204:
felicity, and do not have a strong narrative through-line except occasionally over a couple of sonnets (e.g. 17–18). In that the sequence starts by seeming to provide 'the key' to the author's 'vague visions' (Sonnet 3) of other realities behind the everyday, it might be argued that the poems that follow, though disparate in themselves, detail a succession of such visions that a reading of the book releases. With one or two exceptions, the concluding poems from "Expectancy" (28) onward seek to explain the circumstances of the narrator's sense of alienation within the present. Rather than visions themselves, these poems serve as a commentary on their source.
162:(475 numbered copies). This may have been the first time that the sequence was published in its corrected text. The same press went on to reissue it with new cover artwork by Jason Eckhardt in limited editions from 1982 onwards and other illustrated editions from different presses were to follow. In 2017 came a limited annotated edition of the sequence with illustrations by Jason Eckhardt for each poem (Hippocampus Press, New York). Lovecraft is known chiefly as a writer of genre fiction, several themes from which are reflected in his
227:. In the sonnet, the fungi sprout in a location called Yuggoth, not on an alien planet; and in its following line Nithon is described as a world with richly flowering continents rather than, as in the story, Yuggoth's occulted moon. This is a good instance of how Lovecraft gave himself license to be self-contradictory and vary his matter according to the artistic need of the moment, of which the diversity of conflicting situations within the whole sequence of sonnets is itself an example. Or, as he himself puts it in "Star Winds",
32:
2174:
166:. But the restrained style of the verse there so distinguishes it from the prose work that, in the view of some commentators, it "deserves to be more widely known and appreciated" for its own poetic merits. The work later appealed to musicians and there have been several settings of poems from it in a variety of genres.
177:
represents a marked departure from the mannered poems
Lovecraft had been writing up to this point. Sending a copy of "Recapture" (which just predates the sequence but was later incorporated into it) the poet remarks that it is “illustrative of my efforts to practice what I preach regarding direct and
203:
The first three poems in the sequence concern a person who obtains an ancient book of esoteric knowledge that seems to allow one to travel to parallel realities or strange parts of the universe. Later poems deal more with an atmosphere of cosmic horror, or create a mood of being shut out from former
189:
Varying opinions have been expressed in the critical literature on
Lovecraft as to whether the poems form a continuous cycle which tells a story, or whether each individual sonnet is discrete. (See essays in Bibliography below by Boerem, Ellis, Schultz, Vaughan and Waugh). Phillip A. Ellis, in his
212:
manner; to intimations of an Elder Race on earth; and to nightmare beings from Beyond. That these themes often cross-fertilize each other is suggested by "Star Winds" (14), which taken purely by itself is an exercise in
Dunsanian dream-lore. However, beginning in the month after finishing his
194:
as a
Unified Setting", discusses this problem and suggests a solution. S. T. Joshi considers that apart from the first three sonnets, "the remaining poems, which HPL considered suitable for publication independent of the introductory poems, are discontinuous vignettes concerning a variety of
91:
207:
The sonnets see-saw between various themes in much the same way as do
Lovecraft's short stories. There are references to the author's night terrors in "Recognition" (4), a potent source for his later fiction and carrying forward into dream poems related to his
351:
Harold S. Farnese (1885-1945) set two sonnets to music, “Mirage” and “The Elder Pharos”, and performed them in 1932. Sheet music was printed after
Lovecraft's death. Performances were finally recorded for the Fedogan & Bremer reissue in 2015 (see
154:
The sequence has been printed in several different versions as standalone chapbooks. In June 1943, Bill Evans (Washington DC) issued a separate appearance which lacked the final three sonnets. In 1977
178:
unaffected diction”. He also describes it as “a sort of irregular semi-sonnet, based on an actual dream”. The sonnets that followed were hybrid in form insofar as they are partly based on the
1338:
358:. A reading by John Arthur with a score for synthesizer by Mike Olsen, released as a cassette in 1987 (Fedogan & Bremer, Minneapolis MN) and later on CD (2001, 2015).
2108:
1981:
571:
Quoted in S. T. Joshi’s introduction to An
Epicure in the Terrible: A Centennial Anthology of Essays in Honor of H.P. Lovecraft, Fairleigh Dickinson Univ Press, 1991,
2093:
540:
Jim Moon, “The internal continuity of
Lovecraft’s Fungi from Yuggoth”, in H.P. Lovecraft: Selected Works, Critical Perspectives and Interviews, McFarland, 2018,
529:
2002:
883:
872:
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unrelated weird themes, told in the first person and (apparently) third person. The cumulative effect is that of a series of shifting dream images."
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250:, the cycle references other works by Lovecraft and introduces a number of ideas that he would expand upon in later works.
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115:. Most of the sonnets were written between 27 December 1929 – 4 January 1930; thereafter individual sonnets appeared in
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386:, 2007; a reading by Colin Timothy Gagnon with keyboard accompaniment, based on a purely instrumental suite from 2001.
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398:, Sweden 2009, CD and album. Eleven poems read by American musician pixyblink, set to music by the Swedish
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Oakes, David A., “This Is the Way the World Ends: Modernism in 'The Hollow Man' and Fungi from
Yuggoth”
712:
486:, 2019. "Gothic poetry" narrated by G.M. Danielson with Altrusian Grace Media's electronic background.
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454:, 2016. Read by William E. Hart, with keyboard and orchestral music scored by Graham Plowman, CD:
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468:, 2017. "An exploration of the first ten sonnets" by the German metal band Terrible Old Man.
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432:, a song cycle by Alexander Rossetti for soprano and chamber ensemble, first performed at
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Sinha-Morey, Bobbi, “Fungi: the Poetry of H.P. Lovecraft” Calenture 2:2 (January 2007).
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328:
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380:, 2004. Four songs for baritone and piano by the Greek composer Dionysis Boukouvalas.
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480:, 2018. Narrated by Ian Gordon for HorrorBabble to his own minimal music background.
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269:, described as "a four-pawed thing with human face," echoes the description of
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474:, 2017, Full cycle read by Nemesis the Warlock, with treated organ background.
374:, 2001, grunt performance of sonnets 21 and 22 to doom metal backing by Foetor
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2019:
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496:, accompanied by readings of eight sonnets by Andrew Leman, Cadabra Records.
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This article is about the poem sequence. For the eponymous species, see
1937:
331:, mentioned in many of Lovecraft's works, and the masked Old One from
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by Reber Clark, 2013. An instrumental suite for French horn and violin
1952:
1875:
414:, 2012. 9 tracks of electronic interpretations on Out of Orion (OX3).
104:
983:
Burleson, Donald R., “Notes on
Lovecraft's 'The Bells': a Carillon”
408:, 2012; reading by Paul Maclean with musical soundtrack by Allicorn.
976:
Bradley, Marion Zimmer, and Robert Carson, “Lovecraftian Sonnetry”
186:) “contrived to provide an element of surprise in the final line”.
1957:
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and other genre magazines. The sequence was published complete in
89:
20:
997:
Burleson, Donald R., “Scansion Problems in Lovecraft's 'Mirage'”
662:
Creating Real Fiction: Analysis of the Lovecraftian Prose-Fiction
583:
An H.P. Lovecraft Encyclopedia, Greenwood Publishing Group 2001,
133:
The Ancient Track: The Complete Poetical Works of H. P. Lovecraft
2134:
1004:
Clore, Dan, “Metonyms of Alterity: a Semiotic Interpretation of
306:
Sonnets XXI and XXII respectively are named for and concern the
1157:
623:
The question is discussed in Jim Moon, "Fungi from Yuggoth II:
258:
is mentioned in sonnets VIII ("The Port") and XIX ("The Bells")
182:
but invariably end with a rhyming couplet (as in the so-called
94:
Jason Eckhardt's cover for the Necronomicon Press 1993 edition
25:
223:
is recreated as a planet of fungoid beings given the name of
139:, 2001, 64–79; expanded 2nd ed, NY Hippocampus Press, 2013).
448:, 2015, treated sound by Italian group Liturgia Maleficarum.
420:
by Richard Bellak, 2013. Art song with piano accompaniment.
990:
Burleson, Donald R., “On Lovecraft's 'Harbour Whistles'”
368:; a minimal electronic score based on the complete cycle.
1126:
Waugh, Robert H., “The Structural and Thematic Unity of
1339:
Facts Concerning the Late Arthur Jermyn and His Family
261:
The story told in sonnet XII ("The Howler") presages "
962:(Athens : Ohio University Press, 1980): 222–225.
436:
in 2013; it was released as part of an album in 2015.
158:, (West Warwick, RI) issued the complete sequence as
452:
H. P. Lovecraft’s Fungi from Yuggoth and Other Poems
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276:Sonnet XV references the ancient city in his story
1150:, The H.P. Lovecraft Archive; publication history.
320:Sonnet XXVI deals with events preceding those in "
1087:” Crypt of Cthulhu 78 (St. John's Eve 1991): 3–8.
1982:H. P. Lovecraft: Against the World, Against Life
1055:Murray, Will, “Illuminating 'The Elder Pharos'”
151:, New York, 1971) included other poetic works.
1101:Schultz, David E., “The Lack of Continuity in
1169:
442:, 2015. Music and narration by Bryant O'Hara.
213:sequence, Lovecraft set to work on his story
8:
614:. Westport, CT: Greenwood Press, 2001, p. 95
235:Yet for each dream these winds to us convey,
2003:Lovecraft: A Look Behind the Cthulhu Mythos
1069:Price, Robert M., “St. Toad's Hagiography”
1176:
1162:
1154:
1083:Price, Robert M., “Second Thoughts on the
960:H. P. Lovecraft: Four Decades of Criticism
1076:Price, Robert M., “St. Toad's Revisited”
1015:Coffmann, Frank, “H.P. Lovecraft and the
392:, 2007; a sound only album by Astrophobos
265:" (1932). Its description of the witch's
76:Learn how and when to remove this message
1859:Autobiography: Some Notes on a Nonentity
1044:Ellis, Phillip A., “Unity in Diversity:
273:, a rat-like creature with a human face.
39:This article includes a list of general
506:
402:composer Rhea Tucanae (Dan Söderqvist).
327:Sonnet XXVII references the Plateau of
2094:Works influenced by the Cthulhu Mythos
1090:Schultz, David E., “H. P. Lovecraft's
492:, 2019. Classical guitar nocturnes by
238:A dozen more of ours they sweep away!
7:
1241:A Reminiscence of Dr. Samuel Johnson
440:Fungi from Yuggoth by H.P. Lovecraft
145:Fungi From Yuggoth & Other Poems
1774:Through the Gates of the Silver Key
954:Boerem, R., “The Continuity of the
303:from "At the Mountains of Madness".
2104:H. P. Lovecraft Historical Society
1549:The Strange High House in the Mist
610:S. T. Joshi and David E. Schultz,
412:H.P. Lovecraft: Fungi From Yuggoth
356:Fungi From Yuggoth: A Sonnet Cycle
45:it lacks sufficient corresponding
14:
1845:Supernatural Horror in Literature
1647:The Dream-Quest of Unknown Kadath
1115:Vaughan, Ralph E., “The Story in
895:The track of “Recognition” online
296:The Dream-Quest of Unknown Kadath
2173:
2172:
1304:The Statement of Randolph Carter
30:
1989:An H. P. Lovecraft Encyclopedia
1693:The Case of Charles Dexter Ward
673:S. T. Joshi, David E. Schultz,
637:Encyclopedia of World Biography
612:An H. P. Lovecraft Encyclopedia
517:, Westport, Connecticut, 2001,
513:S. T. Joshi, David E. Schultz,
364:, 2000. B side of the cassette
2146:Lovecraft: Fear of the Unknown
849:Complete cycle available from
675:An H.P. Lovecraft Encyclopedia
515:An H.P. Lovecraft Encyclopedia
1:
1601:The Dreams in the Witch House
1297:The Doom That Came to Sarnath
1276:The Transition of Juan Romero
418:Five Fungi From Yuggoth Songs
263:The Dreams in the Witch House
1732:The Horror at Martin's Beach
1109:20 (Eastertide 1984): 12–16.
1059:20 (Eastertide 1984): 17–19.
1001:24 (Spring 1991): 18–19, 21.
562:S. T. Joshi, H. P. Lovecraft
1661:At the Mountains of Madness
1123:20 (Eastertide 1984): 9–11.
1026:D'Ammassa, Don, ""Review""
940:The Sleeping Shaman webzine
279:At the Mountains of Madness
190:essay "Unity in Diversity:
2230:
2159:The Thing in the Moonlight
1838:The Cancer of Superstition
1098:20 (Eastertide 1984): 3–7.
1066:40 (Fall 1998): 33–36, 28.
873:CthulhuWho1, with excerpts
424:Four Lovecraftian Sonnets,
143:’ mass paperback edition,
18:
16:Sonnets by H. P. Lovecraft
2168:
1668:The Shadow over Innsmouth
1654:The Whisperer in Darkness
1608:The Thing on the Doorstep
1191:
1080:20 (Eastertide 1984): 21;
1028:Science Fiction Chronicle
804:16 minute performance on
289:Sonnet XX names both the
248:The Whisperer in Darkness
216:The Whisperer in Darkness
2199:Works by H. P. Lovecraft
1767:The Horror in the Museum
1367:The Picture in the House
1255:Beyond the Wall of Sleep
1033:Ellis, Phillip A., “The
1012:30 (Spring 1994): 21–32.
994:74 (Lammas 1990): 12–13.
971:Dark Brotherhood Journal
958:” in S. T. Joshi (ed.),
677:, Greenwood Press 2001,
446:Fungi from Yuggoth I - V
282:(1931) and hints at the
124:Beyond the Wall of Sleep
1975:H. P. Lovecraft: A Life
1852:To Quebec and the Stars
1629:The Haunter of the Dark
1556:The Colour Out of Space
1430:Herbert West–Reanimator
1423:The Music of Erich Zann
1134:26 (Spring 1992): 2–14.
1073:9 (Hallowmas 1982): 21.
462:, Fedogan & Bremer.
127:(Sauk City, Wisconsin:
60:more precise citations.
2099:H. P. Lovecraft (band)
1996:Lovecraft: A Biography
1675:The Shadow Out of Time
1500:The Horror at Red Hook
1048:as a Unified Setting”
987:17 (Fall 1988): 34–35.
828:Recital program online
768:The work can be heard
724:Performance on YouTube
713:Encyclopaedia Metallum
558:July 18, 2005, at the
160:The Fungi from Yuggoth
95:
1472:The Rats in the Walls
1213:The Beast in the Cave
1030:5:7 (April 1984): 33.
1023:2:1 (September 2006).
973:1:1 (June 1971): 2–5.
131:, 1943, 395–407) and
93:
1802:In the Walls of Eryx
1788:The Tree on the Hill
1444:What the Moon Brings
1311:The Terrible Old Man
1019:Sonnets (part one)”
965:Boerem, R., “On the
928:Available on YouTube
917:Available on YouTube
906:Available on YouTube
780:67 minute recording
490:I Notturni Di Yuggot
184:Shakespearean sonnet
103:is a sequence of 36
2153:Sonia Greene (wife)
2030:Lovecraftian horror
1718:Poetry and the Gods
1528:The Call of Cthulhu
1395:The Quest of Iranon
884:Front View Magazine
180:Petrarchan approach
2204:20th-century poems
2114:Lovecraft (crater)
2073:Frank Belknap Long
2058:Clark Ashton Smith
1820:Fungi from Yuggoth
1739:Under the Pyramids
1725:The Crawling Chaos
1615:The Evil Clergyman
1594:The Dunwich Horror
1325:The Cats of Ulthar
1147:Fungi from Yuggoth
1145:"H.P. Lovecraft's
1128:Fungi from Yuggoth
1117:Fungi from Yuggoth
1103:Fungi from Yuggoth
1092:Fungi from Yuggoth
1085:Fungi from Yuggoth
1046:Fungi from Yuggoth
1035:Fungi from Yuggoth
1017:Fungi from Yuggoth
1006:Fungi from Yuggoth
980:2 (December 1947).
967:Fungi from Yuggoth
956:Fungi from Yuggoth
817:Online performance
745:8 tracks archived
660:David Szolloskei,
625:a tour of Yuggoth"
484:Fungi from Yuggoth
478:Fungi from Yuggoth
472:Fungi from Yuggoth
466:Fungi From Yuggoth
430:Fungi from Yuggoth
406:Fungi from Yuggoth
396:Fungi From Yuggoth
390:Fungi from Yuggoth
384:Fungi From Yuggoth
378:Fungi from Yuggoth
372:Fungi from Yuggoth
362:Fungi from Yuggoth
338:The King in Yellow
333:Robert W. Chambers
322:The Dunwich Horror
192:Fungi from Yuggoth
175:Fungi from Yuggoth
156:Necronomicon Press
100:Fungi from Yuggoth
96:
2186:
2185:
2089:Lovecraft studies
1881:Lovecraft Country
1580:The Very Old Folk
1493:The Shunned House
1388:The Nameless City
1132:Lovecraft Studies
1064:Lovecraft Studies
1037:: a Concordance”
1010:Lovecraft Studies
999:Lovecraft Studies
985:Lovecraft Studies
664:, VDM Verlag 2008
640:, Gale Group 2010
553:Themodernword.com
530:Hippocampus Press
460:978-1-878252-80-7
137:Night Shade Books
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2068:Robert E. Howard
2046:Lovecraft Circle
1795:Till A' the Seas
1781:Out of the Aeons
1746:The Curse of Yig
1711:The Green Meadow
1465:The Lurking Fear
1381:Sweet Ermengarde
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1107:Crypt of Cthulhu
1096:Crypt of Cthulhu
1078:Crypt of Cthulhu
1071:Crypt of Cthulhu
1057:Crypt of Cthulhu
1052:1 (2007): 84–90.
1050:Lovecraft Annual
992:Crypt of Cthulhu
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66:February 2021
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2063:Robert Bloch
2036:Necronomicon
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1943:Nyarlathotep
1907:Herbert West
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1572:Necronomicon
1571:
1514:In the Vault
1486:The Festival
1409:The Outsider
1402:The Moon-Bog
1374:Ex Oblivione
1360:Nyarlathotep
1196:Bibliography
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311:Nyarlathotep
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284:Elder Things
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271:Brown Jenkin
254:The town of
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149:Random House
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129:Arkham House
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2140:Dream Cycle
2109:Adaptations
1967:Books about
1353:From Beyond
650:Online text
400:electronica
346:Discography
291:Nightgaunts
118:Weird Tales
58:introducing
2193:Categories
1895:Characters
1332:The Temple
1290:The Street
938:Review in
851:Soundcloud
792:Available
501:References
308:Outer Gods
41:references
2020:Cosmicism
1869:Locations
1753:The Mound
1458:The Hound
1346:CelephaĂŻs
1039:Calenture
1021:Calenture
598:1, 2007,
324:" (1929).
301:Shoggoths
256:Innsmouth
2178:Category
1933:Azathoth
1639:Novellas
1622:The Book
1521:Cool Air
1451:Azathoth
1318:The Tree
1269:Old Bugs
1227:The Tomb
806:You Tube
702:You Tube
600:pp.84-90
556:Archived
315:Azathoth
299:and the
267:familiar
2128:Related
1938:Cthulhu
1926:Deities
1248:Polaris
519:pp 95-6
352:below).
221:Yuggoth
210:Dunsany
111:writer
105:sonnets
54:improve
2082:Legacy
1953:Hastur
1886:R'lyeh
1876:Arkham
1830:Essays
1812:Poetry
1685:Novels
1437:Hypnos
1262:Memory
794:online
782:online
770:online
747:online
458:
366:Condor
199:Themes
43:, but
1958:Dagon
1234:Dagon
542:p.245
293:from
225:Mi-go
170:Style
21:Mi-go
2135:Aklo
1587:Ibid
679:p.91
585:p.93
573:p.37
456:ISBN
329:Leng
313:and
107:by
2195::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
