274:. Rossi heads into London where he tracks down Bailey, a barman, and asks him about Michael Grand. The barman passes him a note with an address which leads him to a woman, who says she does not know Grand. She agrees to change Rossi's US currency and buy him a coat while he waits in her flat. For money, she gives him another address: Kingston House, a swanky block of flats on Kingston Road. He takes a taxi there and meets Joan Miller who acknowledges it is Grand's flat, satying she is his secretary and he is not there. She claims that Grand is not going to return, but calls Grand who agrees to meet. Rossi wants to stay put in Grand's flat but Joan pulls a gun on him and together they drive to an old terraced house where Wilkes starts quizzing Rossi. Rossi says that Grand offered him a job, working on aircraft design. Joan is asked to accommodate Rossi in her own flat.
464:
said "The picture takes the longest route to its spectacular ending, but budding romance helps to colour the padding. Towards the end there is a sensational sequence in which two charred bodies are discovered in a burnt-out car and this sets the mood for the big scrap climax, and rovides additional
300:
Grand is finally revealed when Max, another taxi driver, informs him of what he has seen both at the burning car and near the mortuary. Rossi dons a naval uniform and tails Grand on foot through empty streets in the city, leaving a chalk trail of markers for Joan to follow. Grand goes to the
484:
gave the film 2/5 stars, writing: "George Raft gives a fair impression of a man who has had his arms welded to his sides in this dismissable quickie thriller. One of the handful of films Raft made in Europe after his
Hollywood fortunes dipped, it's a lightweight affair."
289:. Grand has recently arranged the kidnap of an American. With MI5's assistance, Rossi monitors Grand and arranges a meeting with him. Growing increasingly suspicious of Rossi, Grand and his organisation make several attempts to kill him.
508:
wrote: "The film made outstanding use of London locations from the West End to docklands, but the suspense was not augmented by the emotional monotone of Raft's performance, which was as wooden as his floating namesake."
296:
Police
Station. It is explained that Rossi wanted to get into the papers so that Grand would be aware of his presence. Rossi cannot identify the body in the mortuary as Grand as he is unsure of his appearance.
277:
Meanwhile the police post Rossi's picture in all the newspapers and quiz various underworld figures to try to locate him. The taxi driver recognises the picture. Joan Miller is revealed to be an
456:
said "This is a poor imitation of an
American type second-feature thriller, lacking originality, punch and even credibility, and ending with a near-ludicrous chase through deserted dockland."
292:
Rossi and Joan follow Grand's assistant Irma
Brookes, in an attempt to find him. Brookes and a body with some of Grand's ID is found in a burned-out car. Rossi is caught and taken to
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compensation for rambling reliminaries. A lively finisher, and topical at that, the thriller unquestionably has popular appeal."
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agent posing as a nuclear scientist in an attempt to infiltrate a gang kidnapping western scientists and taking them across the
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313:. They end up fighting on an external freight lift heading back to the ground. Rossi wins and the police arrive.
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443:, which distributed the film in the United States. It was made on a larger budget than most Lippert releases.
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439:. It was one of several films made by British companies in connection with the low-budget American outfit
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said the film was "so mysterious" the filmmakers "almost succeeded in keeping the story to themselves."
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was reported to have been cast opposite Raft, but the role was eventually played by the
English star
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309:. Grand pulls a gun and a scuffle begins. Grand escapes to a rooftop of a grain elevator close to
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where the low tide allows him to walk along the edge. They end up at the Old Swan Pier near
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An
American, Steve Rossi, enters Britain by slipping past immigration at
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rated the film as "mediocre", calling it: "Slow and hardly credible."
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G, K. (18 April 1953). "Film bill presented in varied dimensions".
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said: "A moderate co-feature, as unremarkable as its plot."
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674:(2372): 23. 11 December 1952 – via ProQuest.
763:British Sound Films: The Studio Years 1928–1959
496:British Sound Films: The Studio Years 1928–1959
248:(not to be confused with an earlier Raft film,
740:(7th ed.). London: Paladin. p. 320.
840:
8:
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529:Chibnall, Steve; McFarlane, Brian (2009).
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29:
20:
569:British Film Institute Collections Search
518:
281:agent. Rossi reveals himself to be an
16:1952 British film by Seymour Friedman
7:
1085:Films directed by Peter Graham Scott
650:(228): 8. 1953 – via ProQuest.
358:June Ashley as beauty shop attendant
242:The film was released in the USA as
1120:English-language spy thriller films
1090:Films directed by Seymour Friedman
212:is a 1952 British black-and-white
14:
1095:Films shot at Nettlefold Studios
885:Boston Blackie's Chinese Venture
957:Counterspy Meets Scotland Yard
254:(1951)) though hardly likely.
35:U.S. theatrical release poster
1:
1075:British black-and-white films
423:around London, mostly in the
385:Howard Douglas as taxi driver
1110:1950s English-language films
1037:Secret of Treasure Mountain
589:"THRILLER ON TWO SCREENS".
1141:
1070:British spy thriller films
736:Halliwell, Leslie (1989).
709:Radio Times Guide to Films
504:Chibnall and McFarlane in
869:Trapped by Boston Blackie
863:
711:(18th ed.). London:
28:
1125:Films scored by Hans May
1065:1950s spy thriller films
893:The Crime Doctor's Diary
394:Anthony Pendrell as Rees
266:, leading to a national
761:Quinlan, David (1984).
713:Immediate Media Company
364:as Security Chief Brice
738:Halliwell's Film Guide
406:as Immigration Officer
981:The Son of Dr. Jekyll
925:Chinatown at Midnight
715:. 2017. p. 293.
643:Monthly Film Bulletin
453:Monthly Film Bulletin
415:The film was made at
270:by the police led by
251:I'll Get You for This
1105:Films shot in London
901:The Devil's Henchman
613:"Film: Escape Route"
532:The British 'B' Film
506:The British 'B' Film
1115:1950s British films
1100:Films set in London
431:. American actress
1080:Cold War spy films
1013:The Saint's Return
877:Rusty Saves a Life
855:Films directed by
767:B.T. Batsford Ltd.
447:Critical reception
400:as Inspector Hobbs
225:Peter Graham Scott
165:December 1952
49:Peter Graham Scott
1047:
1046:
1005:Flame of Calcutta
965:Her First Romance
687:Los Angeles Times
593:. 17 April 1953.
591:Los Angeles Times
550:978-1-8445-7319-6
471:Los Angeles Times
380:Cyril Chamberlain
349:as Colonel Wilkes
343:as Inspector Reid
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917:Rusty's Birthday
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441:Lippert Pictures
429:Second World War
389:Arthur Lovegrove
337:as Michael Grand
264:Heathrow Airport
221:Seymour Friedman
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150:Lippert Pictures
45:Seymour Friedman
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788:External links
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662:"Escape Route"
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638:"Escape Route"
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374:Grace Arnold
368:Roddy Hughes
362:John Warwick
311:The Monument
303:River Thames
299:
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287:Iron Curtain
276:
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249:
245:I'll Get You
244:
243:
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209:Escape Route
208:
207:
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181:Running time
158:Release date
135:Banner Films
58:John Baines
24:Escape Route
18:
811:ReelStreets
667:Kine Weekly
574:20 November
480:Radio Times
461:Kine Weekly
433:Coleen Gray
421:on location
391:as Phillips
323:George Raft
294:Hammersmith
229:George Raft
112:Tom Simpson
81:George Raft
67:Produced by
41:Directed by
1060:1952 films
1054:Categories
989:Loan Shark
765:. London:
747:0586088946
541:Bloomsbury
535:. London:
513:References
437:Sally Gray
411:Production
404:Harry Towb
329:Sally Gray
233:Sally Gray
185:77 minutes
145:Eros Films
128:Production
103:Eric Cross
85:Sally Gray
55:Written by
695:166428315
599:166473524
382:as Bailey
370:as porter
109:Edited by
933:Bodyhold
691:ProQuest
595:ProQuest
198:Language
121:Hans May
117:Music by
77:Starring
820:Variety
268:manhunt
201:English
190:Country
169:1952-12
167: (
130:company
1040:(1956)
1032:(1955)
1024:(1954)
1016:(1953)
1008:(1953)
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992:(1952)
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880:(1949)
872:(1949)
816:Review
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622:13 May
597:
547:
152:(USA)
147:(UK)
800:IMDb
771:ISBN
742:ISBN
717:ISBN
624:2017
576:2023
545:ISBN
478:The
468:The
419:and
317:Cast
258:Plot
235:and
223:and
818:at
809:at
798:at
672:429
537:BFI
494:In
283:FBI
279:MI5
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689:.
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648:20
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171:)
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