215:
felicity, and do not have a strong narrative through-line except occasionally over a couple of sonnets (e.g. 17–18). In that the sequence starts by seeming to provide 'the key' to the author's 'vague visions' (Sonnet 3) of other realities behind the everyday, it might be argued that the poems that follow, though disparate in themselves, detail a succession of such visions that a reading of the book releases. With one or two exceptions, the concluding poems from "Expectancy" (28) onward seek to explain the circumstances of the narrator's sense of alienation within the present. Rather than visions themselves, these poems serve as a commentary on their source.
173:(475 numbered copies). This may have been the first time that the sequence was published in its corrected text. The same press went on to reissue it with new cover artwork by Jason Eckhardt in limited editions from 1982 onwards and other illustrated editions from different presses were to follow. In 2017 came a limited annotated edition of the sequence with illustrations by Jason Eckhardt for each poem (Hippocampus Press, New York). Lovecraft is known chiefly as a writer of genre fiction, several themes from which are reflected in his
238:. In the sonnet, the fungi sprout in a location called Yuggoth, not on an alien planet; and in its following line Nithon is described as a world with richly flowering continents rather than, as in the story, Yuggoth's occulted moon. This is a good instance of how Lovecraft gave himself license to be self-contradictory and vary his matter according to the artistic need of the moment, of which the diversity of conflicting situations within the whole sequence of sonnets is itself an example. Or, as he himself puts it in "Star Winds",
43:
2185:
177:. But the restrained style of the verse there so distinguishes it from the prose work that, in the view of some commentators, it "deserves to be more widely known and appreciated" for its own poetic merits. The work later appealed to musicians and there have been several settings of poems from it in a variety of genres.
188:
represents a marked departure from the mannered poems
Lovecraft had been writing up to this point. Sending a copy of "Recapture" (which just predates the sequence but was later incorporated into it) the poet remarks that it is “illustrative of my efforts to practice what I preach regarding direct and
214:
The first three poems in the sequence concern a person who obtains an ancient book of esoteric knowledge that seems to allow one to travel to parallel realities or strange parts of the universe. Later poems deal more with an atmosphere of cosmic horror, or create a mood of being shut out from former
200:
Varying opinions have been expressed in the critical literature on
Lovecraft as to whether the poems form a continuous cycle which tells a story, or whether each individual sonnet is discrete. (See essays in Bibliography below by Boerem, Ellis, Schultz, Vaughan and Waugh). Phillip A. Ellis, in his
223:
manner; to intimations of an Elder Race on earth; and to nightmare beings from Beyond. That these themes often cross-fertilize each other is suggested by "Star Winds" (14), which taken purely by itself is an exercise in
Dunsanian dream-lore. However, beginning in the month after finishing his
205:
as a
Unified Setting", discusses this problem and suggests a solution. S. T. Joshi considers that apart from the first three sonnets, "the remaining poems, which HPL considered suitable for publication independent of the introductory poems, are discontinuous vignettes concerning a variety of
102:
218:
The sonnets see-saw between various themes in much the same way as do
Lovecraft's short stories. There are references to the author's night terrors in "Recognition" (4), a potent source for his later fiction and carrying forward into dream poems related to his
362:
Harold S. Farnese (1885-1945) set two sonnets to music, “Mirage” and “The Elder Pharos”, and performed them in 1932. Sheet music was printed after
Lovecraft's death. Performances were finally recorded for the Fedogan & Bremer reissue in 2015 (see
165:
The sequence has been printed in several different versions as standalone chapbooks. In June 1943, Bill Evans (Washington DC) issued a separate appearance which lacked the final three sonnets. In 1977
189:
unaffected diction”. He also describes it as “a sort of irregular semi-sonnet, based on an actual dream”. The sonnets that followed were hybrid in form insofar as they are partly based on the
1349:
369:. A reading by John Arthur with a score for synthesizer by Mike Olsen, released as a cassette in 1987 (Fedogan & Bremer, Minneapolis MN) and later on CD (2001, 2015).
2119:
1992:
582:
Quoted in S. T. Joshi’s introduction to An
Epicure in the Terrible: A Centennial Anthology of Essays in Honor of H.P. Lovecraft, Fairleigh Dickinson Univ Press, 1991,
2104:
551:
Jim Moon, “The internal continuity of
Lovecraft’s Fungi from Yuggoth”, in H.P. Lovecraft: Selected Works, Critical Perspectives and Interviews, McFarland, 2018,
540:
2013:
894:
883:
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unrelated weird themes, told in the first person and (apparently) third person. The cumulative effect is that of a series of shifting dream images."
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261:, the cycle references other works by Lovecraft and introduces a number of ideas that he would expand upon in later works.
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126:. Most of the sonnets were written between 27 December 1929 – 4 January 1930; thereafter individual sonnets appeared in
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397:, 2007; a reading by Colin Timothy Gagnon with keyboard accompaniment, based on a purely instrumental suite from 2001.
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409:, Sweden 2009, CD and album. Eleven poems read by American musician pixyblink, set to music by the Swedish
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2006:
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Oakes, David A., “This Is the Way the World Ends: Modernism in 'The Hollow Man' and Fungi from
Yuggoth”
723:
497:, 2019. "Gothic poetry" narrated by G.M. Danielson with Altrusian Grace Media's electronic background.
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465:, 2016. Read by William E. Hart, with keyboard and orchestral music scored by Graham Plowman, CD:
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479:, 2017. "An exploration of the first ten sonnets" by the German metal band Terrible Old Man.
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443:, a song cycle by Alexander Rossetti for soprano and chamber ensemble, first performed at
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Sinha-Morey, Bobbi, “Fungi: the Poetry of H.P. Lovecraft” Calenture 2:2 (January 2007).
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339:
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391:, 2004. Four songs for baritone and piano by the Greek composer Dionysis Boukouvalas.
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491:, 2018. Narrated by Ian Gordon for HorrorBabble to his own minimal music background.
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280:, described as "a four-pawed thing with human face," echoes the description of
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485:, 2017, Full cycle read by Nemesis the Warlock, with treated organ background.
385:, 2001, grunt performance of sonnets 21 and 22 to doom metal backing by Foetor
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507:, accompanied by readings of eight sonnets by Andrew Leman, Cadabra Records.
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This article is about the poem sequence. For the eponymous species, see
1948:
342:, mentioned in many of Lovecraft's works, and the masked Old One from
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by Reber Clark, 2013. An instrumental suite for French horn and violin
1963:
1886:
425:, 2012. 9 tracks of electronic interpretations on Out of Orion (OX3).
115:
994:
Burleson, Donald R., “Notes on
Lovecraft's 'The Bells': a Carillon”
419:, 2012; reading by Paul Maclean with musical soundtrack by Allicorn.
987:
Bradley, Marion Zimmer, and Robert Carson, “Lovecraftian Sonnetry”
197:) “contrived to provide an element of surprise in the final line”.
1968:
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and other genre magazines. The sequence was published complete in
100:
31:
1008:
Burleson, Donald R., “Scansion Problems in Lovecraft's 'Mirage'”
673:
Creating Real Fiction: Analysis of the Lovecraftian Prose-Fiction
594:
An H.P. Lovecraft Encyclopedia, Greenwood Publishing Group 2001,
144:
The Ancient Track: The Complete Poetical Works of H. P. Lovecraft
2145:
1015:
Clore, Dan, “Metonyms of Alterity: a Semiotic Interpretation of
317:
Sonnets XXI and XXII respectively are named for and concern the
1168:
634:
The question is discussed in Jim Moon, "Fungi from Yuggoth II:
269:
is mentioned in sonnets VIII ("The Port") and XIX ("The Bells")
193:
but invariably end with a rhyming couplet (as in the so-called
105:
Jason Eckhardt's cover for the Necronomicon Press 1993 edition
36:
234:
is recreated as a planet of fungoid beings given the name of
150:, 2001, 64–79; expanded 2nd ed, NY Hippocampus Press, 2013).
459:, 2015, treated sound by Italian group Liturgia Maleficarum.
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by Richard Bellak, 2013. Art song with piano accompaniment.
1001:
Burleson, Donald R., “On Lovecraft's 'Harbour Whistles'”
379:; a minimal electronic score based on the complete cycle.
1137:
Waugh, Robert H., “The Structural and Thematic Unity of
1350:
Facts Concerning the Late Arthur Jermyn and His Family
272:
The story told in sonnet XII ("The Howler") presages "
973:(Athens : Ohio University Press, 1980): 222–225.
447:
in 2013; it was released as part of an album in 2015.
169:, (West Warwick, RI) issued the complete sequence as
463:
H. P. Lovecraft’s Fungi from Yuggoth and Other Poems
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287:Sonnet XV references the ancient city in his story
1161:, The H.P. Lovecraft Archive; publication history.
331:Sonnet XXVI deals with events preceding those in "
1098:” Crypt of Cthulhu 78 (St. John's Eve 1991): 3–8.
1993:H. P. Lovecraft: Against the World, Against Life
1066:Murray, Will, “Illuminating 'The Elder Pharos'”
162:, New York, 1971) included other poetic works.
1112:Schultz, David E., “The Lack of Continuity in
1180:
453:, 2015. Music and narration by Bryant O'Hara.
224:sequence, Lovecraft set to work on his story
8:
625:. Westport, CT: Greenwood Press, 2001, p. 95
246:Yet for each dream these winds to us convey,
2014:Lovecraft: A Look Behind the Cthulhu Mythos
1080:Price, Robert M., “St. Toad's Hagiography”
1187:
1173:
1165:
1094:Price, Robert M., “Second Thoughts on the
971:H. P. Lovecraft: Four Decades of Criticism
1087:Price, Robert M., “St. Toad's Revisited”
1026:Coffmann, Frank, “H.P. Lovecraft and the
403:, 2007; a sound only album by Astrophobos
276:" (1932). Its description of the witch's
87:Learn how and when to remove this message
1870:Autobiography: Some Notes on a Nonentity
1055:Ellis, Phillip A., “Unity in Diversity:
284:, a rat-like creature with a human face.
50:This article includes a list of general
517:
413:composer Rhea Tucanae (Dan Söderqvist).
338:Sonnet XXVII references the Plateau of
2105:Works influenced by the Cthulhu Mythos
1101:Schultz, David E., “H. P. Lovecraft's
503:, 2019. Classical guitar nocturnes by
249:A dozen more of ours they sweep away!
7:
1252:A Reminiscence of Dr. Samuel Johnson
451:Fungi from Yuggoth by H.P. Lovecraft
156:Fungi From Yuggoth & Other Poems
1785:Through the Gates of the Silver Key
965:Boerem, R., “The Continuity of the
314:from "At the Mountains of Madness".
2115:H. P. Lovecraft Historical Society
1560:The Strange High House in the Mist
621:S. T. Joshi and David E. Schultz,
423:H.P. Lovecraft: Fungi From Yuggoth
367:Fungi From Yuggoth: A Sonnet Cycle
56:it lacks sufficient corresponding
25:
1856:Supernatural Horror in Literature
1658:The Dream-Quest of Unknown Kadath
1126:Vaughan, Ralph E., “The Story in
906:The track of “Recognition” online
307:The Dream-Quest of Unknown Kadath
2184:
2183:
1315:The Statement of Randolph Carter
41:
2000:An H. P. Lovecraft Encyclopedia
1704:The Case of Charles Dexter Ward
684:S. T. Joshi, David E. Schultz,
648:Encyclopedia of World Biography
623:An H. P. Lovecraft Encyclopedia
528:, Westport, Connecticut, 2001,
524:S. T. Joshi, David E. Schultz,
375:, 2000. B side of the cassette
2157:Lovecraft: Fear of the Unknown
860:Complete cycle available from
686:An H.P. Lovecraft Encyclopedia
526:An H.P. Lovecraft Encyclopedia
1:
1612:The Dreams in the Witch House
1308:The Doom That Came to Sarnath
1287:The Transition of Juan Romero
429:Five Fungi From Yuggoth Songs
274:The Dreams in the Witch House
1743:The Horror at Martin's Beach
1120:20 (Eastertide 1984): 12–16.
1070:20 (Eastertide 1984): 17–19.
1012:24 (Spring 1991): 18–19, 21.
573:S. T. Joshi, H. P. Lovecraft
1672:At the Mountains of Madness
1134:20 (Eastertide 1984): 9–11.
1037:D'Ammassa, Don, ""Review""
951:The Sleeping Shaman webzine
290:At the Mountains of Madness
201:essay "Unity in Diversity:
2241:
2170:The Thing in the Moonlight
1849:The Cancer of Superstition
1109:20 (Eastertide 1984): 3–7.
1077:40 (Fall 1998): 33–36, 28.
884:CthulhuWho1, with excerpts
435:Four Lovecraftian Sonnets,
154:’ mass paperback edition,
29:
27:Sonnets by H. P. Lovecraft
2179:
1679:The Shadow over Innsmouth
1665:The Whisperer in Darkness
1619:The Thing on the Doorstep
1202:
1091:20 (Eastertide 1984): 21;
1039:Science Fiction Chronicle
815:16 minute performance on
300:Sonnet XX names both the
259:The Whisperer in Darkness
227:The Whisperer in Darkness
2210:Works by H. P. Lovecraft
1778:The Horror in the Museum
1378:The Picture in the House
1266:Beyond the Wall of Sleep
1044:Ellis, Phillip A., “The
1023:30 (Spring 1994): 21–32.
1005:74 (Lammas 1990): 12–13.
982:Dark Brotherhood Journal
969:” in S. T. Joshi (ed.),
688:, Greenwood Press 2001,
457:Fungi from Yuggoth I - V
293:(1931) and hints at the
135:Beyond the Wall of Sleep
1986:H. P. Lovecraft: A Life
1863:To Quebec and the Stars
1640:The Haunter of the Dark
1567:The Colour Out of Space
1441:Herbert West–Reanimator
1434:The Music of Erich Zann
1145:26 (Spring 1992): 2–14.
1084:9 (Hallowmas 1982): 21.
473:, Fedogan & Bremer.
138:(Sauk City, Wisconsin:
71:more precise citations.
2110:H. P. Lovecraft (band)
2007:Lovecraft: A Biography
1686:The Shadow Out of Time
1511:The Horror at Red Hook
1059:as a Unified Setting”
998:17 (Fall 1988): 34–35.
839:Recital program online
779:The work can be heard
735:Performance on YouTube
724:Encyclopaedia Metallum
569:July 18, 2005, at the
171:The Fungi from Yuggoth
106:
1483:The Rats in the Walls
1224:The Beast in the Cave
1041:5:7 (April 1984): 33.
1034:2:1 (September 2006).
984:1:1 (June 1971): 2–5.
142:, 1943, 395–407) and
104:
1813:In the Walls of Eryx
1799:The Tree on the Hill
1455:What the Moon Brings
1322:The Terrible Old Man
1030:Sonnets (part one)”
976:Boerem, R., “On the
939:Available on YouTube
928:Available on YouTube
917:Available on YouTube
791:67 minute recording
501:I Notturni Di Yuggot
195:Shakespearean sonnet
114:is a sequence of 36
2164:Sonia Greene (wife)
2041:Lovecraftian horror
1729:Poetry and the Gods
1539:The Call of Cthulhu
1406:The Quest of Iranon
895:Front View Magazine
191:Petrarchan approach
2215:20th-century poems
2125:Lovecraft (crater)
2084:Frank Belknap Long
2069:Clark Ashton Smith
1831:Fungi from Yuggoth
1750:Under the Pyramids
1736:The Crawling Chaos
1626:The Evil Clergyman
1605:The Dunwich Horror
1336:The Cats of Ulthar
1158:Fungi from Yuggoth
1156:"H.P. Lovecraft's
1139:Fungi from Yuggoth
1128:Fungi from Yuggoth
1114:Fungi from Yuggoth
1103:Fungi from Yuggoth
1096:Fungi from Yuggoth
1057:Fungi from Yuggoth
1046:Fungi from Yuggoth
1028:Fungi from Yuggoth
1017:Fungi from Yuggoth
991:2 (December 1947).
978:Fungi from Yuggoth
967:Fungi from Yuggoth
828:Online performance
756:8 tracks archived
671:David Szolloskei,
636:a tour of Yuggoth"
495:Fungi from Yuggoth
489:Fungi from Yuggoth
483:Fungi from Yuggoth
477:Fungi From Yuggoth
441:Fungi from Yuggoth
417:Fungi from Yuggoth
407:Fungi From Yuggoth
401:Fungi from Yuggoth
395:Fungi From Yuggoth
389:Fungi from Yuggoth
383:Fungi from Yuggoth
373:Fungi from Yuggoth
349:The King in Yellow
344:Robert W. Chambers
333:The Dunwich Horror
203:Fungi from Yuggoth
186:Fungi from Yuggoth
167:Necronomicon Press
111:Fungi from Yuggoth
107:
18:Fungi From Yuggoth
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2196:
2100:Lovecraft studies
1892:Lovecraft Country
1591:The Very Old Folk
1504:The Shunned House
1399:The Nameless City
1143:Lovecraft Studies
1075:Lovecraft Studies
1048:: a Concordance”
1021:Lovecraft Studies
1010:Lovecraft Studies
996:Lovecraft Studies
675:, VDM Verlag 2008
651:, Gale Group 2010
564:Themodernword.com
541:Hippocampus Press
471:978-1-878252-80-7
148:Night Shade Books
97:
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16:(Redirected from
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2079:Robert E. Howard
2057:Lovecraft Circle
1806:Till A' the Seas
1792:Out of the Aeons
1757:The Curse of Yig
1722:The Green Meadow
1476:The Lurking Fear
1392:Sweet Ermengarde
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1132:Crypt of Cthulhu
1118:Crypt of Cthulhu
1107:Crypt of Cthulhu
1089:Crypt of Cthulhu
1082:Crypt of Cthulhu
1068:Crypt of Cthulhu
1063:1 (2007): 84–90.
1061:Lovecraft Annual
1003:Crypt of Cthulhu
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2074:Robert Bloch
2047:Necronomicon
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1954:Nyarlathotep
1918:Herbert West
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1583:Necronomicon
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1525:In the Vault
1497:The Festival
1420:The Outsider
1413:The Moon-Bog
1385:Ex Oblivione
1371:Nyarlathotep
1207:Bibliography
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265:The town of
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2151:Dream Cycle
2120:Adaptations
1978:Books about
1364:From Beyond
661:Online text
411:electronica
357:Discography
302:Nightgaunts
129:Weird Tales
69:introducing
2204:Categories
1906:Characters
1343:The Temple
1301:The Street
949:Review in
862:Soundcloud
803:Available
512:References
319:Outer Gods
52:references
2031:Cosmicism
1880:Locations
1764:The Mound
1469:The Hound
1357:CelephaĂŻs
1050:Calenture
1032:Calenture
609:1, 2007,
335:" (1929).
312:Shoggoths
267:Innsmouth
2189:Category
1944:Azathoth
1650:Novellas
1633:The Book
1532:Cool Air
1462:Azathoth
1329:The Tree
1280:Old Bugs
1238:The Tomb
817:You Tube
713:You Tube
611:pp.84-90
567:Archived
326:Azathoth
310:and the
278:familiar
2139:Related
1949:Cthulhu
1937:Deities
1259:Polaris
530:pp 95-6
363:below).
232:Yuggoth
221:Dunsany
122:writer
116:sonnets
65:improve
2093:Legacy
1964:Hastur
1897:R'lyeh
1887:Arkham
1841:Essays
1823:Poetry
1696:Novels
1448:Hypnos
1273:Memory
805:online
793:online
781:online
758:online
469:
377:Condor
210:Themes
54:, but
1969:Dagon
1245:Dagon
553:p.245
304:from
236:Mi-go
181:Style
32:Mi-go
2146:Aklo
1598:Ibid
690:p.91
596:p.93
584:p.37
467:ISBN
340:Leng
324:and
118:by
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