2123:
2118:
2115:
2113:
2112:Theo Altmeyer
2110:
2108:
2105:
2103:
2102:Ursula Buckel
2100:
2099:
2097:
2095:
2088:
2082:
2080:
2076:
2054:
2050:
2044:
2038:
2036:
2034:
2030:
2026:
2022:
2018:
2010:
2007:
2003:
1999:
1995:
1991:
1976:
1967:
1966:
1956:
1951:
1944:
1942:
1940:
1935:
1934:
1926:
1920:
1909:
1908:and BWV 652.
1907:
1903:
1897:
1890:
1888:
1884:
1874:
1870:
1868:
1866:
1861:
1859:
1844:
1842:
1840:
1830:
1826:
1812:
1811:Jacob Stainer
1808:
1804:
1797:
1795:
1793:
1792:
1787:
1783:
1782:
1777:
1773:
1772:Missa of 1733
1768:
1766:
1752:
1749:
1744:
1740:
1734:
1730:
1716:
1714:
1712:
1708:
1698:
1697:
1692:
1690:
1684:
1681:
1676:
1675:
1668:
1666:
1665:seventh chord
1655:
1651:
1642:
1631:
1630:
1619:
1603:
1589:
1585:
1578:
1576:
1573:
1566:
1564:
1560:
1551:
1547:
1543:
1536:
1530:
1522:
1513:
1510:
1507:
1504:
1501:
1498:
1495:
1492:
1480:
1478:
1475:
1474:
1469:
1464:
1461:
1458:
1455:
1452:
1449:
1446:
1443:
1436:
1434:
1431:
1430:
1425:
1420:
1418:
1415:
1413:
1410:
1407:
1404:
1401:
1398:
1391:
1389:
1386:
1385:
1377:
1368:
1365:
1362:
1359:
1357:
1354:
1351:
1348:
1341:
1339:
1336:
1335:
1330:
1325:
1322:
1319:
1317:
1314:
1311:
1308:
1305:
1298:
1296:
1293:
1292:
1287:
1282:
1277:
1273:
1270:
1268:
1266:
1263:
1260:
1257:
1250:
1248:
1245:
1244:
1236:
1227:
1224:
1220:
1217:
1214:
1211:
1208:
1205:
1202:
1195:
1193:
1190:
1189:
1157:
1153:
1150:Movements of
1147:
1140:
1130:
1126:
1122:
1118:
1113:
1105:
1102:
1098:
1094:
1090:
1086:
1082:
1078:
1074:
1070:
1066:
1062:
1058:
1054:
1050:
1046:
1042:
1034:
1029:
1027:
1023:
1021:
1012:
1010:
1001:
999:
995:
984:
979:
973:
969:Capellmeister
954:
952:
942:
936:
932:
926:
918:
912:
911:Martin Luther
908:
904:
888:
883:
880:
876:
875:Bach cantatas
872:
868:
864:
860:
856:
852:
848:
844:
840:
835:
826:
819:
817:
815:
811:
807:
805:
800:
796:
790:
788:
781:
777:
771:
769:
762:
750:
746:
744:
738:Schlosskirche
727:
725:
724:Italian opera
721:
717:
714:, succeeding
713:
707:
700:
698:
692:
690:
683:
679:
675:
671:
670:
665:
661:
657:
653:
649:
645:
641:
631:
627:
623:
618:
617:
616:Orgelbüchlein
603:
599:
597:
596:
591:
589:
584:
582:
578:
574:
572:
567:
563:
559:
558:Wilhelm Ernst
555:
550:
548:
544:
540:
539:
530:
528:
526:
522:
518:
514:
510:
509:
503:
501:
498:" and a solo
495:
489:
488:Martin Luther
485:
481:
478:of the Soul (
477:
473:
469:
465:
461:
456:
455:
449:
445:
441:
437:
433:
429:
425:
421:
417:
412:
408:
402:
398:
394:
390:
386:
382:
378:
374:
370:
366:
361:
355:
353:
349:
345:
339:Schlosskirche
335:
331:
327:
323:
319:
307:
305:
291:
288:
285:
282:
279:
276:
273:
270:
267:
266:
263:
259:
255:
250:
246:
242:
238:
230:
216:
211:
195:
194:
192:
188:
180:
166:
162:
148:
147:
145:
141:
133:
128:
123:
118:
117:
115:
111:
108:
105:
101:
98:
95:
93:
89:
85:
82:
78:
74:
68:
63:
60:
56:
52:
47:
42:
38:
33:
30:
19:
7239:Compositions
7221:
7104:
7083:
7076:
6797:
6735:
6631:
5930:
5773:Bach cantata
5661:BWV 34a
5628:BWV 119
5524:BWV 149
5345:BWV 110
5327:BWV 168
5289:BWV 117
4955:Second cycle
4654:
4465:. Retrieved
4431:. Retrieved
4427:the original
4422:
4406:. Retrieved
4388:17 September
4386:. Retrieved
4379:the original
4359:. Retrieved
4342:. Retrieved
4325:. Retrieved
4296:. Retrieved
4289:the original
4269:. Retrieved
4265:the original
4248:. Retrieved
4228:. Retrieved
4214:
4198:. Retrieved
4178:. Retrieved
4161:. Retrieved
4144:. Retrieved
4137:the original
4117:. Retrieved
4100:. Retrieved
4096:the original
4064:
4060:
4059:
4041:
4021:
3994:
3966:
3942:
3931:Dürr, Alfred
3910:
3905:Dürr, Alfred
3881:
3877:Dürr, Alfred
3857:
3832:
3823:
3822:
3808:
3793:. Retrieved
3783:
3771:. Retrieved
3767:the original
3751:. Retrieved
3747:Bach Digital
3731:. Retrieved
3727:Bach Digital
3706:
3705:
3688:
3676:
3664:
3652:
3640:
3628:
3616:
3604:
3592:
3580:
3568:
3539:
3527:
3515:
3503:
3491:
3486:, p. 5.
3479:
3467:
3440:
3428:
3421:Mincham 2010
3416:
3411:, p. 6.
3396:, p. 8.
3389:
3377:
3365:
3343:Isoyama 1998
3326:, p. 6.
3319:
3314:, p. 1.
3307:
3278:
3266:
3261:, p. 1.
3254:
3242:
3237:, p. 3.
3211:
3199:
3187:
3165:Isoyama 1998
3109:
3097:
3022:
3000:Isoyama 1998
2995:
2968:
2941:
2929:
2917:
2905:
2893:
2873:, p. 9.
2866:
2854:
2842:
2830:
2818:
2806:
2794:
2782:
2753:
2748:, p. 2.
2690:
2673:
2635:Lisa Larsson
2609:
2541:
2476:
2417:
2380:Paul Esswood
2336:
2297:Arleen Augér
2286:Thomanerchor
2271:
2235:Doris Soffel
2206:
2167:Adele Stolte
2156:Thomanerchor
2141:
2078:
2048:
2042:
2023:, edited by
2014:
2005:
2000:
1997:
1993:
1979:
1960:
1938:
1910:
1891:
1879:
1864:
1857:
1848:
1825:triple meter
1816:
1789:
1779:
1769:
1756:
1746:
1720:
1694:
1688:
1685:
1669:
1640:
1627:
1593:
1567:
1559:Holy Trinity
1555:
1528:
1520:
1375:
1234:
1151:
1138:
1114:
1077:oboe d'amore
1038:
1019:
1008:
1002:
989:Thomaskantor
974:
958:
884:
831:
813:
803:
798:
786:
780:Annunciation
767:
752:
748:
742:
728:
701:
688:
667:
611:
593:
587:
585:for Easter;
580:
575:; the early
570:
562:Ernst August
551:
538:Thomaskantor
536:
534:
525:triple meter
508:Thomaskantor
506:
504:
413:
364:
356:
347:
315:
301:
300:
277:oboe d'amore
261:Instrumental
92:Cantata text
29:
5570:BWV 36
5483:BWV 82
5315:Third cycle
5241:BWV 80
4975:BWV 20
4834:BWV 40
4720:BWV 75
4706:First cycle
4585:BWV 61
4475:Luke Dahn:
4408:15 November
4327:7 September
4271:16 December
4250:15 November
4200:7 September
4180:28 February
4119:27 November
4083:Ton Koopman
3816:Bärenreiter
3784:No. 171–180
3753:18 February
3733:18 February
3645:Kilian 1965
3633:Browne 2005
3609:Rathey 2003
3597:Rathey 2003
3561:Zedler 2008
3532:Kilian 1965
3496:Kilian 1965
3484:Baxter 2013
3433:Kilian 1965
3409:Rathey 2003
3394:Rathey 2003
3358:Zedler 2008
3300:Zedler 2008
3283:Kilian 1965
3259:Kilian 1965
3216:Buelow 2004
3204:Zedler 2008
3090:Zedler 2008
3056:Dellal 2012
3027:Arnold 2009
2988:Robins 2013
2799:Arnold 2009
2787:Arnold 2009
2775:Koster 2011
2567:Ruth Holton
2423:Ton Koopman
2107:Irma Keller
2011:Publication
1925:Domine Deus
1839:Alfred Dürr
1765:major chord
1739:vox Christi
1674:colla parte
1650:coloraturas
1261:Recitative
855:Holy Spirit
776:Palm Sunday
756:Himmelsburg
706:Marktkirche
660:recitatives
554:Saxe-Weimar
454:vox Christi
377:Holy Spirit
7328:Categories
5722:Doubtful:
5178:BWV 6
4541:BWV 4
4298:3 December
3773:3 December
3621:Lowen 1999
3573:Leahy 2011
3544:Lowen 1999
3520:Quinn 2007
3508:Lowen 1999
3445:Lowen 1999
3324:Lowen 1999
3312:Lowen 1999
3285:, preface.
3114:Wolff 2002
3102:Wolff 2002
2946:Wolff 2002
2910:Wolff 2002
2898:Wolff 2002
2886:Wolff 2002
2859:Wolff 2002
2847:Wolff 2002
2835:Wolff 2002
2823:Wolff 2002
2758:Wolff 1991
2706:References
2514:Peter Kooy
2439:Kai Wessel
2072:Orch. type
2051:, BWV 172
2039:Recordings
1729:melismatic
1680:Polyphonic
1654:homophonic
1502:3Tr Ti Fg
1212:3Tr Ti Fg
1154:, BWV 172
1095:(Vc), and
1083:(Vl), two
1079:(Oa), two
678:Sexagesima
635:Hofkapelle
624:, and the
566:Mühlhausen
531:Background
521:his masses
411:" (1599).
391:he used a
385:recitative
381:librettist
369:the series
268:3 trumpets
172:1724-05-28
154:1714-05-20
103:Bible text
59:J. S. Bach
7344:Pentecost
7277:3rd cycle
7272:2nd cycle
7267:1st cycle
7192:1140–1141
5680:Funeral:
5659:Wedding:
5510:and other
4708:(1723–24)
4477:BWV 172.6
4455:catalogue
4102:4 October
3693:Oron 2012
3382:Dürr 1971
3370:Dürr 1971
3271:Dürr 1951
3192:Dürr 1971
3180:Dürr 1971
3148:Bach 2012
3075:Dürr 1971
2973:Towe 2014
2961:Dürr 1971
2934:Dürr 1971
2811:Dürr 1971
2694:"BWV" is
2312:Theo Adam
2231:Eva Csapò
2182:Theo Adam
2062:Soloists
2027:. In the
1867:, BWV 140
1604:, marked
1552:, in 2007
1537:Movements
1487:ab initio
1101:obbligato
937:'s hymn "
853:, on the
847:Pentecost
770:, BWV 182
573:, BWV 131
517:oratorios
490:'s hymn "
416:movements
334:Pentecost
280:2 violins
264:(Weimar)
240:Movements
190:Published
143:Performed
84:Pentecost
7289: ;
7246: ;
7244:Cantatas
7223:spurious
7218:doubtful
5910:oratorio
5834:Cantatas
4962:cantatas
4433:28 April
4403:Allmusic
4226:website)
4212:(2006).
4192:(2012).
4146:25 March
4016:(1991).
3992:(2002).
3937:(2006).
3907:(1971).
3879:(1951).
3807:(1965).
2253:Hänssler
1860:, BWV 21
1602:concerto
1511:C major
1505:2Vl 2Va
1462:F major
1456:2Vl 2Va
1447:Chorale
1444:Nicolai
1366:A minor
1360:2Vl 2Va
1323:C major
1280:C major
1215:2Vl 2Va
1071:(Fl) or
1069:recorder
1061:trumpets
1055:(B)), a
1051:(T) and
1022:, BWV 74
1011:, BWV 59
907:Creation
879:libretto
806:, BWV 21
789:, BWV 12
691:, BWV 18
590:, BWV 71
472:Creation
466:, and a
420:trumpets
292:continuo
283:2 violas
274:recorder
80:Occasion
7237:Lists:
7212:Anh. 18
7207:Anh. 11
7137:248 III
5788:Koopman
5691:Other:
5652:(lost:
4960:chorale
4529:Leipzig
4451:in the
3795:8 April
2672:Period
2664: (
2604:Period
2596: (
2536:Period
2528: (
2471:Period
2463: (
2412:Period
2404: (
2324: (
2259: (
2194: (
2189:Eterna
2129: (
1906:BWV 651
1691:BWV 214
1629:da capo
1496:Chorus
1493:Franck
1417:F major
1399:Franck
1349:Franck
1315:3Tr Fg
1306:Franck
1276:A minor
1223:C major
1206:Chorus
1203:Franck
1177:Strings
1089:bassoon
1081:violins
1065:timpani
1041:soprano
998:D major
994:C major
931:chorale
903:Trinity
887:Pietism
810:Trinity
583:, BWV 4
543:Leipzig
480:soprano
464:Trinity
450:as the
436:violins
432:bassoon
424:timpani
389:chorale
344:Schloss
320:, is a
317:BWV 172
286:bassoon
271:timpani
220: (
200: (
179:Leipzig
170: (
152: (
113:Chorale
7304:Portal
7262:Weimar
7202:Anh. 9
7197:Anh. 5
7152:248 VI
7142:248 IV
7132:248 II
5846:number
5792:Teldec
4581:Weimar
4527:Before
4467:1 June
4361:1 June
4344:1 June
4230:8 June
4163:1 June
4077:, and
4049:
4028:
4002:
3978:
3953:
3919:
3893:
3865:
3844:
3791:. 1888
3749:. 1960
3729:. 1960
3707:Scores
2398:Teldec
2065:Label
2056:Title
1957:, 1599
1829:unison
1813:, 1658
1733:motifs
1707:Gloria
1563:stanza
1258:Bible
1123:. The
1091:(Fg),
1087:(Va),
1085:violas
1075:(Ft),
1067:(Ti),
1063:(Tr),
1015:, and
877:, the
774:, for
620:, the
442:, and
440:violas
438:, two
393:stanza
379:. The
330:Weimar
161:Weimar
126:(tune)
86:Sunday
7257:Early
7147:248 V
7127:248 I
6494:motet
5508:Later
5480:1727:
4958:(and
4537:Early
4382:(PDF)
4375:(PDF)
4312:(PDF)
4292:(PDF)
4285:(PDF)
4244:(PDF)
4140:(PDF)
4133:(PDF)
3824:Books
2682:Notes
2068:Year
1914:Missa
1904:, as
1711:Kyrie
1702:Missa
1499:SATB
1450:SATB
1402:Aria
1352:Aria
1309:Aria
1209:SATB
1186:Time
1180:Bass
1174:Winds
1171:Vocal
1165:Text
1162:Title
1104:organ
1093:cello
1049:tenor
1047:(A),
1043:(S),
1030:Music
712:Halle
664:arias
500:cello
468:tenor
395:from
289:cello
248:Vocal
7287:Late
7182:1127
7177:1083
7172:1045
7167:1040
7162:249b
7157:249a
7122:244a
7065:216a
7030:210a
7015:208a
7005:207a
6990:205a
6945:197a
6920:193a
6900:190a
6808:173a
6671:147a
6597:134a
6576:131a
6515:120b
6510:120a
5703:120b
5698:190a
5687:244a
5671:120a
5620:1083
5534:197a
4605:147a
4595:186a
4469:2011
4435:2014
4410:2013
4390:2013
4363:2011
4346:2011
4329:2022
4300:2013
4273:2011
4252:2013
4232:2019
4222:(at
4202:2022
4182:2014
4165:2011
4148:2014
4121:2012
4104:2013
4081:for
4047:ISBN
4026:ISBN
4000:ISBN
3976:ISBN
3951:ISBN
3917:ISBN
3891:ISBN
3863:ISBN
3842:ISBN
3797:2013
3775:2013
3755:2022
3735:2022
2666:2000
2662:2000
2598:1999
2594:1999
2530:1998
2526:1998
2465:1995
2461:1995
2406:1987
2402:1987
2326:1981
2322:1981
2261:1975
2257:1975
2196:1970
2192:1970
2131:1966
2127:1966
1862:and
1607:Coro
1405:S A
1183:Key
1168:Type
1159:No.
1125:keys
1053:bass
1045:alto
793:for
682:Lent
662:and
654:and
519:and
484:alto
476:duet
460:aria
448:bass
428:oboe
401:hymn
332:for
253:SATB
222:1960
218:1960
202:1888
198:1888
71:The
7220:);
7117:224
7112:223
7106:222
7099:221
7092:220
7085:219
7078:218
7071:217
7060:216
7055:215
7050:214
7045:213
7040:212
7035:211
7025:210
7020:209
7010:208
7000:207
6995:206
6985:205
6980:204
6975:203
6970:202
6965:201
6960:200
6955:199
6950:198
6940:197
6935:196
6930:195
6925:194
6915:193
6910:192
6905:191
6895:190
6889:189
6883:188
6878:187
6873:186
6868:185
6863:184
6858:183
6853:182
6848:181
6843:180
6838:179
6833:178
6828:177
6823:176
6818:175
6813:174
6803:173
6798:172
6793:171
6788:170
6783:169
6778:168
6773:167
6768:166
6763:165
6758:164
6753:163
6748:162
6743:161
6737:160
6731:159
6726:158
6721:157
6716:156
6711:155
6706:154
6701:153
6696:152
6691:151
6686:150
6681:149
6676:148
6666:147
6661:146
6656:145
6651:144
6646:143
6640:142
6633:141
6627:140
6622:139
6617:138
6612:137
6607:136
6602:135
6592:134
6587:133
6582:132
6570:131
6565:130
6560:129
6555:128
6550:127
6545:126
6540:125
6535:124
6530:123
6525:122
6520:121
6505:120
6500:119
6490:118
6485:117
6480:116
6475:115
6470:114
6465:113
6460:112
6455:111
6450:110
6445:109
6440:108
6435:107
6430:106
6425:105
6420:104
6415:103
6410:102
6405:101
6400:100
6300:80a
6240:69a
6220:66a
6063:36c
6058:36b
6053:36a
6038:34a
6013:30a
5844:BWV
5842:by
5836:by
5759:224
5754:223
5749:221
5744:220
5739:217
5734:189
5729:142
5713:158
5693:194
5682:157
5676:197
5666:195
5643:120
5633:193
5602:III
5590:248
5585:200
5580:191
5559:174
5554:145
5549:159
5544:156
5539:171
5529:188
5498:173
5450:169
5420:102
5410:187
5405:170
5385:146
5355:151
5332:164
5299:100
5294:192
5271:177
5266:140
5261:112
5251:129
5246:137
5233:176
5228:175
5213:183
5208:128
5198:108
5193:103
5165:127
5160:126
5155:125
5145:111
5135:124
5130:123
5120:122
5115:133
5110:121
5095:116
5085:139
5080:115
5070:180
5055:114
5050:130
5025:113
5020:101
5010:178
5005:107
4990:135
4944:184
4919:166
4914:104
4904:134
4884:181
4879:144
4859:154
4849:153
4844:190
4805:109
4795:148
4785:138
4770:69a
4765:179
4755:105
4750:136
4745:186
4740:147
4735:167
4690:163
4685:162
4680:161
4675:199
4670:185
4660:165
4655:172
4640:182
4635:80a
4620:155
4615:152
4600:132
4590:70a
4576:143
4571:150
4566:196
4561:106
4546:131
4516:by
2522:BIS
1809:by
1508:Bc
1459:Bc
1453:Fg
1411:Vc
1408:Oa
1363:Bc
1320:Bc
1271:Bc
1218:Bc
1146:).
996:to
710:in
399:'s
324:by
314:),
229:NBA
208:by
57:by
48:172
46:BWV
7330::
7250::
6395:99
6390:98
6385:97
6380:96
6375:95
6370:94
6365:93
6360:92
6355:91
6350:90
6345:89
6340:88
6335:87
6330:86
6325:85
6320:84
6315:83
6310:82
6305:81
6295:80
6290:79
6285:78
6280:77
6275:76
6270:75
6265:74
6260:73
6255:72
6250:71
6245:70
6235:69
6230:68
6225:67
6215:66
6210:65
6205:64
6200:63
6195:62
6190:61
6185:60
6180:59
6175:58
6170:57
6165:56
6160:55
6155:54
6149:53
6143:52
6138:51
6133:50
6128:49
6123:48
6118:47
6113:46
6108:45
6103:44
6098:43
6093:42
6088:41
6083:40
6078:39
6073:38
6068:37
6048:36
6043:35
6033:34
6028:33
6023:32
6018:31
6008:30
6003:29
5998:28
5993:27
5988:26
5983:25
5978:24
5973:23
5968:22
5963:21
5958:20
5953:19
5948:18
5943:17
5938:16
5932:15
5926:14
5921:13
5916:12
5906:11
5901:10
5724:53
5718:50
5708:51
5648:69
5638:29
5614:VI
5612:,
5608:,
5606:IV
5604:,
5600:,
5598:II
5596:,
5575:30
5522::
5493:34
5488:84
5475:52
5470:55
5465:98
5460:49
5455:56
5445:47
5440:27
5435:19
5430:17
5425:35
5415:45
5400:88
5395:39
5390:43
5380:72
5375:13
5370:32
5365:16
5360:28
5350:57
5337:79
5304:97
5281:14
5256:58
5223:68
5218:74
5203:87
5188:85
5183:42
5150:92
5125:41
5105:91
5100:62
5090:26
5075:38
5060:96
5040:99
5035:78
5030:33
5015:94
5000:93
4995:10
4939:59
4934:44
4929:37
4924:86
4909:67
4899:66
4894:23
4889:22
4874:83
4869:81
4864:73
4854:65
4839:64
4832::
4825:70
4820:90
4815:60
4810:89
4800:48
4790:95
4780:25
4775:77
4760:46
4730:24
4725:76
4665:21
4650:12
4645:31
4630:54
4625:18
4610:63
4583::
4551:71
4539::
4421:.
4401:.
4085:.
4020:.
3974:.
3970:.
3949:.
3945:.
3941:.
3933:;
3889:.
3840:.
3814:.
3787:.
3745:.
3725:.
3551:^
3452:^
3401:^
3350:^
3331:^
3290:^
3223:^
3172:^
3155:^
3140:^
3121:^
3082:^
3063:^
3034:^
3007:^
2980:^
2953:^
2878:^
2765:^
2728:^
2713:^
1941:.
1869:.
1713:.
1620:,
1355:T
1312:B
1264:B
1112:.
1026:.
699:.
684:)
650:,
646:,
642:,
628:.
556:,
430:,
426:,
422:,
354:.
346:.
226::
206::
176::
158::
7306::
7216:(
7101:)
7097:(
7094:)
7090:(
7073:)
7069:(
6891:)
6887:(
6642:)
6638:(
6578:)
6574:(
6496:)
6492:(
6151:)
6147:(
5912:)
5908:(
5896:9
5891:8
5886:7
5881:6
5876:5
5871:4
5866:3
5861:2
5856:1
5826:e
5819:t
5812:v
5790:/
5786:/
5656:)
5616:)
5610:V
5594:I
5592:(
5567::
5276:9
5170:1
5140:3
5065:5
5045:8
4985:7
4980:2
4964:)
4506:e
4499:t
4492:v
4471:.
4437:.
4412:.
4392:.
4365:.
4348:.
4331:.
4302:.
4275:.
4254:.
4234:.
4204:.
4184:.
4167:.
4150:.
4123:.
4106:.
4055:.
4034:.
4008:.
3984:.
3959:.
3925:.
3899:.
3871:.
3850:.
3818:.
3799:.
3777:.
3757:.
3737:.
3695:.
3683:.
3671:.
3647:.
3635:.
3587:.
3522:.
3474:.
3423:.
3273:.
3150:.
3135:.
3058:.
2990:.
2975:.
2777:.
2668:)
2600:)
2532:)
2467:)
2408:)
2376:)
2328:)
2263:)
2198:)
2133:)
1945:6
1845:5
1798:4
1753:3
1717:2
1641:8
1594:"
1579:1
1521:8
1481:"
1477:7
1433:6
1388:5
1376:4
1338:4
1295:3
1278:–
1247:2
1235:8
1192:1
1139:4
869:(
857:(
403:"
308:(
243:6
224:)
204:)
174:)
156:)
20:)
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