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show called
Aquacade, featuring Eleanor Holm, a 1932 Olympic gold medalist as the star. Later on, Fanny encounters Bobby Moore and Norma Butler in Los Angeles and sees Nicky on the field of a polo game in Beverly Hills and feels that her friends tricked her. She tries to call Billy about Nicky to get her to join him but Billy cannot leave his Aquacade show. Fanny is seen by Nicky at her hotel that seems them reminisce about old times before remembering that Nicky hasn't asked about their daughter Frances (born six years ago). Fanny leaves the hotel and rides to the airport to Cleveland only to find Billy in bed with Eleanor. She taxis herself to the train station while Billy arrives to apologize. She states that her love for Nicky was gone for good while blaming herself for Billy's infidelity. She then asks him to leave her alone to wait for her train. Years pass among the two in the 1940s, with Fanny living in Los Angeles as the star of a radio program in The Baby Snooks Show while Billy serving as a writer for popular songs and plays. They meet each other again and he plays “Me And My Shadow", a song he tells Fanny he wrote about her marriage as one like a parade with no time for intimacy. He tells her about his recent purchase of the Ziegfield Theater in New York City and an idea for her to star in his new show, for which Fanny says she will think over as the two kiss and part once again.
385:
Florenz
Ziegfeld around to make a new musical show. A meeting with Barney Baruch, her financial advisor leads her to his former secretary Billy Rose. Later on, when Fanny and Bobby go into nightclubs looking for material to "borrow", they encounter a torch song in “More Than You Know” that was actually written by Rose. Although irritated by his pushy nature in trying to offer to sell the song to her, she soon records the song at a studio before being shocked to read in the newspaper that she will star in a show by Rose called Crazy Quilt.
278:
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and more. She thinks about leaving the production but stays when hearing that Billy borrowed money from mobsters that would kill him if he can't make the money back. The two work together on scaling the show down, which even see them exchange a scene of face powder dumped on both of them. The improved show opens in New York to applause and great reviews before Fanny sees Nicky backstage with a new ring on his finger from a rich woman (as told to her by Bobby). Billy, ready to travel to
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false energy. Streisand is out to knock you cold, and you get cold, all right." Kael also criticized the plot as "right out of those terrible forties movies in which couples who break up spend a lifetime thinking about each other, with encounters every five or ten years. And we get a double load of it here, with two graying ex-husbands."
695:... What I find most impressive and likable about the performance is the softened, bittersweet maturity that Streisand lets us see in Fanny Brice. You sense that Streisand understands the star as well as she understood the impetuous young hopeful. An extraordinary presentation is the power and delight of both movies." Gary Arnold of
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The show ends up getting $ 50,000 from Buck Bolton when Rose promises to cast Bolton's mistress Norma Butler as one of the stars. Despite having a big number for Fanny in “I Found A Million Dollar Baby In A Five And Ten Cents Store”, opening night proves to be a disaster in terms of collapsing sets
384:
Fanny Brice, now on the heels of finishing her
Broadway show after its success has come and gone in the midst of the Great Depression, finds only flowers and a divorce decree from her estranged husband Nicky Arnstein. Fanny and her confidant Bobby Moore are now out of work, made worse by not having
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The wedding party finds Billy treated roughly by Fanny's society friends before the honeymoon in Texas turns to bickering between the newlyweds. The next few years sees the two have careers so busy that they only talk to each other when they telephone their publicist at the same time. Billy does a
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wrote, "Streisand is in beautiful voice, and her singing is terrific—too terrific. It's no longer singing, it's something else—that strident overdramatization that turns a song into a big number. The audience's attention is directed away from the music and onto the star's feat in charging it with
488:(Fanny Brice's one-time son-in-law), Streisand balked at doing the project. She told Stark "that it would take litigation to make her do a sequel." However, Streisand liked the script, which showed Fanny to be "...tougher, more acerbic, more mature...", and she agreed.
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awarded two and a half stars out of four and wrote, "It takes few chances and delivers mostly what you'd expect ... What was missing, for me at least, was a sense of surprise, of unpredictability—the sort of wit or pacing that separates a memorable musical like
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opened
Wednesday, March 12, 1975 and grossed $ 2,254,3851 in its first five days from 111 theatres to be number one at the US box office. It went on to gross $ 40,055,897 at the U.S. and Canadian box office, making it the
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376:. The film was nominated for numerous awards including Golden Globe nominations for Streisand as Best Actress and Best Actor for Caan. Streisand revisited the soundtrack to the film in her 2016 concert.
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Studio executives forced Ross to trim the film to a manageable 136 minutes before release. Much of Vereen's performance ended up on the cutting room floor, together with a recreation of Brice's
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she's even better ... However much of a letdown the plot becomes, there's no denying the superior integration of drama, comedy, show music and personal dramatic music en route."
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is superb entertainment, but the minute she stops the movie turns into a concrete soufflé. It's heavy and tasteless ... Moments meant to be dramatic are embarrassingly bad."
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for a new show, offers to marry Fanny beforehand, which she accepts only to find that Billy was bluffing about borrowing money from the mob to keep her close.
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called it a "lavish but uninspired" film that "seems to be celebrating stardom for stardom's sake. It's a joyless, mechanical Big Movie
Musical."
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gave the film one star out of four and called it "a big, messy flop of a movie that's almost cruel in the way it invites our memories of
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was chosen. Streisand explained: "It comes down to whom the audience wants me to kiss. Robert Blake, no. James Caan, yes."
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for Best
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nominations, as did Kander and Ebb and the film itself, but it was shut out of any wins in both competitions.
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as based on a story by
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out of retirement to complete the film. It proved to be his final project, and it earned him an
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at number 6 and was certified gold. A majority of the songs were written by Kander and Ebb.
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Caan thought there were "too many cooks messing around", although he liked his performance.
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Arnold, Gary (March 12, 1975). "The Second Time Around, a Not-So-Funny 'Lady'".
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This article is about the film. For the
British drama television series, see
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Canby, Vincent (March 12, 1975). "Streisand as Fanny Brice (Continued)".
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Siskel, Gene (Nov 27, 1977). "James Caan's career hitting tough times".
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Best Scoring: Original Song Score and Adaptation or Scoring: Adaptation
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wrote, "Barbra Streisand was outstanding as the younger Fanny Brice in
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The film received mixed to negative reviews from critics. On the
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for Best Costume Design, Kander and Ebb for Best Original Song ("
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590:. It was one of Caan's most successful films at the box office.
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Stark, unhappy with the scenes shot by original cinematographer
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Although contractually bound to make one more film for producer
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Murphy, Arthur D. (March 5, 1975). "Film Reviews: Funny Lady".
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radio show and dramatic scenes involving her and her daughter.
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Barbra Archives Page on Funny Lady film, including cut scenes
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Champlin, Charles (March 14, 1975). "A Funny Girl Grows Up".
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Diana Ross & the Supremes Sing and Perform "Funny Girl"
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Siskel, Gene (March 13, 1975). "Streisand's 'Funny Lady'".
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Kael, Pauline (March 17, 1975). "The Current Cinema".
352:), serves as the director. The screenplay, written by
1316:"The 48th Academy Awards (1976) Nominees and Winners"
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Internet Movie Database listing, "Funny Lady" awards
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Best Actress in a Motion Picture – Musical or Comedy
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549:In addition to Howe, Oscar nominations went to
364:and her marriage to songwriter and impresario
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1519:Barbra Archives: "Funny Lady" Soundtrack page
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919:Best Acting Debut in a Motion Picture – Male
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1109:"How Lucky Can You Get? (advertisement)".
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23:1975 musical film directed by Herbert Ross
500:. Other actors were mentioned, including
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588:seventh highest grossing picture of 1975
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849:Best Motion Picture – Musical or Comedy
344:, who helmed the musical sequences for
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496:The first to read for Billy Rose was
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1999:Musical films based on actual events
1143:Vagg, Stephen (September 27, 2022).
1019:"Funny Lady, Box Office Information"
891:Best Original Score – Motion Picture
910:Music and Lyrics by Kander and Ebb
904:Best Original Song – Motion Picture
14:
1115:. March 19, 1975. pp. 26–27.
727:
1099:imdb.com, accessed March 3, 2009
1326:from the original on 2014-11-09
1212:Ebert, Roger (March 13, 1975).
1078:Nickens and Swenson, pp.124-125
1069:tcm.com, accessed March 4, 2009
470:as the voice of Radio Announcer
1974:Films directed by Herbert Ross
1430:The Barbra Streisand Scrapbook
962:List of American films of 1975
1:
1416:The Films of Barbra Streisand
945:The soundtrack peaked on the
1964:1970s English-language films
1457:AFI Catalog of Feature Films
1428:Waldman, Allison J. (2001).
1345:"Funny Lady – Golden Globes"
1132:. March 26, 1975. p. 9.
988:AFI Catalog of Feature Films
348:(which had been directed by
1979:Films produced by Ray Stark
1969:Films about musical theatre
1949:American biographical films
1778:The Seven-Per-Cent Solution
1145:"The Stardom of James Caan"
1087:Nickens and Swenson, p. 129
368:. The primary score was by
2020:
1984:Films set in New York City
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649:from the merely tuneful."
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1826:I Ought to Be in Pictures
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1126:"50 Top-Grossing Films".
895:John Kander and Fred Ebb
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632:and doesn't match them."
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1858:The Secret of My Success
1730:The Owl and the Pussycat
1041:Funny Girl to Funny Lady
908:"How Lucky Can You Get"
283:Funny Girl to Funny Lady
219:March 12, 1975
1959:Columbia Pictures films
1643:Don't Rain on My Parade
1636:You Are Woman, I Am Man
941:Funny Lady (soundtrack)
1994:Films set in the 1940s
1989:Films set in the 1930s
1944:American musical films
708:Awards and nominations
290:
1954:American sequel films
1622:I'm the Greatest Star
797:How Lucky Can You Get
559:How Lucky Can You Get
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2004:1970s American films
801:Music and Lyrics by
665:Arthur D. Murphy of
281:Publicity photo for
1939:1970s musical films
1818:Pennies from Heaven
1586:2022 cast recording
1581:1964 cast recording
1401:barbra-archives.com
1382:barbra-archives.com
1287:The Washington Post
844:Golden Globe Awards
757:Best Costume Design
740:Best Cinematography
698:The Washington Post
298:is a 1975 American
1754:The Last of Sheila
1746:Play It Again, Sam
1722:Goodbye, Mr. Chips
1708:Films directed by
1524:2016-03-04 at the
1512:2008-12-05 at the
1491:TCM Movie Database
1397:2016-03-04 at the
1378:2016-03-04 at the
1245:. Section 3, p. 6.
1199:The New York Times
1067:Funny Lady history
1054:Waldman, p.120-121
791:Best Original Song
615:The New York Times
594:Critical reception
567:Golden Globe Award
524:, lured an ailing
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1834:Max Dugan Returns
1786:The Turning Point
1770:The Sunshine Boys
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1432:, Citadel Press,
1418:, Citadel Press,
1272:Los Angeles Times
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688:Los Angeles Times
600:review aggregator
508:, but ultimately
391:Fort Worth, Texas
354:Jay Presson Allen
318:. The film stars
312:to the 1968 film
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63:Jay Presson Allen
40:Theatrical poster
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1898:Undercover Blues
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1275:. Part IV, p. 1.
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1740:
1739:
1735:
1732:
1731:
1727:
1724:
1723:
1719:
1718:
1715:
1711:
1703:
1698:
1696:
1691:
1689:
1684:
1683:
1680:
1668:
1667:
1663:
1661:
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1655:
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1503:
1499:
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1472:
1470:
1466:
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1461:
1458:
1455:
1453:
1452:
1448:
1447:
1443:
1439:
1438:0-8065-2218-6
1435:
1431:
1427:
1425:
1424:0-8065-1954-1
1421:
1417:
1413:
1412:
1408:
1400:
1396:
1393:
1388:
1385:
1381:
1377:
1374:
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1352:
1351:
1346:
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1337:
1325:
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1317:
1311:
1308:
1304:. p. e6.
1303:
1296:
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1288:
1281:
1278:
1274:
1273:
1266:
1263:
1259:
1258:
1251:
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1244:
1243:
1236:
1233:
1221:
1220:
1215:
1208:
1205:
1201:
1200:
1193:
1190:
1178:
1174:
1173:
1168:
1166:
1158:
1155:
1150:
1146:
1139:
1136:
1131:
1130:
1122:
1119:
1114:
1113:
1105:
1102:
1098:
1093:
1090:
1084:
1081:
1075:
1072:
1068:
1063:
1061:
1057:
1051:
1048:
1044:
1042:
1036:
1033:
1021:. The Numbers
1020:
1014:
1011:
1007:
1006:
999:
997:
993:
989:
986:
984:
983:
977:
974:
967:
963:
960:
959:
955:
953:
951:
949:
942:
934:
927:
925:
922:
920:
917:
916:
912:
907:
905:
902:
901:
897:
894:
892:
889:
888:
884:
882:
879:
877:
874:
873:
869:
867:
864:
862:
859:
858:
852:
850:
845:
841:
837:
835:
831:
827:
823:
820:
818:
815:
814:
810:
808:
804:
798:
794:
792:
789:
788:
784:
782:
779:
777:
774:
773:
769:
767:
763:
760:
758:
755:
754:
748:
746:
743:
741:
738:
736:
732:
726:
723:
720:
717:
714:
713:
707:
705:
702:
700:
699:
694:
690:
689:
684:
680:
678:
674:
670:
669:
663:
660:
659:
654:
650:
648:
647:
641:
640:
635:
631:
627:
623:
621:
617:
616:
611:
610:Vincent Canby
607:
605:
601:
593:
591:
589:
584:
577:
572:
570:
568:
564:
560:
556:
552:
547:
545:
544:
535:
533:
531:
530:Academy Award
527:
523:
515:
513:
511:
507:
503:
499:
491:
489:
487:
479:
474:
469:
466:
465:
461:
457:
453:
450:
447:
444:
441:
438:
435:
432:
430:
429:Nick Arnstein
426:
423:
421:
417:
414:
412:
408:
405:
404:
400:
398:
394:
392:
386:
379:
377:
375:
371:
367:
363:
359:
355:
351:
350:William Wyler
347:
343:
339:
337:
333:
329:
325:
321:
317:
316:
311:
308:film and the
307:
304:
301:
297:
296:
288:
284:
279:
270:
266:
263:$ 8.5 million
262:
258:
254:
250:
247:United States
246:
242:
238:
232:
218:
217:
215:
209:
206:
203:
199:
195:
191:
183:
177:
174:
172:
169:
167:
164:
163:
161:
157:
151:
148:
146:
143:
142:
140:
136:
133:
130:
126:
120:
117:
115:
112:
110:
107:
105:
102:
100:
97:
95:
92:
91:
89:
85:
82:
79:
75:
69:
66:
64:
61:
60:
58:
54:
51:
48:
44:
37:
32:
27:
19:
1904:
1896:
1888:
1880:
1872:
1864:
1856:
1848:
1840:
1832:
1824:
1816:
1808:
1800:
1792:
1784:
1776:
1768:
1761:
1760:
1752:
1744:
1736:
1728:
1720:
1710:Herbert Ross
1664:
1602:
1561:
1496:
1485:
1474:
1463:
1450:
1429:
1415:
1409:Bibliography
1387:
1371:
1366:
1354:. Retrieved
1348:
1339:
1328:. Retrieved
1319:
1310:
1301:
1295:
1285:
1280:
1270:
1265:
1255:
1250:
1240:
1235:
1223:. Retrieved
1217:
1214:"Funny Lady"
1207:
1197:
1192:
1180:. Retrieved
1170:
1164:
1157:
1148:
1138:
1127:
1121:
1110:
1104:
1092:
1083:
1074:
1050:
1040:
1035:
1023:. Retrieved
1013:
1003:
981:
976:
947:
944:
834:Jack Solomon
703:
696:
692:
686:
681:
676:
672:
666:
664:
656:
653:Pauline Kael
651:
644:
637:
629:
624:
619:
613:
608:
597:
582:
581:
548:
541:
539:
532:nomination.
519:
498:Robert Blake
495:
483:
446:Carole Wells
395:
387:
383:
345:
342:Herbert Ross
340:
313:
306:comedy-drama
300:biographical
294:
293:
292:
282:
235:Running time
212:Release date
114:Carole Wells
50:Herbert Ross
1890:True Colors
1738:T.R. Baskin
1660:Fanny Brice
1569:Adaptations
1260:. 112, 114.
1025:January 22,
950:Album Chart
803:John Kander
762:Ray Aghayan
721:Nominee(s)
634:Gene Siskel
626:Roger Ebert
551:Ray Aghayan
543:Baby Snooks
480:Development
452:Larry Gates
425:Omar Sharif
411:Fanny Brice
370:John Kander
362:Fanny Brice
328:Omar Sharif
287:Dick Cavett
239:136 minutes
166:John Kander
119:Omar Sharif
77:Produced by
46:Directed by
18:Funny Woman
1929:1975 films
1923:Categories
1762:Funny Lady
1598:soundtrack
1562:Funny Girl
1497:Funny Lady
1486:Funny Lady
1475:Funny Lady
1464:Funny Lady
1451:Funny Lady
1330:2011-10-02
1320:oscars.org
1182:October 8,
1165:Funny Lady
982:Funny Lady
968:References
935:Soundtrack
928:Nominated
924:Ben Vereen
913:Nominated
898:Nominated
885:Nominated
870:Nominated
866:James Caan
853:Nominated
838:Nominated
817:Best Sound
811:Nominated
785:Nominated
781:Peter Matz
770:Nominated
766:Bob Mackie
749:Nominated
693:Funny Girl
677:Funny Lady
673:Funny Girl
630:Funny Girl
620:Funny Lady
583:Funny Lady
578:Box office
563:Peter Matz
555:Bob Mackie
510:James Caan
475:Production
468:Jack Angel
462:Uncredited
440:Ben Vereen
420:Billy Rose
416:James Caan
366:Billy Rose
346:Funny Girl
336:Ben Vereen
324:James Caan
315:Funny Girl
295:Funny Lady
268:Box office
223:1975-03-12
186:Production
176:Peter Matz
109:Ben Vereen
99:James Caan
56:Written by
29:Funny Lady
1842:Footloose
1372:Billboard
1225:April 22,
948:Billboard
718:Category
675:, and in
502:Al Pacino
486:Ray Stark
138:Edited by
81:Ray Stark
1850:Protocol
1810:Nijinsky
1522:Archived
1510:Archived
1469:AllMovie
1395:Archived
1392:"Tracks"
1376:Archived
1324:Archived
956:See also
807:Fred Ebb
602:website
374:Fred Ebb
252:Language
171:Fred Ebb
159:Music by
87:Starring
1866:Dancers
1653:Related
1576:Musical
1489:at the
1454:at the
1356:July 5,
1149:Filmink
1129:Variety
1112:Variety
1045:at IMDb
1005:Variety
985:at the
724:Result
685:of the
668:Variety
646:Cabaret
636:of the
573:Release
516:Filming
492:Casting
303:musical
255:English
244:Country
221: (
188:company
1909:(1995)
1901:(1993)
1893:(1991)
1885:(1990)
1877:(1989)
1869:(1987)
1861:(1987)
1853:(1984)
1845:(1984)
1837:(1983)
1829:(1982)
1821:(1981)
1813:(1980)
1805:(1978)
1797:(1977)
1789:(1977)
1781:(1976)
1773:(1975)
1765:(1975)
1757:(1973)
1749:(1972)
1741:(1971)
1733:(1970)
1725:(1969)
1629:People
1603:sequel
1436:
1422:
1043:(1975)
715:Award
310:sequel
260:Budget
194:Rastar
1614:Songs
1290:. B1.
1202:. 30.
1008:. 20.
1593:Film
1480:IMDb
1434:ISBN
1420:ISBN
1358:2021
1350:HFPA
1227:2019
1184:2023
1027:2012
832:and
805:and
764:and
728:Ref.
561:"),
553:and
504:and
401:Cast
380:Plot
372:and
356:and
334:and
1500:at
1478:at
1467:at
655:of
612:of
454:as
427:as
418:as
409:as
1925::
1347:.
1322:.
1318:.
1216:.
1175:.
1169:.
1147:.
1059:^
995:^
828:,
824:,
799:"
338:.
330:,
326:,
322:,
1701:e
1694:t
1687:v
1645:"
1641:"
1638:"
1634:"
1631:"
1627:"
1624:"
1620:"
1554:e
1547:t
1540:v
1360:.
1333:.
1229:.
1186:.
1167:"
1163:"
1151:.
1029:.
795:"
225:)
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
