198:"The immunity to Beckett is acquired by a careful study of his work. That could last for a long time, so Zoran Stefanović decided to shorten the process efficiently and effectively, to find a shortcut that won't take away any of his own creativity. Out of several Beckett's dramas he made a new one, by postmodernist rules completely his and autochtonous. It speaks about the things that Beckett's dramas carry inside, but does not speak directly—the writer had to tell it elsewhere and with a different reason: that the human life is most melodramatic of all the melodramas. (...) Stefanović has written an unwritten Beckett’s play anew, taking away nothing, but adding, just by a good combination of things already existing, the irony, optimistic distance and the thing that the primary author generally lacks—humor." — Dubravka Knežević, 1995.
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207:"Zoran Stefanovic's poetics is (quite) disparate in our /i.e. Serbian/ literary space. (...) He does not allow himself to photograph; he must have visions. He does not paint, he shapes. He does not take too much from reality, and even what he borrows from it serves him as a material for the search for the essence of people and phenomena." — Vladimir Stamenković, 1995.
204:"/Obviously/ there is a layered intellectual discourse, a particular theatrical aesthetics, as well as referring to the tradition that was most demanding in the history of theater, both for directors and viewers." — Petar Grujičić, 1995.
201:"/The writer/ brings an atypical (read: non-realistic) sensibility for our theatrical routine, sensibility inclined to experiment, fantasy and grotesque, captivating with its layered, multiple meaning levels." — Ilija Bakić, 1995.
176:, English by Marko Fančović, French by Veljko Nikitović (1992), Romanian by Dušan Bajski (2000), as well as into Ukrainian (2010) and Russian (2011) by Lyudmila Markievich.
217:
Knežević, Dubravka. "In
Defense of Difference" (afterword of Zoran Stefanović's book "Slavic Orpheus and other plays"), „Flamarion", Beograd, 1995, pp. 179–186.
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Stamenkovic, Vladimir. Review of the book by Zoran
Stefanović "Slavic Orpheus and Other Plays", „Flamarion", Belgrade, 1995, first page cover.
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The drama received a positive rating from both domestic and foreign critics. It is published in printed and electronic form several times.
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Grujičić, Petar. Prikaz knjige „Slovenski Orfej i druge drame“ Zorana
Stefanovića, written 1995. „Projekat Rastko“, published 2002.
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Vuković, Ivan. „Slovenski Orfej ubiva postmodernizam: Vikend sa
Marijom Broz“ (prikaz knjige drama),
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304:„Knjiga nove osećajnosti: „Slovenski Orfej“ Zoran Stefanović, izdavač Znak Sagite, Beograd, 1995.“
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In
Defense of Difference" (afterword of Zoran Stefanović's book "Slavic Orpheus and other plays")
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265:. Združenie na dramski umetnici i ljubiteli „Talija“, Skopje, dekemvri 1995, str. 59.
353:(1992), Contemporary Serbian drama, Project Rastko (English translation)
334:
Review of the book by Zoran
Stefanović "Slavic Orpheus and Other Plays"
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360:(1992), Savremena srpska drama, Projekat Rastko (Serbian original)
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Radonjić, Svetozar Ras. „Ka novom izrazu“ (prikaz knjige drama),
162:, in a poetic and conceptual dialogue with the plays and life of
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Bakić, Ilija. „Knjiga nove osećajnosti“ (prikaz knjige drama),
237:
Vidaković, Dušan. „Orfejevi paradoksi“ (prikaz knjige drama),
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Božović, Gojko. „Početak igre: Zapis o 'Slovenskom Orfeju'“,
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Jocić, G. „Tačka susreta“ (kritika pozorišne predstave),
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133:, Existentialist play, Fantasy, Tragicomedy, Melodrama
258:, Kragujevac, broj 183, 25. decembar 1995, str. 41.
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336:, „Flamarion", Belgrade, 1995, first page cover.
358:„Skaska o kosmičkom jajetu, patchwork melodrama“
351:"Fable of the Cosmic Egg, a patchwork melodrama"
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293:, „Flamarion", Beograd, 1995, pp. 179–186.
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172:It is translated into Macedonian by
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414:Plays adapted into radio programs
261:Trenčovski, Goran. „Za vo koš?“,
33:to comply with Knowledge (XXG)'s
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319:Grujičić, Petar. Prikaz knjige
227:, Podgorica, 1. septembar 1992.
251:, Beograd, 28. septembar 1995.
234:, Beograd, 18. septembar 1995.
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74:Скаска о космичком јајету
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323:, Projekat Rastko, 2002.
68:Fable of the Cosmic Egg
46:may contain suggestions.
31:may need to be rewritten
429:Serbian science fiction
394:Science fiction theatre
332:Stamenkovic, Vladimir.
310:, Beograd, 18. 9. 1995.
140:Fable of the Cosmic Egg
289:Knežević, Dubravka. "
419:Plays about marriage
384:Existentialist plays
272:, Kragujevac, 1998.
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404:Tragicomedy plays
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409:Melodramas
374:1992 plays
368:Categories
277:References
212:Literature
180:Characters
99:Characters
89:Written by
52:June 2022
44:talk page
270:Svetlost
239:Valjevac
256:Pogledi
225:Pobjeda
188:Second.
131:Tragedy
121:Serbian
185:First;
104:Second
42:. The
308:Vreme
249:Borba
232:Vreme
127:Genre
112:1998.
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