468:. The intersections between ecology and technology are also territories Barreda explores. In 2015, she participated in the exhibition "Volatile happiness" curated by Rodrigo Alonso at the Parque de la Memoria Museum, where she took up the 1999 series, "Proyecto Hábitat: Reciclables", a series of photo-performances where the author appears in a costume made with plastic packaging. Food, which she made during the economic crisis of 2001 and with which she carried out a series of urban actions in which she represented a nomadic character who circulates through the supermarkets called "Circuit of Consumption", "Circuit of Garbage" and "Urban Circuits "in symbolic neighborhoods like Constitución and
406:, she participated together with other artists in the exhibition "Utopian reality" at the South Korean Embassy in 2011. Throughout her artistic career, the theme of mysticism through the figure of the warrior and martial arts is a constant. Barreda presented in 2011 the multimedia installation "Argentina Skateland and the Tattoo of Eros". In the video the tattoos and drawings are on the bodies of two protagonists: a spiritual skater warrior who falls in love with the allegorical woman of the pyramid of May (monument in the central square of Argentina). With the support of the Embassy of Japan, in 2012 she participated in "Satori", an art and technology exhibition on Japanese culture in a
898:. From this editorial project arises an alternative publication entitled Habitat Project Manifesto that he made in 2001 that is part of the universe of the Habitat Project work project. In 2018, it is part of the artistic catalog of the Ministry of Education of the Nation of the Argentine Republic. In 2019 she participated in the exhibition "Artists' Books from Latin America, Printed Matter" that took place at the Museum of Modern Art in New York –
22:
150:, she developed the series "Arquitectura de Azúcar" narrating social and historical fragility through the construction of national building icons with the use of sugar as raw material. It was exhibited and obtained the Third Mention of the Banco Nación Award, in which it was judged and curated by Jorge López Anaya, Marcelo Pacheco, Fernando Farina, Laura Buccellato and
449:, "My home are the lines of my hand", a fluorescent acrylic house , photographs and models with video installations inside. Barreda calls that house a playful therapeutic architectural object, which is part of a performance where the viewer holds it in her hand. Then, this installation was presented with Tramando by Martin Churba, at fashion week and in the
177:, houses inside the sugar model, the photographs on screens, giving from the art a positive look on an extreme moment. It is rebuilt each time it is installed as a metaphor for Argentina and the world, where the subject gets up every day and rebuilds her project of life and nation. The exhibition anticipates and coincides with the moment of the
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at
Fundación Telefónica (Telefónica) curated by Corinne Abadi in 2004, she worked with the house and the occupied territories from the image. In the multimedia exhibition, she developed the series "Arquitectura del Deseo", an emotional modulor of photoperformances where she wrote about the body, and
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de Madrid with the curatorship of Jose Jiménez, shows that it travels in Latin
America and Europe. It is a thesis on Latin American conceptual art, in which Barreda's installation reflects on the social and political processes in Latin America, from a critical, reconstructive and poetic perspective.
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and technology, among which are "Expanded Body
Deconstruction", "Extreme Body Sensitivity Digital" among many others In 2016, she curated "Body & Desire", a collective exhibition at the Arte x Arte Fundación Alfonso y Luz Castillo gallery, in which 100 works by 65 artists were exhibited on the
104:, creating a light installation in a sacred site such as the historic Recoletos Convent, transformed into a cultural place. From there, she made a series of performances and videos building interdisciplinary projects between art and science. Video installations are a recurring medium in her work.
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Since 1998, Barreda has addressed the theme of home in her work. Conceptually she developed the house as a symbolic structure of various aspects of the human being, her relationships, her emotions, and her culture, using various materials such as translucent acrylic, light boxes, photography and
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From the beginning, the theme of desire was outlined as one of her artistic concerns, for which she approached her work using paradoxes as a procedure for creation. She has participated in solo and group exhibitions, both in
Argentina and abroad since 1992. In 1996 she held her first solo show
36:, Argentina. July 27, 1967) is an Argentine photographer, performer, installationist and multimedia artist. Her work specializes in the body, desire and politics of gender. She has participated in national and international exhibitions, being the most important ones in places such as
173:, similarly to the Twin Towers. In the center, a Casa Rosada of sugar under an acrylic dome stands as a desire for persistence in the face of any adversity. Ideological force gives consistency to that emblem of a nation made of sugar. A pink human-scale house, symbolizing the
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in the exhibition "Dreams of water. Sand houses", which consisted of ecological installations on architecture as a metaphor for subjective and social regeneration from nature. Photos of castles, sea foam and snail eggs, the town hall under water with grass growing inside.
561:. With this piece that was exhibited at The Night of the Museums, she reflected on the importance of preserving the cultural heritage through the technique of video mapping. In addition to public collections, her work is part of the following private collections:
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in
Chicago. On March 8, in the context of women's day, she won a 2022 edition visual arts acquisition award Premio 8M, granted by the Argentine state for the preservation of art made by women and dissidents outside the patriarchal system.
312:, through various media, such as the photographic installation of subways and airports in different global metropolises and their social and technological metaphors. She developed the work from the theoretical perspective of
395:, in an acrylic model with portable DVD players, along with video projections. In it, she developed the relationships between body architecture and feminism through a tribute to "La casa de cristal" by Italian architect
701:(1999). With this scholarship she presented her work "Aura" in Austria at an interdisciplinary congress about dance, music and visual arts. From there she developed a series of works on the body and experimental music.
79:, where she directs the Art Gallery of the Faculty of Psychology, with the aim of showing the work of young artists. At the end of her university career, she dedicated her interests to the artistic area and studied
902:, an initiative that aims to show the work of the "artist's book" as an entity of work. Several of her publications have been donated to the library of the Ibero-American Institute of Prussian Cultural Heritage.
710:, Argentina (2001). With the Grant from the Fondo Nacional de las Artes she developed her work "Proyecto: Reciclables" a series on urban actions, photo-performances, video – performances and objects.
476:, as part of the activities of the Ministry of Environment and Sustainable Development of Argentina. The work consisted of four domes representing the four elements of nature, which were viewed from
100:(Buenos Aires), Barreda created a series of photo-performances, erotic and mystical self-portraits. With these pieces she addressed the union of the body and technology through photos illuminated in
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as an ecological designation. In 2016 she exhibited together with Martín
Bonadeo, Augusto Zanela and Gonzalo Lauda, called Grupo Fractal, the Ecological Project in the national technological park,
1969:
858:. She gave seminars in the careers of Clothing Design, Psychology and Architecture at the University of Buenos Aires as well as lectures, including a face-to-face meeting in the exhibition
1024:"Imágenes que son carnada del deseo. Un catálogo insinuante. La muestra colectiva curada por Fabiana Barreda exhibe los muchos cuerpos que alimentan la fantasía sexual en el arte"
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potential of the body as a political-erotic subject and its link with technology. The exhibition included works by renowned national and international photographers, such as
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685:, where she presented light boxes, photo performances, about the body, the sacred and memory. She developed a series of experimental photographs and quotes to
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digital space of existence. With this project, Barreda researched the relationships between the body, architecture, society and technology. She developed a digital
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Within the development of her artistic work, Barreda constantly crosses between technology and other disciplines such as architecture, psychology, sociology and
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lights and a total of 21 photo-performances, addressing the time to which modern man is exposed as creator of civilization and its link with a spiritual quest.
45:
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The multimedia installation "Proyecto Hábitat
Arquitectura de Azúcar Casa Rosada – A house for the Casa Rosada", features a series of backlights where the
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2005:
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Grant from
Fundación Antorchas to participate in the Barracas Workshop, Argentina (1996). With this grant she developed the exhibition "Aura" at the
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Barreda explored interactivity in social networks and its implementation in the art world. In 2019, after winning a Grant for the
Creation of the
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was the setting for the exhibition "Horizons of Desire" in 2014, curated by
Rodrigo Alonso. The artist presented the multimedia installation
294:
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to Gabriel Orozco" and the round table "Cartography of our photography" (2010), which were held at the Museum of Latin American Art, MALBA.
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In 2020 Barreda participated in the immersive experience of the art and technology exhibition of Tarjeta Naranja, a company that belongs to
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Festival within the Espacio Pla exhibition, held at the Usina del Arte. There she presented an installation with the Sound Body app for
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2091:"La edición 2022 del Premio Adquisición de Artes Visuales 8M abre sus puertas al público este viernes en el Centro Cultural Kirchner"
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87:. In 1996 she obtained a grant from the Antorchas Foundation to participate in a workshop for artists named "Taller de Barracas".
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549:(2017), whose name refers to the Greek mathematician and philosopher Hipatia, as a tribute, including prominent authors such as
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at the University Institute of Art and Biodesign in the Interactive Design Master at the School of Design and Urbanism of the
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293:. She presented this project in 2017 in the International Biennial of Contemporary Art of South America, BIENALSUR, at the
1414:"Otra forma de competir. El Salón Nacional de Artes Visuales y el Premio Banco Nación renuevan el perfil de los concursos"
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262:
2023:
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Grant for the creation of the National Fund for the Arts for the work Proyecto Habitat Transmodernismo, Argentina (2019)
2323:
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2252:"Prácticas artísticas en un planeta en emergencia. Fabiana Barreda x Marina Correa, Irene Gelfman y Agustina Wetzel"
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2270:"Perfil Fabiana Barreda, Museo de Arte Contemporáneo de la Universidad Nacional del Litoral. Santa Fe, Argentina"
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1261:"Perfil Fabiana Barreda, Museo de Arte Contemporáneo de la Universidad Nacional del Litoral. Santa Fe, Argentina"
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1845:"Filtros de IG como obras de arte, un premio de no ficción, lo nuevo de Martel y dos películas de Villar Rojas"
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2365:"Maestría en Diseño Interactivo en la Facultad de Diseño y Urbanismo de la Universidad de Buenos Aires. FADU"
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1300:"Perfil de Fabiana Barreda. Museo de Arte Contemporáneo de la Universidad del Litoral. Santa Fe, Argentina"
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533:(2004) that belongs to "Proyecto Hábitat", Museum of Modern Art of Buenos Aires, the BA Art Foundation,
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Barreda's path in curatorship began in 1987. Together with Julio Sánchez, she curated the exhibition
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in December 2001. This piece, as a symbol of that historical moment, is part of the heritage of the
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541:. Some of her works are in the collection of the Ministry of Education of Argentina with the piece
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The work is narrated with seven large backlights, which address other artists in the show such as:
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with his work "Casa del Puente". Acrylic models with emblems of national architecture such as the
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297:. The curator was Cristina Rossi and was organized by the Universidad Tres de Febrero – UNTREF.
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2077:"Segunda edición del Premio Adquisición de Artes Visuales 8M: despatriarcalizar el Patrimonio"
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1987:
2105:"Arte Contemporáneo como Transmutación. Cuerpo y Biotecnologías, charla con Fabiana Barreda"
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due to its light installation, indicating the intention of art to protect the environment.
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1827:"Construir, habitar, pensar. En Gara, Fabiana Barreda expone sus últimas fotografías"
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741:. Since 2010 she has been curating the gallery of the Ricardo Rojas Cultural Center,
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Photographer of the Year Award from the Argentine Association of Art Critics (1999).
1809:"Volátil Felicidad: Relatos inmateriales de los 90' Museo del Parque de la Memoria"
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1451:"El Final del Eclipse: el Arte de América Latina en la Transición al Siglo XXI"
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Barreda's work participated in the Latin American photography circuit from the
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518:, with the curatorship of Florencia Battiti and Daniel R. Fischer and in the
637:, application for Ipad support (Apple) and electronic system created by the
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Creative Woman Award + University of Palermo. Buenos Aires, Argentina (2015)
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Grant subsidy to the Creation of the Antorchas Foundation, Argentina (2002)
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for the development of the Transmodernism project, she developed pieces in
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Biennial of Contemporary Art of South America, BIENALSUR, Argentina (2017)
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Barreda presented the exhibition "El Final del Eclipse" in 2001, with the
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in 2001, with the "Smart Station" concept, intelligent architecture and
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1970:"Proyecto Hábitat-arquitectura de azúcar: Casita de Tucumán de azúcar"
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2006:"La artista visual Fabiana Barreda presenta su proyecto Conocimiento"
1881:"Colección Museo de Arte Latinoamericano de Buenos Aires MALBA 2009"
862:, Eros and Order, the training course "Infraleves: photography from
402:
With several of the models and video installations that make up the
131:, including five video installations, seven objects structured with
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2347:"Una ecuación que funciona: la Fundación ArtexArte alcanza sus 25"
1491:"Entre la intimidad, la tradición. Argentina el arte de la acción"
1140:"Fabiana Barreda. Premio Konex 2002: Instalaciones y Performances"
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Habitat Project – Sugar Architecture: Casita de Tucumán de Azúcar
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Chandon Buenos Aires Photo Award. Buenos Aires, Argentina (2007)
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of herself to create a biopolitical space of digital existence.
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142:. In this sense, in 2001 marked by the global crisis after the
1917:"Paisaje, una experiencia artística inmersiva en Casa Naranja"
132:
1677:""Horizontes de deseo", una nueva exposición en el museo MAR"
1567:"Fabiana Barreda – Proyecto hábitat: Utopía y Deconstrucción"
71:, and the mother of Vladimir Zantleifer Barreda. She studied
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BBC Mundo. Sicoanálisis y Arte. Entrevista a Fabiana Barreda
1380:"Proyecto Hábitat. Catálogo de la Universidad de Nueva York"
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Diploma of Merit in Visual Arts-Installation awarded by the
1696:""Yo me siento en el comienzo de mi carrera: Marín Churba""
1361:"Volver a casa: Arte como refugio en tiempos de cuarentena"
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Leonardo Award for Photographer of the Year awarded by the
48:(Netherlands), Telefonica Foundation of Madrid (Spain) and
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Centro Virtual de Arte Argentino, Centro Cultural Recoleta
2063:"Exposición Premio Adquisición de Artes Visuales 8M 2022"
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Official Page Government of the Argentine Republic – News
633:
New Facilities and Alternative Media Award Selection for
2509:
Gabriela Schevach interviews Fabiana Barreda for Juanele
1433:"El final del eclipse: la pretensión del descubrimiento"
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Barreda's work is represented in the collections of the
503:. She developed a digital avatar of herself to create a
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Barreda's teaching career has included the subjects of
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In 2007, Barreda presented the multimedia installation
1397:[Fabiana Barreda: The body and cold weather].
668:
End of the World Biennial in Ushuaia, Argentina (2007)
1627:"Nueva Bienal integra arte a la fisonomía de Ushuaia"
1512:"Séptima Bienal de la Habana: Uno más cerca del otro"
2478:"Library of Institute of Prussian Cultural Heritage"
2288:"Seleccionados del Fondo Nacional de las Artes 2019"
1899:"Ganadores del Fondo Nacional de las Artes FNA 2019"
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incorporating new technology. In 2001 she exhibited
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Museum of Modern Latinoamerican Art of Buenos Aires
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Modern Latinoamerican Art Museum of Argentina MALBA
2010:Official Page Government of the Argentine Republic
154:, along with the specialists Dan Cameron from the
1395:"Fabiana Barreda: El cuerpo y la fría intemperie"
589:Barreda has received the following distinctions:
383:within the End of the World Biennial in Ushuaia,
2024:"La Noche de los Museos en el Palacio Sarmiento"
1733:"Alfabetos y frecuencias sonoras en Espacio Pla"
451:National Museum of Decorative Arts, Buenos Aires
2409:"Muestra Mapplethorpe. Eros and Order en MALBA"
491:technology, 3D objects, videos and filters for
2428:"Fotografía. Luces secretas y túneles urbanos"
1412:García Navarro, Santiago (December 29, 2000).
644:Visual Arts Acquisition Award Premio 8M (2022)
2178:"Experiencias Motivadoras. Mujeres Creativas"
1765:"Sound Body – Cuerpo Sonoro. Fabiana Barreda"
663:International Architecture Biennale Rotterdam
531:Home Module, my home are the lines of my hand
169:(Argentine government palace) is attacked by
46:International Architecture Biennale Rotterdam
8:
2142:"Méritos y deméritos de los premios (photo)"
1220:Fernández Irusta, Diana (December 2, 2008).
1162:"Arte. Espacios interiores, interior humano"
614:. Castagnino de Rosario + Macro Museum. 2001
527:Museum of Latin American Art of Buenos Aires
1779:"Experiencia ser sustentable en Tecnópolis"
495:and Facebook, along with a prototype of an
1663:"Argentina Skateland y el Tatuaje de Eros"
1321:ArteUNA. Universidad Nacional de las Artes
598:Museum of Contemporary Art of Buenos Aires
381:Habitat Project: Utopia and Deconstruction
353:Habitat Project: Utopia and Deconstruction
1160:García Navarro, Santiago (May 13, 2006).
798:, she curated the collective exhibition
376:, make up the pieces of the exhibition.
96:exhibition, "Aura", held in 1996 at the
2192:"Salón Nacional de Artes Visuales 2015"
1751:"Todo listo para el Sónar Buenos Aires"
1625:Martínez Quijano, Ana (April 2, 2007).
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641:. National Hall. Palais de Glace (2015)
356:presented an architectural thesis from
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1603:López Anaya, Jorge (August 24, 2004).
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848:National University of Tres de Febrero
499:app with interactivity with the user,
430:magazine and based on the practice of
60:She is the daughter of the art critic
2320:"La galería del Rojas cumple 25 años"
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1953:"Official website of Fabiana Barreda"
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1547:López Anaya, Ángel (August 4, 2002).
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1222:"Arte. Exposición de Fabiana Barreda"
1179:Santoro, Sonia (September 26, 2010).
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878:, a photographic essay with texts by
745:, where she developed exhibitions on
7:
2544:21st-century Argentine women artists
2539:20th-century Argentine women artists
2345:Gigena, Daniel (November 23, 2020).
2140:Pacheco, Marcelo (January 8, 2002).
1988:"Artista comisario. Fabiana Barreda"
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1114:
1112:
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979:Gigena, Daniela (October 16, 2016).
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335:In 2002 Barreda presented the works
2460:"Artists' Books from Latin America"
1586:"Imágenes de espacios en conflicto"
1047:Printed Matter exhibition. PS1 Moma
689:through an apocryphal family album.
2395:"Fabiana Barreda Official Website"
2274:National University of the Litoral
2196:Ministerio de Cultura de la Nación
1584:Chaher, Sandra (August 22, 2004).
1359:Chatruc, Celina (March 21, 2020).
1342:"Arte. Exhibición Fabiana Barreda"
1243:"Buenos Aires. La ciudad y el río"
1201:Zacca, Corine (January 21, 2004).
456:In 2015 she participated with the
426:and text by Amalia Sato editor of
14:
2559:University of Buenos Aires alumni
1785:. August 12, 2016. Archived from
387:. The work included a tribute to
183:Buenos Aires Museum of Modern Art
2127:Universidad Nacional del Litoral
1694:Escola, Cecilia (June 5, 2015).
1265:Universidad Nacional del Litoral
874:In 1998 Barreda edited the book
1472:"BIENALSUR. Trazas simultáneas"
790:. Also, in 2018, together with
708:National Endowment for the Arts
635:Sound Body – Reactable Alphabet
485:National Endowment for the Arts
458:Sound Body – Reactable Alphabet
192:, carried out at the Fundación
2554:Argentine contemporary artists
2210:"Jardín Nacional de Ficciones"
1867:Qué pasa web – Agenda cultural
1043:"Latin America artist's books"
1:
2231:"Catálogo Colección Fortabat"
1645:"Exhibición Realidad Utópica"
1082:"Web oficial Fabiana Barreda"
1001:Laura, Rosso (July 2, 2010).
804:Jewish Museum of Buenos Aires
735:Centro de Arte y Comunicación
110:Proyecto Habitat: recyclables
69:Luis Federico Barreda Murillo
2217:Jardín Nacional de Ficciones
1007:Página 12. Supplement Las 12
537:and the Museo Castagnino de
414:, Murasaki Shikibu Bushido,
190:Habitat Project: recyclables
123:, was made up of two series
116:, curated by Julio Sánchez.
2109:Universidad de Buenos Aires
1122:"Biografía Fabiana Barreda"
1061:"Fabiana Barreda Biography"
806:, in which artists such as
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2369:University of Buenos Aires
1939:OdA Galería – Photo London
1715:"Mondo Fishion. En oferta"
856:University of Buenos Aires
77:University of Buenos Aires
50:Museum of Monterrey – MACO
2549:Artists from Buenos Aires
2123:"Artista Fabiana Barreda"
1549:"Nada más que fotografía"
1530:"Artista Fabiana Barreda"
1378:Barreda, Fabiana (2001).
1279:"La experiencia Antorcha"
1003:"Arte. Rescate emocional"
894:with the presentation of
603:Honorable Mention of the
148:Argentine economic crisis
2514:ArtFacts Fabiana Barreda
2256:Centro Cultural Kirchner
1247:PROA Fundation – Techint
1181:"Arquitectura emocional"
1103:"Kónex Foundation Award"
697:of Schloss Leopolskrom,
683:Centro Cultural Recoleta
567:Mariano Marcondes Ferraz
98:Recoleta Cultural Center
91:Career and artistic work
1605:"Realidad y Simulación"
1317:"Aura II. arteUna 1996"
695:Salzburg Global Seminar
639:Pompeu Fabra University
607:Award, Argentina (2001)
404:Habitat: Utopia Project
370:Cabildo de Buenos Aires
263:Marta María Pérez Bravo
144:fall of the Twin Towers
56:Biography and education
1649:Korean Cultural Center
1203:"Psicoanálisis y arte"
1144:Premio Fundación Kónex
731:El Margen de lo Mínimo
547:Biblioteca del Maestro
529:, MALBA with the work
300:Barreda presented the
247:María Fernanda Cardoso
125:Architecture of Desire
26:
959:"Fabiana Barreda Bio"
876:La Ciudad Subterránea
654:Selection at the VII
345:Architecture of Light
337:Architecture of Water
158:, North American and
24:
2426:Katzenstein, Agnes.
2326:on November 28, 2020
2093:. February 27, 2022.
1813:Parque de la Memoria
1683:. December 28, 2014.
1030:. November 11, 2016.
573:, Frances Reynolds.
341:Architecture of Sand
271:Abraham Cruzvillegas
38:Museum of Modern Art
2464:Printed Matter, Inc
2012:. November 3, 2017.
1903:National Arts Grant
1863:"Agenda Tecnópolis"
1789:on November 1, 2020
1713:Lescano, Victoria.
1348:. December 2, 2008.
860:Robert Mapplethorpe
780:Robert Mapplethorpe
737:(CAyC) directed by
610:Acquisition of the
535:New York University
129:Cosmic Architecture
114:New York University
42:New York University
2446:"Joseph Kugielsky"
2302:"Cuerpo Expandido"
2238:Fundación Fortabat
919:Sergio Castiglione
656:Biennial of Havana
621:, Argentina (2002)
441:The MAR Museum in
372:crossing with the
362:Gordon Matta-Clark
27:
2375:on April 11, 2021
1631:Ámbito Financiero
1489:Alonso, Rodrigo.
1393:Zuzulich, Jorge.
892:Jorge López Anaya
838:Academic activity
768:Sofía López Mañán
661:Selection at the
585:Prizes and awards
578:Schneider Gallery
497:augmented reality
295:Brazilian Embassy
283:Pablo Vargas Lugo
275:Yolanda Gutiérrez
83:, philosophy and
40:(New York, USA),
2566:
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2497:Official website
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981:"Cuerpo y Deseo"
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852:Contemporary art
792:Joseph Kugielsky
665:, Holland (2003)
619:Konex Foundation
571:Fabio Szwarcwald
385:Tierra del Fuego
366:Amancio Williams
175:Government House
18:Argentine artist
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934:Rosângela Rennó
912:Andrés Waissman
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872:
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824:Luis Felipe Noé
727:
706:Grant from the
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424:Peter Greenaway
410:, in homage to
408:Japanese garden
393:Curutchet House
330:Jacques Derrida
322:Michel Foucault
318:Walter Benjamin
310:home automation
306:Havana Biennial
302:Habitat Project
267:Gustavo Artigas
255:Carlos Garaicoa
239:Adriana Varejão
231:Rosãngela Rennó
93:
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30:Fabiana Barreda
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162:, Brazilian.
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2389:
2377:. Retrieved
2373:the original
2368:
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2330:February 20,
2328:. Retrieved
2324:the original
2314:
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2160:"BAPHOTO 07"
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2042:"Mutual Art"
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1791:. Retrieved
1787:the original
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816:Luis Benedit
799:
772:Marcos López
747:neo-feminism
730:
728:
676:Scholarships
634:
611:
605:Banco Nación
588:
575:
563:Jerry Speyer
542:
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520:Photo London
513:
505:biopolitical
482:
478:Google Earth
457:
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416:Matsuo Bashō
412:Sei Shōnagon
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259:Ernesto Leal
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227:Ernesto Neto
207:Jorge Macchi
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160:Aracy Amaral
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62:Rosa Faccaro
59:
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