89:, followed her to the United States a few years later and began working for her Los Angeles dealer. In Los Angeles she began to develop a reputation for her detailed and lifelike portraits of Mexican-American sitters. While she had been influenced early in her life by Diego Rivera and she credited him with helping start her career, she chose a much more detailed, even academic style that River's for her mature work. In Los Angeles Martinez painted the authentic farm people of rural Mexico, dignified paintings of elderly male and female farmers and she did many paintings of Mexican children. Martinez worked mainly in pastel on toned paper and also in oils. Some of her work was done on black velvet, a technique that while associated with inexpensive tourist paintings, actually has a long tradition in the former Spanish Colonies of Mexico and the
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in 1934. She was a precocious talent who began drawing at the age of three at her grandfather's urging. She began painting under the supervision of an art teacher at seven and then, as she matured, she began to study more formally and sold her first painting at the age of twelve. In later
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Esperanza
Martinez was married to Jose Domingo "Pepe" De Guadalupe Martinez. She had a single child, a boy named Ollin. She had a long battle with
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was popular with locals as well as tourists and was written up in Los
Angeles publications, the last time at its time of closing, in the
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All this information is referenced in the Los
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subjects, sometimes contemporary, living
Indians from the Southwest, but also portraits of well known historical figures such as
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interviews she stated that she received little encouragement from her family as they felt that female artists like
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According to the prints found online, the edition was signed and numbered and limited to 250 copies of each print.
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The Los
Angeles Times obituary lists these three collectors, but gallery brochures from the era list many more.
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Martinez and her family emigrated to the United States in 1963. Her brother
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were less than virtuous women. Martinez credited Frida Kahlo's husband,
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This comment came in an interview a few years before her untimely death.
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For the
Paraguayan Minister of Public Health and Social Welfare, see
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In 1973, a suite of limited edition prints was published titled
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and often spoke to young people's groups before her death.
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These were copyrighted by
Esoteric Poster Company in 1973.
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Esperanza
Martinez was born as Esperanza Perez was in
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Museum of Latin-American Art, Long Beach, California
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345:Yesterday and Tomorrow: California Women Artists,
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