467:
453:, where he subsequently moved to. The musician later expressed dissatisfaction with the album, telling an interviewer in June 1978 that he had not listened to it "for a long time". He added "there was a certain point I reached, while making that album, where I felt that there was a real cosmic type of all-involved great sound to it and then I changed it, y'know, 'cause people were telling me not to do this or not to do that – there were a lot of influences in it..." The record was mastered by Wally Traugott.
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stated that while Spirit were among the late 1960s' most important and innovative groups, they had become "a parody of their former selves", criticizing them for wasting their talents by delving deeper into psychedelia, a style she deemed to have "long gone", instead of "moving ahead and making what
491:
features 22 tracks or "song-bites", some as brief as 14 seconds and none no longer than four minutes. The songs are characterised by concise melodies and
California's "fizzy, trebly production", with swirling sounds obscuring the music and the consistent use of garbled, distorted vocals. The album's
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reviewed their album in their section on LPs they consider to "have an extra edge" and commented: "Making it with minimums is a high art. Randy
California has developed the ability to suspend sound portraits across a wall using lovely melodies and marvelous images. He creates his own space, he is
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is "solid window pane" that openly disregards standard rock techniques, which is why listeners do not "decipher the solos" or follow
Cassidy's drumming, and concluded that: "Hearing is believing that Randy California has tripped out on his own genius. Again. If I had my way I'd make you buy this
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was commercially unsuccessful, failing to chart in either the US or UK. In May 1977, "All Along the
Watchtower" was released as a single with "Further Along" as its B-side; this also failed to chart. Following the album's release, Spirit headlined a tour of the United Kingdom, with
993:, Lester called it "a masterpiece" that, despite its "canny appreciation of the late-1970s zeitgeist", failed to grip the public. He opined that "Monkey See Monkey Do", "China Doll" and "Freakout Frog" resemble "Top 10 smashes in that alternative reality where
728:, while on the back cover, he is depicted half-naked in what Viglione calls "a blatant and egotistical move, almost claiming that he is Spirit." As Viglion highlights, the back cover also gives "thank you" messages to Dr. Demento and Anderson, but not to
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and the then-current public demand for "all things interstellar". He also contends that despite being "weird", the "bright and buoyant" album appeared on paper to be a commercial project, due to it being "a series of infectious
979:, Viglione wrote that although, as with California's best work, the album contains "flashes of inspiration and brilliance", such as the title track, overall it was a "good, but not great record". He believed that removing the
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386:
720:; it was Spirit's final album for the label. The sleeve was designed by Joe Kotleba with photography from Hauser and D'Orio; on the front cover, California is photographed naked from the waist up, pulling a
1001:, although only a madman, or a genius, would throw away a melody as sublime as 'So Happy Now' in a quarter of a minute. Still, that's probably why California was never that popular – more of a delusional
598:. On "Kahauna Dream", California plays what Bell describes as a "chain of sinuous notes around a framework of bubbling percussion and somnambulant singing." Two collaborations with
911:
to be Spirit's weirdest and most impenetrable release, featuring "a myriad of sound, effect and stone beauty in composition" that almost result in a 1970s equivalent to
Hendrix's
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697:. According to critic Joe Viglione, it is "a fusion of nutiness and pop that sounds inspired by drugs and a Dr. Demento programme". The final track, "The Journey Nomad", is a
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mode" with expressive guitar lines, but is considered to be uncommercial, as with the following song "Would You
Believe?", whose intro features unsettling reverbed voices
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and that "the planet is part of a larger galactic federation called Uversa." Lester wrote that
California used science fiction "as a means to express his own
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was similarly unsuccessful and did not chart in either the UK or the US. Music critics have drawn attention to the record's eccentric content and
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329:
Housed in a sleeve depicting a half-naked
California pulling a macho guitar pose, the album was the follow-up to the commercially unsuccessful
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282:
features 22 short tracks and is characterised by its textural guitar work, disorientating sound, fizzy production, concise melodies, use of
1793:
582:, at the time "the world's biggest TV sci-fi show". Overall, Lester describes the record as "pretty druggy, steeped in FX and episodes of
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602:, "Buried in My Brain" and "Bionic Unit", are split by a Dr. Demento dialogue sample. "So Happy Now" is a very short song with
384:(1976). These releases marked Spirit's "comeback" following their success in the late 1960s and the shelving of the ill-fated
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394:, the rapid succession of these four albums over two years was "to the astonishment of their small but fanatical following."
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have also been described as
California's trilogy of "Time Coast" recordings, released at a time when he eschewed the more
362:) was the final of four Spirit albums released in the mid-1970s that, according to journalist Max Bell, cemented frontman
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did not take legal action. "Star Trek
Dreaming", "Interlude XM" and "The Romulan Experience" feature the characters of
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as support. In August 1977, the original Spirit line-up reunited for a one-off concert which ended acrimoniously when
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1073:, he had drawn attention to California's "liquid fretwork" and described the album as "a masterpiece of sci-fidelia,
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would probably be a worthwhile contribution to contemporary music." Clerk believed "nostalgic hippies" would prefer
1999:
851:
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2083:
Neyland-Francis, Patrick (1999). "Spirit". In Buckley, Jonathan; Duane, Orla; Ellingham, Mark; Spicer, Al (eds.).
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was crafted in part as a response. The album is effectively a solo project by California, recorded at Studios 70,
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deserved to be the "last freakout" by the "noble post-psychedelic" band and added: "The way some of these aging
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and the last of their four "comeback" releases of the mid-1970s. It is essentially a solo project for frontman
216:
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368:
504:, 'wireless' script and synchronised snatches of American television and movies, such as taped snippets from
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was on hand as an extra presence during the sessions. "Dr. Sardonicus" is credited as producer. According to
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449:, California had been "germinating, hatching and sifting" over the record since his April 1973 sojourn in
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and features a "zonked lyric" working incongruently against the riff, while "Monkey See Monkey Do" uses
669:. Written by Cassidy, "China Doll" is relatively straightforward, while "Detroit City" is a tribute to
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567:" and that the use of such themes was well-timed, as the record's release coincided with that of
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917:(1968). He wrote that, unlike the "flashbacks" that constitute the previous two Spirit albums,
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to be a "masterpiece" and "near-solo conceptual kaleidoscope", and argues that it matches
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606:-style vocals and has been compared to "throwaway moments of bliss" from that group's "
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from American television, film and radio – in particular, the science fiction series
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1761:"An Appreciation Of The Career Of Randy California, Who Died On January 2nd, 1997"
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department might dream up to accompany a film or play about the old days in
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1568:. United States: Library of Congress. Copyright Office. 1978. p. 580
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657:", are interspersed heavily throughout the album's second side, although
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618:", a less faithful cover than California's earlier interpretations of "
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366:'s reputation as "one of the strangest dudes on the planet", following
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is composed of television and film samples, it is arguably "the first
987:" of more interest. Reviewing it for the "hidden treasures" column in
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267:, though he later expressed dissatisfaction with the recording.
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2207:"Spirit – Future Games (A Magical-Kahauna Dream) (1977, Vinyl)"
2000:"Future Games: A Magical-Kahauna Dream Review by Joe Viglione"
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as one of California's finest albums, while Steve Burgess of
1794:"Spirit: From The Time Coast — Randy California Interviewed"
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The album opens with "CB Talk", which features music from a
1565:
Catalog of Copyright Entries Third Series: Sound Recordings
1592:"California Dreaming: The Wild and Tragic Story of Spirit"
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between left and right speakers in a manner comparable to
2222:
1039:(1981). He also contends that, as an early 1977 release,
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characterises the album as "a kaleidoscopic starburst of
343:
focus. It has since been sited as an early example of a '
2087:(2nd ed.). London: Rough Guides. pp. 936–937.
559:(1955), a tome which contends that Earth's true name is
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has called it a "radical album by anyone's standards".
255:. Released in April 1977, it was their final album for
2033:. Edinburgh: Canongate Books. pp. 1, 015–1, 016.
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hang around, it's not hard to see why they believe in
610:" (1973); it is followed by Spirit's heavy version of
542:" elements into "22 tracks of interwoven dementia".
378:(1976) and a reunion for the band's original lineup,
630:, the recording shows the musician moving into "his
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1119:in its loose, freeflowing, impressionistic ethos."
553:are present on the album, which is partly based on
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1105:as the zany album that completes Spirit's mid-70s
500:detritus, including excerpts of conversation from
961:and dismissed the album for resembling what "the
673:. "Freakout Frog", which has drawn comparison to
492:disorientating sound is heightened by the use of
429:, in a manner likened by critic Steve Burgess of
347:' album due to its heavy dependence on samples.
300:". The record reflects California's interests in
705:and was co-written by California with Tom Hall.
1840:: CS1 maint: others in cite AV media (notes) (
437:." The record features California's stepfather
1047:", citing its short songs, succinct melodies,
314:; among its songs are two collaborations with
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1916:— A Magical Kahauna Dream (Mercury Import)"
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693:and back-up vocals from Kaptain Kopter and
390:project earlier in the 1970s; according to
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1643:"Hidden treasures: Spirit – Future Games"
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1051:ethos and extremely applied "notions of
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247:) is the ninth studio album by American
2123:. London: Virgin Books. p. 1,121.
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1830:(liner). Spirit. Mercury Records. 1977.
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534:confusing album which blends Spirit's "
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1109:and calls it "a genially impenetrable
724:guitar pose that has been compared to
762:
578:songs" interlaced with snippets from
7:
2121:Virgin Encyclopedia of Popular Music
2029:Strong, Martin C. (2006). "Spirit".
1059:", likening it sound to a fusion of
530:", while critic Max Bell calls it a
433:magazine to "sitting at home with a
326:", which was released as a single.
2147:. Random House. 1992. p. 661.
25:
1529:Terry Anderson – backing vocals (
871:
821:
814:The Encyclopedia of Popular Music
783:
2189:"Record reviews (Rolling Stone)"
2119:Larkin, Colin (1997). "Spirit".
1955:. London: Pimlico. p. 165.
1517:– guitar, vocals, bass, engineer
1507:Adapted from the liner notes of
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410:elements of his lifestyle for a
2539:Rock albums by American artists
2348:Twelve Dreams of Dr. Sardonicus
1542:Hauser and D'Orio – photography
421:had been a commercial failure,
263:, who recorded it with drummer
27:1977 studio album by Spirit
2544:Pop albums by American artists
2332:The Family That Plays Together
2193:The Morning Record and Journal
2187:Marsh, Dave (March 19, 1977).
1860:Clerk, Carol (June 16, 1977).
1302:
1141:
1079:on plastic". Phil McMullen of
975:In a retrospective review for
716:was released in April 1977 by
1:
2145:The Rolling Stone Album Guide
1759:McMullen, Phil (March 1997).
1641:Lester, Paul (5 March 2013).
1036:My Life in the Bush of Ghosts
983:samples would have led to "a
901:In a contemporary review for
864:The Rolling Stone Album Guide
624:The Times They Are a-Changin'
1910:Bell, Max (March 19, 1977).
1792:Burgess, Steve (June 1978).
1539:Jim Schubert – art direction
1209:, Blair Mooney, Carla Savage
1730:"Spirit: The Mercury Years"
1667:Lester, Paul (March 2004).
1590:Bell, Max (June 18, 2014).
1380:Timothy Blanton, California
2575:
2031:The Great Rock Discography
1728:Lester, Paul (July 1997).
1545:Wally Traugott – mastering
1223:California, Fowley, Mooney
852:The Great Rock Discography
626:". Preceded by connecting
545:California's interests in
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1526:Joe Kotleba – synthesizer
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2455:Live from the Time Coast
1693:Bell, Max (March 1997).
1433:"The Romulan Experience"
1250:All Along the Watchtower
616:All Along the Watchtower
462:Musical style and themes
351:Background and recording
324:All Along the Watchtower
217:All Along the Watchtower
2412:Rapture in the Chambers
2168:: 30. February 16, 1977
2085:The Rough Guide to Rock
1947:MacDonald, Ian (2003).
1669:"Spirit: Spirit of '76"
1536:Blair Mooney – engineer
1447:"Monkey See, Monkey Do"
1005:. It also explains why
360:A Magical-Kahauna Dream
244:A Magical-Kahauna Dream
2534:Mercury Records albums
2474:Time Circle, 1968–1972
1531:"Monkey See Monkey Do"
1475:"The Journey of Nomad"
1043:"now seems incredibly
1017:Lester states that as
952:". Carol Clerk of the
608:Magic Transistor Radio
480:
2482:Chronicles, 1967–1992
2057:Tobler, John (2000).
1127:All songs written by
709:Release and promotion
469:
2559:1970s concept albums
2554:Sound collage albums
2524:Spirit (band) albums
2404:The Thirteenth Dream
1949:"The Elusive Spirit"
1765:Ptolemaic Terrascope
1478:California, Tom Hall
1321:"Star Trek Dreaming"
1202:"Buried in My Brain"
1131:except where noted.
1082:Ptolemaic Terrascope
758:Professional ratings
747:Like a Rolling Stone
18:Future Games (album)
1920:New Musical Express
1836:cite AV media notes
1523:– drums, percussion
1422:California, Cassidy
1408:California, Cassidy
1352:California, Cassidy
1298:
1268:"Would You Believe"
1137:
904:New Musical Express
759:
526:and multi-textural
502:citizens band radio
1953:The People's Music
1695:"Randy California"
1296:
1282:"Jack Bond Speaks"
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1025:album", predating
927:very conceptual."
757:
753:Critical reception
655:Turnabout Intruder
481:
298:Turnabout Intruder
222:Released: May 1977
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2447:Live at La Paloma
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2420:Tent of Miracles
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2396:...Potato Land
2392:
2384:
2376:
2368:
2360:
2352:
2344:
2336:
2328:
2319:
2317:
2313:
2312:
2310:
2309:
2307:Dave Waterbury
2304:
2298:
2297:
2290:
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2276:
2269:
2261:
2258:
2257:
2252:
2250:
2249:
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2235:
2227:
2219:
2218:
2198:
2179:
2159:"New Releases"
2150:
2136:
2129:
2111:
2100:
2093:
2075:
2046:
2039:
2016:
1975:
1961:
1932:
1879:
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1434:
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1420:
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1412:
1409:
1406:
1405:"Detroit City"
1403:
1399:
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1342:
1339:
1336:
1335:"Interlude XM"
1333:
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1325:
1322:
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1311:
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1305:
1294:
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1241:
1238:
1235:
1234:"So Happy Now"
1232:
1228:
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1200:
1196:
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1164:
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1154:
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1150:
1147:
1144:
1133:
1124:
1121:
1057:non-conformity
1049:do-it-yourself
1014:
1011:
970:Haight-Ashbury
907:, Bell deemed
897:
896:
867:
859:
858:
855:
847:
846:
817:
809:
808:
779:
773:
772:
769:
765:
764:
754:
751:
710:
707:
695:Terry Anderson
645:Excerpts from
591:
588:
496:dialogue from
463:
460:
458:
455:
352:
349:
232:
231:
228:
227:
225:
224:
210:
207:
206:
196:
195:
192:
191:
188:
187:
182:...Potato Land
178:
169:
155:
154:
147:
146:
144:Dr. Sardonicus
141:
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2401:
2398:
2397:
2393:
2390:
2389:
2385:
2382:
2381:
2380:Farther Along
2377:
2374:
2373:
2372:Son of Spirit
2369:
2366:
2365:
2364:Spirit of '76
2361:
2358:
2357:
2353:
2350:
2349:
2345:
2342:
2341:
2337:
2334:
2333:
2329:
2326:
2325:
2321:
2320:
2318:
2316:Studio albums
2314:
2308:
2305:
2303:
2300:
2299:
2296:
2295:
2291:
2289:
2288:
2284:
2282:
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2225:
2214:
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2208:
2202:
2199:
2194:
2190:
2183:
2180:
2172:September 20,
2167:
2160:
2154:
2151:
2146:
2140:
2137:
2132:
2130:1-85227 745 9
2126:
2122:
2115:
2112:
2109:
2104:
2101:
2096:
2094:1-85828-457-0
2090:
2086:
2079:
2076:
2064:
2060:
2053:
2051:
2047:
2042:
2040:1-84195-827-1
2036:
2032:
2025:
2023:
2021:
2017:
2005:
2001:
1994:
1992:
1990:
1988:
1986:
1984:
1982:
1980:
1976:
1964:
1962:9781844130931
1958:
1954:
1950:
1943:
1941:
1939:
1937:
1933:
1925:September 20,
1921:
1917:
1915:
1906:
1904:
1902:
1900:
1898:
1896:
1894:
1892:
1890:
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1502:
1494:
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1480:
1477:
1474:
1470:
1466:
1463:
1461:"Mt. Olympus"
1460:
1456:
1452:
1449:
1446:
1442:
1438:
1435:
1432:
1428:
1424:
1421:
1418:
1414:
1410:
1407:
1404:
1400:
1396:
1393:
1390:
1386:
1382:
1379:
1377:"Gorn Attack"
1376:
1372:
1368:
1365:
1362:
1358:
1354:
1351:
1348:
1344:
1340:
1337:
1334:
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1323:
1320:
1316:
1300:
1287:
1284:
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1277:
1273:
1270:
1267:
1263:
1259:
1257:
1254:
1251:
1247:
1243:
1239:
1236:
1233:
1229:
1225:
1222:
1220:"Bionic Unit"
1219:
1215:
1211:
1208:
1204:
1201:
1197:
1193:
1190:
1187:
1183:
1179:
1176:
1173:
1169:
1165:
1162:
1159:
1155:
1139:
1132:
1130:
1123:Track listing
1122:
1120:
1118:
1114:
1113:
1108:
1104:
1100:
1099:Ian MacDonald
1096:
1092:
1091:Spirit of '76
1088:
1084:
1083:
1078:
1077:
1072:
1071:
1066:
1065:Grateful Dead
1062:
1058:
1054:
1053:individualism
1050:
1046:
1042:
1038:
1037:
1032:
1028:
1024:
1020:
1012:
1010:
1008:
1004:
1000:
996:
995:Todd Rundgren
992:
991:
986:
982:
978:
973:
971:
967:
966:sound effects
964:
960:
959:Steve Hillage
955:
951:
950:reincarnation
947:
943:
939:
938:
937:Rolling Stone
933:
928:
925:
920:
916:
915:
910:
906:
905:
868:
866:
865:
861:
860:
856:
854:
853:
849:
848:
818:
816:
815:
811:
810:
780:
778:
775:
774:
766:
763:Review scores
761:
752:
750:
748:
744:
740:
735:
731:
727:
723:
719:
715:
708:
706:
704:
700:
696:
692:
688:
684:
680:
676:
672:
668:
664:
660:
656:
652:
648:
643:
641:
637:
633:
629:
628:sound effects
625:
621:
617:
613:
609:
605:
601:
597:
589:
587:
585:
581:
577:
572:
571:
566:
565:altered state
562:
558:
557:
552:
548:
543:
541:
537:
533:
529:
525:
524:sound collage
521:
517:
513:
509:
508:
503:
499:
495:
490:
486:
478:
477:
472:
468:
461:
456:
454:
452:
448:
447:Phil McMullen
444:
440:
436:
432:
428:
424:
420:
419:Farther Along
415:
413:
409:
405:
401:
400:Farther Along
397:
396:Spirit of '76
393:
389:
388:
383:
382:
381:Farther Along
377:
376:
375:Son of Spirit
371:
370:
369:Spirit of '76
365:
361:
357:
350:
348:
346:
342:
338:
334:
333:
332:Farther Along
327:
325:
321:
317:
313:
312:
307:
303:
299:
295:
294:
289:
286:and dialogue
285:
284:sound collage
281:
277:
273:
268:
266:
262:
258:
254:
250:
246:
245:
240:
239:
229:
218:
212:
211:
208:
205:
204:Future Games
201:
197:
193:
184:
183:
179:
175:
174:
170:
166:
165:
164:Farther Along
161:
160:
156:
152:
148:
145:
142:
140:
136:
133:
130:
128:
124:
112:
108:
103:
100:
98:
95:
93:
90:
88:
85:
84:
83:
81:
77:
74:
70:
66:
62:
58:
54:
49:
45:
41:
36:
31:
19:
2499:
2480:
2472:
2466:Compilations
2453:
2445:
2426:
2418:
2410:
2402:
2394:
2388:Future Games
2387:
2386:
2378:
2370:
2362:
2354:
2346:
2338:
2330:
2322:
2292:
2287:Jay Ferguson
2285:
2278:
2271:
2264:
2210:
2201:
2192:
2182:
2170:. Retrieved
2165:
2153:
2144:
2139:
2120:
2114:
2103:
2084:
2078:
2068:November 14,
2066:. Retrieved
2062:
2030:
2009:November 14,
2007:. Retrieved
2003:
1968:November 14,
1966:. Retrieved
1952:
1923:. Retrieved
1919:
1914:Future Games
1913:
1872:November 14,
1870:. Retrieved
1865:
1828:Future Games
1827:
1803:November 14,
1801:. Retrieved
1797:
1770:September 5,
1768:. Retrieved
1764:
1739:September 5,
1737:. Retrieved
1733:
1704:September 5,
1702:. Retrieved
1698:
1688:
1678:September 5,
1676:. Retrieved
1672:
1662:
1650:. Retrieved
1647:The Guardian
1646:
1601:September 5,
1599:. Retrieved
1596:Classic Rock
1595:
1572:November 16,
1570:. Retrieved
1564:
1558:
1509:Future Games
1508:
1506:
1349:"China Doll"
1205:California,
1126:
1117:Spirit of 76
1116:
1112:jeu d'esprit
1110:
1106:
1103:Future Games
1102:
1094:
1090:
1087:Future Games
1086:
1080:
1076:The Prisoner
1074:
1068:
1041:Future Games
1040:
1034:
1019:Future Games
1018:
1016:
1007:Future Games
1006:
990:The Guardian
988:
980:
974:
953:
942:Future Games
941:
940:opined that
935:
929:
923:
919:Future Games
918:
912:
909:Future Games
908:
902:
900:
862:
850:
812:
734:Future Games
733:
714:Future Games
713:
712:
699:protest song
667:Captain Kirk
646:
644:
632:Jimi Hendrix
593:
583:
579:
568:
554:
544:
532:conceptually
520:tone colours
511:
505:
489:Future Games
488:
482:
474:
471:Captain Kirk
430:
423:Future Games
422:
418:
416:
404:Future Games
403:
399:
395:
385:
379:
373:
367:
359:
356:Future Games
355:
354:
337:Future Games
336:
330:
328:
309:
291:
280:Future Games
279:
270:An album of
269:
243:
242:
238:Future Games
237:
236:
235:
203:
180:
173:Future Games
172:
171:
162:
71:Studios 70,
48:Studio album
33:Future Games
2529:1977 albums
2439:Live albums
2302:Al Staehely
1868:. Acton: 11
1061:the Ramones
1031:David Byrne
1023:collage-pop
999:a True Star
683:the Muppets
528:guitar rock
516:space music
498:pop culture
485:psychedelic
457:Composition
443:Dr. Demento
392:Paul Lester
387:Potato Land
358:(subtitled
345:collage-pop
274:, rock and
272:psychedelic
241:(subtitled
87:Psychedelia
2518:Categories
2501:Model Shop
2493:Soundtrack
2294:John Locke
2280:Ed Cassidy
2266:Mark Andes
1652:6 November
1550:References
1521:Ed Cassidy
1085:considers
932:Dave Marsh
743:Neil Young
739:the Police
726:Ted Nugent
701:about the
677:, samples
604:Beach Boys
600:Kim Fowley
439:Ed Cassidy
408:hedonistic
341:conceptual
316:Kim Fowley
265:Ed Cassidy
153:chronology
63:April 1977
1912:"Spirit:
1798:Dark Star
1503:Personnel
1310:Writer(s)
1256:Bob Dylan
1160:"CB Talk"
1149:Writer(s)
1095:Dark Star
1027:Brian Eno
981:Star Trek
922:record."
671:Cobo Hall
659:Paramount
651:body swap
647:Star Trek
612:Bob Dylan
596:car radio
584:Star Trek
580:Star Trek
570:Star Wars
512:Dark Star
507:Star Trek
476:Star Trek
431:Dark Star
320:Bob Dylan
293:Star Trek
2356:Feedback
2059:"Spirit"
2004:AllMusic
1489:"Ending"
1297:Side two
1136:Side one
1003:populist
977:AllMusic
777:AllMusic
703:Cold War
687:Ronettes
414:regime.
372:(1975),
335:(1976).
139:Producer
60:Released
50: by
2215:. 1977.
2212:Discogs
946:hippies
689:-style
622:" and "
620:Hey Joe
561:Urantia
536:Hendrix
494:sampled
487:album,
435:console
412:fitness
288:samples
278:music,
200:Singles
186:(1981)
177:(1977)
168:(1976)
132:Mercury
102:collage
2504:(1968)
2485:(1992)
2477:(1991)
2458:(2004)
2450:(1993)
2431:(1996)
2423:(1990)
2415:(1988)
2407:(1984)
2399:(1981)
2391:(1977)
2383:(1976)
2375:(1975)
2367:(1975)
2359:(1972)
2351:(1970)
2343:(1969)
2335:(1969)
2327:(1968)
2324:Spirit
2254:Spirit
2195:: A 7.
2166:Walrus
2127:
2091:
2037:
1959:
1492:
1464:
1450:
1436:
1394:
1366:
1338:
1324:
1313:Length
1271:
1237:
1207:Fowley
1191:
1177:
1163:
1152:Length
1107:oeuvre
1101:cites
1013:Legacy
924:Walrus
771:Rating
768:Source
636:phased
551:Hawaii
538:meets
451:Hawaii
306:Hawaii
253:Spirit
151:Spirit
110:Length
68:Studio
53:Spirit
2340:Clear
2162:(PDF)
1734:Uncut
1673:Uncut
1307:Title
1146:Title
1070:Uncut
1067:. In
722:macho
663:Bones
590:Songs
540:Zappa
473:from
427:Tampa
251:band
202:from
127:Label
80:Genre
73:Tampa
2174:2023
2125:ISBN
2089:ISBN
2070:2023
2035:ISBN
2011:2023
1970:2023
1957:ISBN
1927:2023
1874:2023
1842:link
1805:2023
1772:2023
1741:2023
1706:2023
1699:Mojo
1680:2023
1654:2023
1603:2023
1574:2023
1495:3:50
1481:2:30
1467:0:25
1453:1:39
1439:0:57
1425:1:57
1411:3:55
1397:0:25
1383:2:10
1369:0:10
1355:2:00
1341:0:26
1327:2:16
1288:1:17
1274:3:13
1260:4:27
1240:0:19
1226:2:52
1212:2:55
1194:2:44
1180:2:29
1166:0:42
1055:and
1045:punk
1029:and
997:was
857:4/10
691:echo
665:and
614:'s "
549:and
402:and
322:'s "
308:and
249:rock
92:rock
1486:22.
1472:21.
1458:20.
1444:19.
1430:18.
1416:17.
1402:16.
1388:15.
1374:14.
1360:13.
1346:12.
1332:11.
1318:10.
1303:No.
1142:No.
1033:'s
972:."
963:BBC
934:of
681:of
576:pop
417:As
276:pop
97:pop
2520::
2209:.
2191:.
2164:.
2061:.
2049:^
2019:^
2002:.
1978:^
1951:.
1935:^
1918:.
1882:^
1864:.
1850:^
1838:}}
1834:{{
1813:^
1796:.
1780:^
1763:.
1749:^
1732:.
1714:^
1697:.
1671:.
1645:.
1611:^
1594:.
1582:^
1279:9.
1265:8.
1245:7.
1231:6.
1217:5.
1199:4.
1185:3.
1171:2.
1157:1.
732:.
642:.
518:,
483:A
398:,
304:,
119:38
115:43
2246:e
2239:t
2232:v
2176:.
2133:.
2097:.
2072:.
2043:.
2013:.
1972:.
1929:.
1876:.
1844:)
1807:.
1774:.
1743:.
1708:.
1682:.
1656:.
1605:.
1576:.
1533:)
1252:"
1248:"
219:"
215:"
117::
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.